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Lot 156
Gina Parr Mysore India 2013 Photograph Printed on Hahnemuehle 310gsm German Etching Paper with Archival Inks Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Scape, memory and identity are ever present in my work. My childhood, spent diversely in wide-open spaces with my father fishing for mackerel and at home with my mother's hoarding and mental health issues, defined my relationship to the sea and land: The uncertainty of the deep, the spirit and memory of the open space, evoking freedom and connectedness. I do not wish to recreate those experienced places, but to unearth the truth, to centralise the feelings and emotions that were and are present and to not be afraid of the material of my past. My work is an expression of the intermingling of both joy and pain: the human condition. Education Originally trained as a Fine Artist at Coventry University, graduating with a First Class BA Honours Degree, she went on to Chelsea College of Art to study set design, leading to a 25-year career in Production Design, working on many prestigious shows for television. She returned to her Artist's practice in 2007. Select Exhibitions/Awards Solo Exhibitions / Commissions 2021 Commission of 4 large works at Neon Gallery London for Squire & Partners London 2019 "Deceived with Ornament" Renata Maiblum Gallery Copenhagen 2019 Solo show "Night Fishing" David Lolly Gallery Cambridge 2018 Solo show "Casting off" Brook Contemporary Budleigh Salterton Devon 2018 Commission Belmond Cadogan Hotel London - Artefact Hotel Consultants 2018 Commission Belgium - Artefact Hotel Consultants 2017 Commission for 2 large works for the Middle East - Artefact Hotel Consultants 2014 Solo show Candida Stevens Gallery Chichester 2013 Four paintings purchased by Keble College Oxford Permanent Collection Awards 2021 Associate member of Society of Women Artists 2020 Shortlisted and Exhibition The Chaiya Art Awards (online) 2017 Aesthetica Art Prize Longlisted 2014 Aesthetica Art Prize Longlisted 1981 Awarded Arts Council England Grant 1980 Awarded Arts Council England Grant Gallery Representation Irving Contemporary Oxford, The Stratford Gallery Broadway, The Archive Gallery Salisbury, Rise Art London. Statement about AOAP Submitted Artwork When she is traveling and away from her painting studio, Parr uses a camera as her way of 'painting' whilst on the move, often mistaken as reproductions of her paintings, her photographs are Original Limited-Edition pieces. Renata Maiblum Art Consultancy Copenhagen says of Parr's work: Parr´s approach is a microcosm of surface, fragments of diversity founded on variety of exteriors; some human made, others adopting form by natural causes. Their very strong presence lends them the appearance of enlarged particles, those vibrant atoms of the country. The images exist by themselves, without need for definitions or description and, with their tactile and lively texture, seem as paintings. These 4 Photographs which were taken, paradoxically, in the overpopulated and chaotic streets in Southern India become chimerical worlds and fictional places.
Lot 158
Gina Parr Mahabalipuram India 2013 Photograph Printed on Hahnemuehle 310gsm German Etching Paper with Archival Inks Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Scape, memory and identity are ever present in my work. My childhood, spent diversely in wide-open spaces with my father fishing for mackerel and at home with my mother's hoarding and mental health issues, defined my relationship to the sea and land: The uncertainty of the deep, the spirit and memory of the open space, evoking freedom and connectedness. I do not wish to recreate those experienced places, but to unearth the truth, to centralise the feelings and emotions that were and are present and to not be afraid of the material of my past. My work is an expression of the intermingling of both joy and pain: the human condition. Education Originally trained as a Fine Artist at Coventry University, graduating with a First Class BA Honours Degree, she went on to Chelsea College of Art to study set design, leading to a 25-year career in Production Design, working on many prestigious shows for television. She returned to her Artist's practice in 2007. Select Exhibitions/Awards Solo Exhibitions / Commissions 2021 Commission of 4 large works at Neon Gallery London for Squire & Partners London 2019 "Deceived with Ornament" Renata Maiblum Gallery Copenhagen 2019 Solo show "Night Fishing" David Lolly Gallery Cambridge 2018 Solo show "Casting off" Brook Contemporary Budleigh Salterton Devon 2018 Commission Belmond Cadogan Hotel London - Artefact Hotel Consultants 2018 Commission Belgium - Artefact Hotel Consultants 2017 Commission for 2 large works for the Middle East - Artefact Hotel Consultants 2014 Solo show Candida Stevens Gallery Chichester 2013 Four paintings purchased by Keble College Oxford Permanent Collection Awards 2021 Associate member of Society of Women Artists 2020 Shortlisted and Exhibition The Chaiya Art Awards (online) 2017 Aesthetica Art Prize Longlisted 2014 Aesthetica Art Prize Longlisted 1981 Awarded Arts Council England Grant 1980 Awarded Arts Council England Grant Gallery Representation Irving Contemporary Oxford, The Stratford Gallery Broadway, The Archive Gallery Salisbury, Rise Art London. Statement about AOAP Submitted Artwork When she is traveling and away from her painting studio, Parr uses a camera as her way of 'painting' whilst on the move, often mistaken as reproductions of her paintings, her photographs are Original Limited-Edition pieces. Renata Maiblum Art Consultancy Copenhagen says of Parr's work: Parr´s approach is a microcosm of surface, fragments of diversity founded on variety of exteriors; some human made, others adopting form by natural causes. Their very strong presence lends them the appearance of enlarged particles, those vibrant atoms of the country. The images exist by themselves, without need for definitions or description and, with their tactile and lively texture, seem as paintings. These 4 Photographs which were taken, paradoxically, in the overpopulated and chaotic streets in Southern India become chimerical worlds and fictional places.
