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Fonsie Mealy Auctioneers
Los 604

Manuscript Map, Irish (Co. Louth) MCDonnell (J.) surveyor, Map of Silver Park Farm now attached to Lisrenny Demesne, The Seat of William Filgate, m/ss map, hand coloured, with reference table, dated June 18th, 1847, approx. 57cms x 91cms (22 1/2" x 36"), as a map, w.a.f. (1)

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Fonsie Mealy Auctioneers
Los 814

A set of 6 Irish silver Commemorative Plates, Dublin 1974, Royal Irish Ltd., each with engraved design, depicting: * Lord Powerscourt's House; * Section of the House of Commons; * West Front of Leinster House; * Front of Theatre in Trinity College; * Front of Saint Catherine's Church; & * part of the North Side of Dublin Castle; each approx. 23cms (9") diameter, all hallmarked in original presentation blue box. (6)

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Fonsie Mealy Auctioneers
Los 800

G.A.A.: Medal, [C.L.G. London] 1967, a circular silver Medal, with crossed hurls capital, the main with etched design and central gold overlay etched with wolfhound, round tower, high cross, the reverse inscribed 'London Iom. (Iomaint) Soisir 1967, hallmarked J.M. (John Miller) with silver link chain. (1) * The 1967 London Senior title was won by Cuchullains G.A.A., their fifth and last Senior Title.

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Fonsie Mealy Auctioneers
Los 853

Fine Silver Mounted Volumes Art & Crafts Binding: Acta Diurna - Birds and Beasts from the Book of Kells, thick 4to, D. 1980, Newman, Limited Edn., No. 23/514 copies, a page for each day of the year, and also decorated, signed by publisher, designer, binder, illuminator and silversmith, bound in full leather with blind Celtic panels and motifs, raised bands, and with ornate conforming designed silver mounted corner and clasps, housed in hide pouch and marbled clam box. (1)

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Fonsie Mealy Auctioneers
Los 331

Fleming (Ian) Dr. No, 8vo L. (Johnathan Cape) 1958, First Edn., d.j. illustrated by Pat Marnott, bound in black cloth, in Second State  binding with dancing lady on upper cover, silver lettered spine, d.j. clipped (not priced). Good copy. (1) Note:  J. Gilbert A6a (1.3).

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Fonsie Mealy Auctioneers
Los 792

Limerick Junior Hurling Medal, 1910 Medal: G.A.A. (Co. Limerick) 1910, a shield shaped silver Medal, the obverse of pierced design with cross hurls on top, and shamrock motifs and central rose gold overlay with etched design of the 'Treaty Stone,' the reverse inscribed 'Lim. Co. Junior Cship, 1910', won by Commercial Hurling Club, hallmarked Egan, Cork. (1) Note: Commercials beat Fedamore 9.02 to 3.00 to win their 2nd title.

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Fonsie Mealy Auctioneers
Los 791

1908 Senior Hurling Championship, Wexford G.A.A.: Medal, 1908 (Co. Wexford) An Arts & Crafts style silver Medal, the obverse with relief shield and cross hurl, shamrock, maid of Eireann with harp and 'G.A. Loch Garman,' the reverse inscribed '1908, Senior Hurling Championsip,' hallmarked H. & H. (Hopkins & Hopkins). (1)

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Fonsie Mealy Auctioneers
Los 793

All Ireland Winners Medal, 1912, Louth G.A.A. Medals: [Co. Louth], 1912. A 9ct gold Celtic Cross All-Ireland Winners Medal, the obverse with central harp and 'Eire' and 'Cumann na gcleas - Luith Gaedhealach,' the reverse inscribed 'All Ireland F'ball C'ship 1912, won by Louth," hallmarked 'H. & H. (Hopkins & Hopkins); together with the associated Leinster Winners Medal, the 9ct gold Medal of circular and pierced design, the obverse with harp design and inscribed  'Connradh Laigheen G.A.A.' the reverse inscribed "Football, 1st Div. 1912," hallmarked; also a silver shield Medal with central harp overlay and shamrock, the reverse inscribed 'G. Fitzsimmons,' hallmarked 'J.McD.' Dublin, a rare collection. (3) Provenance:  G. ("Joe") Fitzsimmons, Dundalk, Co. Louth, gifted by descent. Note: In the 25th staging of the championship, Louth played Antrim in the All Ireland decider in front of 13,000 spectators at Jones Road. They won the match 1-7 to 1-2, to claim their 2nd All-Ireland. Interestingly, five of the Antrim players were natives of Louth.

