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Los 116

The Rolling Stones: A signed Tattoo You record cover,1981,signed later in black pen by Mick Jagger, Keith Richards, Ronnie Wood, Bill Wyman and in silver by Charlie Watts, dated 1996Footnotes:Provenance:This lot is offered by the Director of The Rolling Stones music video 'Time Is On My Side'.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 127

The Who: A Limited Edition souvenir print for The Who's Silver Anniversary,1989,edition no.110 of 150, artwork by Gary Grimshaw, framed, accompanied by a certificate, overall 23in x 33 1/2in (58cm x 85cm)Footnotes:Provenance:From the private collection of Harvey GoldsmithFor further information on this lot please visit Bonhams.com

Los 133

Genesis: A Black Bomber-style tour Jacket for Harvey Goldsmith,1977,the black jacket labelled Campri with faux fur collar and silver zips and popper closures to body, with felt badges to the back Genesis World Tour 77, accompanied by a certificateFootnotes:Provenance:From the private collection of Harvey GoldsmithFor further information on this lot please visit Bonhams.com

Los 139

Pink Floyd: A Bomber-style tour Jacket for Harvey Goldsmith,1980-1981,the silver light-reflective jacket labelled The Watkins Group with black collar, cuffs, waist and zip, with embroidered Pink Floyd patch to arm and Union Jack patch to alternate sleeve, accompanied by a Harvey Goldsmith and Umbrella Productions promotional poster for Pink Floyd's The Wall, framed, accompanied by a certificate, the poster overall 13in x 17in (33cm x 43cm), (2)Footnotes:Provenance:From the private collection of Harvey GoldsmithFor further information on this lot please visit Bonhams.com

Los 145

Queen: A Racing Green Padded Tour Jacket,1979,the padded jacket labelled Campri with green zip and silver poppers, with embroidered Harvey in yellow above official Queen Crazy Tour patch, accompanied by a certificateFootnotes:Provenance:From the private collection of Harvey GoldsmithFor further information on this lot please visit Bonhams.com

Los 149

Eric Clapton: A signed 25th Anniversary programme,1988,signed on the back page Eric Clapton 88 in silver pen and on the inside back cover signed by various members of his band including Alan Clark and others, accompanied by a Harvey Goldsmith Presents poster Eric Clapton and His Band, Royal Albert Hall, 1996, framed, accompanied by a certificate, the poster overall 12 1/2in x 15 1/2in (30cm x 40cm), (2)Footnotes:Provenance:From the private collection of Harvey GoldsmithHarvey Goldsmith has worked with Eric Clapton since he met him at his 21st Birthday party and was blown away by his talent. He has promoted Eric and the following bands he has been a part of; John Mayall & The Bluesbreakers, Cream, Blind Faith and Derek and the Dominos. He's toured with him all over the world, by plane, train and by boat, culminating in over 100 concerts at the Royal Albert Hall.For further information on this lot please visit Bonhams.com

Los 150

Eric Clapton: A Custom Limited Edition Fender Stratocaster,serial no.GO36446, double cutaway body in black finish with white scratch plate, 22-fret beech fingerboard and corresponding headstock with black dot inlays, signed on the body in silver pen Eric Clapton 91, with two-tone and one volume knob and selector switch, with personalised plaque to the body engraved To Harvey with our sincere thanks Eric and Roger 1990/91, in hard shell tour case with foam protective lining, accompanied by a certificateFootnotes:Provenance:From the private collection of Harvey GoldsmithFor further information on this lot please visit Bonhams.com

Los 182

David Bowie: An Autographed Copy Of The Album Let's Dance,1983,EMI AML 3029, the front cover signed by David Bowie in silver pen and dated '83, with letter reading Congratulations! As a runner-up in Channel 4 Switch Competition, your signed David Bowie album - compliments of Levi's, back cover with Manufacturer's Property Not For Sale stickerFor further information on this lot please visit Bonhams.com

