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Preisdatenbank abonnierenPainted plaque depicting an image of the Hurricane, covering 400 nautical miles in one day. Housed in aa gold gilded frame with silver tone foliage motif. Reproduction from the original painting by James E. Buttersworth. Wedgwood of Etruria & Barlaston backstamp. Frame size: 11.75"L x 9.25"W x 0.75"Â Depth. Sight size: 9.5"L x 7"W. Manufacturer: WedgwoodCountry of Origin: EnglandCondition: Age related wear.
Ca. 1100-1200 AD.A silver bracelet showcases an open type design, allowing for glimpses of the wearer's wrist and enhancing its overall elegance. The round-section shank, meticulously modeled in round form with a twisted effect, adds a touch of complexity to the bracelet's structure. At each end of the bracelet, bulb-shaped finials create a visually striking element, drawing attention to the meticulous craftsmanship displayed in this Seljuk silver jewelry. The central section features a flat surface adorned with an etched border and intricate X patterns, serving as focal points of decorative interest. The combination of the smooth central panel and the textured shank creates a captivating interplay of design and craftsmanship. Seljuk silver jewelry served a range of functions within the society. These pieces were worn by both men and women as personal adornments, representing not only a sense of beauty but also social status and wealth. They were worn on various occasions, including formal gatherings, celebrations, and religious events, acting as statements of personal style and cultural identity. Size: L:70mm / W:60mm ; 44.82g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market since the 1970s.
Viking Era, Ca. 900-1100 AD.A silver ring with a round hoop design, featuring a flat inner surface complemented by a gently contoured outer contour. The ring's flat bezel is skillfully engraved with intricate symbols, possibly runic. Runic inscriptions, typically composed of angular and straight characters known as runes, were often engraved onto the surface of rings as a means of communication, protection, or personal identification. Runic rings held both practical and symbolic significance, serving as powerful talismans believed to carry magical properties and to provide strength and guidance to the wearer. The runic inscriptions themselves varied in content, ranging from personal names and prayers to expressions of love or invocations for good fortune. Each runic symbol held its own meaning and was carefully chosen to convey specific intentions or messages. Size: D: 17.73mm / US: 7 1/2 / UK: O 1/2; 12.3g Provenance: Private London collection, pre-2000s.
Ca. 1700-1800 AD.A silver ring exhibiting a harmonious blend of refined elements. Characterized by a round hoop, this captivating piece of jewelry features a rounded exterior, gracefully curving to form flaring shoulders. These shoulders, embellished with ribbed features, serve a dual purpose, not only enhancing the visual allure of the ring but also providing structural support for the splendid bezel setting. The bezel houses a black stone intaglio, meticulously engraved with a script, evoking a sense of historical and cultural significance. Size: D: 17.73mm / US: 7 1/2 / UK: O 1/2; 7.82g Provenance: Private London collection; ex. UK art market prior to 2000.
Ca. 100-300 AD.A silver pendant fashioned into the graceful form of a crescent. Impeccably crafted, the pendant exhibits distinct characteristics such as a sharp carination along its body, tapering finials, and a downward-facing orientation. Of notable significance is the large suspension loop positioned at the upper edge of the midsection, adorned with a ribbed design that facilitates its suspension. Lunar pendants held a prominent role within the Roman world, primarily serving as emblematic representations of the celestial body of the moon. The moon, with its ever-changing phases and ethereal beauty, held great symbolic importance within Roman culture, associating it with various deities and the passage of time. This item comes with a modern necklace cord. Size: L:23mm / W:21mm ; 3.67g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 600 AD.A silver finger ring with a flat section hoop adorned with delicate etchings that grace its exterior surface. The interior of the ring, in contrast, boasts a smooth and polished finish, ensuring optimal comfort for the wearer. The bezel of this piece features an openwork design, crowned by a gracefully domed finial that adds a touch of architectural elegance to the overall composition. Flanking the bezel are two intricately crafted loops, each adorned with small rings, creating a symmetrical and visually pleasing arrangement. In the Byzantine era, architectural rings gained prominence as distinctive jewelry pieces inspired by the grandeur and intricacies of Byzantine architecture. These rings often incorporated elements such as arches, domes, and ornamental details, serving as miniature representations of Byzantine architectural splendor. Size: D: 17.93mm / US: 7 3/4 / UK: P; 2.5g Provenance: Private London collection, pre-2000s.
