We found 255176 price guide item(s) matching your search
There are 255176 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
255176 item(s)/page
Lot 1815
KONVOLUT ca. 80 Graphiken, historische und religiöse Motive nach Peter Paul Rubens, Michelangelo u.a., 18. bis 19. Jh., Kupferstiche, Radierungen, Lithographien u.a., meist in der Platte bezeichnet und betitelt, HxB: Blätter bis 49x62 cm. Gebräunt, fleckig, beschädigt, tlw. aufgezogen.DAZU: Otto SCHWARZ (19./20. Jh.), Kirchenportal, Radierung, in der Platte signiert und datiert 1939, mit Bleistift von Hand signiert, bezeichnet und datiert. HxB: Blatt ca. 38x31,5 cm. Knicke, minim. Einrisse.| CONVOLUT ca. 80 prints, historical and religious motifs after Peter Paul Rubens, Michelangelo and others, 18th-19th c., copperplate engravings, etchings, lithographs, etc., mostly inscribed and titled in the plate, HxW: sheets up to 49x62 cm. Browned, stained, damaged, partly mounted.ADDED: Otto SCHWARZ (19th/20th c.), Kirchenportal, etching, signed and dated in the plate 1939, signed, inscribed and dated in pencil by hand. HxW: sheet approx. 38x31,5 cm. Creases, minimal tears.
Lot 70
UTAGAWA KUNIYOSHI (1797-1861)Edo period (1615-1868), circa 1827-1830Three oban tate-e prints from the series Tsuzoku suikoden goketsu hyakuhachin (108 Heroes of the Popular Water Margin), comprising Daito Kansho (Chinese: Guan Sheng), 25cm x 37cm (9 13/16in x 9/16in); Chitasei Go Yo (Wu Yong), 25cm x 36.5cm (9 13/16in x 14 3/8in); and Shoriko Kaei (Hua Rong), 25cm x 37cm (9 13/16in x 14 9/16in); all published by Kagaya Kichibei, with censor's seal kiwame, signed Ichiyusai Kuniyoshi ga; all framed and glazed. (3).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 72
UTAGAWA KUNIYOSHI (1797-1861), UTAGAWA TOYOKUNI III (1786-1865), UTAGAWA YOSHITSUYA (1822-1866), UTAGAWA KUNISADA II (1823-1880), AND OTHERSEdo period (1615-1868), early to mid-19th century29 oban prints, eight oban triptychs, one chuban print and one square-shaped print by various artists, the majority yakusha-e and incomplete sheets from a triptych, comprising: three warrior prints of various formats by Kuniyoshi, the first an oban tate-e depicting Ushiwakamaru and Benkei fighting on the Gojo Bridge from the series Buyu moyu kagami (Mirror of Military Excellence and Fierce Courage), published by Iseya Sanjiro, censor's seal kiwame, circa 1836, the second an oban tate-e of Takiguchi toneri Watanabe no Tsuna (Imperial Guard Watanabe no Tsuna) from an untitled series, published by Kawaguchi Uhei, censor's seal kiwame, circa 1826-27, the last a square-shaped print (the top cartouche cut from an original oban-size print) depicting Soga Hakomaru from the series Ogura nazorae hyakunin isshu (Patterned on the Ogura 100 Poems by 100 Poets), published by Ibaya Senzaburo, circa 1847; 21 oban tate-e and two oban yoko-e and six oban tate-e diptychs (incomplete sheets) by Toyokuni III; two oban and one chuban yakusha-e print by Yoshitsuya; one shini-e diptych of Ichikawa Danjuro attributed to Kuniyoshi; one oban diptych of Genji-e by Kunisada II; two oban yakusha-e prints by Utagawa school; variously published and variously signed; each mounted on a paper or inside a plastic sleeve. The smallest: 25.5cm x 18.5cm (10in x 7¼in); the largest: 36.5cm x 49.5cm (14 3/8in x 19½in). (39).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 590
DAVID SHEPHERD: 2 signed limited edition coloured prints ARCTIC FOXES, pub 1991, approx 170 x 390 mm, framed and glazed plus WHILE THE SUN SHINES, pub 1986, approx 280 x 430 mm, framed and glazed plus DAVID SHEPHERD: MAN AND HIS PAINTINGS, Newton Abbott, David & Charles, 1986, second impression, signed, oblong 4to, original cloth d/w
Lot 201
A collection of The Beatles memorabilia, to include The Beatles Scrapbook, Boyfriend 65 book, Official Magnets depicting album artwork, Abbey Road tin sign, A Hard Day's Night original 35mm filmcel limited edition 864:1000, framed, calendars, tin signs, framed prints, a reproduction playbill from The Tower Ballroom New Brighton Sept 14th 1962 starring The Beatles, Rory Storm and Gerry And The Peacemakers, VHS tapes and a framed artwork depicting The Beatles discography
