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A MODERN PINE CHEST OF FOUR LONG DRAWERS width 87cm x depth 45cm x height 84cm, a pine blanket box with internal tray, open four shelf bookshelf, single headboard, framed wall mirror, a G Plan chest of five graduating drawers, width 59cm x depth 46cm x height 104cm and a matching low chest of two short and two long (7)
British Railways locomotive headboard CAPITALS UNITED EXPRESS as used on the former Paddington - Cardiff - Swansea Express from 1956. Cast aluminium, face restored, rear original with other headboard names cast to the right hand side. Has had two holes drilled into it for mounting which could easily be repaired.
A 20thC hardwood four poster bed, composed with four turned posts set with acanthus leaf and flower head mouldings, a headboard with scroll and floral pediment and a 150cm wide memory foam mattress, with supports and base, 212cm high. Upon initial inspection, the broken post has been glued at one point and has been snapped, and would require some attention, it is not a clean break, the remaining pieces form the top of the bed, when in situ at the house, the bed was complete and there is no reason to say that cannot be the case now, there is light marks and use, it is a good example of a reproduction four poster bed.
ART DECO STYLE LIGHTWOOD BEDROOM FURNITURE to include a continental style headboard with shaped ends incorporating a bedside cupboard and shelf and an angular mirrored dressing table and stool with attached label for 'Bowman Brothers Limited, Camden Town London', 216cms W the headboard, CIRCA 1900 INLAID WALNUT OCTAGONAL TWO-TIER TABLE on shaped supports, 71.5cms H, 72 x 72cms top and ANTIQUE MAHOGANY FOLDOVER TEA TABLE on turned tapering supports, 73cms H, 91cms W, 44.5cms D closed (some re-polishing/restoration required)
A George IV mahogany and pine four poster bed frame, circa 1825, in the manner of Gillows, the arched cornice above the four posts, the front turned, tapering, and reeded and above square section elements with applied mouldings, the bolts covered by further reeded panel screw covers, the rear posts tapering square section, all united by rails, and on castors, approximately 266cm high overall, 206cm long, 167cm wide overallA related example supplied by Gillows for Sir Charles Tempest at Broughton Hall, North Yorkshire in 1841 is illustrated and described by Susan E Stuart. The example having similar reeded posts and canted screw covers to the ones displayed here. p 355-356Condition Report: Marks, knocks, scratches, abrasions consistent with age and use,Front posts are polished and designed to be seen, the rear posts are dull and designed to not be seen or obscured by hangings and or drapes, there are neither provided along with the frame. This has been built for the photograph, Dreweatts cannot guarantee how solid and stable the bed may be in a domestic setting. The reeded covers for the bolts are present with the lot, they slot over the top of the bolt holes to obscure.The cornice with old tack marks and holes where fabric has previously been placedThere is no headboard, and there is no signs of it having had one fitted previously.The lower side rails with various chips and losses to the veneered surfaces, these are probably intended to be obscured by the mattress and apron and not on display. Condition Report Disclaimer
Amendment: please note the height of the bed is 197 cm and not 97cm as previously stated. Attributed to Syrie Maugham (1879-1955), an Art Deco mirrored tester bed c.1930 Overall inset with mirrored panels, the fabric canopy on octagonal supports, with shaped headboard and box spring, raised on stepped feet 97cm high, 130cm wide, 200cm long Provenance: The vendor was bequeathed the bed by her American godfather, Russell L. Rhodes (1931-2010). The bed was reputed to be by Syrie Maugham. A well-educated (Loomis School, Yale & Harvard) and erudite man Russell Rhodes was, in today's terms, one of the original ‘Mad Men’ working for Craig & Kummel and Ogilvy & Mather. He spent a number of years in France and England. He also wrote five novels, in the spy genre, including ‘The Herod Conspiracy’ and ‘The Styx Complex’. After his retirement he travelled extensively and visited his many friends. His obituary mentions his ”…seven godchildren in the United States and the United Kingdom’, of which the vendor is one. His obituary in the New York Times, January 9th 2011, reported that there would be a memorial service and that ‘Martinis would be served’. Notes: Syrie Maugham (1879-1955) society interior and furniture designer who opened her first shop at 85 Baker Street in 1922, moving not long after (1924) to the more prestigious Grosvenor Square. Amongst her clientele she numbered The Duke & Duchess of Windsor, Noel Coward, Mary Pickford and Ava and Paul Melon. She was married to the writer Somerset Maugham but they divorced in 1929. She famously painted the inside of her own home almost entirely in white and this ‘white’ look was said to have influenced a number of Hollywood film sets. She later went on to have a ‘blue’ period followed by a ‘red‘ one. She incorporated mirrors and mirrored surfaces in her schemes which went well with her white, wiped-surface furniture. She undertook several commission in a America. A photograph of her all white drawing room, circa 1933, is illustrated with a large mirrored screen as a backdrop, (p. 74)in the ‘Thirties’ exhibition Catalogue held at the Hayward Gallery, London 1979-80, and another mirrored folding screen is illustrated p.130 (Ref 2.50). The same interior photograph is illustrated in Pauline C. Metcalf's 'Syrie Maugham - Staging glamorous interiors', New York, 2010, p.86 and another image taken by Cecil Beaton of his younger sister Baba Beaton in front of the same screen.Please refer to department for condition report
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