Ca. 100-300 AD.A silver bracelet of penannular design. The term "penannular" refers to a type of circular or ring-shaped object that features an open space, typically seen in the form of a slight break or gap between the terminals. In this bracelet, the round-formed shank gracefully widens at its central section, creating an expanded area that adds visual interest and aesthetic appeal. The terminals flare outwards, completing the penannular form. Roman silver bracelets were cherished adornments that held both decorative and symbolic significance in Roman society. These bracelets were worn by individuals from various social strata, serving as fashionable accessories for both men and women. Their popularity spanned the Roman Empire, reflecting the widespread appreciation for fine craftsmanship and luxurious materials. Size: L:63mm / W:58mm ; 50g Provenance: From the collection of Mr. R. Unger, previously with the Parthenon gallery, London; formerly in 1970s UK collection.
Ca. 900-1100 AD.Crafted from silver, this ring features a flat-section round band with a slight expansion, resulting in a comfortable and visually pleasing design. Notably, the entirety of the ring's perimeter is meticulously adorned with engraved decorations. Silver rings served as personal adornments, embodying elements of status, wealth, and identity. Silver, known for its inherent beauty and rarity, was an esteemed material, valued for its luminous sheen and durability. The utilization of silver in rings not only showcased the wearer's affluence but also reflected the cultural and artistic appreciation of the metal. Size: D: 16.92mm / US: 6 1/2 / UK: M 1/2; 4.07g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. 1100-1200 AD.A silver ring featuring a round hoop with a flat-section profile that seamlessly expands to form an elaborate bezel. The bezel, adorned with a tiered design, serves as an exquisite canvas for the inclusion of calligraphy, further elevating the ring's aesthetic appeal. Calligraphy, as an esteemed art form, was highly regarded and practiced extensively throughout the Islamic world, including the Seljuk Empire. The incorporation of calligraphy into silver rings allowed for the fusion of decorative arts and written expression, creating captivating pieces that transcended mere ornamentation. Size: D: 19.15mm / US: 9 1/4 / UK: S; 7.58g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Northern European, ca. 1000-1200 AD.A silver ring comprising a lentoid-section hoop, flared shoulders, a discoid bezel with claw setting and inset green glass cabochon; fully wearable. For more information on Medieval rings, see Tait, H. (1986). Seven Thousand Years of Jewellery. British Museum Press, London; Ward. A. et al (1981). The Ring from Antiquity to the Twentieth Century. Thames and Hudson, London; Hinton, D. (1982). Medieval Jewellery. Shire Publications, Princes Risborough. Size: D: 14.65mm / US: 3 3/4 / UK: H; 3.7g Provenance: Private London Collection.
Egypt, ca. 30 BC-300 AD.A silver eagle with its wings gracefully folded, exuding a sense of regality and composure. Resting upon an integral and flat base, the amulet captures the commanding presence of the eagle, accentuating its association with authority and power. The simplified representation of the bird strikes a harmonious balance between artistic expression and its inherent recognizability. Completing the amulet is a suspension loop that extends from the back, allowing for convenient attachment to a chain or cord. In the context of the Romano-Egyptian world, eagles held profound significance as symbols of both Roman imperial power and Egyptian religious beliefs. The silver eagle amulet evokes a fascinating amalgamation of Roman and Egyptian cultural influences, immortalizing the interconnectedness of these ancient civilizations. Size: L:15mm / W:10mm ; 2.5g Provenance: Private London collection, pre-2000s.
Ca. 500-700 AD.A silver finger ring of a flat section band that has been meticulously adorned with braided ropework borders, intricate scrolls, and delicate filigree patterns. These decorative elements, meticulously rendered, elevate the ring's aesthetic appeal and serve as a testament to the skilled craftsmanship of the Byzantine world. Size: D: 20.17mm / US: 10 1/2 / UK: U 1/2; 4.6g Provenance: Private London collection, pre-2000s.