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Sworders
Los 142

â–² David Bailey (b.1938) Bob Geldof and Paula Yates, Live Aid, 13 July 1985gelatin silver print, printed 1985, signed in pen by David Bailey, also signed on reverse by Bob Geldof and Paula Yates, and stamped 'ARCHIVAL DAVID BAILEY' and with pencil initials 'DB 85 2/3'50.5 x 40.5cmThis photograph was taken by David Bailey backstage at the iconic Live Aid concert during the summer of 1985 for a benefit auction hosted by Sotheby's later that year. Each print is signed by the photographer and the majority are signed on reverse by the subject. Only three of each image were printed for the auction.Live Aid was a dual-venue benefit concert held on Saturday 13 July 1985 and an ongoing music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the Ethiopian famine. The event was held simultaneously at Wembley Stadium in London and John F Kennedy Stadium in Philadelphia, Pennsylvania, United States.On the same day, concerts inspired by the initiative took place in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia and West Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time - an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast. This was nearly 40% of the world population at the time.Condition ReportFine condition, very minor creases to corners

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Sworders
Los 136

â–² David Bailey (b.1938-) Bryan Ferry (Portrait), Live Aid, 13 July 1985gelatin silver print, printed 1985, signed in pen by David Bailey and also signed on reverse by Bryan Ferry, stamped 'ARCHIVAL DAVID BAILEY' and with pencil initials 'DB 85 2/3'50.5 x 40.5cmThis photograph was taken by David Bailey backstage at the iconic Live Aid concert during the summer of 1985 for a benefit auction hosted by Sotheby's later that year. Each print is signed by the photographer and the majority are signed on reverse by the subject. Only three of each image were printed for the auction. Live Aid was a dual-venue benefit concert held on Saturday 13 July 1985 and an ongoing music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the Ethiopian famine. The event was held simultaneously at Wembley Stadium in London and John F Kennedy Stadium in Philadelphia, Pennsylvania, United States. On the same day, concerts inspired by the initiative took place in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia and West Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time - an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast. This was nearly 40% of the world population at the time.Condition ReportFine condition, very minor creases to corners

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Sworders
Los 135

â–² David Bailey (b.1938) Harvey Goldsmith, Live Aid, 13 July 1985 gelatin silver print, printed 1985, signed in pen by David Bailey and also signed on reverse by Harvey Goldsmith, stamped 'ARCHIVAL DAVID BAILEY' and with pencil initials 'DB 85 3/3' 50.5 x 40.5cm, together with a copy of the David Bailey Live Aid Sotheby's Catalogue (2) This photograph was taken by David Bailey backstage at the iconic Live Aid concert during the summer of 1985 for a benefit auction hosted by Sotheby's later that year. Each print is signed by the photographer and the majority are signed on reverse by the subject. Only three of each image were printed for the auction. Live Aid was a dual-venue benefit concert held on Saturday 13 July 1985 and an ongoing music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the Ethiopian famine. The event was held simultaneously at Wembley Stadium in London and John F Kennedy Stadium in Philadelphia, Pennsylvania, United States. On the same day, concerts inspired by the initiative took place in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia and West Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time - an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast. This was nearly 40% of the world population at the time. Condition ReportFine condition, very minor creases to corners

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Sworders
Los 138

â–² David Bailey (b.1938) Midge Ure, Live Aid, 13 July 1985 gelatin silver print, printed 1985, signed in pen by David Bailey and also signed on reverse by Midge Ure, stamped 'ARCHIVAL DAVID BAILEY' and with pencil initials 'DB 85 2/3' 50.5 x 40.5cm This photograph was taken by David Bailey backstage at the iconic Live Aid concert during the summer of 1985 for a benefit auction hosted by Sotheby's later that year. Each print is signed by the photographer and the majority are signed on reverse by the subject. Only three of each image were printed for the auction. Live Aid was a dual-venue benefit concert held on Saturday 13 July 1985 and an ongoing music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the Ethiopian famine. The event was held simultaneously at Wembley Stadium in London and John F Kennedy Stadium in Philadelphia, Pennsylvania, United States. On the same day, concerts inspired by the initiative took place in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia and West Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time - an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast. This was nearly 40% of the world population at the time. Condition ReportFine condition, very minor creases to corners

