Gernshein (Helmut, & Alison). The History of Photography, from the Camera Obscura to the Beginning of the Modern Era, revised and enlarged ed., 1969, b&w illusts., orig. cloth in d.j., together with a copy of the first edition of 1955, orig. cloth in d.j., a little soiled and torn, both small folio, together with Pfister (Harold Francis), Facing the Light, Historic American Portrait Daguerreotypes, Washington, 1978, b&w illusts. from photos, orig. cloth in d.j., a little soiled and faded on spine, 4to, plus Ford (Colin, ed.), An Early Victorian Album, The Photographic Masterpieces (1843-1847), of David Octavius Hill and Robert Adamson, 1st US ed., 1976, b&w illusts., orig. cloth in d.j., a little rubbed and soiled, 4to, plus other photography interest including some reference, 19th c. interest and a few duplicates (35)
We found 115370 price guide item(s) matching your search
There are 115370 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
115370 item(s)/page
An Olympus OM-1 camera, with a Tamron 28-200mm 1:3.8-5.6 zoom lens, no.318936; an Olympus OM-4 camera, with a 1:1.8 f=50mm lens, no.291808; an Olympus OM-1 camera, with 1:1.8 f=50mm lens, no.223746; an Olympus 1:4 f=75-150mm zoom lens, no.189118; an Olympus 1:3.5 f=28mm lens, no.371021; and a small quantity of other items.
A Canon EOS 1000F camera, with a 35-80mm 1:4-5.6 zoom lens; a Pentax ME Super camera, with a 1:2 50mm lens, no.5234390; a Voightlander Bessamatic camera, with Color Skopar 1:2.8/50 lens; a Voightlander Vitessa camera, with Color-Skopar 1:3.5/50 lens; a Tamron 1:5.6 f=300mm lens, no.6404280; a Nikon El-Nikkor 50mm 1:2.8 lens; and a quantity of other items.
HANNAH FRANK (1908-2008) In Thoughts from the Visions of the Night, 1930 Original: Hunterian Art Gallery, Glasgow University. Exhibited Royal Glasgow Institute, 1930. Published Glasgow University Magazine, February 1931 Signed Al Aaraaf within the plate and signed `Hannah Frank` in pencil 40cm x 26cm Note : HANNAH FRANK, GLASGOW ARTIST, 1908-2008. Hannah Frank was born in Glasgow in 1908, and studied at Glasgow University and the Glasgow School of Art. She produced her hallmark black and white drawings, with their elongated structures, medieval romanticism and often melancholy air from the age of 17 in 1925. Between 1927 and 1932 the GUM, the Glasgow University Magazine, rarely came out without a drawing by `Al Aaraaf`, her chosen pen name. From the 1940s, after her marriage to mathematics teacher Lionel Levy, Hannah`s drawings became light-filled and exuberant. Hannah Frank turned to sculpture in 1952, studying with Benno Schotz, at the Glasgow School of Art. Hannah`s haunting drawings are resonant of he Art Nouveau period with a hint of Aubrey Beardsley and Jessie King. Hannah`s drawings, and her later sculptures, have been exhibited in the Royal Glasgow Institute, the Royal Academy, and the Royal Scottish Academy. Many Glasgow folk will be familiar with the drawings from when they were on show in the Frank family camera shops in the Saltmarket and in Queen Street in the 1950s and 1960s. From 2004 Hannah`s drawings and sculptures were exhibited throughout the UK and the USA in a tour which finished at Glasgow University in a retrospective exhibition which started on her 100th birthday, 23rd August 2008. In 2009 Hannah Frank became the first person ever to receive a posthumous honorary doctorate from Glasgow University, which was received on her behalf by her niece, Fiona Frank. A total of 17 of Hannah`s 75-plus black and white drawings were reproduced in the 1960s and 1980s to satisfy demand from admirers. Although the artist signed an unrecorded number of each print, only one-Dream, 1952-was numbered (edition of 250). Hannah`s ambition was, in the words of the poet Henry Wadsworth Longfellow, to `leave footprints on the sands of time`. All proceeds from the sale of these prints and sculpture, which are being auctioned by Hannah Frank`s niece Fiona Frank, will go towards the mission to keep Hannah Frank`s name alive, through her website, future exhibitions, books and scholarly articles.
Scalextric: Set CM3 with one red and one blue MM/C60 Jaguar D-Types with instructions, leaflets and 3rd edition catalogue in original set box, blue MM/B1 Typhoon motorcycle, blue MM/C36 Lister Jaguar, yellow MM/C58 Cooper, blue MM/C57 Aston Martin, First Aid Hut, TV Camera with Crew Set, Control Tower with Public Address, Event Board with Hut, Racing Pit with unused label sheet, Chicane, Start/Finish Banner and track in original boxes, VG-E, boxes F-VG
A late 19th century Empire full plate camera with mahogany and brass case and brown/burgundy leather bellows, with Busch Rapid Aplanat F7 no.2 8" focal lens, also a Wallace Heaton Ltd Zodellar Anastigmat 4.5 no.7 lens with adaptor plate and a Cooke Anastigmat no.109483 3.5" lens, together with three back plates, height 25cm, with brown canvas carry bag (illustrated)
A Sanderson half plate Hand and Stand regular camera, c.1902 to 1909, with leather case and brass and mahogany fittings, marked The Sanderson Camera.Ltd London, with Bausch & Lomb lens serial no.69874, also a Ross Resolux enlarging objective lens, serial no.92240, an S-AICO 50mm lens serial no.84575, six mahogany back plates, quantity of tin back plates, grip etc, with leather case, also a small quantity of Ilford HP3 Hypersensitive Panchromatic negative plates and a tripod, camera height 15cm (illustrated)
A box containing a collection of metal wares, camera equipment etc, to include a mid 20th Century cased pair of field binoculars dated 1944 and bearing the monogram BTW, a carved wooden box, a collection of metal canisters, two pewter teapots, a Yashica "MAT-124" camera, and a pair of "Skybolt" binoculars
Loading...-
115370 item(s)/page