Ca. 600-800 AD.A silver ring boasting a flat-section shank, providing a comfortable fit for the wearer. The exterior face of the ring is adorned with two horizontal bands of incised design, adding a touch of decorative detail. The rhomboid-shaped bezel is a striking focal point. It showcases intricate filigree decoration, consisting of raised bosses and side hoops resembling flower petals. The delicate nature of the filigree work demonstrates the skilled craftsmanship and attention to detail that characterized Byzantine jewellery. Size: D: 18.14mm / US: 8 / UK: P 1/2; 3.25g Provenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 1200-1400 AD.An amulet crafted from silver exudes an air of mystique with its crescent-shaped body. The gracefully curved form of the crescent creates an elegant silhouette, evoking a sense of cosmic beauty. Intricate scrollwork decorations are adorning the upper side of the amulet. These ornate designs are characterized by delicate curves and interwoven patterns. In contrast, the reverse side of the amulet remains unworked. This duality of design, with a detailed front and a simpler back, suggests the amulet's intended function as a wearable object, meant to be displayed and revered when worn. Size: L:29mm / W:25mm ; 4.06g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Medieval Western Europe, ca. 1100-1400 AD.A Viking-inspired, silver omega penannular brooch featuring flanges with panels embellished with granulated and geometric decoration in the form of triangles, a sectioned pin loop, and a fine pin. Good condition. These items were multifunction: their most basic purpose was to work as clothing fasteners while their more ostentatious role was to serve as a display of wealth. For more information on Viking Jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala and Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London. Size: L:63mm / W:35mm ; 13.6g Provenance: Private London Collection.
Ca. 900-1100 AD.A silver ring with its thin flat-section shank and a large and broad bezel, which is the focal point of the design. The bezel is divided by a central ridge, creating two equal fields for decorative embellishment. In each field, intricate punched decor adorns the surface, adding depth and texture to the overall composition. Rings served both ornamental and functional purposes within Viking Age societies. They were worn as personal adornments, often displaying intricate designs and symbols that conveyed social status, religious beliefs, and cultural identity. Size: D: 18.95mm / US: 9 / UK: R 1/2; 1.67g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. 100 BC.A silver ring featuring a round hoop with a round-section shank, designed in a penannular form that allows for easy adjustment and secure fitting. At each end of the ring, stylized snake heads with intricate details and expressive features face each other, creating a mesmerizing visual display. Size: L:32.2mm / W:30.3mm ; 5.52g Provenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 100-300 AD.A silver ladle with a deep, rounded bowl and a long, round-section handle with a loop finial. This piece is a testament to the fine craftsmanship of the Roman metalworkers, with its well-proportioned design and intricate details. The bowl of the ladle is deep enough to hold a generous amount of liquid and is perfectly balanced by the long, elegant handle that offers a comfortable grip. In ancient Roman times, the use of ladles such as this was not only for serving food and drink but also for religious ceremonies and other important occasions. The ladle played a significant role in the purification and sanctification of offerings, making it an essential tool in the performance of religious rites. Size: L:235mm / W:65mm ; 105g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Ca. 16th -18th century AD .A ring crafted from silver consists of a round hoop that encircles the finger and a large circular bezel, which serves as its centerpiece. The bezel is intricately adorned with an incised table, featuring nine individual cells meticulously filled with various numbers, likely referring to verses in the Quran. Furthermore, along the upper edge of the bezel, there is a delicate line of script, reading ‘There is no God but God’, adding an additional layer of intricacy to the overall design. Silver rings were not only fashionable accessories but also symbols of social status and personal adornment. The craftsmanship and elaborate designs displayed on these rings were indicative of the sophisticated metalworking skills of the Seljuk artisans. Additionally, these rings often served as markers of identity, reflecting the wearer's cultural and religious affiliations. Size: D: 18.14mm / US: 8 / UK: P 1/2; 10.35g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 100-300 AD.A silver bracelet showcases an elegant design characterized by its open type. The flat-section shank, meticulously modeled in round form, lends a sense of balance and grace to the bracelet's overall composition. The interior of the bracelet boasts a smooth finish, ensuring a comfortable fit for the wearer. Meanwhile, the exterior surface of the bracelet presents a captivating sight, as it is meticulously etched with decorative motifs, serving as a visual feast for the eyes. Roman silver bracelets held diverse cultural and social significance within the Roman society, serving as both fashionable adornments and markers of status and wealth. These bracelets were worn by individuals of various backgrounds, including men and women, on a range of occasions and in different social contexts. Size: L:70mm / W:60mm ; 22g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market since the 1970s.
Northern Europe, ca. 700-900 AD.A silver pendant with an integral loop shaped like a Viking axe head. Good condition. This type of amulet is modelled after the axe Molnia and is often seen as a counterpart to the common Mjölnir amulet. Some associate these axe pendants with Perun who was the ruler of the living world, sky, and earth who used the axe to kill the snake that stole the earthly light. For more information on Viking jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala & Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London. Size: L:25mm / W:18mm ; 2.7g Provenance: Private London Collection.
