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Lot 680
A TRAY CONTAINING DIGITAL CAMERAS AND PHOTO PRINTING EQUIPMENT, including a Canon EOS 500D fitted with a Tamron Di 18-270mm f3.5 lens, one battery, no charger, a Panasonic Lumix DMC-FZ20 camera with charger, a Samsung SPP-2040 photo printer, a quantity of ink cartridges and papers and a MTT1 mini turntable, etc
Lot 684
A TRAY CONTAINING VINTAGE CAMERAS AND CINE EQUIPMENT, including two Zeiss Ikon Contaflex Super Cameras both fitted with 50mm f2.8 Tessar lenses, an Ensign Commando folding camera, a Zeiss Ikon Mouikon 16 Cine Camera, a Fuji Finepix f10, a Zeiss Ikon Mouiscop, an Aldi projector, etc two cases of classical LPs and a bespoke powered speaker
Lot 90
A SMALL SELECTION OF CHARM BRACELETS AND CHARMS, to include a charm bracelet with heart clasp and safety chain, with a hallmark for Sheffield, approximate length 150mm, approximate weight 12.6 grams, two white metal charm bracelets with charms such as heart and key, horse shoe etc, together with a box of thirty white metal charms such as a camera, horse, church, piano etc, some with marks to indicate silver
Lot 100a
Lyle Tayson (American, 1924 - 2014) "Taking a Picture of First Fish" Signed lower left. Original Oil painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 15c Photography stamp issued June 26, 1978. In the late 19th century, American manufacturer George Eastman developed a small box camera with a fixed-focus lens. Eastman was building on the work of photographic pioneers like Frenchman Louis J.M. Daguerre, Britain's William H.F. Talbot and Richard L. Maddox. In 1900, Eastman introduced the less expensive Brownie, a box camera named for its designer Frank A. Brownell. Prior to photography and the advent of Kodak's Brownie, visual memories were reserved exclusively for the rich and famous -- people who could afford to commission artists. In the 20th century, for the first time in history, the convenient, lightweight and moderately-priced Brownie camera gave ordinary people the means to capture scenes with intense personal meaning -- the precious moments of their daily lives. Image Size: 18.25 x 14.25 in. Overall Size: 25.25 x 19.75 in. Unframed. (B07001)
Lot 374
Vladimir Beilin (Russian, 20th C.) "Vostok I in Orbit" Original Watercolor painting on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the Russia Vostok I stamp issued May 29, 1992. Piloted by space pioneer Yuri Gagarin, Vostok I blasted into the skies above the USSR's Baikonur Cosmodrome on April 12, 1961. Launched less than four years after the comparatively simple Sputnik I became the first artificial satellite, VostokI was incredibly advanced for its time. Burning liquid oxygen and kerosene, its main engines developed nearly a million pounds of thrust. (By comparison, the rocket that carried the first Americans into orbit was less than half as powerful.) Vostok I's manned module was automatically controlled from the ground, however it had emergency controls for Gagarin. Vostok I also included a TV camera to monitor the cosmonaut, complex life-support and monitoring systems, and even a food locker (though Gagarin's pioneering flight lasted less than two hours). Unlike most later American spacecraft, which splashed down at sea, Vostok I was designed to land on the ground. Gagarin was the only Vostok cosmonaut to remain in his spacecraft for this hard landing, which he found very punishing. Learning from his experience, subsequent Vostok cosmonauts ejected prior to landing, choosing to parachute to Earth from an altitude of more than four miles rather than endure a bone-jarring crash. Upon his return to Earth, Gagarin inspected the Vostok 1, which -- despite its hard landing -- he described as "in good enough shape to be used for another space flight." Image Size: 14 x 12 in. Overall Size: 17.75 x 14 in. Unframed. (B13804)
Lot 297
1998 Rover 820 Si AutoMake: RoverModel: 820SiYear: 1998Mileage: 0VIN: 103548Configuration: Right Hand DriveRegistration: R795XOFTransmission: AutomaticOffered directly from the film company. Described as a great looking period police car that has been used on set and as a show piece at classic car events. It is fitted with practical roof lights plus rear mounted parcel shelf. The car is correct for filming periods 1993 to 2000 as it was still in active service. Described as driving well and looking great on camera. It comes with some service stamps, original sales brochures, MoT history to 2006 through to the present and owner's handbook. The mileage is warranted at 111,400. Please note, the wording POLICE must be taped out whilst driving on the public highway.
Lot 684
RAILWAY INTEREST: an 'up line/down line' indicator device made by R.E Thompson & Co (Instruments) Ltd, the device with twin brass mounted dials each indicating 'Train On line', 'Normal' and 'Line Clear', 60cm high, with a British Rail Intercity 'The Routes Of Britain' laminate network map, designed by Bernard Slatter, 59.5cm x 42cm, a vintage railway fireman's shovel, and a trainspotter's photography bag containing a Zenit SLR camera, a Topcon SLR camera (at fault) and other photographic equipment (3) For condition information please view this lot on our website HERE.Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com
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115380 item(s)/page