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A pair of Robert 'Mouseman' Thompson oak single beds, 1930s, each with half-penny moulding to the headboard and footboard, with adzed latticed frame, each with the carved mouse signature to the side of the footboard, both with fittings, one with a pair of irons,91.5cm wide60.5 and 100cm high (8)The beds were given to the vendor's parents, who lived near Kilburn in Yorkshire, for their wedding in 1936.Condition ReportOne pair of irons. Four cast mounts for the bed ends. Some screws. Ends where the cast brackets fit have been adapted. Filled holes to the lower holes. See extra images. Colour good overall.
Modern Vintage and Modern Commercial Fire and Public Transport Models by Corgi (16), all boxed, Corgi Mettoy tinplate clockwork London Routemaster MT00101, with key working at time of cataloguing, diecast models, Classics, 09802 ERF 8 Wheeler Milestone in Corgi history, 19802 Bedford S JW Richards, Heavy Haulage 16601 Pickfords Scammell Highwayman and Land Rover, CC12305 Eddie Stobart Scammell Contractor girder trailer and sheeted load set (dirty from display (one vehicle minus Eddie Stobart cab headboard, CC99131 Harris & Miners The Final Chapter two model set, 97320 American La France fire engine, 98165 LT Ford Cortina, 51301 San Diego Chevrolet Sheriffs car, 67102 2000 Collectors Club LT Ford Escort van, CC80501 Southdown Austin A35 (both in mailout boxes), 1:64 scale modern articulated trucks, CC87003 James Irlam, CC86701 Stobart United Glass, CC86604 Stobart Kauf , CC86702 Stobart The Mirror, CC86603 Sunpride, OM46310 Anniversary Edition Routemaster, G-E, boxes F-E, (16)
A pair of 19th century American Federal maple wood single beds. Each bed having a carved headboard with turned upright supports. The foot boards with turned uprights and supports. Headboards measure approx. 112cm x 99cm. All lots in this auction are part of a private collection of antique furniture and smaller effects. The collection having been amassed over a 30-40 year period by an ex-furniture restore who's eye for a good piece shows through in this auction. Items in this auction may have defects or signs of repairs. Please ask for condition reports at conditionreports@auctioneum.co.uk.
Barnini Oseo - super king 6' 'Reggenza' bedstead, the headboard with a pierced cartouche pediment with extending scrolling foliage, decorated with trailing gilt flower heads, upholstered in buttoned lilac velvet, raised on cabriole feet, in a cream finishDimensions: Height: 170cm Length/Width: 196cm Depth/Diameter: 223cm
[ Railwayana ] A wooden reproduction locomotive headboard for The Thames-Clyde Express, 103 x 36.5 cm [ The Thames-Clyde Express was a named express passenger train operating on the Midland Main Line, Settle-Carlisle Railway, and the Glasgow South Western Line between London St Pancras and Glasgow St Enoch. ]
In the manner of Emile-Jacques Ruhlmann, a French Art Deco Amboyna bed, the headboard with integral bedsides, lacking side railsthe headboard 109 x 214 x 38cmIn generally good condition noting only a few scuffs and chips commensurate with age and use, no side rails present. Headboard: 109 x 214 x 38cmFootboard: 63 x 152 x 14cmMatress size would be app. 138cm wide (UK double)
Gründerzeit-Klappstuhl "Faulenzer". Ende 19. Jh. Hartholz massiv und gebeizt. H ca. 110 cm, Sitzhöhe ca. 42 cm. Bequemer, sogenannter "Faulenzer" mit klappbarem Gestell, hoher verstrebter Lehne mit Kopfbrett mit Eichenlaubschnitzerei und verstrebter Sitzfläche, auf gebogten Scherenbeinen. Alters-/Gebrauchsspuren, restauriert. Versand nicht verfügbar.Aufrufzeit 26. | Okt 2023 | voraussichtlich 19:55 Uhr (CET)Founding era folding chair "Lazy". Late 19th century Hardwood solid and stained. H about 110 cm, seat height about 42 cm. Comfortable, so-called "lounger" with folding frame, high braced backrest with headboard with oak leaf carving and braced seat, on curved scissor legs. Traces of age / use, restored. Shipping not available.Call time 26 | Oct 2023 | expected 19:55 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A teak 'Hamilton' bedroom suite, designed by Robert Heritage for Archie Shine comprising: three drawer dressing table, chest of drawers, a large wardrobe with a central mirrored recess, below five long drawers, flanked by double doors, supported on a plinth base, headboard, stool and blanket box. Dressing table 137cm, Chest of drawers 99cm, Wardrobe 290cm wide, 53cm deep, 180cm high
A QUANTITY OF UNBOXED OO GAUGE MODEL RAILWAY ITEMS, to include Hornby A4 class locomotive 'Golden Plover' No.60031, B.R. lined green livery with 'The Queen of Scots' headboard (R1024), assorted Hornby 'Thomas the Tank Engine series locomotives, all with damage or missing items, to include 'Gordon' No.4 (R383) missing rear pony truck and has damage to tender, 'James' No.5 (R852), missing tender and buffers, class 101 tank locomotive No.107, G.W.R. green livery (R1142?), Lima class 50 'Eagle' No.50 043, B.R. large logo blue livery (L205142), missing one buffer and coupling hook, class 55 Deltic 'The Fife & Forfar Yeomanry' No.9006, B.R. blue livery (L205106), boxed Hornby Railroad Bagnall Diesel Shunter, red livery (R3283), box damaged, mainly unboxed assorted rolling stock, to include Hornby Pullman coaches, boxed and unboxed lineside accessories and track etc. (2 boxes)
Dolls house furniture, miniature dolls, etc.Condition report:This lot comprises ten dolls, of various small sizes, and approx. 30 other items. The bed is 13cm long and 10.5cm wide, including headboard. The bath is 7cm by 2.5cm. Loo - 3.5cm. Mirror - 6.5cm. Laundry basket- 2cm. Shaving mirror- 5.5cm. Clock - 6.5cm. Please see additional uploaded images.