Ca. 1100-1200 AD.A silver bracelet with a round-section shank, skillfully modeled in the round, gracefully envelops the wrist, leading the eye to the polyhedron finials that adorn both ends of the bracelet. These finials, meticulously etched with incisions, serve as focal points, drawing attention to the intricate details. Seljuk silver jewelry holds significant cultural and historical value, providing insights into the artistic achievements and societal practices of the Seljuk civilization. From bracelets to rings, earrings to pendants, Seljuk silver jewelry encompassed a wide range of forms and designs, each representing a unique expression of the era's aesthetic sensibilities. Size: L:80mm / W:70mm ; 96.82g Provenance: Property of a London Islamic art specialist collector; previously in a collection formed since the 1980s.
Ca. 300-100 BC.A silver frog amulet, crafted with meticulous detail. This captivating piece features a stylized representation of a frog, with its legs gracefully extended and a streamlined body. The frog's form, though simplified, exudes a sense of liveliness and agility. Adorned with tiny dots along its back, the frog amulet captures the essence of the creature's textured skin, adding an element of realism to the artistic rendering. At the forefront of the amulet, a suspension loop emerges from the frog's mouth. This loop allowed the amulet to be easily attached to a chain or cord, enabling it to be worn as a protective charm or pendant. Size: L:23mm / W:15mm ; 3g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Medieval Western Europe, ca. 1100-1400 AD.A Viking-inspired, silver omega penannular brooch featuring flanges with panels embellished with granulated and geometric decoration in the form of triangles, a sectioned pin loop and a fine pin. Good condition. These items were multifunction: their most basic purpose was to work as clothing fasteners while their more ostentatious role was to serve as a display of wealth. For more information on Viking Jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala and Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London. Size: L:46mm / W:33mm ; 11.2g Provenance: Private London Collection.
Ca. 5th-4th century BC.A silver fibula with a coiled pin and an arched body, terminating in a rectangular catch plate that curves upwards, creating a trumpet-shaped finial, adding an elegant finishing touch to the overall design. Fibulas were a common type of clothing fastener used in the ancient Mediterranean world and were popular throughout various eras of ancient Greek history. The Greek fibulas ranged in design from simple and functional to highly ornate and decorative, reflecting the wearer's social status and the fashion trends of the time. Size: L:35mm / W:15mm ; 5g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Egypt, ca. 30 BC-300 AD.A silver eagle amulet, crafted with exceptional artistry, depicts an eagle with its majestic wings folded, imparting a sense of regality and poise. Perched atop an integral, flat base, the amulet captures the bird's commanding presence and emphasizes its association with authority and power. The eagle amulet's simplified depiction maintains a harmonious balance between artistic expression and recognizability. A suspension loop protrudes from the back of the amulet, enabling it to be easily affixed to a chain or cord. Eagles held significant meaning in the Roman world, representing a variety of concepts and entities. As powerful birds of prey, eagles were associated with deities such as Jupiter, the supreme god of the Roman pantheon, and Mars, the god of war. Eagles were also revered as symbols of the Roman Empire and its military might, often adorning standards and military insignia. This item comes with a modern necklace cord. Size: L:16mm / W:10mm ; 4.95g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 900-1000 AD.A circular gilt silver pendant featuring one face decorated in a low relief depiction of Odin, the one-eyed god gripping ravens Huginn and Muninn. Odin, the chief god of Norse mythology, was known for his wisdom, war, and poetry. Huginn and Muninn, his trusted ravens, symbolize thought and memory, respectively. Cf. The North Lincolnshire Museum, NLM-7F954A. Size: L:21mm / W:17mm ; 3.88g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. 100-200 AD.A silver legionary eagle portrays the iconic bird in a commanding and unmistakable form. Rendered with meticulous craftsmanship, this depiction presents the eagle in a dignified standing pose, its powerful wings elegantly folded against its back. The small head, complete with a meticulously crafted beak and recessed eyes, conveys a sense of intensity and alertness. The intricate detailing of the body, skillfully imitating the intricate plumage, further accentuates the artistry involved in its creation. In the context of the Roman army, the eagle held profound symbolism and played a crucial role. Serving as a standard, the eagle was carried by the legionary eagle-bearer at the forefront of Roman military formations, embodying the spirit, power, and authority of the Roman legions. It represented the unity, loyalty, and discipline of the soldiers, serving as a rallying point and source of inspiration on the battlefield. Size: L:2.85mm / W:12.6mm ; 8g Provenance: Private London collection, pre-2000s.