Lot 222
The Beatles: a large collection of various memorabilia including 39 Original news publications such as "Liverpool Echo: John Lennon Shot Dead", "Life Magazine 1964: Our American Scrapbook", "Around the World With The Beatles", and "Manchester Evening News 1970: Beatle Paul Seeks Final Break". Additionally including "The Beatles: A Hard Days Night" enamel plaque, three Mexican posters advertising "Let It Be", "Beatlemania" and "Yellow Submarine", an outer cover of "John Lennon/ Bag One (1970)", reproduction collectors prints of the birth certificates of Ringo Starr, George Harrison and Paul McCartney, and a collection of various replica concert tickets among other items.
Lot 244
The Beatles: five signed and numbered limited edition prints by Jim Hughes including four "The Beatles at The Cavern Club with Pete Best on the drums" (84cm x 60cm) and "The Silver Beatles auditioning for Larry Parnes and Billy Fury, with Stuart Sutcliffe on bass and Johnny Hutchinson on Drums, 10th May 1960" (84cm x 60cm). Additionally including 32 "The Beatles Anthology" posters (80cm x 60cm).
Lot 166
Photography. John Benjamin Stone (1838-1914). Windsor Castle, The Green Drawing Room, Private Apartments, 1899, platinum print mounted on card with manuscript caption, signed l.r., 19.5cm by 24.5cm (mount window), unframed. NB: A similar example depicting the fireplace is in the collections of the V&A. Together with three collodion photographic portraits, glass plates, c. 1859, two of which depict a young John Benjamin Stone, and two Christmas cards by John Benjamin Stone: The River Abana at Damascus, 1909, and Broken Fountain at the Lefkeh Gate, Nicaea, 1911, mounted halftone prints with lithographic captions, protective tissue-guards, card covers with silk ties, 24cm by 27cm (3)Provenance: By descent of the family of John Benjamin Stone (1838-1914)
Lot 167
Photography. A collection of 53 loose 19th-century albumen prints, mostly UK & Ireland topographical & architectural views, including several hand-tinted views of Japan (Mount Fuji & temples), several views of Notre Dame, some with printed captions, some inscribed verso, various sizes, two bearing publisher's blind-stamp: Frith's Series and Pettitt of Keswick,. Loose/unmounted, generally very well-preserved, some folds and creases at edges (53)Provenance: By descent of the family of John Benjamin Stone (1838-1914)
Lot 182
Miscellaneous collection of 19th & 20th Century prints and watercolours to include a Victorian watercolour study of stock doves; a Victorian watercolour study of eucalyptus; two mounted Edwardian playbills (duplicates) advertising Young Aubrey in "Born to Good Luck" at the Pierrot Pavilion, Garston, 6 July 1908; a 19thC steel-engraving of The Castle of Ischia by E. Goodall after Clarkson Stanfield RA; a quantity of 20thC restrikes, mechanical process prints & gravures after earlier mezzotints & engravings by George Morland, Nicolas Lancret and others; several modern prints after William Russell Flint. Approximately 35 pictures, all loose/unframed, condition varied, some with wear & spotting
Lot 45A
A miscellaneous collection of books to include a slim scrapbook of 19th-century albumen prints of ecclesiastical architecture; Masters of the Colour Print III, E. A. Verpilleux, The Studio, 1927; Birds and Beasts, by Chiang Yee, London: Country Life, 1939; The Silent Traveller in Oxford, by Chiang Yee, third edition, London: Methuen, 1946; The Book of Indian Birds, by Salim Ali, second edition, Bombay: Bombay Natural History Society, 1943; Lady Chatterley's Lover, by D. H. Lawrence, third edition, Stockholm: Jan-Forlag, 1945; Coleridge's Rime of the Ancient Mariner, illustrated by J. Noel Paton, Art Union of London, 1863; a quantity of QEII commemorative souvenir programmes; several 19thC calf-bound volumes, part-sets with boards detached; a quantity of mid-20thC postcards; nine rolled OS maps, 1930s/40s, and others, condition varied, sold with all faults, in two cartons (2)
