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Lot 768
PHOTOGRAPHIC EQUIPMENT to include Nikon F60 camera with 35-80 zoom lens, Nikon 80-200 zoom lens, Metz 45 CL3 flash gun, Minox 35GL with Minox FC35 flash, both with cases, Weston Master V light meter with invercone, assorted box Brownie cameras, Kodak Autographic 3 Russian bellows attachment with Pentax 55m f2 M42 screw lens, photograph books etc (four boxes)
Lot 188
DAVINCI CODE: (2006) Film / Production Crew Issued Clothing: A pair of t-shirts - one black Camera crew XXL short sleeved, one long sleeved second unit black L - unworn PROVENANCE: These came from a private vendor who worked for many years on the production crew of numerous films and was issued these items as were all crew members - Authentic item and comes with an Excalibur Auctions Certificate of Authenticity
Lot 2
Kamera "Leica II" von 1938 (Ernst Leitz GmbH, Wetzlar), DBP, Gehäusenr. 287472, m. Schutztasche, Gebrauchsanleitung, Prüfzertifikat-Nr. 6014726, Kopie von einem Schreiben von Leica Camera AG m. der Bestätigung der Echtheit, dazu: 1x Objektiv "Planar" von C. Zeiss, 1,4/50, Nr. 6427910. Funktion nicht geprüft.
Lot 258
Various vintage cameras, projectors and other similar items including 'Kodatoy' universal model projector, 'AGFA Isolette II' camera, 'G.B. - Bell & Howell' 624 8mm, Chinon 7x50 field 7.1 vintage binoculars etc, in two boxes, all untested Click here to view further images, condition reports, sale times & delivery costs for this lot.
Lot 296
Cameras, camera accessories and other miscellaneous items including Minolta 7000 camera with Minolta 'AF Zoom 35-70mm 1:4(22)' lens, Zenith-E camera with 'Helios-44-2 2/58 7302473' lens, Canon Speedlite 430EX flash in original box, various filters, 'WeMacro' rail etc, all items untested, in two boxesClick here to view further images, condition reports, sale times & delivery costs for this lot.
Lot 338
Bea Denton Out of Darkness i, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.) Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory. Education Denton graduated from UAL with Distinction in MA Fine Art Printmaking. Exhibitions/Awards She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art MA Fine Art Printmaking (Distinction) / University of the Arts London Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching 2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins. About the postcard artworks In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."
Lot 339
Bea Denton Out of Darkness ii, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.) Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory. Education Denton graduated from UAL with Distinction in MA Fine Art Printmaking. Exhibitions/Awards She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art MA Fine Art Printmaking (Distinction) / University of the Arts London Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching 2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins. About the postcard artworks In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."
Lot 340
Bea Denton Out of Darkness iii, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.) Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory. Education Denton graduated from UAL with Distinction in MA Fine Art Printmaking. Exhibitions/Awards She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art MA Fine Art Printmaking (Distinction) / University of the Arts London Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching 2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins. About the postcard artworks In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."
Lot 347
Harriet Porter ...Calm, 2021 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "Harriet Porter is a London-based artist specialising in still life painting. She uses this traditional discipline to create contemporary minimal pieces inspired by her fascination with light. Working closely from observation, she creates pared back compositions of single solitary objects emerging from deep shadows or basking in soft daylight. The objects are sourced from her growing collection of antique silverware, but rather than depicting the object itself, she focusses on the shapes of tones in her view: these elegant reflective vessels exist simply as part of their surroundings, blending into - and defined by - the space around them. She works over time, gradually building layers of glaze, these subtle gradations of tone creating the illusion of slow quiet movement, like a calm river on a still summer's evening. Porter's preoccupation is informed by her 30 year career as an art director and stylist. Working in film and photography, she found the camera increasingly frustrating. As a capturing device it became insufficient to describe the wonder with which she perceived the shimmer that constantly caught her eye. Through the solitary process of painting she has been able to achieve more accurate results. Education Central School of Art and Design BA Graphic Design Exhibitions 1982-2020: Beaux Arts Bath - Solo show. Affordable Art Fair Battersea / 2019: Cameron Contemporary Brighton. Beaux Arts Bath.The Stratford Gallery Stratford-on-Avon. Affordable Art Fair Battersea. Affordable Art Fair New York / 2018: Cameron Contemporary Winter Exhibition. The Stratford Gallery Stratford-on Avon. Jane Newbery Gallery Dulwich. Affordable Art Fair New York. Fresh Art Fair Cheltenham. Affordable Art Fair Battersea / 2017: Cameron Contemporary Brighton. Jane Newbery Dulwich Village. Affordable Art Fair Battersea / 2016: Cameron Contemporary Winter Show. The Stratford Gallery Stratford-on-Avon. Affordable Art Fair Battersea / 2008-2015: Cameron Contemporary: Black White Light Dark. Affordable Art Fair Battersea. JP Art Gallery Battersea. Orso Major Gallery, Waterloo. Edinburgh Art Fair. Decorative Antiques and Textiles Fair Battersea. Blackheath Contemporary Art Gallery. The Ice House, Holland Park. Union Club Soho. Londonart Pop-Up Gallery Dulwich. Affordable Art Fair Hampstead. Russell Cotes Museum, Bournemouth. Discerning Eye Exhibition, Mall Galleries ('08,'09) Gallery Representation Beaux Arts - Bath; Stratford Gallery - Broadway Wilts; Cameron Contemporary - Brighton About the postcard artwork These beautiful Georgian vessels sit quietly in their space, reflecting their calm surroundings with a shimmering glow."