Ca. 900-1100 AD.A silver ring featuring a flat-section shank, which gradually expands to form a square-shaped bezel. The shoulders of the ring are meticulously decorated, drawing attention to the elaborate craftsmanship. However, it is the bezel that truly captures the imagination, adorned with engraved symbols that carry profound meaning. The symbols engraved on Viking silver rings acted as personal talismans, imbued with magical or spiritual significance. These rings were believed to offer protection to the wearer, warding off malevolent forces and bringing good fortune. Size: D: 17.73mm / US: 7 1/2 / UK: O 1/2; 4.08g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 4th-3rd century BC.A libation bowl, meticulously crafted from silver is characterized by distinct features that contribute to its visual appeal and structural integrity. It possesses a hemispherical base, providing a stable foundation for the vessel. A deep groove encircles the shoulder of the bowl, enhancing its aesthetic charm and adding a subtle delineation between different sections. The corseted neck of the bowl further accentuates its elegant form, displaying a refined sense of craftsmanship. The rim of the bowl gracefully everts outward, adding a touch of visual interest while also serving to contain the poured libations. The smooth walls of the silver libation bowl exemplify the mastery of ancient artisans. The meticulous attention to detail is evident in the flawless surface, which gleams with a captivating radiance. The silver material itself lends an air of prestige and luxury to the vessel, reflecting the cultural values associated with precious metals in Hellenistic society. As a libation bowl, this silver vessel played a crucial role in religious and ceremonial practices. In ancient Greek culture, libations were offerings made to gods, spirits, or ancestors as an act of devotion or supplication. The libation bowl functioned as the vessel through which wine, water, or other liquids were poured as offerings. The act of pouring the libation into the bowl was accompanied by prayers or invocations, establishing a connection between the mortal realm and the divine. Through this ritualistic act, worshippers sought favor, protection, or divine intervention. Size: L:78mm / W:123mm ; 250g Provenance: Private UK collection; From an old London collection formed in the 1990s.
A PAIR OF MALONE SOULIERS SILVER SLINGBACK HEELS EU38 With adjustable strap Condition: Condition Report Excellent condition with littoe or no signs of use, One sole with original price ticket This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LOUIS VUITTON BLACK PONYSKIN TOTE Louis Vuitton Fall/Winter 2006 Collection, black ponyskin with black leather base and trim, silver toen hardware, enamel charm, LV printed interior, luggage tag with custom initials, with brand dust bag Louis Vuitton Approximately 38cm wide x 36cm high Condition: Condition Report Some scratching to the charms where they have presumably rubbed against each other. Some environmental damage to the rivets of the strap handle. Very little signs of use. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LOUIS VUITTON BLACK EPI LEATHER BRIEFCASE Black leather with silver tone hardware, charms, padlock and key, detachable shoulder strap and brand dust bag Louis Vuitton Approximately 39cm wide x 30cm high Condition: Condition Report Some light wear to the feet on base. A loop to on one of the zips has broken (please see additional image) occasional minor mark with only very light signs of use This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LOUIS VUITTON TAN TOTE - MENS 2014 FALL/WINTER RUNWAY Fall/Winter 2014 Collection, tan leather with silver tone hardware, suede interior, with detachable shoulder strap, with brand dust bag Note: Marks to exterior - please see Condition Report 43cm x 35cm Condition: Condition Report There are black marks to the exterior in several areas. To one side in a horizontal line towards the lower third of the bag, and the reverse in one area to the left of the bag. This appears to have been created by the shoulder strap, on which the edges have become sticky and deteriorated. The finish on the top edge of the rim and along the sides of the leather to the bag is also slightly sticky and has some of the finish missing. It appears it is this residue to either the strap or rim of bag that has been left on the exterior of the bag. Viewing advised and professional advise/rectification of this issue advised to prevent further deterioration. The shoulder strap also with further residue marks to hook and interior. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
FOUR PAIRS OF ASSORTED DESIGNER CUFFLINKS Comprising: a pair of Bottega Venetta Intrecciato silver cufflinks, Italian hallmarks, with suede pouch, care instructions and box; a pair of Mulberry dice examples, with dust bag and box; a pair of Paul Smith enamel dog cufflinks, in box; and a pair of Shanghai Tang silver horse examples, marked '925' in metal box and outer box The Bottega examples 2.1cm wide Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A STELLA MCCARTNEY FALABELLA CHAINED TOTE BAG Red vegan leather with silver tone chain, magnetic closure, with brand dust bag Stella McCartney Approximately 35cm wide x 36cm high Condition: Condition Report Some light signs of use but generally in good condition This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
