STAR WARS - EP V - THE EMPIRE STRIKES BACK (1980) - 2nd Unit Clapperboard A 2nd unit clapperboard from director Irvin Hershner’s Star Wars: The Empire Strikes Back. Clapperboards of this size were used for close up or insert shots when larger, more cumbersome boards were too big for the camera frame. Used by the 2nd unit, this clapperboard is made of wood with the film’s title The Empire Strikes Back, painted in the top box next to production. The boxes for Slate and Take were wrapped in black tape, with the tape since removed from the Slate box. At the bottom of the clapperboard is a strip of light coloured tape with'22nd May 1979 / 2nd Unit' written in black marker. The clapper stick is still firmly attached via metal hardware. Well-used and exhibiting natural production wear on the hinge and plate, the clapperboard remains in fine condition. Clapperboard dimensions: 18 cm x 24 cm x 8 cm (7 ¼" x 9 ¼" x 3 ¼"); Display: 70 cm x 53 cm x 8 cm (27 ½" x 21" x 3") VAT Status - OMEGA
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SUDDEN IMPACT (1983) - Clapperboard A clapperboard from Clint Eastwood's action-thriller Sudden Impact. This clapperboard consists of an acrylic slate with a wood clapper that is mounted on top with metal hardware. The acrylic slate is painted with black outlined boxes to divide the slate into fields for production, scene, take, director, camera and date. It has both painted black stencilled lettering and dry erase notation, indicating the production as 'Sudden Impact', the scene '768', director 'Clint Eastwood', camera 'Bruce Surtees’ and the date '17 June 1983'. This item shows minor wear due to production use with slight scuffs due to the dry erase markings and wood, however the piece remains in very fine condition. Dimensions: 28 cm x 24 cm x 3 cm (11" x 9 ½" x 1") VAT Status - OMEGA
TITANIC (1997) - I'm the King of the World' Motion Picture Camera, Motor, Magazine and Cases A Mitchell Mk II 35mm motion picture camera, serial number 151, previously owned by visual-effects company Digital Domain. This camera was prominently used on many Digital Domain titles in the 1990s, including Interview With the Vampire, Apollo 13, Armageddon and Titanic. Sequences shot with this specific camera for Titanic included many shots of the 85’ Titanic model miniature, the destruction of the First Class lounge, and the interior of the Titanic hull splitting after the iceberg struck. Most famously, this camera was used to photograph live action shots in front of a green screen for the 'I’m the king of the world' and 'I’m flying' sequences with Jack (Leonardo DiCaprio), Rose (Kate Winslet), and Fabrizio (Danny Nucci). These memorable shots were achieved with this exact Mitchell Mk II camera, under the supervision of visual-effects supervisor Robert Legato. Titanic won 11 Academy Awards including Best Visual Effects, Best Cinematography, Best Director and Best Picture. The camera is in running order and includes an original Mitchel1000’ film magazine, two additional 400’ film magazines, its original numbers-matching film movement, a live-action motor and an additional visual effects motor. Original cases with Digital Domain labels are also supplied for the camera, 400’ magazines, and a spare motor. Included with this lot is a detailed letter of provenance from Robert Legato, ASC which provides information on the usage of the camera on films Legato shot. The letter goes on to mention the camera was most likely used on all Digital Domain projects of the era, including Fight Club, True Lies and The Fifth Element. The lot is in very good condition, with cosmetic wear from extensive production usage. Dimensions: camera body: 33 cm x 56 cm x 50 cm (13" x 22" x 19½"); camera case: 52 cm x 44 cm x 36 cm (20 ½" x 17 ½" x 14");motor case: 23 cm x 25 cm x 27 cm (9" x 10" x 10 ½"); magazine case: 44 cm x 24 cm x 25 cm (17 ½" x 9 ½" x 10")*This lot is currently located in Prop Store’s Los Angeles facility and will ship directly to the buyer from Los Angeles. Please see the Conditions of Sale for information on applicable VAT and/or import duties. VAT Status - LA
UNFORGIVEN (1992) - Clint Eastwood Autographed Clapperboard An autographed clapperboard from Clint Eastwood’s Oscar®-winning western Unforgiven. The clapperboard was given as a gift to a crewmember at the completion of the production. Autographed in black marker by director and star Clint Eastwood, the clapperboard has a white acrylic plate with text engraved in black, including the film’s title and the names of the director and camera operator. The clapperboard sticks are made from wood and painted with a black and white stripe finish. The piece shows minor paint chips from its time on production and comes displayed in a custom-made square frame, secured into place with three screws. Dimensions (in frame): 6cm x 41 cm x 41 cm (2 ¼" x 16" x 16") VAT Status - Margin
