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Lot 82
Leica CL Compact Camera Outfit. Comprising CL body #1315874 (meter untested, otherwise condition 3/4F) with Summicron-C 40mm f2 #2564246 (condition 4F) with strap, collapsible hood and cap. Also Elmar-C 90mm f4 lens #2574951 (tiny coating speck to rear, otherwise condition 4/5F) with caps. All In fitted Leica case.
Lot 98
Collection of Soviet Cameras & Lenses. To include Zorki rangefinder camera with 50mm f3.5 lens; Zorki 2c with 50mm f3.5 lens; 3 Zenit cameras (one of parts only). Also L39 mount Jupiter 12 35mm f2.8 & Jupiter 9 85mm f2 lenses, with keepers. Also a universal finder and Jupiter 36B 250mm f3.5 (for Kiev 80)
Lot 291
An assortment of electronic equipment, some boxed, including a Roberts Chrono Logic VI Dual Alarm Clock Radio, a Sony DAB/FM Digital Radio, a Bush MP3 and Video Player, a Belkin Tunecast II FM Transmitter and a Nokia 106 Mobile Phone. Unboxed items include Garmin nuvi Satellite Navigation systems, a Magellan GPS310 Satellite Navigator with user manual, an Apple iPod, a Sony Walkman, a Kodak EasyShare C813 Camera, a Panasonic Lumix Digital Camera (10x) DMC-SZ3 and a Fuji F810 Digital Camera. (13)
Lot 174
§ GEORGE BARRIS (AMERICAN 1922-2016) MARILYN MONROE ON SANTA MONICA BEACH - JULY 1962Photograph, later re-print, signed by the photographer (Dimensions: 25cm x 20cm (10in x 8in))Biography: George Barris was an American photographer and photojournalist, best known for his portraits of Marilyn Monroe. Born in 1922 in New York, NY, Barris had a lifelong interest in photography. He first discovered this passion on his sixth birthday, when his brother gifted him a box camera. Barris worked as a photographer for the U.S. Army's Office of Public Relation during the early years of WWII. He covered General Dwight D. Eisenhower’s victory homecoming celebration and many of these photographs were published. After the war, he became a freelance photographer in Hollywood, where he photographed many important celebrities of the 1950s and 1960s, including Elizabeth Taylor on the set of Cleopatra, Marlon Brando, Charlie Chaplin, Frank Sinatra, Clark Gable and Steve McQueen. It was during this time that he first worked with Marilyn Monroe, whom he met while photographing during the filming of The Seven Year Itch. They became close friends, frequently working together, and he was one of the last photographers to capture images of Monroe before her death in August of 1962, in a series that became known as "The Last Photos." In fact, Barris took the last ever photograph of Monroe on July 13, 1962. Devastated by the death of his friend, Barris moved to Paris, where he lived for the next 20 years. Barris died on September 30, 2016, in Thousand Oaks, CA at the age of 94.
Lot 72
NAN GOLDIN (AMERICAN B.1953) MISTY AND JIMMY PAULETTE IN A TAXI, NYC - 1991Cibachrome print, A.P., signed, titled, editioned and dated verso, unframed (Dimensions: 71cm x 101cm (28in x 39.75in))Note: Nan Goldin is an American photographer best-known for her deeply personal and candid portraiture. Her photographs serve to document herself and those closest to her, particularly the LGBTQ community and associated heroin-addicted subcultures. Influenced by the fashion photography of Helmut Newton and Guy Bourdin, Goldin's earliest photographic works are portraits of close friends glamorously dressed in drag. From the 1970s and throughout the 1980s, while she was living in New York, Goldin continued to socialise with and photograph people of ambiguous gender. She intended her work to be an homage to their beauty and courage; exploring drag and its ability to fulfil the fantasy of reconstructed identities. When Goldin first encountered drag queens in 1972, she quickly became obsessed. She explained: ‘I was eighteen and felt like I was a queen too- they became my whole world. Part of my worship of them involved photographing them. I wanted to pay homage, to show them how beautiful they were. I never saw them as men dressing up as women, but as something entirely different - a third gender that made more sense than either of the other two. I accepted them as they saw themselves; I had no desire to unmask them with my camera.’ ( The Other Side , p.5.) Misty and Jimmy Paulette in a Taxi is part of a large series of colour photographs of glamorous drag queens taken by Goldin in New York, Paris and Berlin in 1991. This picture was taken in a cab as her friends headed uptown to join their float in the New York City Pride March. Misty and Jimmy Paulette stare directly at the camera from the backseat of the taxi. The camera’s flash has illuminated their heavy makeup and shiny clothes. In 2018, Goldin collaborated with the clothing brand Supreme by contributing three of her photographs, Misty and Jimmy Paulette in a Taxi, NYC (1991), Kim in Rhinestones, Paris (1991), and Nan as a dominatrix, Cambridge, MA (1978) to their spring/summer collection. Today, Goldin’s works are held in collections worldwide, including The Museum of Modern Art, New York, the Tate Modern, London, the Museum of Contemporary Art, Los Angeles, and the Centre Georges Pompidou, Paris.