Los 186

David Bowie (British, 1947-2016): Two Silver Shell and Resin Filled Lifemasks,1975 & 1995,the Special Edition casts after David Bowie's Edition for his exhibition New Afro-Pagan And Work: 1975-1995, commissioned by the vendor, produced at Morris Singer Foundry, overseen by Singer and Kate Chertavian, by Cal Howard, London 2010, Fine Standard 999, accompanied by photographs of Bowie at Morris Singers Foundry; both 10in (25.5cm) longFootnotes:David Bowie began producing his own artwork in the mid 1970s, a practice which culminated in his first solo exhibition, the 1995 retrospective New Afro Pagan and Work: 1975-1995, held at The Gallery in Cork Street, London. The exhibition displayed a collection of portraits, sculpture, and artworks inspired by German Expressionism and Bowie's recent trip to South Africa. A silver life mask of the artist was also included in the exhibition.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 224

Paul Spencer (British): Blur 'British Image 1', Chelsea,1987, printed later,unknown edition, C-type photographic print, framed in Perspex format, 31in x 39 1/2in (79cm x 100cm)Footnotes:Paul Spencer has photographed countless idols of music and silver screen over the past 30 years. His portfolio features many iconic images including Blur's acclaimed first press shoot; 'British Image No.1', as well as The Sex Pistols, Elvis Costello, Morrissey, Siouxsie and the Banshees, and Radiohead, among others.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 235

Band Aid: An autographed Justin Hawkins Gibson Les Paul Custom '68 guitar,2004,serial no.CS41262 printed to back of headstock, silver burst finish, bound single cut-away body, bound neck, twenty-two fret ebony fingerboard with ornate flame-style abalone inlays, headstock facia with split diamond inlay, two pickups, four rotary controls, selector switch, metal bridge, Bigsby tremolo tailpiece, signed on the body by many of the artists including Hawkins at the recording of the 'Band Aid 20' single on the 14 November 2004, together with a Les Paul hardshell caseFootnotes:Provenance:Ex-Lot 122, Pop Culture: Rock and Pop Memorabilia, Christie's South Kensington, 15th November 2011 in which it was donated by Gibson Guitars to benefit the Band Aid Trust.For further information on this lot please visit Bonhams.com

Los 254

Coldplay: A BPI double 'Platinum' disc award for the album Viva La Vida,2008,plaque reading Presented to Guy Berryman to recognise sales in the United Kingdom for in excess of 600,000 copies, glazed, signed in silver ink by Chris Martin, Guy Berryman, Will Champion and Jonny Buckland, 17in x 24in (43cm x 68cm)Footnotes:Provenance:According to the vendor this award was donated by Guy Berryman to a private charity auction where it was purchased.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 275

Judas Priest/K.K. Downing: A silver guitar strap,mid-1980s,composed of three strips of brown leather of varying length with silver-coloured facing, accompanied by letter of provenance, 52in (132cm) longFootnotes:Provenance:Property of Ken (K.K.) Downing of Judas Priest.One of two identical straps used by K.K. in the Turbo album/tour era. One can be seen in the video of the 1986 Fuel For Life tour, on the track 'Turbo Lover'.For further information on this lot please visit Bonhams.com

Los 289

Günter Zint (German, b.1941): John Lennon and Richard Lester, Hamburg,1966, printed later,a silver gelatin black and white print depicting John Lennon and Richard Lester during a press conference in Hamburg for Lester's film 'How I Won The War' which stars Lennon, signed by the photographer in black ink to the lower margin, 16in x 12in (40.5cm x 30.5cm)Footnotes:Provenance:From the collection of musician, lyricist, composer, producer, author and photographic archive manager, Ulf Kruger.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 294

George Martin: PlaybackGenesis Publications Ltd, 2002,limited edition Artist's Proof XXV of 2000 copies, signed by George Martin, bound in black quarter leather, silver page edges, with exclusive music CD recorded for this publication, clamshell boxFor further information on this lot please visit Bonhams.com