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Sworders
Los 137

â–² David Bailey (b.1938) U2, Live Aid, 13 July 1985gelatin silver print, printed 1985, signed in pen by David Bailey and also signed on the front by Bono, the Edge, Adam Clayton, and Larry Mullen Jr, on the reverse stamped 'ARCHIVAL DAVID BAILEY' and with pencil initials 'DB 85 2/3'50.5 x 40.5cmThis photograph was taken by David Bailey backstage at the iconic Live Aid concert during the summer of 1985 for a benefit auction hosted by Sotheby's later that year. Each print is signed by the photographer and the majority are signed on reverse by the subject. Only three of each image were printed for the auction. Live Aid was a dual-venue benefit concert held on Saturday 13 July 1985 and an ongoing music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the Ethiopian famine. The event was held simultaneously at Wembley Stadium in London and John F Kennedy Stadium in Philadelphia, Pennsylvania, United States. On the same day, concerts inspired by the initiative took place in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia and West Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time - an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast. This was nearly 40% of the world population at the time.Condition ReportFine condition, very minor creases to corners

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Sworders
Los 141

â–² David Bailey (b.1938) Sade, Live Aid, 13 July 1985gelatin silver print, printed 1985, signed in pen by David Bailey and also signed on reverse by 'Sade x', stamped 'ARCHIVAL DAVID BAILEY' and with pencil initials 'DB 85 3/3'50.5 x 40.5cmThis photograph was taken by David Bailey backstage at the iconic Live Aid concert during the summer of 1985 for a benefit auction hosted by Sotheby's later that year. Each print is signed by the photographer and the majority are signed on reverse by the subject. Only three of each image were printed for the auction. Live Aid was a dual-venue benefit concert held on Saturday 13 July 1985 and an ongoing music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the Ethiopian famine. The event was held simultaneously at Wembley Stadium in London and John F Kennedy Stadium in Philadelphia, Pennsylvania, United States. On the same day, concerts inspired by the initiative took place in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia and West Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time - an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast. This was nearly 40% of the world population at the time.Condition ReportFine condition, very minor creases to corners

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Sworders
Los 134

â–² David Bailey (b.1938) Status Quo, Live Aid, 13 July 1985gelatin silver print, printed 1985, signed in pen by David Bailey and also signed on reverse by Alan Lancaster, Rick Parfitt and Frances Rossi, stamped 'ARCHIVAL DAVID BAILEY' and with pencil initials 'DB 85 3/3'50.5 x 40.5cmThis photograph was taken by David Bailey backstage at the iconic Live Aid concert during the summer of 1985 for a benefit auction hosted by Sotheby's later that year. Each print is signed by the photographer and the majority are signed on reverse by the subject. Only three of each image were printed for the auction. Live Aid was a dual-venue benefit concert held on Saturday 13 July 1985 and an ongoing music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the Ethiopian famine. The event was held simultaneously at Wembley Stadium in London and John F Kennedy Stadium in Philadelphia, Pennsylvania, United States. On the same day, concerts inspired by the initiative took place in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia and West Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time - an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast. This was nearly 40% of the world population at the time.Condition ReportFine condition, very minor creases to corners

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Sworders
Los 144

â–² David Bailey (b.1938) George Michael, Live Aid, 13 July 1985gelatin silver print, printed 1985, signed in pen by David Bailey and also signed on reverse by 'George Michael xxx', stamped 'ARCHIVAL DAVID BAILEY' and with pencil initials 'DB 85 2/3'50.5 x 40.5cmThis photograph was taken by David Bailey backstage at the iconic Live Aid concert during the summer of 1985 for a benefit auction hosted by Sotheby's later that year. Each print is signed by the photographer and the majority are signed on reverse by the subject. Only three of each image were printed for the auction. Live Aid was a dual-venue benefit concert held on Saturday 13 July 1985 and an ongoing music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the Ethiopian famine. The event was held simultaneously at Wembley Stadium in London and John F Kennedy Stadium in Philadelphia, Pennsylvania, United States. On the same day, concerts inspired by the initiative took place in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia and West Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time - an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast. This was nearly 40% of the world population at the time.Condition ReportFine condition, very minor creases to corners