Lot 26
Vladimir Beilin (Russian, 20th C.) "Vostok I in Orbit" Watercolor. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood First Day of Issue Maximum Card for the Russia Vostok I stamp issued May 29, 1992. Piloted by space pioneer Yuri Gagarin, Vostok I blasted into the skies above the USSR's Baikonur Cosmodrome on April 12, 1961. Launched less than four years after the comparatively simple Sputnik I became the first artificial satellite, Vostok I was incredibly advanced for its time. Burning liquid oxygen and kerosene, its main engines developed nearly a million pounds of thrust. (By comparison, the rocket that carried the first Americans into orbit was less than half as powerful.) Vostok I's manned module was automatically controlled from the ground, however it had emergency controls for Gagarin. Vostok I also included a TV camera to monitor the cosmonaut, complex life-support and monitoring systems, and even a food locker (though Gagarin's pioneering flight lasted less than two hours). Upon his return to Earth, Gagarin inspected the Vostok I, which -- despite its hard landing -- he proudly described as "in good enough shape to be used for another space flight." Image Size: 8.5 x 12 in. Overall Size: 10.5 x 15.25 in. Unframed. (B13798)
Lot 125
The Estate of Peter Wyngarde - a rare original vintage Akai Color VC-150 model colour video camera. Made by Akai Electronic Co. Ltd. Fitted with a Fujinon H6x12.5 lens. Along with the original Akai VC-150 transfer / transformer unit. Working condition unknown. With instruction manual and various paperwork. As used and owned by Peter Wyngarde. Rare piece of early home recording equipment.
Lot 235
The Estate of Peter Wyngarde - Wyngarde's personal vintage Eumig Mark 502D Super 8 projector, along with x4 original unseen personal ' home movies ' - each labelled, and addressed to Wyngarde. Most labels suggesting the contents are Bull Fights in Barcelona, and likely date to the early 70's. Also comes with a pre-loaded film to the projector reel, contents also unknown, and Wyngarde's personal Eumig C5 Zoom Reflex camera, set within its original leather case. Wonderful collection.
Lot 82
LUMIERE LOUIS: (1864-1948) French Filmmaker, inventor (with his brother Auguste) of the cinematograph film camera, making it possible to project film onto a screen for audiences. A.N.S., Louis Lumiere, on one side of a printed correspondence card, Neuilly-sur-Seine, 12th November 1935, in French. Lumiere pens a friendly note, sending his thanks and cordial greetings. VG £80-100
Lot 372
DE KOONING WILLEM: (1904-1997) Dutch-American Abstract Expressionist Artist. Signed colour 6 x 4 postcard photograph of the artist standing in a three quarter length pose, with his back to the camera, as he admires a large painting before him, 1984. Signed ('de Kooning') in black ink with his name alone to a light area at the head of the image. VG £100-150
Lot 51
WAYNE JOHN: (1907-1979) American Actor, Academy Award winner. Signed and inscribed 10 x 8 photograph of Wayne standing in a full length pose, wearing a Stetson hat, in a friendly group pose alongside four women and another gentleman. Signed by Wayne in black ink to the image, 'Anita - Camera men don't have me looking like this anymore. How about you? John Wayne' and dated 1975 in his hand. The signature and inscription partially run across a darker area of the image although remain completely legible. Annotated to the verso in ink 'This is me - Anita Gottlieb Summer', evidently the lady to whom the photograph was inscribed and undoubtedly also one of the four ladies in the image. Some slight traces of former mounting to the verso and a few minor corner creases, otherwise VG £200-300
Lot 255
ZEISS, GERMANYA PRE WORLD WAR TWO BELLOWS CAMERA, MODEL 'IKON', serial no. 1253424, WITH U.S. OFFICIAL RELEASE PAPERS,the camera of usual form with 'Nettar Anastigmat' pre-focus lens and complete with its original velvet lined slip-style leather carry case, a German S.A. Sports Association collar pin attached to the shoulder strap and together with its release documentation as a certified item taken from the enemy in the European Theater and dated 19th September 1945.
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115380 item(s)/page