Los 297

The Beatles/John Lennon: An Important Group Of early documents including John Lennon's Permits Relating To The Beatles' historic Trips To Hamburg,1960-1962, comprising nine double-sided forms and two single sided, eight sheets signed by John Lennon, including an application for a temporary residency permit, the first page dated 16.8.1960 and listing all five members of the Beatles with their Liverpool addresses, another page completed in blue ink with John's personal details, date and place of birth, occupation and passport issue, 15.8.60; a four-page Announcement of Residence of a Foreigner form, completed by John in blue ballpoint, giving his father's address as Unbekannt (Unknown) and his mother as Dead, employer as Bruno Koschmider and probable duration of stay as two months, the last page dated 25.8.60 and with black and white passport-style photograph of John stapled to it; a form completed by John in black ink and dated 1st Dec 1960, the reverse of which has an overpasted piece of paper with a signed note by John, I have been informed than I can no longer work here I am staying here for a few days as a tourist and will leave before or on the 10 December 1960 Hamburg 6 December 1960 J.W. Lennon; a permit for the Beatles' trip in April-May 1962, variously dated 27.4.62 and 3 Mai 1962; a permit application date-stamped 24 SEP 1962, with typewritten details, including 'Purpose of Sojourn in the Federal Republic' as To play with a group of Musicians at the Star-Club, Hamburg, relating to the Beatles' two trips in November and December 1962; a Police Residency Permit, dated 24. September 1962; and an application completed in blue and red ballpoints by John for the periods 1st Nov-15th Nov 18 Dec-2nd Jan, dated by John 14th Nov '62, each sheet 8 1/4in x 11 1/2in (21cm x 29cm)Footnotes:The Beatles' first visit to Hamburg, in 1960, came about thanks to Liverpool promoter Allan Williams, who had connected with Bruno Koschmider, owner of the Kaiserkeller night club and other venues in Hamburg's red-light district. Williams had sent several Liverpool groups over to Hamburg and Koschmider needed another to play at a new club he was opening, the Indra. Williams offered the Silver Beatles (as they were known then) the opportunity to fill the bill. However, they lacked a permanent drummer, but just two days before they were to leave for Hamburg, they offered Pete Best the job. On the 15th August, the newly-christened Beatles left for Germany with all their equipment in Allan Williams' van, arriving in Hamburg some 36 hours later. John's passport had had to be hastily obtained and this was issued on the 15th August, as is recorded on several of the documents offered here. The arrangement of work-permits had been left to Koschmider, who apparently overlooked this formality, and thus were applied for after the Beatles had arrived in Hamburg, as documents in this lot attest.The Beatles' contract with Koschmider originally ran from 17th August to 16th October. They were required to play for 4 1/2 hours every weekday night and six on both Saturday and Sunday, a pretty gruelling schedule. This contract was then extended to 31st December. However, at the end November George was ordered to leave the country after it had become clear to the authorities that he was under 18 and, according to German law, was not allowed to stay or work in a night club after midnight. At the same time, Paul and Pete went to the squalid 'digs' provided by Koschmider, two tiny rooms just behind the screen of a small cinema he owned, and in order to provide some light in the darkened, closed premises, the two Beatles set light to a wall hanging. They packed their belongings in order to take up the offer of new employment and accommodation in a rival club, the Top Ten, and left the smouldering tapestry. Koschmider was then informed that the Beatles had tried to set fire to the cinema and he went to the police. Paul, Pete, John and bassist Stuart Sutcliffe were soon arrested and put in the cells. When it was clear that John and Stuart were innocent, they were allowed to go but Paul and Pete were deported on a flight back to London on 1st December. John and Stuart visited the police station on 6th December, to provide statements regarding their plans to remain in Germany, as reflected by the document with the overpasted section included in this lot. Underneath John's declaration, there is a handwritten note by Stuart which reads: I have been informed that I may no longer work in this country. I intend to stay here from this day, as a tourist by Mrs. Kirchherr, Hamburg, Altona Eimsbüttelerstr45A, Hamburg 6th December - Stuart Sutcliffe. Mrs. Kirchherr was the mother of a local girl, Astrid, whom Stuart had met and fallen in love with previously and it was planned that he would stay at her family home (eventually returning to Liverpool in February 1961). It appears Stuart mis-spelled the street name, which was crossed out and re-written in a German hand, likely by the attending police officer. Stuart also had trouble with the spelling of Astrid's mother's surname. A possible explanation for this document's format is that John and Stuart were erroneously presented with each other's paperwork. Stuart's statement was written on John's document before the error was discovered and presumably John's statement had already been written on Stuart's document. John was asked to re-write his statement on a blank piece of paper which was then glued onto the form, covering Stuart's statement. Whilst Stuart stayed on, John left Hamburg on the 7th December, undertaking the somewhat arduous journey by boat and various trains back to Liverpool, complete with his amplifier, and arrived there in the middle of the night on the 8th. He returned to his home at his Aunt Mimi's and had to throw stones at her bedroom window to let her know he was there.Despite the troubles of a few months earlier, the Beatles returned to Germany to take up a three-month residency at the Top Ten Club in April 1961. Stuart had already returned to Hamburg, to continue his romance with Astrid and enrol in the city's State College Of Art. He was a very promising student but became ill and, after a series of increasingly-severe headaches, suffered a violent convulsive fit on 10th April 1962. He went into a coma and died a few hours later. It was two months short of his 22nd birthday. That same day, John, Paul and Pete had arrived yet again in Hamburg ahead of a seven-week residency, this time at a new venue, the Star-Club.In all, the Beatles made five trips to Hamburg between 1960 and 1962. Their final appearances at the Star-Club in December 1962 brought their stage time in the city to around 1,100 hours. Beatles historian Mark Lewisohn sums up that experience: Quite how valuable the work tied up in this remarkable statistic was to prove was, at this point, beyond comprehension. The Beatles had served their apprenticeship, and served it the hard way. They were now ready to take on whatever the world could throw at them. In an interview in 1969, John described their time in Hamburg thus: 'We went in young boys and came out old men.'Provenance:Ex-Lot 237, Rock & Roll Memorabilia, Sotheby's London, 22nd December 1982.Literature:Lewisohn, Mark, The Complete Beatles Chronicle, Pyramid Books, London, 1992.Lewisohn, Mark, All These Years Volume 1: Tune In, Little, Brown, London, 2013.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 313