A STAG MINSTREL SEVEN PIECE BEDROOM SUITE, comprising a dressing table, with triple swing mirror and three drawers, length 121cm x depth 47cm x height 129cm, a dressing stool, a pair of four drawer bedside chests, a blanket box, a chest of three short over two long drawers and a headboard (condition report: all with minor marks and scratches, one mirror hinge and one blanket box hinge loose) (7)
A WHITE PAINTED FRENCH FIVE PIECE BEDROOM SUITE, comprising a dressing table, with a single swing mirror, and an arrangement of four drawers, on cabriole legs, foliate detail all over, length 120cm x depth 57cm x height 159cm, a dressing stool, a pair of two drawer bedside cabinets and a 5ft bed stead, with side rails, later made slats and central support bar (condition report: surface marks, scuffs and scratches, bedsides with previous repairs, headboard with stains, and slight damages) (5)
A Super King Size Divan and mattress set, 108cm x 200cm. Headboard with soft rounded corners in Pefroso and Osorio PO1273/01 contrast piped in F3721/03 clayon blue. Valance in Titley and Marr Tabbey Weave 11 Ocean. Half tester in Exterior fabric Titley & Marr Tabby Weave 11 Ocean and interior lining of Simon Playle fleur exotique, The Twigs. Condition Reportlinen & cushions included
Georgian design mahogany 5' King-size four-poster bed, projecting moulded canopy top on twist-turned columns carved with acanthus leaves and flower heads, the headboard with scrolled broken swan neck pediment carved with scrolled foliage and with central anthemion, on flower head carved ball and claw front feet, with torch and foliate carved pointed finialsDimensions: Height: 226cm Length/Width: 225cm Depth/Diameter: 177cm
FOREWORD The following Hornby-Dublo 2-Rail Collection was assembled mainly in Aden by a British Diplomat during the late 1950's and early 1960's, many of the items have export labels, some have just Local Currency written on the boxes and some may have been ordered and arrived without any Export labels or pricing. Remainder would have been purchased on visits back to Kent, Hornby-Dublo 2035 Pullman Set, comprising BR green 34005 'Barnstaple', Pullman Cars 'Aries', Car No 74 and Car No 79, and oval of Track, all items in original box inserts (no box) and Bournemouth Belle Headboard/Nameboards Pack, VG-E, inserts G-VG
Ernest Gimson (British, 1864-1919): a pair of early 20th century oak single beds and rails chamfered in reform gothic style and with 'trennals' showing, to include: two headboards, two baseboards and connecting rails (the mattress rests are available from the Vendor if required) (headboard 93.5cm wide x 103cm high, the rails 200cm long) Provenance: The vendor and family inform that the beds were a wedding present for their Parents married in 1944, direct from Gimson's workshop at Daneway, Cirencester, Glos. The Vendor's Mother's family were friends with some of the workers at Gimson's workshop.