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Sworders
Los 145

â–² David Bailey (b.1938) George Michael and Elton John, Live Aid, 13 July 1985a gelatin silver print, printed 1985, signed in pen by David Bailey, signed on the reverse by Elton John and 'George Michael xxx', and stamped 'ARCHIVAL DAVID BAILEY' with pencil initials 'DB 85 2/3'50.5 x 40.5cmThis photograph was taken by David Bailey backstage at the iconic Live Aid concert during the summer of 1985 for a benefit auction hosted by Sotheby's later that year. Each print is signed by the photographer and the majority are signed on the reverse by the subject. Only three of each image were printed for the auction.Live Aid was a dual-venue benefit concert held on Saturday 13 July 1985, and an ongoing music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the Ethiopian famine. The event was held simultaneously at Wembley Stadium in London and John F Kennedy Stadium in Philadelphia, Pennsylvania, United States.On the same day, concerts inspired by the initiative took place in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia and West Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time - an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast. This was nearly 40% of the world's population at the time.Condition ReportFine condition, very minor creases to corners

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Sworders
Los 98

Michael Kenna (b.1953) 'Palm Tree San Francisco, California', 1983, '3/45';'Quixote's Giants, Study 3, Campo De Cruptana, La Mancha, Spain' 1996, '18/45' two gelatin silver print photographs, each signed and dated on the front margins with further details on reverselargest image size 23 x 14.5 (2)Condition ReportNo damage to the photographic prints, some scuffs and marks to the mounts - there are just two photographs in this lot, both photographed

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Sworders
Los 139

â–² David Bailey (b.1938) Spandau Ballet, Live Aid, 13 July 1985gelatin silver print, printed 1985, signed in pen by David Bailey and also signed on reverse by Gary Kemp, Martin Kemp, Tony Hadley, Steve Norman and John Keeble, stamped 'ARCHIVAL DAVID BAILEY' and with pencil initials 'DB 85 3/3'50 x 39.5cmThis photograph was taken by David Bailey backstage at the iconic Live Aid concert during the summer of 1985 for a benefit auction hosted by Sotheby's later that year. Each print is signed by the photographer and the majority are signed on reverse by the subject. Only three of each image were printed for the auction. Live Aid was a dual-venue benefit concert held on Saturday 13 July 1985 and an ongoing music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the Ethiopian famine. The event was held simultaneously at Wembley Stadium in London and John F Kennedy Stadium in Philadelphia, Pennsylvania, United States. On the same day, concerts inspired by the initiative took place in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia and West Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time - an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast. This was nearly 40% of the world population at the time.Condition ReportFine condition, very minor creases to corners

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Sworders
Los 72

â–² Alain Noguès (French, b.1937) A gelatin silver print photograph of Jane Birkin in the nude lying on a bed1969, printed later, mounted on aluminium in black and white, edition 13/25, from Gallery Grace Radziwill, stamped verso, image signed l.r. 'Alain Noguès', with attached certificate on reverse signed 'Alain Noguès'image size 71.5 x 98.5cm, 83 x 110.5cm framedCondition ReportNo damage detected

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Sworders
Los 140

â–² David Bailey (b.1938) The Who, Live Aid, 13 July 1985gelatin silver print, printed 1985, signed in pen by David Bailey and also signed on reverse by Roger Daltrey, Pete Townshend, John Entwistle and Kenny Jones, stamped 'ARCHIVAL DAVID BAILEY' and with pencil initials 'DB 85 2/3'50.5 x 40.5cmThis photograph was taken by David Bailey backstage at the iconic Live Aid concert during the summer of 1985 for a benefit auction hosted by Sotheby's later that year. Each print is signed by the photographer and the majority are signed on reverse by the subject. Only three of each image were printed for the auction. Live Aid was a dual-venue benefit concert held on Saturday 13 July 1985 and an ongoing music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the Ethiopian famine. The event was held simultaneously at Wembley Stadium in London and John F Kennedy Stadium in Philadelphia, Pennsylvania, United States. On the same day, concerts inspired by the initiative took place in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia and West Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time - an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast. This was nearly 40% of the world population at the time.Condition ReportFine condition, very minor creases to corners

