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Lot 85
Cameras - a vintage Braun Paxette 35mm camera; others Kodak 620 Jnr, Brownie 127; Nikon Coolpix 4500, filters, flash etc qty An early 20th century Britex Minor monocular microscope, four prepared slides, others blank, fitted wooden case; a Grundig Stenorette 2000 dictaphone; musical clockwork desk top cigarette dispenser; Smiths travelling alarm clock.
Lot 68
A Quantity of Militaria, including two Field Telephone Sets F - one dated 1940, the other dated 1943, an EKCO Wireless Set No.88 transceiver, a 1942 dated 6 pounder gun sight, a lifejacket light, a Brownie box camera and a Conway box camera; 1940's/1950's British Webbing, including map holders, backpacks, canteens, satchels, an entrenching tool, a No.4 Mk.II spike bayonet and frog, a holdall etc
Lot 91
Operation Sea Lion (The Proposed German Invasion of England) - Folder 'No.1 The Border', 1942, containing a photo book of targets (Objektbilder), including Berwick and other road and railway bridges, numerous important railway and road viaducts, the ports of Tynemouth, Hartlepool, Gateshead, Sunderland, Wallsend and South Shields, Newcastle armaments factory, Garew steel works, Spiller's factory Newcastle; a German reprint of the Ordnance Survey map for the area between Berwick and Hartlepool with suitable targets marked; large scale Ordnance Survey town plans of Carlisle, Sunderland, South Shields and three of Newcastle Footnote:- One of twelve, these highly secret documents were originally prepared for Operation Sea Lion, the German Invasion of England, and then later for German agents and saboteurs who would be dropped by parachute or U-boat to destroy important industrial and communication targets all over England; a Bilora Camera Tripod in black enamelled and chromed steel, with telescopic legs, detachable aluminium tilt head and leather case; a Leather Shot Flask, with brass sprung charger (3)
Lot 459
Constance Babington Smith. Evidence In Camera. A WW2 First edition book. Showing signs of age. Dedicated. Signed by the author. 256 pages. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 117
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. A teaser trailer burn-effect map from the promotion of Steven Spielberg's fantasy adventure film Hook. This prop map was printed from an illustration by renowned poster artist John Alvin specifically for the trailer gag in which it was set aflame. The map showcased key cast and locations in the film which the camera panned over to give an exciting glimpse of what was to come. A number of prop maps were printed for the trailer's production, as the shot of the map burning had to be done many times to get an optimal look. This unburned example was printed from Alvin's artwork onto specialized, parchment-like paper. The paper was then treated to appear aged and distressed. This map comes from a member of the trailer production crew and remains in good overall condition with various signs of production use, including creases from storage. Dimensions: 30" x 40" (76.25 cm x 101.75 cm) Estimate: $3,000 - 5,000
Lot 124
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. Jeannie's (Barbara Eden) SFX bottle from Seasons 2 through 5 of Sidney Sheldon's fantasy sitcom I Dream of Jeannie. While returning to Earth from a space mission, astronaut Anthony Nelson (Larry Hagman) discovered a 2,000-year-old genie, Jeannie, trapped in a bottle. At the start of Season 2, the bottle was redesigned to coincide with the series' transition from black-and-white photography into color. This bottle comes directly from the family of Clarence Peet, a 36-year prop master and camera technician for Columbia Pictures on such classic shows and movies as I Dream of Jeannie, Guess Who's Coming to Dinner, Mutiny on the Bounty, and The Donna Reed Show. It consists of a glass Beam's Choice bourbon bottle hand-finished in high-gloss enamel paint with a hole in the base for dispersing Jeannie's purple smoke. It features a purple base coat with white, orange, and gold-color details throughout, as well as multicolor specks and a cork and plastic top. Also included is a Letter of Authenticity from Peet's granddaughter, whose father received the bottle from Peet. It exhibits signs of use and wear throughout, including minor paint chipping, but remains in excellent overall condition. Dimensions: 14" x 5" x 5" (37 cm x 12.75 cm x 12.75 cm) Estimate: $30,000 - 50,000
Lot 126