Lot 348
Harriet Porter ...Warmth, 2021 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "Harriet Porter is a London-based artist specialising in still life painting. She uses this traditional discipline to create contemporary minimal pieces inspired by her fascination with light. Working closely from observation, she creates pared back compositions of single solitary objects emerging from deep shadows or basking in soft daylight. The objects are sourced from her growing collection of antique silverware, but rather than depicting the object itself, she focusses on the shapes of tones in her view: these elegant reflective vessels exist simply as part of their surroundings, blending into - and defined by - the space around them. She works over time, gradually building layers of glaze, these subtle gradations of tone creating the illusion of slow quiet movement, like a calm river on a still summer's evening. Porter's preoccupation is informed by her 30 year career as an art director and stylist. Working in film and photography, she found the camera increasingly frustrating. As a capturing device it became insufficient to describe the wonder with which she perceived the shimmer that constantly caught her eye. Through the solitary process of painting she has been able to achieve more accurate results. Education Central School of Art and Design BA Graphic Design Exhibitions 1982-2020: Beaux Arts Bath - Solo show. Affordable Art Fair Battersea / 2019: Cameron Contemporary Brighton. Beaux Arts Bath.The Stratford Gallery Stratford-on-Avon. Affordable Art Fair Battersea. Affordable Art Fair New York / 2018: Cameron Contemporary Winter Exhibition. The Stratford Gallery Stratford-on Avon. Jane Newbery Gallery Dulwich. Affordable Art Fair New York. Fresh Art Fair Cheltenham. Affordable Art Fair Battersea / 2017: Cameron Contemporary Brighton. Jane Newbery Dulwich Village. Affordable Art Fair Battersea / 2016: Cameron Contemporary Winter Show. The Stratford Gallery Stratford-on-Avon. Affordable Art Fair Battersea / 2008-2015: Cameron Contemporary: Black White Light Dark. Affordable Art Fair Battersea. JP Art Gallery Battersea. Orso Major Gallery, Waterloo. Edinburgh Art Fair. Decorative Antiques and Textiles Fair Battersea. Blackheath Contemporary Art Gallery. The Ice House, Holland Park. Union Club Soho. Londonart Pop-Up Gallery Dulwich. Affordable Art Fair Hampstead. Russell Cotes Museum, Bournemouth. Discerning Eye Exhibition, Mall Galleries ('08,'09) Gallery Representation Beaux Arts - Bath; Stratford Gallery - Broadway Wilts; Cameron Contemporary - Brighton About the postcard artwork These beautiful Georgian vessels sit quietly in their space, reflecting their calm surroundings with a shimmering glow."
Lot 421
Sue Arrowsmith Temptation I, 2021 Gold Ink and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Sue Arrowsmith was born in Manchester,1968. She studied at Tameside College of Technology, Ashton-Under-Lyne (Foundation) from 1984-86 and BA Hons Textiles at Goldsmiths College of Art from 1987-1990. She lives and Works in London. Exhibitions/Awards Prizewinner John Moores Liverpool Exhibition 20 -1997, Prizewinner Natwest Art Prize, London - 1998, Artist in Residence, Josef and Anni Albers Foundation, Connecticut, USA - 2010 Solo exhibitions Entwistle Gallery, London (1994), Cold Spring, Entwistle Gallery, London (1997) Galerie Frahm, Copenhagen (1999), Galerie Fahnemann, Berlin (2001), Artist of the Day, Flowers Central, London (2004), Galerie allerArt, Bludenz (2009) Courtyard Gallery, The National Botanic Garden of Wales, Carmarthen (2011), Sue Arrowsmith - Studio Show, October, London (2013), Whisper from The Shadows, Purdy Hicks Gallery, London (2015), Waiting for the Moon, Galerie Andres Thalmann, Zurich (2016), We could dream this night away, Purdy Hicks Gallery, London (2018), Let the wind blow through your heart, Galerie Andres Thalmann, Zurich (2019), Natura Naturans, Luca Tommasi Arte Contemporanea, Milan (2020) Public Collections Fidelity Investments, Boston and London Arts Council Collection, Hayward Gallery, London Goldman Sachs Collection, London Kupferstichkabinett of the National Gallery of Berlin Royal Bank of Scotland Group Art Collection, London San Diego Museum of Contemporary Art, San Diego The Government Art Collection, London About the postcard artworks Light is instrumental to Sue Arrowsmith's paintings. They start with the reflection of light through a camera lens that traps a fleeting splatter of leaves. She excludes all daylight from her studio to allow the image to travel through the cone of light from her projector to the painting surface. Here, working in the dark, she translates the colour figures into graceful marks ; the summation or negation of light. Each mark is a separate, complete gesture, crystallising the forms of coloured light that kiss the panel.