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Sworders
Los 133

â–² David Bailey (b.1938) Brian Ferry (Standing), Live Aid, 13 July 1985gelatin silver print, printed 1985, signed in pen by David Bailey and also signed on reverse by Brian Ferry, stamped 'ARCHIVAL DAVID BAILEY' and with pencil initials 'DB 85 3/3'50.5 x 40.5cmThis photograph was taken by David Bailey backstage at the iconic Live Aid concert during the summer of 1985 for a benefit auction hosted by Sotheby's later that year. Each print is signed by the photographer and the majority are signed on reverse by the subject. Only three of each image were printed for the auction. Live Aid was a dual-venue benefit concert held on Saturday 13 July 1985 and an ongoing music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the Ethiopian famine. The event was held simultaneously at Wembley Stadium in London and John F Kennedy Stadium in Philadelphia, Pennsylvania, United States. On the same day, concerts inspired by the initiative took place in other countries, such as the Soviet Union, Canada, Japan, Yugoslavia, Austria, Australia and West Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time - an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast. This was nearly 40% of the world population at the time.Condition ReportFine condition, very minor creases to corners

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Thomson Roddick Auctioneers & Valuers
Los 10

Silver embossed bowl 1861, a similar mug 1900 and a porringer 1896. 496g (3)  Condition reprt:Surface highly polished. Persolnal inscriptions to porringer and bowl. 

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Thomson Roddick Auctioneers & Valuers
Los 52

Gucci 8069L.112 black anodised fashion watch and three silver bracelet watches.

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Thomson Roddick Auctioneers & Valuers
Los 80

Oriental jewellery to include a carved nephrite ring, Thai standing Buddha figure, silver Tibetan cabochon pendant, and others. 

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Thomson Roddick Auctioneers & Valuers
Los 14

Silver teapot and jug by Elkington 1908. 432g (2)

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Thomson Roddick Auctioneers & Valuers
Los 4

Seventeen silver teaspoons and four sugar tongs 463g 

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Thomson Roddick Auctioneers & Valuers
Los 31

9ct gold 1977 Silver Jubilee pendant of postage stamp form, on necklet. 14g 

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Thomson Roddick Auctioneers & Valuers
Los 102

Silver tray, rectangular with slightly incurved sides and gadroon and scroll edges by Hamilton & Inches Edinburgh 1912, 62 cm over handles. 2650g Condition report:Light scratches to top and underside. Wear commensurate with age. 

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Thomson Roddick Auctioneers & Valuers
Los 17

Silver caddy spoon of Georgian scallop style, a similar preserve spoon and an engraved pencil case. (3)

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Thomson Roddick Auctioneers & Valuers
Los 77

Group of Scottish silver pebble jewellery to include a circular plaid brooch with central cross, sentimental anchor brooch and a napkin ring by Joseph Cook & Son with jasper inlay. 95g  Condition report:Largest brooch 46mm 

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Thomson Roddick Auctioneers & Valuers
Los 53

Silver golfer's style folding watch, Goldsmiths & Silversmiths Co 1930, with guard and metal, a lady's silver watch 1916 and another, gunmetal.

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Thomson Roddick Auctioneers & Valuers
Los 150

A 9ct Art Deco opal ring set in silver 1.8g, a silver celtic knot ring, silver locket and a amber glass necklace with gold clasp.

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Thomson Roddick Auctioneers & Valuers
Los 112A

Silver wine label 'Madiera' by S C Younge & Co, Sheffield 1827, five others, modern, various, a Geneva watch and various items.

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Thomson Roddick Auctioneers & Valuers
Los 27

Antique Middle Eastern ring with inscribed carnelian bearing arabic script, in silver, probably 18th/19th century.

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Thomson Roddick Auctioneers & Valuers
Los 33

Early 20th century continental silver pendant in the jugendstil style with central amethyst in filigree mount, planished body and Baroque pearl drop, complete with Sterling chain.

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Thomson Roddick Auctioneers & Valuers
Los 113

Scottish 'pebble' butterfly brooch with chalcedony and jasper in silver.

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Thomson Roddick Auctioneers & Valuers
Los 78

Polish sterling silver Baltic amber brooch and earring set, hallmarked G.K .925. 24g.

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Thomson Roddick Auctioneers & Valuers
Los 15

Silver sugar boat with embossed decoration by Crispin Fuller 1799. 210g  Condition report:Surface polished. Foot dented. Family crest to cartuche. 