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. A production-used clapperboard from Steven Spielberg's action-adventure Raiders of the Lost Ark. Long-time Spielberg collaborator and the film's producer, Frank Marshall, occasionally stepped in to direct additional photography and pick-ups during production. This black-and-white wood clapperboard with metal hinges is hand-painted with the film's title and cameraman Paul Beeson, and includes the name of second-unit director Marshall on a piece of white gaffer's tape, as well as labels for the shoot date "25.9.80." Slate number "S/35," take number "1," and "Ext. Day" are also marked in white chalk and black marker on tape. A large volume of white tape pieces are accumulated at the bottom of the board, as each day's date would be applied with a fresh piece of top on top of the last one. The board was originally painted with the name of second-unit director Mickey Moore, and his name still resides below the taped-on Marshall name. The last shot number and take number the board was used for also still present, marked in chalk. This was one of the last days of shooting on the film and the board was used throughout production at Elstree Studios in the U.K., and on location. Taped to the back is an original Samuelson Film Service shot chart which is filled out with hand-written notes on takes. Samuelson was the company that provided camera equipment and slates to the majority of productions shot in the U.K. at that time. This lot is in good overall condition with general signs of age and use, including rusting to the hinge, stains to the paperwork, and chalk residue from being erased. Dimensions: 10.25" x 8" x 0.75" (26 cm x 20.5 cm x 2 cm) Estimate: $10,000 - 15,000
Lot 1311
This lot will be auctioned on Thursday, July 1st. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or June 30th. Tugg Speedman's (Ben Stiller) feral iPod necklace from Ben Stiller's action comedy Tropic Thunder. Speedman wore his iPod necklace the morning after mistakenly killing a panda, which he believed was a fierce jungle creature. The necklace attached to the iPod consists of a string of earbuds strewn with a camouflage-painted whistle; a metal peace sign charm; a plastic, silver-color painted camera; a blue compass; and resin bones strung through the wires. The necklace was distressed by production with fake blood. It is in good overall condition with minimal wear. Dimensions: 4" x 4" x 1" (10.25 cm x 10.25 cm x 2.75 cm) Contains electronic components; see notice in the Buyer's Guide. Estimate: $2,000 - 3,000
Lot 140
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. A Moonraker 6 shuttle model miniature from Lewis Gilbert's space spy adventure Moonraker. Constructed by a corporation headed by Hugo Drax (Michael Lonsdale), Moonraker 6 launched from an aeronautics complex in the Amazon, transporting James Bond (Roger Moore) to Drax's secret space station. Various scales of Moonraker shuttles were built by Derek Meddings' model team for the film, with this being one of the smallest scale shuttles at 16". Contructured of resin, this white and orange model miniature is based on the design of a NASA Space Shuttle Orbiter. It features three clustered black space engines, a dark brown underbelly and nose cone, a "Moonraker" marking on both sides and a tail rudder with a black "6" on both sides. The interior is rigged with pipes for pluming liquid nitrogen that would simulate engine exhaust on camera. The underside of the model also features several holes where it was previously mounted during filming. Derek Meddings model work is highly sought after and scarce, and Moonraker's visual effects were highly regarded upon its release. The piece exhibits wear and some damage from use and age, including extensive cracking with some missing body components. Minor stabiliziation and paint in-fill has been applied to improve its aesthetic, and it is in overall fair condition. Dimensions: 16" x 10" x 7" (40.5 cm x 25.5 cm x 17.75 cm) Estimate: $6,000 - 8,000
Lot 221
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. A hand-painted Mark Sullivan South Seas Club matte painting section from the production of Joe Johnston's action adventure film The Rocketeer. Cliff Secord (Bill Campbell) narrowly escaped Neville Sinclair's (Timothy Dalton) goons at the South Seas Club by donning his Rocketeer costume and blasting through the domed window of the building and out over the Hollywood Hills. This is a remaining 4-foot section from the original 15-foot wide matte background painting created for the shot of Cliff soaring away from the club by Industrial Light & Magic (ILM) matte painter Mark Sullivan. The painting, which features the key element of the shot, the fictional South Seas Club next to the famous Egyptian Theater amongst an expansive Hollywood cityscape, is rendered in mixed media, signed by Sullivan in the bottom left corner, and framed with ridged black wood. The original painting had to be large as a camera move was shot on it to track with the flying Rocketeer miniature, and this piece was salvaged when it was struck after production. Mark Sullivan is one of a small number of modern Hollywood matte painters and has worked on an extensive list of titles. The artwork is in good overall condition with some scuffing, dinging, and tape residue to the frame from handling and storage. Dimensions: 51" x 48" x 0.5" (129.5 cm x 122 cm x 1.5 cm) Sold without copyright; see notice in Buyer's Guide. Estimate: $6,000 - 8,000