Lot 422
Sue Arrowsmith Temptation II, 2021 Gold Ink and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Sue Arrowsmith was born in Manchester,1968. She studied at Tameside College of Technology, Ashton-Under-Lyne (Foundation) from 1984-86 and BA Hons Textiles at Goldsmiths College of Art from 1987-1990. She lives and Works in London. Exhibitions/Awards Prizewinner John Moores Liverpool Exhibition 20 -1997, Prizewinner Natwest Art Prize, London - 1998, Artist in Residence, Josef and Anni Albers Foundation, Connecticut, USA - 2010 Solo exhibitions Entwistle Gallery, London (1994), Cold Spring, Entwistle Gallery, London (1997) Galerie Frahm, Copenhagen (1999), Galerie Fahnemann, Berlin (2001), Artist of the Day, Flowers Central, London (2004), Galerie allerArt, Bludenz (2009) Courtyard Gallery, The National Botanic Garden of Wales, Carmarthen (2011), Sue Arrowsmith - Studio Show, October, London (2013), Whisper from The Shadows, Purdy Hicks Gallery, London (2015), Waiting for the Moon, Galerie Andres Thalmann, Zurich (2016), We could dream this night away, Purdy Hicks Gallery, London (2018), Let the wind blow through your heart, Galerie Andres Thalmann, Zurich (2019), Natura Naturans, Luca Tommasi Arte Contemporanea, Milan (2020) Public Collections Fidelity Investments, Boston and London Arts Council Collection, Hayward Gallery, London Goldman Sachs Collection, London Kupferstichkabinett of the National Gallery of Berlin Royal Bank of Scotland Group Art Collection, London San Diego Museum of Contemporary Art, San Diego The Government Art Collection, London About the postcard artworks Light is instrumental to Sue Arrowsmith's paintings. They start with the reflection of light through a camera lens that traps a fleeting splatter of leaves. She excludes all daylight from her studio to allow the image to travel through the cone of light from her projector to the painting surface. Here, working in the dark, she translates the colour figures into graceful marks ; the summation or negation of light. Each mark is a separate, complete gesture, crystallising the forms of coloured light that kiss the panel.
Lot 423
Suzanne Moxhay Pines, 2021 Print Hand Finished with Gouache Signed verso 15 x 10cm (5¾ x 3¾ in.) Moxhay (b.1976, Essex) lives and works in London. Education After completing a BA Hons in Painting at Chelsea College of Art she went on to The Royal Academy Schools where she graduated with a Post Graduate Diploma in Fine Art in 2007. Exhibitions/Awards She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, the FSC, the Lodeveans Collection and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Exhibitions include 'GSK Contemporary: Earth Art of a Changing World' and 'Constructed Landscapes' at the Royal Academy of Arts, 'Saatchi's New Sensations/ The Future Can Wait' at Victoria House, London and 'Human Made Things' at Aspex Gallery, Portsmouth and 'Modell-Naturen' which toured public museums in Germany in 2019. Her animation work has been shown as part of the programme 'Do Billboards Dream of Electric Screens?' on BBC public screens in cities across the UK and she has had three prints commissioned by the Royal Academy of Arts. BA Hons Fine Art: Painting, Chelsea College of Art, 2001-2004 Post Graduate Diploma Fine Art, Royal Academy Schools, 2004-2007Solo Exhibitions: 2020 Tableaux Vivants Galerie G, La Garde, France 2019 Conservatory James Freeman Gallery, London 2017 Tableau Vivant Anderson Gallery, Bridgewater State University, MA, USA 2016 Selected Works START with The LOFT at Lower Parel, Saatchi Gallery 2016 Tableau Vivant Anima-Mundi Gallery, St Ives 2014 Finta Realta TEN Gallery, Milan Group Exhibitions: 2021- High Art Orchestra, Galerie Jean-Louis Ramand, Aix-en-Provence, France 2020- Electric Avenue, James Freeman Gallery, London, online 2020- The Birds are Singing in the Distant Woods, The Violet Hour, London, online 2020- Royal Academy Winter Exhibition, Royal Academy of Arts, London 2019- RA Schools 250, Royal Academy of Arts, Exhibition of prints commissioned by the RA 2019- Modell- Naturen, Alfred Ehrhardt Stiftung, Berlin. Touring public galleries in Germany 2019-20 2019- STRATA, 