Lot 1053
Willam Cadenhead (20th century)SummerSigned and dated (19)83, oil on board; together with Ronald Horner ''Storm Abating'' signed oil on board, D W Brown ''Mood Study'' signed acryllic and oil, S*Cooper Gyrfalcon, signed and dated (19)80 pencil sketch, an absract oil on card, and three French fashion prints (8)
Lot 1081
After Philips Wouwerman (1619-1668)''Les Sangliers Forces''Black and white engraving; together with a map of Leicester, two black and white prints, a print of Lancaster castle, a print of the resurrection , a landscape watercolour, a Russian watercolour of St Issac's catherdral and a painted panel river landscape inlaid with mother of pearl (9)
Lot 96
Pieter Boel - The owls / Description: View of four large owls sitting in a rock cavity at left, six smaller owls sitting on the edge of the rock at right; third state with publisher's address; from a series of six prints showing birds made by: Peeter Boel. Signed in the lower margin: "P. Boel del." and "des Ducs" and "De Poilly ex. C.P.R. St. Iacques va L'image St Benoit / Dimensions: 24,50 x 34,50 cm / Condition: Good intense black impression on laid paper with full plate borders and small margins. / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (13) --- Bartsch / Le Peintre graveur (undescribed) --- Weigel 1843 / Suppléments au Peintre-Graveur de Adam Bartsch (184.13) / Medium: Etching /Circa: Ca. 1640-1660
Lot 52
Water personified by the god Neptune, Jan Sadeler (1550-1600), Dirck Barendsz / Description: Water personified by the god Neptune, engraving from a series of four prints: The four elements as mythological figures. Engraving made by Jan Sadeler (1550-1600) ca 1587. After a drawing/painting of Dirck Barendsz. References: Hollstein Dutch 527, only state. In very good condition. Printed on thin laid paper, on the margins image complete. With a watermark. / Dimensions: 17,2 cm x 22,1 cm / Condition: In very good condition. Printed on thin laid paper, on the margins image complete. With a watermark. / Literature: Hollstein Dutch 527, only state / Medium: engraving/etching /Circa: 1587
Lot 183
Cornelis Visscher (1628-1658) - The rat catcher The rat-catcher; three-quarter length, accompanied by a dog and a young boy on the right who holds a pole with a cage atop from which dangles a number of dead rats; the rat-catcher wears a fur cap and cape and has a box strapped to his person. Etching and engraving designed and engraved by Cornelis Visscher. Signed on a piece of paper on wall at upper right "C. Visscher / Inv. et sculp / exc". in the margin in one line "Fele fugas ... felesque fugabo".. Collection stamp Duke of Arenberg. 37,35 x 31,50 cm / Condition: Good impression with full plate border and tread margins on thick paper with no visible chain lines. Good condition with no tears, stains or folds. Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (50.VI) --- A related drawing in the Teylers Museum, Haarlem and in the Museum Boijmans van Beuningen, Rotterdam. --- Literature: E.de Jongh and G. Luijten, 'Mirror of Everyday Life: Genre prints in the Netherlands 1550-1700', ex. cat., Rijksmuseum, Amsterdam, 1997, no. 66; L. Buijnsters-Smet, 'Straatverkopers in beeld: Tekeningen en prenten van Nederlandse kunstenaars circa 1540-1850', Nijmegen, 2012, pp.113-114. / Medium: Etching with engraving /Circa: 1655
Lot 103
Thomas de Leu - Series of the Archangels in 10 prints / Description: Dei Patris et Filii et Spiritus Sancti sanctissimae imagines. Complete set of the archangels consisting of the title engraving and images of the archangels numbered from 1 to 10. Each plate signed Thomas de Leu excudit. Image with engraved title within an ornamental border. Latin verses etched in the plate beneath the image. Reference: Robert-Dumesnil, X, 173-184. / Dimensions: 18,70 x 12,80 cm / Condition: Excellent impressions with nice plate tone. On the full sheets of laid paper with wide margins. All plates except title page (some larger restored tears) in good condition. A couple of the other prints with repaired tears in outer margins who are also a bit thumbed. Very good inside plate border in museum quality passe-partouts. / Literature: Robert-Dumesnil, X, 173-184. (Robert-Dumesnil following numbers 185-187 showing other religious subjects not numbered are probably not belonging to the set ) See also Sale of Sotheby /Wilkingsons 23 June 1858, lot 265: Dei Patris et Filii et Spiritus Sancti sanctissimae imagines, in ten engravings by Thos. d Leu. / Medium: Etchings /Circa: 1600