Lot 315
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. An Italian language opening crawl from Richard Marquand's Star Wars: Return of the Jedi. For the international releases of the film, the iconic opening crawl was reshot with the text printed in other languages, including Italian. This crawl is a permanent part of the Italian-language versions of the film and has been seen by thousands of Italian cinema fans over the years. The crawl is the actual film-used element that was shot with a motion control camera at Industrial Light and Magic. The piece was assembled by hand and is made up of three black acetate prints taped together with gaffer's tape and hand-painted black ink covering up any blemishes in the prints, to ensure the lettering was clean and bold. It is in good overall condition with minimal wear from production and age. Dimensions (rolled): 40" x 15" (101.75 cm x 38.25 cm) Estimate: $10,000 - 15,000
Lot 380
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. An "A" camera clapperboard from the production of James Cameron's disaster romance Titanic. This black-and-white acrylic "A" camera clapperboard with a wood slate was previously owned by camera loader Scott Ronnow. The clapperboard is labeled for director Cameron and director of photography Russell Carpenter in red text. it is in good overall condition with visible signs of use during production, including scuffed corners and scratches to the acrylic. Dimensions: 12" x 10" x 1" (30.5 cm x 25.5 cm x 2.5 cm) Estimate: $4,000 - 6,000
Lot 395
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. Achilles' (Brad Pitt) SFX shield from Wolfgang Petersen's mythical epic Troy. The Greek warrior wielded his shield throughout the film, notably alongside his sword during the beach battle sequence where he slaughtered many Trojan soldiers and confronted Hector (Eric Bana) inside the Temple of Apollo. This metal-backed, ornately detailed foam shield is a special effects version rigged to eject a pair of segmented arrows inlaid through holes in the shield's face--an in-camera gag that would make the shield seem as though it had been struck by the arrows. The shield's center boss features figures at war and eight discs situated above them, then finished in black and bronze-color paint. The outline of Achilles' sword also repeats as a pattern around the face, linking the two piece together in a clever piece of design.The reverse is affixed with a black wooden handle, four metal rings, and a concealed pneumatic rig for ejecting the arrows. This shield is in good overall condition with some wear from production, including light scuffs around the edge and minor paint wear. Dimensions: 29.5" x 32" x 3" (75 cm x 81.5 cm x 7.75 cm) Estimate: $10,000 - 15,000
Lot 458
This lot will be auctioned on Wednesday, June 30th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or July 1st. Clapperboard and flintlock pistol from John Lee Hancock's historical drama The Alamo. Texas citizens defended their fort from Mexican forces commanded by Santa Ana (Emilio Echevarria). This black-and-white acrylic and wood clapperboard is slated for the "A" camera. It is labeled for director Hancock and director of photography Dean Semler and features the film's title with spaces for roll, scene, take and date. Included is a brown and metal-color foam rubber flintlock style pistol with copper-color accents. It shows wear due to production and age, but remains in excellent overall condition. Dimensions: 22" x 11" x 5" (56 cm x 28 cm x 12.75 cm) Ownership may be restricted in some countries; see replica firearm notice in Buyer's Guide. Estimate: $600 - 800
Lot 531
This lot will be auctioned on Wednesday, June 30th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or July 1st. An Annihilator 2000 from John Landis' action comedy sequel Beverly Hills Cop III. Detective Axel Foley (Eddie Murphy) used the Annihilator 2000 during the final shootout at Wonderworld. This high-tech weapon is constructed of aluminum with machined resin detailing. It features two removable handles, a long perforated barrel, a black nylon shoulder strap, and affixed accessories including a compact disc player, calculator, and a camera. On the side is a metallic silver-color label reading "Annihilator 2000" and sticker reading "A-2000 CD." It is in good overall condition with some signs of wear from production, including light scuffing. Dimensions: 41" x 13" x 11" (104 cm x 33 cm x 28 cm) Contains electronics; see electronics notice in the Buyer's Guide. Estimate: $3,000 - 5,000
Lot 74