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Thomson Roddick Auctioneers & Valuers
Los 12

Silver electrotype box modelled as a boar's head, and an octagonal scent bottle, Birmingham 1880. (2)Condition report:Circular hole in base of boar's head.Octoganal scent bottle dented and solder beginning to seperate.  

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Thomson Roddick Auctioneers & Valuers
Los 7

Silver tea pot with ebony surmount by John Round, Sheffield 1929. 628g

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Thomson Roddick Auctioneers & Valuers
Los 111

Silver mug and napkin ring with celtic bands, 1953, cased 184g

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Thomson Roddick Auctioneers & Valuers
Los 23

Silver cigarette box, four mounted frames and other items.

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Thomson Roddick Auctioneers & Valuers
Los 130

Large silver twin handled sports trophy inscribed with the central text "Twesledown Open Cup 1933, won by Mr J.P.A Graham ch.g" by William Comyns & Sons, London 1936. Height 16cm 1400g

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Thomson Roddick Auctioneers & Valuers
Los 106

Silver square waiter with plain moulded edge and cut corners, later crest and inscription for Sedbergh School by Holland Aldwinkle and Slater 1902, 184cm, 454g

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Thomson Roddick Auctioneers & Valuers
Los 32

Silver rose bowl, spirally fluted by Fordham & Faulkner 1889. 730g 

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Thomson Roddick Auctioneers & Valuers
Los 22

Art Deco silver table lamp with octagonal stem and base by Walker and Hall, Sheffield 1932.Condition report:Height with shade 60 cm, without shade 38 cm.Small repair to corner to column.Silver tarnished across entire surface. 

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Thomson Roddick Auctioneers & Valuers
Los 75

Silver taperstick of octafoil lobed form with extinguisher by Emes & Barnard 1824, 10cm, 169g 5½ oz.

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Thomson Roddick Auctioneers & Valuers
Los 99

Silver inkstand, rectangular with moulded and scroll edges, two mounted glass receivers (one cap detached) for Brook & Sons, Sheffield 1925.  27 cm wide, weighable 484g.

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Thomson Roddick Auctioneers & Valuers
Los 1

Elgin rolled gold pocket watch, two silver coins, shagreen mounted cigarette box and a pair of similar silver mounted brushes, cased. 

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Thomson Roddick Auctioneers & Valuers
Los 21

Doxa goliath timepiece in silver fronted case, 1931. 

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Thomson Roddick Auctioneers & Valuers
Los 13

Two silver embossed vases, a cigarette case, various condiments and other items. 768g

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Thomson Roddick Auctioneers & Valuers
Los 18

Silver lidded cream jug of Art Deco style by A.E Jones, Jubilee mark 1935. 178gCondition report:Dented below hallmark. 

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Thomson Roddick Auctioneers & Valuers
Los 79

Group of Georgian and later jewellery to include a silver mourning pendant, faceted steel brooch, moss agate brooch, etc. 

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Thomson Roddick Auctioneers & Valuers
Los 103

Silver circular waiter with shaped moulded edges on scroll feet, K.O.S.B badge and presentation, by Deakin, Sheffield 1918. 20.5cm, 368g

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Thomson Roddick Auctioneers & Valuers
Los 114

Silver lever watch, 1866 with guard, a gold 'tipsy' key, a Mexican silver bracelet and various other items.

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Thomson Roddick Auctioneers & Valuers
Los 98

Glass claret jug, hobnail cut, ovoid shape with silver mounts and hinged cap, Birmingham 1898, 21cm.

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Thomson Roddick Auctioneers & Valuers
Los 95

Dutch silver cigar box, unlined with beaded moulded edges, later inscribed with stand on claw and ball feet by Bonebakker, Amsterdam 1903/1908 with 7 cigars. 15.5 x 20.5 cm. Weight gross 956g.

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Thomson Roddick Auctioneers & Valuers
Los 76

Victorian silver sauce ladle by Robert Keay, Edinburgh 1842, together with a William IV Irish spoon and another hallmarked for London 1737. (3) 92g

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Thomson Roddick Auctioneers & Valuers
Los 3

Set of six silver bright cut teaspoons marked Langlands and Robertson, overstriking P & A Bateman 1794. 

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