Lot 125
Pieter Stevens, Hendrik Hondius - Times of the day - complete series (4) / Description: The complete series in outstanding impressions: Aurora, Meridies, Hesperus and Nox. Ref: New Hollstein. p. 87, 76-79. These fine prints in impressive format were engraved by Hendrik Hondius, an engraver with Flemish roots working in Amsterdam. The designes are by Peter Stevens II (1567 – 1626) . a Flemish painter and draughtsman born in Mechelen know for his landscapes. He left Flanders to work for the court of Emperor Rudolf II in Prague. The circulation of prints made after the series of romantic Bohemian landscape drawings by Stevens had an important influence on the development of Flemish and Dutch landscape art in the 17th century. / Dimensions: 23,60 x 33,40 cm / Condition: Outstanding impressions with nice plate tone and still some blur in the plate borders, printed on watermarked laid paper. Full plate borders and good margins, except plate one a bit narrow on the image borderline at some places due to the size of the sheet. Overall a very good set in outstanding impression, especially enjoyable in the night piece of the plate of nox that call's for an impression as this one. Very rare as complete set in this quality. / Literature: / Medium: Engravings /Circa: 1605
Lot 192
Hendrik Goltzius - Magician Demogorgon in Cave of Eternity Oval Chiaroscuro woodcut from three blocks: The Magician; Demogorgon in the Cave of Eternity; he sits writing on a tablet and holding a wand with smoke coming out of his mouth; next to him is a serpent biting its tail symbolizing eternity, the Ouroboros, and a bubble containing a multi-breasted woman (Nature / Diana of Ephesus), with a hand pump spraying animals and plants . The subject is linked to the esoteric and alchemic tradition prevalent in the sixteenth century. Considered as the most accomplished chiaroscuro by Goltzius 35,00 x 26,50 cm Complete with the oval borderline. Flattened middle fold reinforced at backside. A very good well inked impression of this rare important chiaroscuro in very good condition. New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (294b) --- Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (374) --- Hirschmann 1921 / Hendrik Goltzius, Verzeichnis des graphischen Werkes (374) --- Strauss 1977 / Hendrik Goltzius: the complete engravings and woodcuts (418) --- Bartsch / Le Peintre graveur (III.73.238) --- Literature: N. Bialler, 'Chiaroscuro woodcuts: Hendrick Goltzius and his time', Rijksmuseum Amsterdam and Cleveland Museum of Art, ex.cat., 1993, no.26b; --- Susan Dackerman et al., 'Prints and the Pursuit of Knowledge in Early Modern Europe', Yale UP, 2011, cat.no.97 Chiaroscuro woodcut 1588
Lot 91
Hendrick Goltzius - GiovanniI De Medici before Francis - 1583 / Description: Giovanni de Medici before Francis I; at r, Francis sits in a tent with his entourage and receives Giovanni; beyond is an encampment and lines of soldiers. Beneath two lines of Latin. This print is part of a 22-part series of prints of the history of Giovanni de 'Medici, called dalle Bande Nere. Mediceae Familiae Rerum Feliciter Gestarum Victoriae et Triumphi / Mediceae Familiae Rerum Feliciter Gestarum Victoriae et Triumphi - 15833 This is a first state published by Philips Galle. / Dimensions: 21,80 x 29,70 cm / Condition: Good impression in good condition on watermarked laid paper. Trimmed on plate border. / Literature: New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (358.I) --- Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (331) --- Hirschmann 1921 / Hendrik Goltzius, Verzeichnis des graphischen Werkes (331) --- Strauss 1977 / Hendrik Goltzius: the complete engravings and woodcuts (14) --- Bartsch / Le Peintre graveur (III.87.287) --- Baroni Vannucci 1997 / Jan van der Straet, detto Giovanni Stradano, flandrus pictor et inventor (691.14) / Medium: Engraving /Circa: 1583
