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A Victorian and later heavily carved mahogany half tester double bed with barley twist columns, various other accessories, part mattress, headboard, etc. The upholstery in this lot does not comply with the 1988 (Fire & Fire Furnishing) Regulations, unless sold to a known exporter or upholsterer it will be cut from the frame before leaving the premises.
{ Option of lots: 368 } Hudson Cane 6' Superking Size Cane Bed Silver White Mindy Ash, Painted Silver Highlight Finish, Hand Woven Cane Crafted Using Traditional Techniques Provided With Bed Frame And Slats To Support The Mattress (Not Included) Classic Rattan Style Headboard And Footboard Featuring An Intricate Carving W2010 X D2140 X H1250mm (5055999223959)
Hudson Cane 6' Superking Size Cane Bed Silver White Mindy Ash, Painted Silver Highlight Finish, Hand Woven Cane Crafted Using Traditional Techniques Provided With Bed Frame And Slats To Support The Mattress (Not Included) Classic Rattan Style Headboard And Footboard Featuring An Intricate Carving W2010 X D2140 X H1250mm (5055999223959)
{ Option of lots: 372 } Majestic King Size Sleigh Bed Naples Silver This A Stunning Addition To The Bedroom, This Eloquent Wingback Headboard Is Carefully Upholstered In Chesterfield Style With Diamante Crystal Buttons To Give The Ultimate Effect Handcrafted In Our UK Factory By Expert Craftsman Who Look For That Extra Attention To Detail. Upholstered In Naples Silver Velvet This Bed Has A Commanding Presence And Will Be The Centrepiece Of Bedroom 218 X 211 X 159cm
Majestic King Size Sleigh Bed Naples Silver This A Stunning Addition To The Bedroom, This Eloquent Wingback Headboard Is Carefully Upholstered In Chesterfield Style With Diamante Crystal Buttons To Give The Ultimate Effect Handcrafted In Our UK Factory By Expert Craftsman Who Look For That Extra Attention To Detail. Upholstered In Naples Silver Velvet This Bed Has A Commanding Presence And Will Be The Centrepiece Of Bedroom 218 X 211 X 159cm
{ Option of lots: 375, 376 } Majestic King Size Sleigh Bed Cream This A Stunning Addition To The Bedroom, This Eloquent Wingback Headboard Is Carefully Upholstered In Chesterfield Style With Diamante Crystal Buttons To Give The Ultimate Effect Handcrafted In Our UK Factory By Expert Craftsman Who Look For That Extra Attention To Detail. Upholstered In Cream Velvet This Bed Has A Commanding Presence And Will Be The Centrepiece Of Bedroom 218 X 211 X 159cm
{ Option of lots: 375, 376 } Majestic King Size Sleigh Bed Cream This A Stunning Addition To The Bedroom, This Eloquent Wingback Headboard Is Carefully Upholstered In Chesterfield Style With Diamante Crystal Buttons To Give The Ultimate Effect Handcrafted In Our UK Factory By Expert Craftsman Who Look For That Extra Attention To Detail. Upholstered In Cream Velvet This Bed Has A Commanding Presence And Will Be The Centrepiece Of Bedroom 218 X 211 X 159cm
Tracey Boyd Vitrine Bed / Sampler Bed UK King (Mattress Not Supplied) Shabby Chic Has Never Looked As Beautiful Than With The Vitrine Bed By Tracey Boyd . A Simple Silhouette And Dry Natural Wood Finishes Set The Stage For The Upholstered Headboard, Which Features A Cross-Stitch Print With Muted Colors Just Waiting To Lend A Soft Touch To The Bedroom Décor. 84†W X 80†D X 67†H Poplar Solids Upholstered Headboard Dry Natural Wood Finish (1303044)
Hudson Living Ashford Headboard 135cm Luxury British Made Castello Raven Contemporary In Style The Ashford Collection Features A Handcrafted Square Panelled Design Headboard And Is Available As A Bedstead, Ottoman Or Standalone Headboard. This Collection Is Available In All Of Our 80 Fabric Options Giving You The Ability To Customise This Range To Suit All Interiors. (5056352439444)
Hudson Living Doddington Headboard - Luxury British Made 150cm Placido Slate Traditional Yet Modern In Style The Doddington Collection Features A Chic Winged Headboard And Is Available As A Complete Bedstead, Practical Ottoman As Well As A Standalone Headboard. This Collection Is Available In All Of Our 80 Fabric Options, Creating The Perfect Statement Piece For All Interiors. 5056352441041
Hudson Living Doddington Bedstead Luxury British Made 135cm Placido Saffron Traditional Yet Modern In Style The Doddington Collection Features A Chic Winged Headboard And Is Available As A Complete Bedstead, Practical Ottoman As Well As A Standalone Headboard Creating The Perfect Statement Piece For All Interiors. 5056352444714
Luxurious Park Avenue Bed King Size A Hand Crafted / Hand Tufted Luxuriously Upholstered Bed Slatted With Centre Supports Added Into The Cleats For Structural Integrity. With Its Stunning Tufted Headboard, Upholstered In Mink Chenille And Vintage Wing Accents And Finish It Truly Creates This Timeless Addition To Any Bedroom's Decor 213 X 164cm Headboard Height 127cm Footboard Height 35.5cm
