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Lot 893
Edward SteichenRodin Photogravüre auf Japanpapier. 21,1 x 16 cm. Unten rechts im Negativ signiert. Auf Originalkarton montiert.LiteraturSimone Philippi/Ute Kieseyer (Hg.), Alfred Stieglitz. Camera Work. The Complete Illustrations 1903 - 1917, Köln u.a. 1997, S. 108 mit Abb.Aus Camera Work, Heft 2, 1903 Edward SteichenRodin Photogravure on Japan paper. 21.1 x 16 cm. Signed in the negative lower right. Mounted to original card.LiteratureSimone Philippi/Ute Kieseyer (ed.), Alfred Stieglitz. Camera Work. The Complete Illustrations 1903 - 1917, Cologne i.a. 1997, ill. p. 108From Camera Work, issue 2, 1903
Lot 846
Giacomo CanevaSkulpturen, Vatikanische und Kapitolinische Museen 7 Salzpapierabzüge, jeweils vom Papiernegativ. Von 18,5 x 8,9 cm bis 20,5 x 24,4 cm (Hoch- und Querformate). Jeweils rückseitig mit Ölkreide signiert. Jeweils neu auf originalen Unterlagekarton montiert, dort unten mittig von fremder Hand mit Bleistift bezeichnet.LiteraturBonetti 2008, S. 92, S. 149 und S. 150 mit Abbn. [Kat. 40, 43, 44, 45, 47, 49, 50]Die Skultpuren: Ariadne, Herkules, Herkules und Telephos, Venus im Bade, Putto, der eine Gans erdrosselt, Karyatide sowie Moses (Michelangelo, San Pietro in Vincoli)Caneva war, wie Francesca Bonetti vermutet, wohl der erste Photograph, der die Skulpturensammlungen im Vatikan und den Kapitolinischen Museen mit der Kamera dokumentierte. Das Bild der schlafenden Ariadne nahm er in die von ihm selbst 1851/52 herausgegebene Mappe Roma in Fotografia auf, von der sich heute ein Exemplar in der Sammlung des Museum Ludwig, Köln, befindet. Giacomo CanevaSculptures, Vatican Museums 7 salt paper prints, each printed from paper negative. From 18.5 x 8.9 cm to 20.5 x 24.4 cm (portrait and landscape formats). Each signed in oil pastel on the verso. Each mounted to original card, annotated in an unknown hand in pencil below the image on the mount.LiteratureBonetti 2008, ill. p. 92, p. 149 and p. 150 [cat. 40, 43, 44, 45, 47, 49, 50]The sculptures: Arianna, Hercules, Hercules and Telephos, Venus in the Bath, Putto strangling a Goose, Caryatid, Moses (Michelangelo, San Pietro in Vincoli)Caneva was, as Francesca Bonetti suspects, probably the first photographer to document the sculpture collections in the Vatican and the Capitoline Museums with his camera. He included this picture of the sleeping Ariadne in the portfolio Roma in Fotografia, which he self-published in 1851/52 and of which a copy is currently housed in the Museum Ludwig, Cologne.
Lot 159
A COLLECTION OF VINTAGE CAMERAS to include a Sony mini DV digital Handicam, an Ensign all distance 20 box camera, Kodak box brownies etc together with a pair of Carl Zeiss Junoptem 10X50 binoculars Condition: Sony Handicam with no charging wire; binoculars optics with no obvious damages, comes with a fitted case; cameras untested
Lot 1657
A collection of photographic equipment including a Pentax SLR digital camera, K100d, with Tamron additional lens and with instruction manual and case, a Canon AE-1 program camera, a Minolta Dimage S304 camera, a Minolta Dynax 3000i and a Canon Powershot G5, with additional smaller cameras and lenses
Lot 2171
A collection of workshop and other power tools, all used but mostly housed within original packaging, including a Parkside PTPM 500 A1 Electric Bench Top Pillar Drill, a Maypole 130A Arc Welder, a Bosch PKS46 Circular Saw, a Parkside Grinder, Bosch PHO 100 Planer, etc, together with a Sony MVC-FD91 Digital Mavica Mpegmovie Camera
Lot 405
A COLLECTION OF FORMULA ONE MEMORABILIA & EPHEMERA, race programmes, tickets, passes (some with autographs inclding Dario Franchitti), information leaflet, books, magazines, boxed Winfield Williams Timer, Camera and pen set, DVD sets etc, majority dates from late 1990's (early 2000's, but does include 1972 Monaco Grand Prix programme) (two boxes)
Lot 540
AN ALUMINIUM CASE, A TRAY AND A BAG CONTAINING CAMERA EQUIPMENT including a Pentax ME Super fitted with a 50mm f1.7 lens, a Yashica 230AF film SLR fitted with a 35-70 f3.3 lens, a Yashica 70-210mm f4.5 lens, a Sigma Mini Wide 28mm f2.8 lens, a Canon G5 Digital, a boxed Canon IXUS 115HS digital, a Polaroid 636 close up instan,t etc
Lot 491
LINHOF SUPER TECHNIKA IV LAND FIELD CAMERA, c. 1956-64 , serial no. 85208, with f/5.5 180mm Tele-Xenar lens, f/6.8 65mm Angulon lens and f/3.5 105mm Xenar lens, all with Synchro-Compur shutters, two filters, spare Rollex back, four 6 1/2 x 9in. double cassettes, left hand pistol grip, cable release, all in velvet-lined leather case Provenance: Cardiff based consignee Condition Report: excellent overall condition, leather case with scuffs, applied label
Lot 488
PAILLARD BOLEX H16 M 16mm CINE CAMERA BODY, serial no. 163 726, c. 1959, round base with variable shutter, spring motor runs 16 to 64 frames/sec, Bell & Howell Angenieux 17-68mm f/2.2 zoom lens, with auxiliary and Type-120 viewfinder, pistol grip, 7 Kodak filters, Minette DF- splicer, aluminium case Provenance: Cardiff based consignee Condition report: scratch to one side on leather, scuff to round base, telescopic viewfinder scratched, modest wear and tear, booklet covers loose The additional view finder has a crack in the corner
Lot 490
LEICA IIIb RANGEFINDER CAMERA, c. 1938, serial no. 307235, with Summar f/2 35m 50mm chrome lens, Leica Okaro contrast filter, lenscap and leather SFM erc. Provenance: Cardiff based consignee Condition Report: chrome worn on focus ring and winding knob, erc with loose base, minor wear and tear.
Lot 489
LEICA IIIa 35mm RANGEFINDER CAMERA, c. 1937-38, Serial no. 247224, with Elmar f/3.5 50mm chrome lens, lens cap, base engraved with retailers mark for James A. Sinclair & Co. Ltd., London., Leica leather erc. Provenance: Cardiff based consignee Condition Report: good overall condition, modest wear and tear
Lot 487
PAILLARD H16 REFLEX 16mm CINE CAMERA, serial no. 169 084, c.1960, round base with variable shutter, spring motor runs 12 to 64 frames/sec without film, standard and auxiliary viewfinder, 22cms high Provenance: Cardiff based consignee Condition Report: no lenses, minor tear to leather at rear, modest wear and tear
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115380 item(s)/page