This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. A cabin model miniature from Sam Raimi's supernatural horror film Evil Dead II. Miniature cabins were used in several special effects sequences, including the stop-motion scene when Linda's (Denise Bixler) corpse danced for Ash Williams (Bruce Campbell) and the "tree attack" sequence which Campbell directed himself. Two cabins are known to have been built for the film. While a "forced perspective" version of the cabin was built by modelmaker James Belohovek, this non-forced perspective model was constructed by Robert "Bob" Dyke's visual effects group Magic Lantern Productions, and used primarily in the climactic tree attack finale. According to Dyke, the miniature was constructed with boards over the windows which could be moved when additional lighting was needed, and with no floor in order to allow Campbell to orchestrate more elaborate camera set-ups. In its current state, the model features the same boards that were in place for its final shots. This cabin is constructed of wood, metal, and foam with black fabric mesh in some of the windows. Like the full-size cabin, it features shuttered windows, a front deck, and a carved foam chimney painted to resemble stone. The entire model is heavily distressed by production to match the damage that the cabin had taken by that point in the film, including two large holes in the front door, a broken chimney top, and the boarded windows. The interior features wiring and electronic elements from an internal lighting setup. Also included is a Letter of Authenticity from Dyke. It is in good overall condition with some wear from production and age, including broken edges on the roof and chips in the wood. The model ships in a custom-made crate requiring special shipping arrangements. Dimensions: 54" x 38" x 26" (137.25 cm x 96.75 cm x 66.25 cm) Contains electronic components; see notice in the Buyer's Guide. Special shipping required; see notice in the Buyer's Guide. Estimate: $20,000 - 30,000
Lot 858
This lot will be auctioned on Wednesday, June 30th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or July 1st. A "B" camera clapperboard from the production of Tony Scott's action drama Man on Fire. This yellow acrylic clapperboard with a black-and-white wood slate is labeled for Scott, director of photography Paul Cameron, and the shoot date "06/30/03." Roll number "2" and take number "7" are also marked in ink, while "xb" is marked on pink tape next to both the roll and camera. This lot is in good overall condition with erased ink residue and pink liquid streaks on the acrylic from production. Dimensions: 12" x 10" x 1" (30.5 cm x 25.5 cm x 2.5 cm) Estimate: $800 - 1,200
Lot 918
This lot will be auctioned on Thursday, July 1st. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or June 30th. Louis Bloom's (Jake Gyllenhaal) camcorder and video gear from Dan Gilroy's dramatic thriller Nightcrawler. Freelance news cameraman Bloom used second-hand gear. This lot consists of a pink cotton camera case with a leather strap, a metal and plastic Sony video camera with lenses, a charger, two flash attachments, a camera card reader and video cables marked "Hero," a police code handbook, and a map of Los Angeles. It remains in excellent overall condition with some signs of wear from production and its functionality untested. Dimensions: 14.5" x 12" x 8" (37 cm x 30.5 cm x 20.5 cm) Contains electronic components; see notice in the Buyer's Guide. Estimate: $1,000 - 1,500
Lot 975
This lot will be auctioned on Thursday, July 1st. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or June 30th. A set of eight hand-drawn storyboards from John McTiernan's sci-fi action film Predator. The storyboards detail the final confrontation between Dutch (Arnold Schwarzenegger) and the Predator. Each page features several pencil drawings, as well as notes on camera angles, movement and stunts. Each page is numbered in the top right corner, and each illustration is individually numbered. The storyboards have some wear from production use and age, including minor creasing and pencil smudges on most of the pages. They remain in overall excellent overall condition. Dimensions: (each) 11" x 17" (28 cm x 43 cm) Sold without copyright; see copyright notice in the Buyer's Guide. Estimate: $1,500 - 2,500
Lot 976
This lot will be auctioned on Thursday, July 1st. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or June 30th. Five hand-drawn storyboards and concept art from John McTiernan's sci-fi action film Predator. They detail the final confrontation between Dutch (Arnold Schwarzenegger) and the Predator. Each page features pencil drawings, camera angle notes, movement, and stunts. Each page and illustration is numbered. The concept art features a pencil sketch of the Predator's profile. The pages show wear from production use and age, including minor creasing and pencil smudges. They remain in overall excellent overall condition. Dimensions: (storyboards) 11" x 17" (28 cm x 43 cm); (concept page) 11" x 8.5" (28 cm x 21.5 cm) Sold without copyright; see copyright notice in the Buyer's Guide. Estimate: $1,500 - 2,500