TWO PAIRS OF HERMES SILVER CUFFLINKS Comprising a pair of Chain D'Ancre examples, French hallmarks and marked '925', with box; and a pair of circular examples with Hermes Paris to the front, marked 'Ag925' to reverse, with box Hermes Condition: Condition Report The interior of both boxes with some light environmental deterioration This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A PAIR OF RALPH LAUREN DROP EARRINGS Ralph Lauren Fall 2011 Ready to Wear, silver hooks, marked '925', with box and outer box Ralph Lauren 12.5cm long Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LOUIS VUITTON BLACK AND SILVER MONOGRAM CANVAS TOTE Spring/Summer 2018 Collection, in black and silver monogram canvas with loop handle, marked 'Defile Homme Printemps -Ete 2018' to internal label, with brand dust bag Louis Vuitton Approximately 37.5cm wide x 41cm high Condition: Condition Report The nag appears in excellent condition with only light signs of use This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
IMPERIAL RUSSIAN 'AESTHETIC' SILVER FRUIT BOWL, c.1910, oval lobed with pierced high loop handles, engraved with three swallows and moon within 'cracked ice' lobed borders, on pierced spreading pedestal foot, engraved cursive initial 'N', multiple kokoshnik and makers marks, 21ozt, 36.5cms wideProvenance: collected in Russia c.1910, thence by descent in the Netherwood familyComments: very good overall, one mark slightly rubbedCondition Report:light general wear
MID 18TH CENTURY PARCEL GILT-HILTED ENGLISH SMALL-SWORD, by Charles Bibb (1702-1777), sharply tapering blade of hollow triangular section, cast and chased hilt comprising guard decorated in relief on both sides with trophies of arms, foliage and C-scrolls, quillon-block and globular pommel en suite, the swelling square section grip bound with twisted silver ribbon and plaited silver wire, together with vellum covered scabbard with parcel gilt chape, suspension mount and scabbard locket chased with a trophies of arms and engraved with maker's details 'Bibb, Newport Street' verso, 81cm blade, and a similar double-shell guard (2)Provenance: Raymond Bartell Collection, keeper of Arms & Armour to William Randolf Hearst; Private Collection Vale of Glamorgan; thence by descentCondition Report:blade engraving worn, grip gilding worn, pommel and upper knockle guard detail worn, damaged tip of scabbard.
9CT GOLD & SILVER 'JERSEY' COMMEMORATIVE SPOONS, each commissioned by C.T. Maine Ltd., comprising 9ct gold seal top spoon, numbered 05/25, 24.5gms; similar in silver, numbered 608, 0.75ozt (both copies of the earliest known Jersey spoon c. 1610); and another with cruciform handle with swivel globe, numbered 276, 1.16ozt, all cased with COAs (3)Provenance: private collection WrexhamComments: very good overall, hallmarks clear
FRENCH SILVER MOUNTED HARDSTONE DESK SEAL, Paris c.1870, apparently marked for Charles Brissard, seal formed of a silver bust of Voltaire on a silver-mounted banded agate column, 80.8gms, 10.5cms hProvenance: Christie's, London, 25 February 1944, lot 130; Albert Marber (1900-1960), then by descent; private collection North WalesComments: rare example, good overall, slighted misshapen to bottom rim
JOSEPH EDWARD SOUTHALL (1861-1944) INTEREST: the personal fountain pen of his wife, Anna Elizabeth Southall (nee Baker), being a Waterman 22 taper cap hard rubber eyedropper pen with Conway Stewart gold nib no. 5, with floral chased gilt bands, c. 1900-15, within a silver Samuel Mordan & Co. pen case engraved, 'A.E. Southall, 13 Charlotte Rd, Birmingham', hallmarks for Chester 1909, case 15.3cms longProvenance: Rhondda-Cynon-TaffComments: pen cap chipped, silver case with minor dintsAuctioneer's Note:Joseph Edward Southall RWS NEAC RBSA was an English painter associated with the Arts & Crafts movement. A leading figure in the 19th and early 20th Century revival of painting in tempera, Southall was the leader of the Birmingham Group of Artist-Craftsmen—one of the last outposts of Romanticism in the visual arts, and an important link between the later Pre-Raphaeliites and the turn of the century Slade Symbolists. In June 1903 Joseph Southall married his first cousin, Anne Elizabeth Baker. Joseph and Anne (known as Bessie) lived at 13 Charlotte Road, Edgbaston, a house which belonged to his uncle, George Baker, which was to be his home for the rest of his life. Although both were fond of children they made a conscious decision not to have any themselves. According to the art consultant and author Peyton Skipwith, "She (Anne) was forty-four and he nearly forty-two; they had been intimate friends and companions for many years and had always intended to marry, but because of their close kinship had consciously waited until she was passed child-bearing age." Anna frequently accompanied Joseph on his regular visits to "Southwold, Suffolk, or Fowey, Cornwall, and to Italy or France".The Agate: Portrait of the Artist and his Wife, painted in 1911, resides in the National Portrait Gallery collection.