A rare pair of Henry VIII oak headboard bed-posts, circa 1515-20 Each well-carved with ‘diaper-work’, a related patten of lozenges, enclosing roses (double rose, heraldic emblem of Henry VIII), fleur-de-lys (recognising England’s claim to the French throne) and pomegranates (Katherine of Aragon’s house badge, and a symbol of fertility, with ripe seeds - a reason to associate with beds), both centred by a projecting shield, one designed with a female bust profile, wearing a coif, the other a male profile bust, with beard, tight-curly hair and loop earring, each headed by stop-fluting and terminating in an eight-petal flower, height 135.5cm, width 8.2cm, depth 7cm, (2)
A fine and rare Elizabeth I oak, sycamore, penwork and polychrome-decorated tester bed, circa 1570 and later Complete with custom-made bed hangings The cornice carved with half-flower filled lunettes over dentil mouldings, the tester having a prominent recessed central panel, within a dentil and punch-decorated frame, the panel lattice-carved with eight-pointed stars (chequer-stained) and fleur-de-lys, centred by a short pendant, flanked by sycamore panels of the same design executed in penwork, each corner recessed panel carved with a knot-pattern with leafy-tendril terminals, their design repeated, in penwork, on paired central sycamore panels, the headboard with a sycamore panel, again designed in penwork, with back and red stain, having paired delightful angel masks, winged, and issuing Tudor roses, carnations, hops and strawberries, centred and spaced by leaf-carved corbels, atop lambrequin and pierced, rounded and leaf-carved dentil mouldings, atop two penwork Nonsuch panels, each within a carved arcade, centred and flanked by figural terms, one male to centre and a female to each end, topped by pendant fruits, with naked torso, and strapwork pedestal, the centre decorated with jewel-like colours, satyr-carved ears, over a lunette-carved cushion rail and three plain panels, each end post with gadrooned and fluted baluster-turning, centred by a cup-and-cover, the plinth bases carved with a lozenge within an arch to three-sides, deep rails, 170cm wide, 214cm long, 214.5cm high
A Charles II oak part 'tester-bed', Lancashire, circa 1670 Without panelled tester, but with tester rails, the headboard of six upright panels, below a rail carved with a run of petal-leaf roundels, ending with the carved initials ‘RH’, below an applied board carved with a double row of stylized flowerhead-filled lunettes, the end-posts with baluster over parallel-baluster turnings, joined by a triple panelled footboard, with deep side rails, 138cm wide, 192.5cm deep, 187cm high
A Heal's oak four-poster bed, panelled head board with turned columns, adorned with Morris & Co Bird woven jacquard bed spread, curtains and canopy, designed by William Morris, unsigned, 219cm high, 137cm wide (headboard) LiteratureCharlotte Gere & Michael Whiteway Nineteenth Century Design, Thames & Hudson, page 210 plate 261 for a comparable example of the 'Bird' textile. ProvenanceSir Ambrose Heal, thence by descent Catalogue notesThe four-poster bed that is being offered for sale is a fairly simple piece of early 20th century furniture and yet this particular bed is laden with symbolism. This was the bed in which Sir Ambrose Heal (1872-1959) slept for much of his life. It brings together comfort, design history and social history.The Heal’s business in London’s Tottenham Court Road had been founded in 1810 to manufacture beds and mattresses. Bedding was at the heart of the business throughout the 19th century and most of the 20th century, even as the firm expanded into dealing in other items of furniture and furnishing. The small bedding factory remained on the same site in Tottenham Court Road until the 1980s and the skilled upholsterers and makers continued to use the same traditional techniques and the finest natural materials that their ancestors had used. One of Heal’s major contributions to sleep comfort was the design of the “Sommier Elastique Portatif” which was patented in 1860 by John Harris Heal. It was still in production over 100 years later. It folds in order to make cleaning, removals and storage easy and has no top stuffing so it was “quite free from all risk of moth”. The Victorian catalogue described it as “the most comfortable Spring Mattress yet invented” and it “requires just one good mattress over it”. The Four-Poster is fitted with one of these bed-bases containing nine rows of star-lashed, nine inch, nine turn, hourglass springs made from eight-and-a-half gauge wire mounted on insulating pads.As well as being a furniture designer, Sir Ambrose was fascinated by the history of London trades. Before the buildings in streets were numbered many displayed hanging signs to enable businesses to be found. Heal recorded hundreds of these 18th century signs which were eventually published under the title “London Shop Signs” in 1939. For example there were no less than sixteen that incorporated an anchor, ranging from the Anchor & Bible in St Paul’s Churchyard to the Anchor & Wheatsheaf, Whitehouse Court near Tooley Street. In 1904 when looking for a symbol that would act as a logo and trademark for the Heal firm he came up with the idea of using the Four-Poster bed. Since then Heal & Son Ltd has traded “At The Sign of The Four-Poster”. Appropriately this bed is thought to date from that time. Not only did he trade under the four-poster sign but henceforth he slept in one.Sir Ambrose was inspired by the work and writings of William Morris so it was fitting that he acquired some of Morris’s original “Bird” pattern wool cloth to make up a bed-spread and curtains for the Four-Poster. There was no better way of signalling his connection to the Arts & Crafts Movement that influenced his own design philosophy. Morris designed this pattern (with a huge repeat) in 1877-8 and it was hand-loom jacquard-woven. It was available through Morris & Co but interestingly Morris himself used this particular pattern to decorate the walls of the drawing room of his own home at Kelmscott House, Hammersmith. An inventory of Ambrose Heal’s home taken in 1914 records “An oak frame four post bedstead with panelled back and floral linen curtains and valances lined green twill 4’ 6” wide”. It was then valued at £20.Oliver S Heal.
A 20th century continental white painted bedroom suite consisting two door wardrobe, 173cm high x 124cm wide x 57cm deep, kidney shaped dressing table, 139cm high x 120cm wide x 60cm deep, dressing stool, 44cm high x 49cm wide x 36cm deep, chest of five drawers, 92cm high x 79cm wide x 47cm deep, bedside cabinet, 60cm high x 44cm wide x 34cm deep and single headboard (6) Condition Report:Available upon request
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8259 item(s)/page