Lot 159
Gina Parr Coast Exmouth 2012 Photograph Printed on Hahnemuehle 310gsm German Etching Paper with Archival Inks Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Scape, memory and identity are ever present in my work. My childhood, spent diversely in wide-open spaces with my father fishing for mackerel and at home with my mother's hoarding and mental health issues, defined my relationship to the sea and land: The uncertainty of the deep, the spirit and memory of the open space, evoking freedom and connectedness. I do not wish to recreate those experienced places, but to unearth the truth, to centralise the feelings and emotions that were and are present and to not be afraid of the material of my past. My work is an expression of the intermingling of both joy and pain: the human condition. Education Originally trained as a Fine Artist at Coventry University, graduating with a First Class BA Honours Degree, she went on to Chelsea College of Art to study set design, leading to a 25-year career in Production Design, working on many prestigious shows for television. She returned to her Artist's practice in 2007. Select Exhibitions/Awards Solo Exhibitions / Commissions 2021 Commission of 4 large works at Neon Gallery London for Squire & Partners London 2019 "Deceived with Ornament" Renata Maiblum Gallery Copenhagen 2019 Solo show "Night Fishing" David Lolly Gallery Cambridge 2018 Solo show "Casting off" Brook Contemporary Budleigh Salterton Devon 2018 Commission Belmond Cadogan Hotel London - Artefact Hotel Consultants 2018 Commission Belgium - Artefact Hotel Consultants 2017 Commission for 2 large works for the Middle East - Artefact Hotel Consultants 2014 Solo show Candida Stevens Gallery Chichester 2013 Four paintings purchased by Keble College Oxford Permanent Collection Awards 2021 Associate member of Society of Women Artists 2020 Shortlisted and Exhibition The Chaiya Art Awards (online) 2017 Aesthetica Art Prize Longlisted 2014 Aesthetica Art Prize Longlisted 1981 Awarded Arts Council England Grant 1980 Awarded Arts Council England Grant Gallery Representation Irving Contemporary Oxford, The Stratford Gallery Broadway, The Archive Gallery Salisbury, Rise Art London. Statement about AOAP Submitted Artwork When she is traveling and away from her painting studio, Parr uses a camera as her way of 'painting' whilst on the move, often mistaken as reproductions of her paintings, her photographs are Original Limited-Edition pieces. Renata Maiblum Art Consultancy Copenhagen says of Parr's work: Parr´s approach is a microcosm of surface, fragments of diversity founded on variety of exteriors; some human made, others adopting form by natural causes. Their very strong presence lends them the appearance of enlarged particles, those vibrant atoms of the country. The images exist by themselves, without need for definitions or description and, with their tactile and lively texture, seem as paintings. These 4 Photographs which were taken, paradoxically, in the overpopulated and chaotic streets in Southern India become chimerical worlds and fictional places.
Lot 212
Christina Dobbs Orange Swimmer Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About My work relates to the fragile nature of our day-to-day existence; one that is constantly shifting and vulnerable to change. Using the camera as a sketchbook, I capture fleeting moments in time - everyday events that have the potential to be both ordinary and extraordinary and even uncanny when re-examined through painting. Education MA in Fine Art from City and Guilds of London art School Select Exhibitions/Awards Most recent exhibition was the 2021 ING Discerning Eye at the Mall Galleries Statement about AOAP Submitted Artwork These emanate from photographs that I have taken and represent everyday moments that may be both familiar yet uncertain and destabilizing - dreamlike and strange.