Iain MacMillan (British, 1938-2006): Two prints of The Beatles on Abbey Road,1969,two original vintage chromogenic prints, the first depicting the Beatles walking from left to right (frame no.5) as seen on the album cover, signed and numbered 7/25 by Iain Macmillan in silver metallic pen, together with a second print depicting the Abbey Road street sign with the girl in the blue dress as seen on the back of the album, signed and numbered 8/25 by Macmillan in silver metallic pen, both 20in x 24in (51cm x 61cm), (2)Footnotes:Provenance:Property from the Iain Macmillan Collection.Having met John Lennon at the Indica Gallery with Yoko Ono in 1966, Lennon later invited Macmillan to photograph the Beatles for the cover of their final album 'Abbey Road'. Given the Beatles recorded most of their music at the EMI Studios on Abbey Road, St John's Wood, London, they decided to name their last album after the road. Armed with a sketch Paul McCartney had given him a couple of days before of what the picture should look like, Iain knew he didn't have long to get the right shot for the world's most famous band.On 8th August 1969, at around 11:30 am, a hired policeman stopped the traffic, Iain climbed up a large stepladder in the middle of Abbey Road and took just six pictures of the Beatles crossing the street. In approx 10 minutes Iain shot the band in various orders, but it was frame no.5 that was used for the cover of the album - the only photo where all four of them are striding in perfect formation.'The whole idea was McCartney's. A few days before the shoot, he drew a sketch of how he imagined the cover, which we executed almost exactly that day. I took a couple of shots of the Beatles crossing Abbey Road one way. We let some of the traffic go by and then they walked across the road the other way, and I took a few more shots. The one eventually chosen for the cover was number five of six. It was the only one that had their legs in a perfect 'V' formation, which is what I wanted stylistically.' - Iain Macmillan.After the shoot, Macmillan went to find a road sign for use on the back cover. Over 50 years on, and the cover for 'Abbey Road' by the Beatles is still undoubtedly one of the most iconic album covers of all time.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 94