RARE ROLEX SEED PEARL WATCH PENDANT, circa 1910-15, the spherical silver case set with half pearls and navy blue enamel, silvered Arabic dial, blued steel hands, crown at 4 o'clock, signed 15J manual wind movement with compensated balance, interior gilt case with London import marks, no. 593888, suspension loop, 24mm diam.Provenance: private collection LondonComments: ticks when wound, movement with moderate tarnishing, a few seed pearls missing, very small areas of enamel missing, not tested for accuracyAuctioneer's Note:Compare with similar watch sold, Wooley & Wallis, Fine Jewellery, 1 Feb 2023, lot 373.
PAIR IMPERIAL RUSSIAN 'AESTHETIC' SILVER NAPKIN RINGS, c. 1910, engraved with 'MCN' and 'EN' monograms', unmarked, boxed, 3ozt, 5.3cms wide (2)Provenance: collected in Russia c. 1910, thence by descent in the well-known Netherwood family of north Wales.Comments: very good overall, unmarked, box cracked, hinges bent, clasp damaged.
Deutsches Reich 1933-1945 - Klippenförmige versilberte Prämienmedaille o.J., unsigniert. Reichsadler mit Lorbeerzweig und darunter Emblem der Hitlerjugend (HJ), revers Gravur GEB. MEISTERSCH. / i. LAUFEN / 1941 / 1500m. In dazu passendem Etui. Versilberung partiell vergangen, starke Alters- und Gebrauchsspuren| Third Reich 1933-1945 - Cliff-shaped silver-plated premium medal, no year, unsigned. Imperial eagle with laurel branch and below it the emblem of the Hitler Youth (HJ), reverse engraving GEB. MEISTERSCH. /i LAUFEN / 1941 / 1500m. In matching case. Silver plating partially gone, strong signs of age and wear
3 ungarische Bergbauorden im jeweiligen originalen Etui, darunter 2 x "Bronze", 1 x "Silber". Ein Etui goldfarben bedruckt "FSZMP". Alters- und Gebrauchsspuren| 3 Hungarian mining medals in the respective original case, including 2 x "Bronze", 1 x "Silver". A case printed in gold with "FSZMP". Signs of age and use
Konvolut Silberunzen aus Mexiko und den USA - 1 x USA - 1 Dollar 1988, Liberty, vz, Kratzer, Kerbe, leichte Tönung, 1 Unze Ag fein, verkapselt sowie 20 x Mexiko - Libertad 2008, Erhalt mind. vz, z.T. Patina, z.T fleckig, je 1 Unze Ag fein.| Mixed lot of silver ounces from Mexico and the USA - 1 x USA - 1 Dollar 1988, Liberty, EF, scratches, notch, light toning, 1 ounce Ag fine, encapsulated as well as 20 x Mexico - Libertad 2008, condittion at least EF, partly toning, partly spotted, each 1 ounce Ag fine.
Fast 4 Kg SILBERMÜNZEN und MEDAILLEN, lose mit verschiedenen Legierungen, meist moderne Ausgaben, jedoch auch Klassisches darunter, z.B. zwei Morgan Dollars. Bitte etwas Zeit für die Besichtigung einplanen und Ihre Schatzsuche kann beginnen!| Almost 4 Kg SILVER COINS and MEDALS, loose with different alloys, mostly modern issues, but also classic among them, e.g. two Morgan Dollars. Please take some time for viewing and your treasure hunt can begin!
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