Milano Headboard 150cm Stunning Milano Headboard Suitable For A Kingsize Bed. It Features A Beautiful Inlay Chevron Design, And Is Made Using European Oak And Rustic Oak Structured Veneers Which Show The Natural Beauty Of The Oak Grain And Knots. Finished In A Specialist Mat Lacquer, Which Keeps The Timber Looking Natural And Dry, With Brushed Out Grain, The Headboard Is Tactile To Touch And Looks Amazing. (GAL13 - 5055999243087)
AN EBONISED OAK FOUR-POSTER 18TH CENTURY AND LATERIncorporating George III needle work hangings woven with floral sprays and flowers, the headboard with a basket of flowers and ribbon-tied floral drapes, the back hanging with twin columns joined by a ribbon tied swag and with spirally-turned flowers, the pelmet and valance with conforming crewel work needlework. The needlework by Mrs Jennens 18th century and re-applied to a chocolate silk ground in the 19th centuryApproximately 170.5cm wide, 245cm high, 250cm high including scalloped edging, 207cm deepProvenance:Worked by Susanna Jennens (1688-1760).Literature:Sir George Sitwell, A brief history of Weston Hall, Northamptonshire, and of the families that possessed it, London, privately printed 1927, pp. 12, 23-25.F. Bamford, 'Weston Hall, Northamptonshire - I: The Home of Sir Sacheverell and Lady Sitwell', Country Life, 22 January 1976, p. 175, fig. 3; p. 177, figs. 6, 7.Catalogue Note:The crewel-work embroidery hangings of the four-poster bed, and silk needlework upholstery of the six mahogany chairs offered here (lots 235 and 238) were wrought by Susanna Jennens (1688-1760), probably in the 1730s-40s, for her bedchamber at Weston Hall, Northamptonshire (formerly known as Weston House; F. Bamford, 'Weston Hall, Northamptonshire - I: The Home of Sir Sacheverell and Lady Sitwell', Country Life, 22 January 1976, p. 175, fig. 3; p. 177, figs. 6, 7). Susanna was the daughter of a distinguished judge, Sir John Blencowe (d. 1726) of Marston St Lawrence and the widow of Richard Jennens of Princethorp in Warwickshire. On 31 August 1714, she leased Weston Hall for seven years for herself and her three young children at a rent of £14 per annum from Thomas Hiccocks, who was on the verge of bankruptcy. The move was evidently successful; in January 1721-22, prior to the expiration of the lease, Susanna's father, Sir John Blencowe, purchased the freehold of Weston for £990 and presented it to his daughter as a Valentine the following month, and in 1731, Susanna described the hall as 'dear Weston' (Sir George Sitwell, A brief history of Weston Hall, Northamptonshire, and of the families that possessed it, London, privately printed 1927, p. 17). Susanna's bedchamber was on the first floor of Weston Hall. Described as 'a sunny room with two windows overlooking the flower- and fruit-gardens', it was later known as the 'Worked room' as this was where the present bed and hangings and chairs were originally placed, together with window curtains, a tapestry table-top with glass cover, a settee and a carpet, all worked by Susanna (ibid., pp. 12, 24). The decoration of trails and festoons of flowers of the hangings, which includes roses, lilies, hollyhocks, carnations, tulips, jasmine and honeysuckle possibly inspired by those found in the garden at Weston (ibid.). Crewel-work embroidery, named after the crewel or worsted wool used, was revived in the late 17th century by Queen Mary II (d. 1694), and remained fashionable in the first half of the 18th century (ibid., p. 23). Celia Fiennes, who travelled throughout England in this period, noted in the Queen's Closet at Windsor that 'the hangings, Chaires, Stooles, and Screen the same, all of Satten stitch done in worsteads, beasts, birds, ymages, and fruites, all wrought very ffinely by Queen Mary and her Maids of Honour' (M. Jourdain, 'Crewel-work hangings and bed furniture', The Burlington, September 1909, p. 367). The universal devotion to needlework was such that educated women like Susanna spent many hours at this endeavor. Bed hangings were usually the most important part of the bed, generally referred to as the 'furniture', and were considered more valuable than the wooden bed frames they decorated. There is some evidence that bed hangings were sold much as embroidery kits are today, with the design already drawn on the fabric and the worsted yarns purchased separately (A. Pollard Rowe, 'Crewel Embroidered Bed Hangings in Old and New England', Boston Museum Bulletin, vol. 71, 1973, p. 106). However, a letter, undated but