Pink Floyd: A soundwave print for Wish You Were Here signed by the band,2008,Fine Art lithograph limited edition print from an edition of 10 created worldwide, created from digitising a section of Pink Floyd's song 'Wish You Were Here' and turning it into a soundwave, signed by all the band members: David Gilmour, Rick Wright, Nick Mason and Roger Waters in silver metallic pen, framed and glazed with standard conservation UV protective glass, print 39 1/2in x 39 1/2in (100cm x 100cm)For further information on this lot please visit Bonhams.com

Los 118

FINE VIKING GOLD BRACELET NORTHWESTERN EUROPE, 9TH - 11TH CENTURY A.D. of exceptionally fine quality, formed from eight braided strands hammered into elegant solid finials with looped ornament(8.6cm diameter, 79.5g)Footnote: Provenance: Private collection, United Kingdom, acquired 1980s Note: Executed with a complex braiding technique and finished with elegant coils, this beautiful bangle is a fine example of the exceptional skill of the Viking Age smith. Gold was far less common than silver across the Viking world, so the sheer weight of current piece is testament to the means and status of its original owner. Though this example was likely intended to be worn, gold ornamentation could also be used as a means of payment.

Los 21

ALEXANDER THE GREAT SILVER TETRADRACHM GREECE, AMPHIPOLIS MINT, 325 - 323 B.C. hammered silver, struck under Antipater, head of Herakles wearing a lionskin, the reverse with an image of Zeus enthroned(2.5cm diameter, 17.18g)Footnote: Provenance: Private collection, United Kingdom, acquired at Spink & Son, London

Los 70

FIVE SILVER ORDOS PLAQUES NORTHERN CHINA, 4TH - 3RD CENTURY B.C. silver, openwork, each displaying a bird a the centre within a square frame, displayed on a mount (5)(largest 7.5cm wide)Footnote: Provenance: Private collection, United Kingdom, assembled 1965-2018

Los 10

A George III silver shaped circular waiter by Thomas Pratt & Arthur Humphries, London 1782, with a beaded border, engraved with a monogram, engraved with a presentation inscription beneath and on three ball and claw feet, 17cm (6 3/4in) diameter, 238g (7.65 oz) Provenance: Berwick House, Shrewsbury, ShropshireCondition Report: Marks are clearEngraving clearStands wellLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 100

Y A silver four piece oblong baluster tea set by Walker & Hall, Sheffield 1916, the tea pot with an ivory finial to the domed cover and warming bands to the angular handle, a tongue and shell border, engraved with a monogram and on four ball feet, 30cm (11 3/4in) long, 2148g (69.05 oz) grossCondition Report: Tea pot - Marks clear, engraving crisp, hinge and handle tight, splits to the ivory, slightly wobbles, cover sits wellHot water - Marks clear, engraving crisp, hinge tight, handle with some play, splits to the ivory, slightly wobbles, cover sits well, large dent to the bodyCream jug - Marks clear, engraving is crisp, stands wellSugar basin - Marks clear, engraving is crisp, slightly wobblesAll with light scratches and wear commensurate with age and useCondition Report Disclaimer

Los 101

Y A silver octagonal tapering coffee pot by Goldsmiths & Silversmiths Co. Ltd., London 1918, with an orb finial to the domed cover and a wooden scroll handle, 23.5cm (9 1/4in) high, 511g (16.4 oz) grossProvenance: Berwick House, Shrewsbury, ShropshireCondition Report: Marks are clearPlay to the hinge and handleCover sits wellStands wellLight scratches and wear commensurate with age and useHandle may be ebonyCondition Report Disclaimer

Los 102

A silver chamberstick by Goldsmiths & Silversmiths Co. Ltd., London 1924, with gadrooned borders, a scroll handle and a tapering candle snuffer, 16cm (6 1/4in) long, 272g (8.75 oz) Provenance: Berwick House, Shrewsbury, ShropshireCondition Report: Marks are clearMinor knock to the rimLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 103

A cased set of four matched silver gilt apostle spoons, three by D. & J. Welby, London 1925 and one by Pairpoint Brothers, London 1900, 19cm (7 1/2in) long, 277g (8.9 oz) gross