Lot 164
Theodoor de Bry -Commander of Folly, Duke Alva with upside down jester head Duke of Alva as Commander of Folly; with an upside down head of a jester; surrounded by a round band of dense ornament decorations. Design for an engraved tazza, circular plate. c.1588 ---L lettered around the portrait "DE HOOPMAN VA NARHEIT / LE CAPITAINE DES FOLLIE". With six columns, each two lines of verse around the design. From a series of four designs for richly ornamented dishes (Hollstein 178-181). This is the largest and most interesting one of the group. 12,20 x 12,20 cm / Condition: Excellent impression in very good condition. The circular print has full plate border and is on the uncut square sheet with good margins. Remains of album tipping at the backside of the four corners. Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (179) --- Lit.: M. de Jong and I. de Groot, 'Ornamentprenten in het Rijksmuseum I, 15de & 16de eeuw', Amsterdam 1988, no. 56. --- T.Clifford, 'Designs of Desire: Architectural and Ornament prints and Drawings 1500-1850', National Galleries of Scotland, ex. cat., 1999, no. 28. / Medium: Engraving /Circa: 1588
Lot 55
Americae Retectio: Colombus discovers America - A.Collaert / Description: The Discovery of America: Christopher Columbus on his Ship; Columbus stands on deck at centre, holding a banner with Christ on the cross, his own coat-of-arms is attached to the mast, a dove with a cross perches on the prow; Diana at left, adorned with bow and arrows and a crescent moon, guides the vessel; Neptune and other sea creatures stir up the waters at right, another ship is just visible to far left; CHRISTOPH. COLVMB.' Lettered below the image: 'CHRISTOPHORVS COLVMBVS LIGVR terroribus Oceani superatis alterius p[a]ene Orbis regiones a se inventas Hispanis regibus addixit. An. salutis ?.VIIIDafter Jan van der Straet Engraving / Dimensions: 20,50 x 27,10 cm / Condition: Good impression on watermarked paper trimmed on the image borderline, slightly inside top middle and bottom. / Literature: New Hollstein (Dutch & Flemish) 1200 (The Collaert Dynasty) New Hollstein (Dutch & Flemish) 343.II (Johannes Stradanus) Baroni Vannucci 1997 698.2) The Discovery of America: Christopher Columbus on his ship; Columbus stands on deck at centre, holding a banner with Christ on the cross, his own coat-of-arms is attached to the mast, a dove with a cross perches on the prow; Diana at left, adorned with bow and arrows and a crescent moon, guides the vessel; Neptune and other sea creatures stir up the waters at right, another ship is just visible to far left; after Jan van der Straet Engraving Ship surrounded by mythological sea nymphs and sea gods with Neptune or Poseidon being drawn by hippocampi (or seahorses) in the background. Decorative elements include sea monsters, whales, fish, anchors, banner with crucifix, a dove holding a cross, bow and arrows, and a banner with Columbus' coat of arms. Inscription: Christophorus Columbus Ligur Terroribus Oceani superatis alterius pene Orbis regiones à se inventas Hispanis regibus addixit An. Salutis Inventor: Jan van der Straet (1523 - 1605 ) Straet, also known as Joannes [or Johannes] Stradanus, compiled a series of four prints under the title Americae retectio in 1592, issued in celebration of the centennial of Columbus' discovery of the New World; Engraver: Adriaen Collaert (c.1560 - 1618) Engraver and major publisher in Antwerp. Son of Jan Collaert I. Married daughter of Philips Galle in 1586. Publishing from c.1588. Played various roles in the Guild of Saint Luke in Antwerp. Publisher: Philips Galle ( 1537 - 1612) Leading engraver and print dealer based in Antwerp; born in 1537 in