1PROJECTS Bangkok, part of Photo Bangkok 2019- Expanded Landscapes, Galerie Jean-Louis Ramand, Paris 2019- In Edition, Bo Lee Gallery, London 2018- ABSRACT : REALITY, Saatchi Gallery, London 2018- Adventitious Encounters- Open Space Contemporary at Whiteleys, London 2017- Mixed Winter Exhibition- Anima-Mundi, St Ives 2017- Nature's Alchemy, Bo Lee Gallery, London 2017- You See Me Like a UFO, Marcelle Joseph Projects, Berkshire 2017- Nocturne, James Freeman Gallery, London 2017- Arles Summer Show / Voies Off, Arles, France 2017- Royal Academy of Arts Summer Exhibition, London 2017- Jamais on n'a vu..., Galerie Jean-Louis Ramand, Paris 2017- Traces, Bo Lee Gallery, London 2017- Selected Works, Galerie Jean-Louis Ramand, MIA Art Fair, Milan 2016- Trace Elements, James Freeman Gallery, London 2016- Liminal Space, The Loft at Lower Parel, Kochi, India 2016- Merge Visible, Mall Galleries, London 2016- Royal Academy of Arts Summer Exhibition, London 2016- Hinterlands and Pleasure Gardens, James Freeman Gallery, London 2015- Somewhere in Between- curated by Huma Kabacki, Karavil Contemporary, London. 2015- Brilliant Creatures, The Violet Hour at Strand Gallery, London 2015- Multiplied, Christies, London 2015- Royal Academy of Arts Summer Exhibition, London 2015- Progetto Pompeii- Andrea Ingenito Contemporary Art at MIA Art Fair Milan 2015- Eccentric Spaces- curated by Futurecity, The Gallery At Foyles, London 2014- Noir/ Blanc, The Loft at Lower Parel, Mumbai, India 2014- Vanitas, Karin Janssen Project Space, London 2014- The Combinational, Studio 1-1, Shoreditch, London 2014- Archaeologies, The Griffin Gallery, London 2014- Under Nature / Andrea Ingenito Contemporary Art, Naples, Italy 2014- Up and Coming Award/ Kids of Dada, Hoxton Art Gallery, London (Joint winner) 2013- Human Made Things, ASPEX Gallery, Portsmouth 2011- Saatchi's New Sensations/ The Future Can Wait, Victoria House, London 2011- Afternoon Tea, 54th Venice Biennale, Italy 2011- Royal Academy Editions (Print Commissioned), Royal Academy of Arts 2011- Constructed Landscapes, Royal Academy of Arts 2009- Earth: Art of Changing World, Royal Academy of Arts, London Awards: 2019 Print Commission- Royal Academy of Arts (RA Schools 250) 2015 Print Commission- Royal Academy of Arts (RA Editions) 2014 BNL BNP Paribas Group Award Finalist (MIA, Milan) 2014 Kids of Dada Up and Coming Award (Joint winner) 2011 Print Commission- Royal Academy of Arts (RA Editions) James Freeman Gallery, London/ The Contemporary London/ Galerie Jean-Louis Ramand, France About the postcard artworks Drawing from an archive of collected material, Suzanne Moxhay creates intricate and complex photomontages. Her method was derived in part from the early filmmaking technique of matte painting, where backdrops were painted on sheets of glass and integrated by the camera with the live-action on set. She builds up the image in her studio using cut-out fragments of source material, which she makes into small stage sets on glass panels. She then re-photographs the sets and manipulates the images digitally, an act of reprocessing which takes them further away from their original context and broadens the narrative potential. Her source material is drawn from an archive of collected imagery, which includes her own photographs of abandoned buildings as well as material collected from old books and magazines and fragments of paintings. She works intuitively with the material, finding points of connection between details, either through shared subject matter or formal considerations such as following the path of light from one image through another to create spaces, which at first may appear real but on closer inspection begin to dissolve. She plays with anomalies - of texture, surface, depth, space, scale, movement and architecture - to involve the viewer in the construction of the image, and to make them question it. In the finished work there is often an uneasy sense of a space that does not quite fit together - either formally or conceptually, but possesses a reality of its own. One which we are unable to pinpoint as factual or fictitious.
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