Los 104

A silver baluster sugar castor by Carrington & Co., London 1929, with a ball finial to the pierced domed cover and on a circular moulded spreading foot, 20.5cm (8in) high, 267g (8.6 oz) Provenance: Berwick House, Shrewsbury, ShropshireCondition Report: Marks are well struckStands wellCover fits wellLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 105

A silver baluster mug by F. C. Richards, Birmingham 1931, with a scroll handle, engraved with a presentation inscription and on a circular moulded spreading foot, 13cm (5in) high, 389g (12.5 oz) Provenance: Berwick House, Shrewsbury, ShropshireCondition Report: Marks are well struckEngraving is crispStands wellDent approx 9mm wideLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 106

A silver twin handled shaped oval tray by James Deakin & Sons, Sheffield 1931, with twin loop handles, a raised moulded border and engraved with a presentation inscription, 61.5cm 24 (1/4in) long, 2588g (83.2 oz) Provenance: Berwick House, Shrewsbury, ShropshireCondition Report: Marks are well struckEngraving is crispLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 107

A silver Art Deco bachelors coffee pot and sugar bowl by Charles S. Green & Co. Ltd., Birmingham 1933, the coffee pot with a composition octagonal finial to the ogee domed cover and scroll handle, engraved D and on a circular moulded spreading foot, 17cm (6 3/4in) high, 373g (12 oz) grossCondition Report: Marks are well struckPlay to the hinge and handleEngraving crispPot stands wellBowl wobblesBowl with two dentsKnock to the pot Light scratches and wear commensurate with age and useCondition Report Disclaimer

Los 108

A silver oblong ink stand by Asprey & Co. Ltd., Birmingham 1935, with a reeded border, two square inkwells with canted corners, a double pen rest and on four bun feet, 29cm (11 1/2in) long, 1053g (33.85 oz), with two glass linersCondition Report: Marks are well struckSlightly wobblesHinges are goodNo engravingLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 109

Eight silver rectangular matchbox holders, five by S. J. Rose & Son, London 1936, two by Mappin & Webb, Birmingham 1935 and one by Harrods Ltd., London 1933, with engine turned decoration, 4.5cm (1 3/4in) long, 161g (5.2 oz) gross

Los 11

A George III silver pear shaped jug by Daniel Smith & Robert Sharp, London 1784, with a bell shaped finial to the domed cover and a scroll handle, engraved with a crest and on an circular beaded foot, 16cm (6 1/4in) high, 251g (8.05 oz) Condition Report: Maker's marks partially obscured, rest are clearSlight wobblesCrest is crispLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 110

Y An Art Deco silver four piece circular tea set by Dennison Watch Case Co., Birmingham 1937, the tea pot with a composition domed finial to the stepped circular cover and an angular handle, on a stepped circular foot, 23cm (9in) long, 903g (29.05 oz) grossCondition Report: Tea pot - Marks partially rubbed, some play to the hinge, cover sits well, handle tight, wobbles, dent to the foot rim approx. 2.5cm long, several minor dents to the body. The handle may be ebonyHot water - Marks lightly rubbed, hinge and handle tight, dent to the body near the cover, cover does not sit flush, badly wobbles, two dents to the foot rimCream jug - Maker's mark appears to be mis-struck, wobbles, dent to the foot rimSugar bowl - Marks partially rubbed, dents to the rim and foot rimAll with light scratches and wear commensurate with age and useCondition Report Disclaimer

Los 111

A silver shaped square salver by Walker & Hall, Sheffield 1940, with a raised moulded border, engraved with a Royal Engineers cap badge, presentation inscription and monograms, on four bun feet 34cm (13 1/2in) wide, 1084g (34.85 oz) Condition Report: Marks are clearEngraving is crispWobblesLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 112

A pair of silver pint mugs by William Suckling Ltd., Birmingham 1946, with loop handles, engraved D.G.S., on circular moulded spreading bases, 12cm (4 3/4in) high, 727g (23.35 oz) Condition Report: Marks are well struckEngraving is crispBoth stand wellLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 113