Haarlem, it's possible that he was a pupil of Dirk Volkertsz. Coornhert, moved to Antwerp where he worked in the workshop of Hieronymus Cock . After 1557 he started his own publishing and print business, for which he travelled extensively: in 1560-61 he visited the southern Netherland, France, Germany and Italy. After 1564 he settled in Antwerp, where he acquired citizenship in 1571. One of the most prolific publishers in Europe in the second half of the sixteenth century after Cock died in 1570. He was also executor of Cock's estate after his widow, Volckxen Diercx, died in 1600; he acquired many of Cock's plates and re-published them. / Medium: Engraving /Circa: 1589
Lot 203
The four elements, Jacob Matham, Hendrick Goltzius The four elements, engraving made by Jacob Matham (1571-1631) in 1588, after a drawing of Hendrick Goltzius (1558-1617). Made under his supervision. First engraving from the series of 8 prints Mythological and allegorical. Representations. Published by Claes Jansz Visscher ca 1601 - 1652. References: New Hollstein Dutch 348-2(3. Very good dark impression, on thin laid paper with 3 mm margins. With a good watermark. 30,1 cm x 21,3 cm Very good dark impression, on thin laid paper with 3 mm margins. With a good watermark. New Hollstein Dutch 348 2(3) engraving 1588
Lot 197
Bloemaert Chiaroscuro - The Holy Family Mother and child, seen in profile to left, after Abraham Bloemaert. Engraving and chiaroscuro woodcut with tone block (sepia). Print made by: Frederik Bloemaert after the drawings of his father Abraham Bloemaert (1564-1651). There were several editions until in the 18th century. This one from the still 17th century's publication by Frederik de Wit circa 1680. 21,40 x 15,10 cm Good impression with very nice colour from the tinted block. The woodcut is a good impression in very good condition. It is on a large sheet of 'Sotskap' watermarked laid paper. Strauss 1973 / Chiaroscuro: the claire-obscure woodcuts by the German and Netherlandish masters of the XVI and XVII centuries (167) --- Roethlisberger 1993 / Abraham Bloemaert and his sons: Paintings and prints (T95) Engraving, woodcut, colour 1650-1680
Lot 189
Hendrick Goltzius - Mercury and Jupiter on the clouds - 1585 Amongst billowing clouds, is Mercury, Jupiter (about to hurl a thunder and lightning bolt) and Apollo restrained by Hercules -- from Hendrick Goltzius: a fragment of the engraving (upper half) "Mars and Venus surprised by Vulcan (B. 139). 21,80 x 29,70 cm A very good brilliant impression on watermarked laid paper, trimmed into the subject, upper half of the larger engraving. New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (150) --- Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (137) --- Hirschmann 1921 / Hendrik Goltzius, Verzeichnis des graphischen Werkes (137) --- Strauss 1977 / Hendrik Goltzius: the complete engravings and woodcuts (216) --- Bartsch / Le Peintre graveur (III.43.139)A preparatory drawing in the J.Paul Getty Museum, Los Angeles (Reznicek 105). See H. Leeflang and G.Luijten, 'Hendrick Goltzius (1558-1617): Drawings, prints and paintings', Rijksmuseum, Amsterdam, Metropolitan Museum of Art, New York and Toledo Museum of Art, Ohio, ex. cat. 2003, no. 13. Engraving 1583
Lot 198
Frederik Bloemaert (1616-1690) - Chiaroscuro woodcut - Putti Floating putti holding a shield. A rare chiaroscuro etching with colour woodcut from the tekenboek. Only a few were published in chiarscuro technique and this is one of them. A rare one, not part of the five or six in this technique more often seen. 21,00 x 16,80 cm Good impression with very nice colour of the tinted block. Trimmed just outside plate border with traces of tread margins. Discolored stain middle left. Strauss 1973 / Chiaroscuro: the claire-obscure woodcuts by the German and Netherlandish masters of the XVI and XVII centuries (169) --- Roethlisberger 1993 / Abraham Bloemaert and his sons: Paintings and prints Engraving, woodcut, colour 1650-1680
Lot 186
