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Click here to subscribeHarry Potter - Large folder from the Chamber of Secrets containing Call Sheets, Camera and Continuity Sheets, dated March 2002, Premiere Car Park Pass, and 28 Call Sheets from various Potter films all with multiple pages of information.Provenance: The vendor worked as a Transport driver on numerous films including Harry Potter..
A Leica IIIF ‘red dial’ 35mm delayed action rangefinder camera Leica, Wetzlar, 1956 With built in rangefinder, flash synchronization port with delay settings and Leitz Elmar f=5cm 1:35 lens, finished in satin chrome and textured black vulcanite, the top plate inscribed Nr. 810 019, Leica, DBP, ERNST LEITZ, GMBH, WETZLAR, GERMANY, the baseplate 13.5cm (5.25 ins approx.) wide; with original protective leather case.
An interesting collection of original photogrpahs circa 1925 taken in North Africa of military vehicles, aeroplanes, local views, military groups etc; an enamelled armbadge on original leather strap Person I C work"; small selection of postcards; Swan Pens advertising envelope; Contessa Piccolette camera with another camera and other items"
Harrison (James M.) The Birds of Kent, 2 volumes, 1st edition, Witherby, 1953, colour and monochrome illustrations, original cloth, some fading to spines, 4to, together with Handbook of the Birds of Europe, the Middle East and North Africa, edited by Stanley Cramp and others, volumes I-V only, OUP, 1977-88, numerous colour illustrations, slight marginal toning, original cloth, dust jackets, 4to, with other ornithology and natural history including H.F. Witherby's The Handbook of British Birds, 5 volumes, reprint edition 1943-44, Richard Kearton's With Nature and a Camera, 1897 and The Birds of Korea, by M.E.J. Gore & Won Pyong-Oh, 1971 (ex-libris) (Qty: 56)
A quantity of cameras and camera-related equipment to include a Sony A200 camera, a cased Crosina CSM, a cased pair of Carl Zeiss Jena 8x30 binoculars, a Photofax daylight viewer and two cased lenses, an Auto Optimax 1:3.5 F=200mm lens number 220710 and an Optimax Auto 1:2.8 F=35mm lens number 16973.
An interesting photographic / optical collection to include a Houghtons Ticka Pocket Watch style sub miniature camera, a miniature cased Ensign Signette camera, an Ensign Midget camera, a pair of 'MARS' Chrome Folding Opera Glasses, a boxed V.P Twin Bakelite pocket camera, a group of spectacle lenses, a 19th century pair of cased opera binoculars, etc
A large collection of cameras and lenses , to include a Leica Mini Elmar, 1:3.5/35, Canon zoom 518 Super 8 cine-camera, a Pentax zoom-70, an Ensign folding camera 220 Selfix, a Yashica 8PE-RS projector, a Soligor f=400mm 1:6.3 lens, etc and ‘The Leica and Leicaflex Way’ book by Andrew Matheson (Qty.)
A set of hand-drawn storyboards from Peter Hyams' sci-fi sequel 2010: The Year We Make Contact. Drawn in pencil on seven opaque sheets of US Letter tracing paper, the storyboards map out the surreal scene in which Dave Bowman (Keir Dullea) appears to Dr. Heywood Floyd (Roy Scheider) and advises him to leave within two days. These detailed pencil sketches feature numerous handwritten notes for frame composition and cast direction, with directional marks and arrows for camera movements. Each page displays light smudging and fingerprints from pencil work and handling during production. Dimensions (per sheet): 28 cm x 21.5 cm (11" x 8 1/2")£1000-1500 †Δ*Sold without copyright; see copyright notice in the Buyer's Guide
Catwoman's (Michelle Pfeiffer) cowl and costume components from Tim Burton's superhero sequel Batman Returns. Having survived Max Shreck's (Christopher Walken) attempt to murder her, Selina Kyle was reborn as Catwoman and sought vengeance against Shreck by any means necessary. These all-black costume components comprise a foam-latex cowl; a latex-coated corset with leather ties; a pair of knee-high leatherette boots with four-inch heels and leather laces; and two latex-coated gloves with resin-and-foam rubber claws. The corset is marked "M. Phieffer [sic], STAGE 1-2, FIRST FOR CAMERA" and the boots are marked "TRISH PETERS" (for stuntwoman Patricia M. Peters). Also included are three strips of stitching from Kyle's catsuit. The cowl is in delicate but stable condition, having undergone some conservation and minor restoration work, with some visible cracks. It is permanently affixed to a mannequin head for optimal preservation. Dimensions (cowl display): 28 cm x 25.5 cm x 40.75 (11" x 10" x 16")£6000-8000 Ω
An Obi-Wan Kenobi first-turned wooden prototype lightsaber, from the production of George Lucas' Star Wars: A New Hope. The lightsaber, conceptualised by George Lucas and constructed by John Stears and Roger Christian, was made from camera flash handles, battery packs and other hardware. The design was altered for different characters' lightsabers, including Obi-Wan Kenobi's (Alec Guinness), which utilised plumbing equipment and a World War I British grenade in its construction. To create Guinness' €ËÅ“dueling' lightsaber, which would require a motor to spin a rod and help create the glowing lightsaber effect, a master copy had to be carved from wood, allowing for moulds to be made for the reproduction of the lightsaber in metal. This piece is the woodworked master used to create the lightsaber moulds. Carved on a lathe and painted with a white undercoat and a black topcoat, the prototype has a hole for the lathe's drive centre and another for a mould pour entrance. The saber shows wear from production use and aging, the paint has chipped away from most edges, and the rim of the end disc has broken off entirely. Dimensions: 28.5 cm x 5 cm x 5 cm (11 1/4" x 2" x 2")£10000-15000 M
An Obi-Wan Kenobi (Alec Guinness) first-cast aluminium lightsaber from George Lucas' Star Wars: A New Hope. The lightsaber, conceptualised by George Lucas and constructed by John Stears and Roger Christian, was originally made from camera flash handles, battery packs and other hardware. This design was altered for various characters, with Obi-Wan Kenobi's lightsaber utilising plumbing equipment and a World War I British grenade in its construction. This style of lightsaber went on to become Guiness' "dueling" lightsaber, with a motor to spin its rod, used to create the glowing effect that would ultimately be brought to life through rotoscoping. Such lightsabers would later be re-used by Mark Hamill in Return of the Jedi. To make the lightsaber easy to reproduce in large quantities, a master was shaped from wood on a lathe. The wooden prototype was then used to create a mould, allowing the crew to cast metal iterations which could be altered and used throughout the production. This first-cast lightsaber is made of aluminium, cast from the first moulds taken from the production's initial wooden prototype. Unfinished, the lightsaber shows wear from production use, with the side displaying grind marks from where the pore entrance was cast and subsequently removed. Dimensions: 26.5 cm x 5 cm x 5 cm (10 1/2" x 2" x 2")£10000-15000 M
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