A large silver mounted cigar box by Charles S. Green & Co. Ltd., Birmingham 1947, with canted corners and engine turned decoration, engraved with a presentation inscription and on four stepped pad feet, 24.5cm (9 3/4in) long, with a cedar linerCondition Report: Marks are well struckEngraving is crispEngine turning goodStands wellVarious pin prick dentsLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 114

A silver mounted shaped rectangular photo frame by Barker Brothers Silver Ltd., Birmingham 1951, applied with a German state eagle, 36.5cm (14 1/4in) high; a silver coloured photo frame, stamped K.S.W. silver, applied with the state symbol of Pakistan, 42.5cm (16 3/4in) high; an American silver coloured mounted rectangular photo frame by Galt & Bro, engraved with the seal of the President of the USA, 39.5cm (15 1/2in) high; and a silver coloured mounted photo frame, unmarked, engraved with a floral border, 34.5cm (13 1/2in) high 

Los 115

A set of four small silver table vases by Elsa Peretti for Tiffany & Co., London 1956, with compressed cylindrical bodies, 4.5cm (1 3/4in) high, with a Tiffany & Co. pouch; and a silver handled carving knife and fork by Elsa Peretti for Tiffany & Co., London 1958, the knife 35cm (13 3/4in) long, with a Tiffany & Co. pouch, 101g (3.25 oz) weighable

Los 116

A pair of silver chambersticks by Garrard & Co. Ltd., London 1960, with knopped stems and on hexagonal moulded spreading bases, 11.5cm (4 1/2in) high, 287g (9.2 oz) Condition Report: Marks are well struckNo engravingStand well11.5cm (4 1/2in) high8cm (3 1/3in) wideLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 117

A cased pair of silver oval sauce boats and Old English pattern sauce ladles by Viner's Ltd., Sheffield 1961, the sauce boats with Celtic borders, loop handles and on three pad feet, 15.5cm (6in) long, the sauce ladles 11.5cm (4 1/2in) long, 381g (12.25 oz) gross

Los 118

A silver limited edition chess set by Cyril Endfield, London 1972, no. 95 of 650, with a silver mounted leather board, the silver and silver gilt playing pieces slotting together, 304g (9.75 oz) weighable, with a travel case and certificate of authenticityThis chess set is to commemorate the World Championship game between the American Bobby Fischer and the Russian Boris Spassky in 1972. Condition Report: Set comprises of two sets of playing pieces and a chess boardAll pieces marked, marks generally clearLeather to board showing signs of wear, silver sections are lacquered and this is bubbling/perishingLight scratches and wear commensurate with age and useBox with wear, signs of dampCondition Report Disclaimer

Los 119

A limited edition silver circular salver by Historical Heirlooms Ltd., Birmingham 1972, no. 2224 of 3500, commemorating the silver wedding anniversary of Her Majesty the Queen and His Royal Highness The Prince Philip, 20.5cm (8in) diameter, with a case and certificate; and a beaded Old English pattern stilton scoop by Birmingham Mint, Sheffield 1986, 21.5cm (8 1/2in) long, 388g (12.45 oz) gross

Los 12

A George III silver oval mustard by Robert Hennell, London 1786, with a ball finial to the domed cover, a scroll handle, a beaded border, pierced and engraved bands, 8.5cm (3 1/4in) long, 104g (3.35 oz), with a blue glass linerCondition Report: Marks partially obscuredSlightly wobblesHinge tightCover sits slightly askewLiner good, but cannot guarantee to be the originalLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 120

A silver limited edition commemorative bowl, London 1977, no. 0141 of 2500, authorised by The Football League on the occasion of the Silver Jubilee of H. M. Queen Elizabeth II, 24cm (9 1/2in) diameter, 941g (30.25 oz), with a card box and certificate signed by Lord Westwood, Alan Hardaker and Sir Matt Busby