possibly July 1731, to Mary Jennens (d. 1788), Susanna's elder daughter, from Mary Prescott, Susanna's sister, shows that the design of the hangings offered here, and probably the upholstery on the chairs, was a collaborative effort between the three women: 'I have begun a pattern for the curtains of the bed, and have made some alteration in your pattern of the valens, which will do very well, and may be added to her work when she sees it, as I have altered your work, if she likes it' (ibid., pp. 24-25).An Inventory of Goods belonging to the late Richard Jennens, Esquire, at Weston records the embroidered bedroom furniture in the 'Best Bedchamber' - suggesting that it was moved after Susanna's death from the 'Worked room' (ibid., p. 38). The inventory values the bedstead and hangings embroidered by Susanna at £5, the coverlet or quilt at £1, the pair of window curtains £1 5s and two carpets at £1, and as noted by Sir George Sitwell in his A brief history of Weston Hall their value was very high when compared to the furniture of other rooms (ibid.).A set of four embroidered panels forming parts of either a cover or hangings worked in crewel wool with flowers, including carnations, lilies, daffodils, roses and tulips is in the Victoria & Albert Museum, London (131 to C-1889) - as is an embroidered curtain made as part of a full set of bed hangings in the early 18th century reputedly from Wattisfield Hall, near Bury St Edmunds, Suffolk (353 to I-1907).Condition Report: Measurements: As catalogued this bed is approximately 170.5cm wide, 245cm high, (250cm high including scalloped edging overall), 207cm deepThe drapes are approx. 240cm highThe top of the headboard is 141cm high from the floor The drapes with old holes, tears, and some signs of repair consistent with age and use, there are elements which are fraying and coming away in some places needing some re-binding. The headboard appears to be missing some fringingOverall with marks, knocks, scratches, abrasions consistent with age and use, some chipping and indentations to the ebonised uprightsThis has been built for the view and appears solid and stable, Dreweatts make no guarantees that it will not require some further stabilisation on installation with the purchaser. Please refer to additional images for visual reference to conditionCondition Report Disclaimer
A SOUTH EAST ASIAN CARVED AND GILT DECORATED HARDWOOD FRAMED OPIUM BED PANEL (3)now as a headboard, 160cm wide, with two additional panels. Provenance: Hylda and Lewis Gilbert, Sheldrake Place, London. Lewis Gilbert (d.2018), the celebrated film director, producer and screenwriter, best known for his 007 James Bond movies and Alfie.
A Late 19th Century French Oak Six Piece Bedroom Suite, comprisingdouble-door mirrored armoire with canopy top, the base with two drawers above a shaped apron and on cabriole forelegs, 149cm by 58cm by 245cma smaller single-door armoire, 100cm by 50cm by 245cma marble-top dressing chest with gallery back above two short and three long graduated drawers, 116cm by 50cm by 209cma 4'6" bedstead with moulded frame and panels, the headboard surmounted by a C scroll shella pair of marble-top bedside cupboards with single drawers and moulded cupboard doors on cabriole legs, 43cm by 42cm by 83cmCondition report: Good decorative order with the exception of some minor scuffs and scratches. The bedside cabinets are slightly lighter in colour compared to other pieces. Overall very good. The bedroom suite has no keys but everything is open. The large armoire has a brass hanging rail and the smaller armoire has some shelves (see images).
AN ELIZABETH I OAK TESTER BED C.1580 AND LATER the panelled headboard inlaid with holly and bog oak with a chevron band above urn and flower panels, with lobed and leaf edges flanked by male terms and leaf corbels, with relief carved front cup and cover supports, with bands of guilloche, lunette and scrolling leaf decoration, with panelled rectangular supports, with branded owner's initials 'RS', supporting a panelled tester with carved decoration, with leaves and guilloche bands, with a later lunette cornice 205.8cm high, 158.3cm wide, 228cm deep Provenance William H. Stokes Antiques, Cirencester, 5th February 1986. Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
A CHARLES II OAK TESTER BED LATE 17TH CENTURY AND LATER the panelled headboard carved with lunettes and lozenges, with a pair of block, baluster and barrel front posts united by a footboard, supporting a panelled tester, with later drapes, valance and base 187.4cm high, 138cm wide, 207.5cm deep Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
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