Christoph Schwarz, Jan Sadeler - Christ stripped of his garments Passion of Christ: Christ stripped of his garments. 1589 Engraving made by Jan Sadeler I after Christoph Schwarz. From a series of nine prints consisting of a title-page and eight scenes of the Passion, engraved by Sadeler after Schwartz in 1589. The eight scenes derive from the Passion altarpiece painted for Duchess Renata of Lorraine, wife of Wilhelm V of Bavaria, in 1589: the panels (of which only the Crucifixion survives) were painted by Schwarz after a design by Friedrich Sustris. See Thea Vignau-Wilberg, 'Citizens of Europe, Dutch and Flemish artists in Munich c.1600', Munich 2005, cat.D3 to 12. 43,40 x 28,50 cm Good impression of this very large print trimmed on plate border. Moderate foxing in the lower part. From the Series "Precipua Passionis D.N. Jesu Christi mysteria", after designs of C. Schwartz. Each with 4 lines engraved Latin text from the Gospels in lower margin. - Ref. Hollstein XXI:233-239. --- Die Leidensgeschichte Jesus, J. Sadeler nach Ch. Schwarz, 8 Bll., Ngl. XIV.143.97, 1589 --- Nagler Künstlerlexikon 1835-1852. , S. XIV.143.97 --- Wurzbach. , S. II.539.82 Engraving 1598
Lot 389
Mourlot - - Prints from the Mourlot Press. Exhibition sponsored by the French Embassy. Circulated by the Traveling Exhibition Service of the National Collection of Fine Arts Smithonian Institution 1964-1965. Mit 20 Lithographien, meist farbig und blattgross, eine davon auf dem Umschlag. Paris, Mourlot, 1964. Farbig illustrierte Original-Broschur (minimal gebräunt). Eines von 200 nummerierten Exemplaren auf Vélin de Rives für Künstler, Mitarbeiter und Freunde des Verlags (GA 2200). - Mit Lithographien von Chagall (Mourlot 415), Picasso (Mourlot 400), Miró (Mourlot 332/333), Beaudin, Estève, Matisse, Cocteau, Calder, Giacometti, Glarner, Jenkins, u. a. - Mit dieser wichtigen Ausstellung würdigte der französische Staat die Arbeit und Bedeutung eines der wichtigsten Drucker-Verleger des 20. Jahrhunderts. - Teils etwas braunfleckig. Graphiken farbsatt. Gutes Exemplar. With 20 lithographs, mostly in colour and sheet size, one of them on the cover. Numbered copy - On wove paper (papier vélin) by Rives. - With lithographs by Chagall (Mourlot 415), Picasso (Mourlot 400), Miró (Mourlot 332/333), Beaudin, Estève, Matisse, Cocteau, Calder, Giacometti, Glarner, Jenkins and others - With this important exhibition the French state honoured the work and importance of one of the most important printer-publishers of the 20th century.
Lot 235
Ornithologie - - Sammlung von 8 Vogel-Darstellungen. Um 1806. Je handkolorierter Kupferstich auf Vélin. Blattmaße je ca. 58 x 42 cm. 5 Blätter punktuell auf Unterlage und unter Passepartout montiert. Wohl aus François Le Vaillants "Histoire naturelle des oiseaux de paradis et des rolliers, suivie de celle des toucans et des barbus", welches 1806 in Paris bei Denné & Perlet erschien, sowie aus dem Nachfolgewerk "Histoire naturelle des promerops, et des guêpiers : faisant suite à celle des oiseaux de paradis par la même" von 1807. - 1 Blatt als Doublette mit unterschiedlicher Kolorierung vorhanden. - Teils mit Randläsuren und in den Rändern etwas gebräunt. Etwas stockfleckig. 1 Blatt mit Fehlstelle im weißen Rand, ein anderes mit leichten Knickspuren. Breitrandige Drucke mit schöner Kolorierung. Ornithology - Collection of 8 depictions of birds. Around 1806, each hand coloured copper engraving on vélin. 5 sheets mounted in spots on backing and under passepartout. - Probably from François Le Vaillant's "Histoire naturelle des oiseaux de paradis et des rolliers, suivie de celle des toucans et des barbus", which was published by Denné & Perlet in Paris in 1806, as well as from the follow-up work "Histoire naturelle des promerops, et des guêpiers : faisant suite à celle des oiseaux de paradis par la même" from 1807. - 1 sheet present as a duplicate with different colouring. - Partly with slight marginal defects somewhat browned at margins. Somewhat foxed. 1 sheet with missing part in the white margin, another one with slight creases. Broad-margined prints with beautiful colouring.
