2720344 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
2720344 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
2720344 Los(e)/Seite
Box 8 - Mixed Spirits Brenne Estate Cask Single Malt Whisky Kilbrin Blended Irish Whiskey Tresor Legendaire by Marcel Cabelier Scottish Glory Blended Scotch Whisky GIN GHIS KHAN London Dry Gin Mundart Kaiserstuhl Dry Gin Kalas egetræslagret Gin Corazon Tequila Reposado Sierra Tequila Silver Amaro Gerlando Barry Lover Sacred Bond Bottled-in-Bond Brandy
Box 23 - Mixed Spirits Quinta S.Francisco XO Aguardente Vinica Velha MERLET Crème de Framboise Calvados Coquerel Finished in Bourbon Barrel Zignum Mezcal Silver Oaks & Âmes Gold Palma Winter Gin Hotham's Cardamom Gin Quaker Gin Teerenpeli Distiller's Choice PORTTI Kilbeggan Single Grain Irish Whiskey Howitzer Canadian Whisky Nant Port Cask 43%
Box 39 - Mixed Spirits Agnesi 1799 Nannoni Grappa Riserva di Vinsanto Señorio Añejo Mezcal Dubonnet Rouge Grand Apertif de France Havana Club Professional Edition B Herr Reineke Gin Level Gin Reserve Downpour Mariposa Gin Nor'Easter Bourbon Hudson Manhattan Rye Whiskey EDDU Silver Brocéliande
Black Prince- Edward, (Prince of Aquitaine and Wales, 1330-76) "The Black Prince" Charter granting to the Benedictine Monastery of St. Mary's, Silver Maior [Notre Dame de la Sauve-Majeure in the Gironde, founded 1077], rights relating to a weekly market, held on Thursdays, manuscript on vellum, in Latin, 9 lines, a little surface wear though still legible, folds, cut at foot, some wear and staining, vellum losses, ?lacks signature, 134 x 325mm, 30th July 1365; and attached to the remains of a larger document in French related to the same grant, v.s. Note: Edward, the Black Prince, eldest son of Edward III was created Prince of Aquitaine in 1362. Internal disputes between various lords in Aquitaine often resulted in appeals to King Edward or his liege lord, Charles V in Paris. In 1366 Prince Edward embarked upon a successful campaign to restore Pedro the Cruel to the throne of Castile but during the campaign the Prince was struck down with chronic dysentery and returned to Bordeaux a sick man. In 1370 due to yet another dispute Charles V of France invaded Aquitaine and the prince insisted, ill as he was, in take part in the fighting. During the ensuing war he besieged Limoges and massacred the inhabitants. He returned to England in 1371 and handed back the principality to his father in 1372.
Y Burns, Robert A silver and ivory mounted hazel Walking Stick The silver mount engraved 'Robert Burns', the ivory knop handle above a silver collar mount engraved with indistinct inscriptions centred by a further inscription 'Robert Burns' and silver makers stamp 'JD', the hazel shaft ending in a brass collared tip, 94cm long
London, Jack The Son of the Wolf Boston & New York: Houghton, Mifflin and Company, 1900. First edition, first printing without the stops on either side of the ampersand on the spine and with a comma, rather than a full-stop, following 1900 on the copyright page, frontispiece, original dark grey cloth printed with silver, neat ownership signatures of Amy L. Cadogan-Ogg, occasional small internal marks, slight soiling and rubbing to covers
India: a photograph album Photographs of Rajasthan by Mohan Lal of Udaipur, late 19th century a collection of 42 silver gelatin prints, each 21 x 29cm and laid onto both sides of leaves in contemporary red morocco gilt album, showing Rajasthani architecture and pictures of local people in landscapes, some fading with around 6 images more severely faded Note: With the small purple stamp of Mohan Lal to the margin of the initial leaf. Mohan Lal [Mohanlal] was the son of the Indian painter, Tara, and the brother of Shiva Lal [Shivalal], known for his landscape paintings of the area surrounding Udaipur. The brothers' interest in art developed into an interest in photography and both Shiva Lal and Mohan Lal were known photographers in the area in the late 19th century.