Lot 1041
This lot will be auctioned on Thursday, July 1st. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or June 30th. Mark Clyne's (James Badge Dale) hyperspectral camera shell from Nic Mathieu's sci-fi action adventure Spectral. DARPA specialist Clyne brought a hyperspectral camera to Moldova to record hyperspectral anomalies on the battlefield. Custom-built by effects house Weta Workshop, this black, gray, and olive-color camera shell is constructed of dense urethane with metal and resin detailing. It features a pair of black grips on the back and detailing at the end of the barrel, including a circular lens attachment, a flip-up display with static knobs, buttons, a blank acrylic monitor marked "FAKE SCREEN," and cables throughout with resin plugs attached to either side. It exhibits signs of wear from production throughout, including paint chipping and scraping, but remains in good overall condition. Dimensions: 37" x 16" x 9" (94 cm x 40.5 cm x 23 cm) Ownership may be restricted in some countries; see replica firearm notice in Buyer's Guide. Estimate: $2,000 - 3,000
Lot 555
Fuji Film digital zoom camera model Finepix 6900 - no ancillariesThis is the first of a series of sales comprising the total assets from a jewellery retailer as a result of insolvency. This particular sale primarily comprises watches, men's jewellery, sample rings & ring sizers, tools, packaging and chattels. Where we quote an RRP in the lot description, we are quoting a price found on a sticker attacehd to the item unless we state otherwise. Where we make reference to an item being 18ct white gold, platinum, diamonds, etc., that means there is a sticker on the item in question stating same. If we use the expression "Believed to be diamond, gold, etc. ...", that means there is no such label. It is important to note that regardless of the methodology and reasoning, there is no comeback whatsoever for purchasers in the instance of misdescription, however major.Where we believe an item to be used, we have stated same in the lot description however it is possible that some items not stated as being used are in fact used/second hand. All items known to be samples are being sold as such, mostly in bulk. It is possible that we have missed some samples and as with all lots, buyers should inspect to their satisfaction prior to bidding. The vast majority of the jewellery does not include a box unless specifically referenced in the lot description. Most of the watches do include a box & each watch description will make specific reference as to whether a box is included or not. In all instances, if a box is not specifically referenced in the lot description, a box is not included.In the instance of watches in particular, it has been difficult to match up the correct boxes to the correct watch. Any boxes or paperwork to be included with a lot can be seen in the photos accompanying the lot descriptions. As with all lots, there are no rights of comeback & buyer inspection prior to bidding is crucial.YOU MUST PAY AND COLLECT WITHIN 2 DAYSROBSON KAY DO NOT SHIPYOU MUST PAY AND COLLECT WITHIN 2 DAYSROBSON KAY DO NOT SHIPYOU MUST PAY AND COLLECT WITHIN 2 DAYSROBSON KAY DO NOT SHIPAll Lots located at Robson Kay in Manchester. Goods successfully bid upon must be paid for and collected within 2 daysWE DO NOT ARRANGE DELIVERY NOR DO WE PACKAGE OR LOAD. We do not print labels, provide boxes or seal boxes. Please don't ask for an exception, for example to put your item in a box or to affix a label - there are no circumstances whatseover in which we will assist. No matter who you are, your particular personal circumstances are not sufficiently unusual that the rules do not apply to you - if you cannot arrange collection without our assistance, DO NOT BID If these rules might pose a problem, DO NOT BIDLate collections incur a penalty, please read our full rules before bidding.Goods paid for, but not collected within one week of the collection deadline, will be treated as abandoned unless agreed in writing with Robson Kay prior. Please remember to inform us if you intend using a carrier, to avoid us disposing of goods you might think have already been collectedLots are SOLD AS SEEN. We DO NOT TEST LotsNO REFUNDS under any circumstances No lots are tested, nor are they guaranteed to work and/or be complete. Our auctions are only considered suitable for trade buyers as there are no rights of consumer protectionNo refunds or cancellations can ever be offered. If you are unhappy with these terms DO NOT BID.
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115380 item(s)/page