Lot 213
Christina Dobbs Violet Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About My work relates to the fragile nature of our day-to-day existence; one that is constantly shifting and vulnerable to change. Using the camera as a sketchbook, I capture fleeting moments in time - everyday events that have the potential to be both ordinary and extraordinary and even uncanny when re-examined through painting. Education MA in Fine Art from City and Guilds of London art School Select Exhibitions/Awards Most recent exhibition was the 2021 ING Discerning Eye at the Mall Galleries Statement about AOAP Submitted Artwork These emanate from photographs that I have taken and represent everyday moments that may be both familiar yet uncertain and destabilizing - dreamlike and strange.
Lot 214
Christina Dobbs Fergus Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About My work relates to the fragile nature of our day-to-day existence; one that is constantly shifting and vulnerable to change. Using the camera as a sketchbook, I capture fleeting moments in time - everyday events that have the potential to be both ordinary and extraordinary and even uncanny when re-examined through painting. Education MA in Fine Art from City and Guilds of London art School Select Exhibitions/Awards Most recent exhibition was the 2021 ING Discerning Eye at the Mall Galleries Statement about AOAP Submitted Artwork These emanate from photographs that I have taken and represent everyday moments that may be both familiar yet uncertain and destabilizing - dreamlike and strange.
Lot 215
Christina Dobbs July Acrylic and Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About My work relates to the fragile nature of our day-to-day existence; one that is constantly shifting and vulnerable to change. Using the camera as a sketchbook, I capture fleeting moments in time - everyday events that have the potential to be both ordinary and extraordinary and even uncanny when re-examined through painting. Education MA in Fine Art from City and Guilds of London art School Select Exhibitions/Awards Most recent exhibition was the 2021 ING Discerning Eye at the Mall Galleries Statement about AOAP Submitted Artwork These emanate from photographs that I have taken and represent everyday moments that may be both familiar yet uncertain and destabilizing - dreamlike and strange.
Lot 56
9CT GOLD, SILVER, WEDGWOOD JEWELLERY & COLLECTABLES GROUP - an octagonal pendant locked on fine link necklace, heart shaped locket on a scroll loop, all stamped 9ct, 7.9grms gross, Wedgwood Green Jasperware pendant on sterling necklace, small Chester hallmarked silver bangle and a smaller sterling example, set of six silver plated serviette rings and a Zeiss Ikon Box/Tengor camera in carry case
Lot 917
A collection of vintage 20th century cameras and to include a Canon EO5, Pentax Pino 35, Canon Snappy LXII, Yaschica FR, Prakticar FF2, a Flashmatic 110 Tele, a Japanese Sigma Zoom lens, a Tamron lensa Sunpak auto124, a Polaroid Impulse, a Konica Efp 2, Halina AF 810, Minolta 38mm and a Polaroid 1005 land camera.
Lot 870
A collection of vintage 20th century cameras to include an Olympus Superzoon110 film camera, an Agfa Karat 35mm camera, a Pentaz Espio90MC 35mm film camera, an Olympus Camedia C-220 Zoom didgital compact camera, a Vivitat Vivicam7340, a Panasonic Lumix DCM-TZ60, a Samsung NV30 and a Fuji FinepixS5800. Most being in original boxes or in leather cases.
Lot 927
A collection of vintage 20th century photographic film cameras to include a Nova 35F, a Ricoh 500 G, a Fujinon DX, Konica C35 EFP,a Lomo Zenith, Canon Auto Focus film camera, a Halina Vision XMS, a Halina Silhouette Zoom, a Miranda 35 AF, Canon Zoom XL, a Canon Autofocus lens. a Miranda Solo Slim Zoom, a Olympus Zoom AF, Olympus Superzoom 700BF and a Canon EOS 500 N,
Lot 937
A collection of vintage 20th century photographic camera lenses to include Hanimex HXC, Asahi Sun Auto, Chinon for Pentax multi coloured macro lens, Sicor-XL macro lens, Skylight (18) for Pentax, Sunagor MC Ultra-co, a Bell & Howell NO.3002744, a Super Paragon PMC II No.810088 and a Tiffen Haze lens.
Lot 938
A collection of vintage 20th century photographic camera equipment and cameras to include a Pentax AF Zoom Macro film camera, a Kodak Cartridge 125Halina Simplette FC, Fujifilm Nexia 230 ix Z, a Zenit-E film camera, a Eumig Viennette 5 zoon reflex, a Panorama Wide Pic, Espio 928M with Pentax Zoom lens, a Kodak Junior I camera, a Helina Vision Mini-MZ, a Mirander Macro lens, a Kodak Instamatic camera, a Vivitar EZ 100.
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115380 item(s)/page