South Africa & Madeira Photograph Album c.1889 Album chronicling the voyage of the R.M.S. Norham Castle in 1888 from London, through Portugal and Madeira to South Africa, St Helena and Ascension, containing 58 silver gelatin prints between 11 x 10 and 19.5 x 15cm, mostly showing landscapes and British tourist scenes but also including 6 images showing local people in Cape Town and Ceres, South Africa, a turtle at Ascension and several of local people working in Portugal
Alexander Calder A selection of photographs Comprising a portrait of Alexander Calder at work originally taken by Herbert Matter and subsequently re-taken for MoMA by Soichi Sunami, 23.5 x 19.5cm, and 9 additional silver gelatin prints of Calder's work, photographed by Sochi Sunami for MoMa (10)
India / Pakistan: a photograph album 1915 - 1918 including many military subjects 128 silver gelatin prints laid-down into an album, between 7 x 5cm and 14 x 8.5cm, including views of The Murree Road, groups of both local and British soldiers, views of Drosh including local people and houses, kit inspections and training exercises for local soldiers, views of Chitral, views of Madaglasht, 'Releasing Prisoners for Service' in Karachi, and other images of local life and scenery, album size: 30 x 41.5cm
Larsson, Stieg [The Millennium Trilogy], 2010, Sangorski & Sutcliffe binding London: Maclehose Press, Quercus, 2010. 8vo, 3 volumes, boxed set edition, maps by Emily Faccini, SPECIALLY BOUND IN A UNIQUE BINDING BY SANGORSKI AND SUTCLIFFE in crushed black morocco, gilt designs on upper covers illustrating the themes in the titles of dragon, hornet's nest and fire, spines with black onlays lettered in silver together forming the author's name, additional onlays in red and white with titles of each volume (the first also with the original title, "Men Who Hate Women"), row of five silver studs on the upper covers, these interlocking with square red grooves on lower covers, all edges gilt, red endpapers, all within binder's black morocco case incorporating an additional folder with a letter of rejection in Swedish from the Institute of Applied Psychology in Stockholm (addressed to the author as "493 S. Larsson" informing him at the request of the Joint Committee of Colleges of Journalism, that [translation] "unfortunately your performance in the written selection test was not up to standard of other applicants. We are therefore unable to offer you a place at any College...in the autumn of 1972..."), WITH AN ORIGINAL PENCIL PORTRAIT BY STEIG LARSSON ON THE REVERSE, some slight wear to case Note: The Girl with the Dragon Tattoo , The Girl who Played with Fire and The Girl who Kicked the Hornets' Nest , known as The Millennium Trilogy, presented in a spectacular and unique binding. Alison Strachan, the binding director at Sangorski & Sutcliffe / Shepherd's, has commented on the special design of the binding: "...There was... a strong impression in my mind of Lisbet's physical appearance, which was echoed in the violence in her character as well as that shown against her by male characters in the book. The studs were a manifestation of this male/female theme and the sado-masochism of some of the male characters. The way the studs each fit into the cover of the next book, was a symbol of how the protagonists work together, their close relationship... the hand-tooled designs of each front cover were designed to echo the images of the titles and the tattoos that cover Lisbet..."
A rare Chelsea crayfish salt, c.1752-55, probably modelled by Nicholas Sprimont with a large crayfish crawling over rocks encrusted with a variety of shells and seaweed, before a large single shell applied with further small shells, red anchor mark, some restoration, 7.3cm high. Nicholas Sprimont made this design in silver around 1742-43, transferring it into porcelain after 1745. It probably derives from a print after the French goldsmith Meissonnier.
A Meissen hexagonal tea canister and cover, c.1725-28, the baluster body painted in underglaze blue with alternating panels of birds in flight and flowering oriental plants, with a later silver-coloured metal cover, 11cm high. (2) Provenance: a private collection from Dorset. Christie's, New York, 30th June 1986, lot 155 then Christie's, White Gold, 12th May 2010, lot 74. Paper label for the Byrnes Children's Trust, no. 57.
A North African (Algiers) toe-lock musket, early 19th century, with etched twist barrel inlaid with silver foliage at the muzzle and ahead of the breech section and retained by four silver bands pierced with scrollwork. With iron lock overlaid with brass panels cast and chased with scrolling tendril patterns, cut with brief Arabic inscriptions along the lower edge and on the mainspring, and fitted with pivot safety-catch inset with a coral plaque. Wooden three-quarter length stock inlaid over its length with silver plaques decorated with engraved openwork scrolls, buds and flowers, and enclosing a series of coral plaques throughout. The butt with ivory plate. 143.8cm.
A silver composite three piece tea set, comprising; a teapot having ebonised fittings, a twin handled sugar bowl, Birmingham 1912 and a milk jug, Chester 1911, combined gross weight 1120 gms, also a plated coffee pot, a tea kettle with a stand and a spirit burner, all in a matching design, (5).

-
2720344 Los(e)/Seite