Los 121

A framed silver limited edition commemorative plate by Yorkshire Mint, Sheffield 1977, no. 1270 of 2500, authorised by the College of Arms on the occasion of the Silver Jubilee of H. M. Queen Elizabeth II, 26.5cm (10 1/2in) diameter, with a certificate and booklet; together with another similar by Yorkshire Mint, Sheffield 1978, commemorating the Coronation of Elizabeth OO. 26cm (10 1/4in) diameter

Los 122

A silver gilt and enamel surprise egg by Stuart Devlin, the textured base hallmarked London 1985 and the associated cover 1986, no. 106, opening to Mr Punch, Toby and a cake seller, 7cm (2 3/4in) highCondition Report: The two halves appear to be associated with different textures and the cover slightly overlaps the baseNo box or paperworkCondition Report Disclaimer

Los 123

A pair of cast silver models of quails by Tessiers Ltd., London 1985, the tallest 9cm (3 1/2in) high, 354g (11.35 oz) Condition Report: Marks are clearThese are hollowBoth slightly wobbleLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 124

A cased set of six silver country sporting menu holders by J. A. Campbell, London 1988, pierced and engraved with game and a spaniel within shaped circular borders, 3cm (1 1/4in) high, 79g (2.5 oz)

Los 125

A pair of silver oval sauce boats by C. J. Vander Ltd., Sheffield 1989, with leaf capped flying scroll handles and on three shell and stepped pad feet, 15cm (6in) long, 305g (9.8 oz)Condition Report: Marks are well struckBoth stand wellOne with a minor crease to the body, approx. 1cm longLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 126

A pair of silver pepper grinders by Whitehill Silver & Plate Co., London 1990, with domed finial and waisted bodies, 7cm (2 3/4in) highCondition Report: Marks are clearStand wellAppear to functionNo engravingLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 127

A pair of silver novelty cowboy boot salt and pepper shakers, sponsor's mark for Theo Fennell, import mark for London 1994, 8.5cm (3 1/4in) high, 185g (5.95 oz)Condition Report: Marks are clearPepper slightly wobblesLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 128

A silver cigar tube by A. J. Poole, Birmingham 2000, the cover engraved DGS, 14cm (5 1/2in) long; an Italian silver coloured cigar tube, Firenze post 1968 .800 standard, with reeded decoration and engraved DGS, 19cm (7 1/2in) long; and an Italian silver coloured cigar cutter, Firenze post 1968 .925 standard, with twin loop handles, 6cm (2 1/4in) long, 138g (4.45 oz) gross

Los 129

A silver wine funnel by Victoria Silverware Ltd., London 2000, with a gadrooned border and a grape vine handle, 13cm (5in) long, 117g (3.75 oz) Condition Report: Marks are well struckLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 13

Y A George III silver straight sided oval tea pot by William Vincent, London 1788, with a turned wood finial and a loop handle, engraved with a crest, 27cm (10 1/2in) long, 473g (15.2 oz) grossCondition Report: The marks are clearCrest wornPlay to the hingeHandle is tight, it may be ebonyStands wellLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 130

A pair of silver mounted wine coasters by Carr's of Sheffield, Sheffield 2001 and 2004, with pierced bodies and turned wood bases, 13cm (5in) diameter; together with a similar example by M. C. Hersey & Son Ltd., London 1998, 13cm (5in) diameter

Los 131

Five silver mounted bottle stoppers by A. J. Poole, Birmingham 2002 (1), 2007 (2) and 2009 (1), topped with sporting figures, including a jockey, a cricketer, a man behind a shops wheel, a dogs head and a fox among pheasants, the tallest 10cm (4in) high

Los 132

Y Two silver jester pattern baby rattles by Quarrier Ward Ltd., Birmingham 2002 and 2003, with plastic rings and mother of pearl handles, 16cm (6 1/4in) long overall; and an owl example, Birmingham 2004, 14.5cm (5 3/4in)

Los 133

A silver elephant vesta case by David A. Bowles, London 2003, with a glass eye, 5.5cm (2 1/4in) long, 49g (1.6 oz)

Los 134

A silver mouse vesta case by David A. Bowles, London 2004, with glass eyes, 6cm (2 1/4in) long, 40g (1.3 oz)

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