THE ABYSS (1989) - Script Binder and Underwater Slate A script binder and underwater slate from James Cameron's underwater sci-fi adventure The Abyss. The script features a title page noting director revisions dated 9 August 1988, and 119 pages printed on white, blue and pink paper. Each page includes a red stamp reading 'AB 0 1 5 8', which was used to track the script during production. The white pages signify the original draft, while blue pages are revisions dated 1/8/1988, and the pink pages are dated 9/8/1988. The script is housed in a simple three-ring binder. Paired with the script is a slate used during underwater photography. Made of acrylic, the slate includes engraved text for the film title, scene, take, camera, roll and date. Also engraved is 'Wet for Wet', which was a term used to denote scenes that would film actors in actual water, rather than simulated water in a sound studio, which was referred to as 'wet for dry'. Attached to the slate is a grease pencil used to mark the slate underwater, and a cloth. The set shows some wear due to production use and age, but remains in very good condition. Script dimensions: 29 cm x 26 cm x 4 cm (11 ½" x 10 ¼" x 1 ½"); slate dimensions: 26 cm x 28 cm x 3 cm (14" x 11" x 1") VAT Status - OMEGA
E.T. (1982) - Script Supervisor’s Continuity Script and Breakdowns Script supervisor Esther Vivante’s heavily annotated continuity script and production breakdowns from Steven Spielberg’s sci-fi adventure film E.T. the Extra-Terrestrial. The script supervisor’s role is to track the specific camera coverage of every scene in the script, reviewing continuity and ensuring nothing has been overlooked during photography. The continuity script is a key asset for the editing department, who uses it as a guide to know what coverage is available. The continuity script is contained in a three-ring binder, and is comprised of approximately 370 US Legal pages, with printed pages and attached inserts. The piece is filled with extensive hand written annotation as would be expected from such a script supervisor’s script. The breakdowns are based on the screenplay and revisions made throughout August 1981, with 18 pages printed single-sided on white US Legal paper. They list information on specific shots done for each scene. The paperwork shows signs of natural wear including light creasing, occasional small tears and rust marks. Dimensions: 30 cm x 31 cm x 10 cm (11 ¾" x 12 ¼" x 4") VAT Status - Margin
EVERY WHICH WAY BUT LOOSE (1978) - Clapperboard A clapperboard from the James Fargo adventure comedy Every Which Way But Loose. Marked for use with the production's main 'A' camera, the clapperboard is made of wood and features the shortened title 'But Loose' painted across the top. The Clint Eastwood-founded Malpaso Company production number and the names of director James Fargo and director of photography Rexford Metz can be found below. There are sections at the bottom of the board for noting the scene and take, with traces of chalk numbers still present. Markings are visible on the reverse for use in camera lens focus tests. The board has damage to the bottom left corner, with signs of natural production wear throughout. Dimensions: 4 cm x 28 cm x 23 cm (1 ½" x 11" x 9") VAT Status - Margin
ERAC - a pistol type detective Camera with fixed focus meniscus lens - 18mm x 18mm exposure on 20mm roll film, film advanced coupled to trigger and shutter invented by H Covill and H. Steward manufactured by Erac Selling Co London, circa 1931 - Height 10cm Condition report: Shutter is not working, some usage marks, generally good
A quantity of photographic equipment including a Zeiss Icon camera, Kodak cameras, a wooden bellows slide camera, the plaque inscribed "The 1895 Instantograph Patent", with lenses including a Bausch Lomb Unicum lens, a cased wooden tripod, cine cameras, projector, etc. CONDITION REPORT: Postage UK Mainland would be £22.50 plus VAT plus insurance.
![THOMSON, John - Through China with a Camera : 54 plates [some loose], org. cloth, 8vo, Harper & Brothers, 1899. With 2 others](https://cdn.globalauctionplatform.com/1c102dff-7715-4448-a238-a65c00cccbcc/86b8e060-54e8-4042-94e8-1c40c0eca41d/468x382.jpg)
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115370 item(s)/page