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Lot 481
* Nash (Paul, 1889-1946). A group of seven original photographs of the artist Paul Nash in Gloucestershire, and the Exhibition of Modern Art at Gloucester Art School, circa 1938-41, taken by Mrs Clare Neilson, of Madams, near Cheltenham, Gloucestershire, with a Leica camera, including Paul Nash sketching from a car overlooking the River Severn, Paul Nash at Madams by the pond he designed, 1941, Paul Nash inside the Neilson's house at Madams, 1938, and 4 photographic views of the Gloucester Art School Exhibition of Modern Art, including one of a painting by Paul Nash, 73 x 105 mm, and slightly smaller, the majority inscribed to verso in pencil (presumably by Clare Neilson), plus two typed letters signed from D.W. Herdman, director of the Cheltenham Art Gallery, addressed to Mrs Charles Neilson, one dated 12 May 1945, and providing a list of works by Paul Nash belonging to the Neilsons to be exhibited at the Cheltenham Art Gallery from 31st May until 14th July 1945, the other dated 11th July 1945, requesting an extension of the loan of six works for an additional exhibition at Cheltenham Ladies College, plus a related typewritten letter signed by Mrs Stephanie Davies of the painting department, Cheltenham Ladies College, dated 12th July 1945, and an autograph letter signed by Richard Smart of Arthur Tooth & Sons, London, dated 12th July 1946, informing Mrs Neilson of the death of Paul Nash, the latter two letters both with original stamped envelopes, plus 3 colour postcards of works of art by Paul NashQty: (11)NOTESAccording to Andrew Causey in Paul Nash paintings and watercolours, Tate Gallery, 1975, 'Nash first visited Madams, the home in Gloucestershire of Charles and Clare Neilson, in June 1938; it was to become a retreat for him from the anxiety and deprivations of the war and, together with the countryside around, was to be the most important source of material for pictures, other than ones of the war, until 1944.'.
Lot 1063
An Edwardian silver and mother of pearl page turner, Birmingham 1902, length 20.5cm, with a selection of 19th century and later plated wares, a vintage camera and other items. Additional InformationThe silver handled page turner has small nicks to the edge of the mother of pearl bade throughout. The silver surface has a patina of scratches and light dents throughout. All other items with general wear commensurate with age and use.
Lot 34
J.F.P Camm marquetry portrait, depicting a young Flemish girl, signed and dated 1938, approx 19 w x 24.5 cms, framed. This lot includes two treen collection boxes, an oak cased dominoes set, two rosewood and brass John Raybone & Sons levels, Flint-case miniature camera table lighter and a fine miniature Meerschaum pipe holder in the form of a feminine hand with amber mouthpiece together with three bakelite napkin rings.
Lot 620
The Emerald Isle Album City and County of Dublin, Sixty-Four Platinatone Views with Descriptive Guide and Map of the District from photographs by William Lawrence. No date early 1900’s. Interesting content. Northern Ireland – The Land of Delightful Scenery- Camera Studies, Belfast Telegraph, 1947. Contains 40 full page colour photographs from across the province with descriptive text. Dublin Tenement Life – An Oral History, Kevin C Kearns, Gill & Macmillan, 1994, 2nd Impression, S/C, good condition. Gur Cake and Coal Blocks, Eamonn Mac Thomais, 1978, S/C. An account of Dublin life during the war years.
Lot 107
A GEORGE IV GILTWOOD OVERMANTEL MIRRORCIRCA 1820Of rectangular form with a moulded surround, re-gilded199.5cm high, 148cm wide Provenance: Supplied by Robert KimeCondition Report: This mirror has not been removed from the wall for inspection.Marks, scratches and abrasions commensurate with age.The mirror plate glass with some scratches (difficult to capture on camera); with dust like speckled silvering along the base area; with two visible patches of affected silvering to the top right and top left corners.Some cracks along construction joints including to the side corner areas; visible chip to the top right side of the corner.Some later gilding including to the plain mouldings flanking the leaf carved border; the stylised leaf border in unrestored slightly flaking condition revealing variously the underlying wood, gesso; Please refer to additional images for visual reference to condition Condition Report Disclaimer
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