Lot 140
Italien - Rom - - Giuseppe Vasi. (1710 - 1782). Il prospetto della Citta Leonina, che si vede colla Basilica Vaticana, Ponte e Castel S. Angelo. (= Der Ausblick auf die päpstliche Stadt zu sehen mit der Vatikanbasilika, der Engelsbrücke und der Engelsburg). 1765. Radierung und Kupferstich von drei Platten auf dreiteilig montiertem Büttenpapier. Ca. 101 x 70,5 cm. In der Platte bezeichnet und datiert. Fest auf Karton u. unter Passepartout montiert. Der italienische Graphiker und Vedutenstecher Giuseppe Vasi widmete sich Zeit seines Lebens insbesondere Ansichten der ewigen Stadt Rom. So veröffentlichte er zwischen 1746 und 1761 zehn Bände mit 240 Graphiken römischer Monumente und schuf hiermit einen detaillierten Überblick über die Stadt Rom in der Mitte des 18. Jahrhunderts. Einen Höhepunkt setzte Vasi schließlich mit dem ca. 102,5 x 261,5 cm großen Rom-Panorama von 1765, mit dem Titel "Prospetto del Alma Cittá di Roma visto dal Monte Gianicolo". Dieses zeigt die Stadt Rom gesehen vom Gianicolo. Die Ansicht wurde von zwei großen Radierungen begleitet, welche die gleiche Höhe hatten, sodass sie die Wanddekoration des großen Panoramas vervollständigen konnten. Davon die vogelperspektivische Ansicht der päpstlichen Stadt mit Blick auf den Tiber, die ihn überspannende Engelsbrücke, die Engelsburg in der rechten Bildhälfte sowie den imposanten Petersdom u.a. - Im unteren Blattrand positionierte Vasi wie bereits im Blatt "Campo Vaccino" eine Widmung, hier an die "Signori Conservatori del Popolo Romano" sowie eine Kartusche mit dem Wappen der Stadt. Es folgt eine Legende mit 26 Bauwerken, welche wie zuvor im Stich nummeriert sind. Auf die beiden Stiche "Campo Vaccino" und "La Città Leonina" folgten 1771 schließlich mit "La veduta della Basilica di S. Maria Maggiore" sowie "La veduta della Basilica di S. Paolo fuori delle Mura" schließlich noch zwei weitere Ansichten Vasis. - Vereinzelt eher unauffällige Braunfleckchen, insgesamt nuancenreicher und kräftiger Druck mit imposanten Maßen. (= The view of the papal city to see with the Vatican Basilica, the Bridge of Angels and Castel Sant'Angelo). Etching and engraving on laid paper mounted in three parts. Inscribed and dated in the plate. Firmly mounted on cardboard and under passepartout. The Italian artist and engraver Giuseppe Vasi devoted his life in particular to creating views of the eternal city of Rome. Between 1746 and 1761 he published ten volumes with 240 prints of Roman monuments, thus creating a detailed overview of the city of Rome in the mid-18th century. Vasi finally set a highlight with the approx. 102.5 x 261.5 cm large Rome panorama of 1765, which has the title "Prospetto del Alma Cittá di Roma visto dal Monte Gianicolo". It shows the city of Rome seen from the Gianicolo. The view was accompanied by two large etchings, which had the same height, so that they could complete the wall decoration of the large panorama. - View of the papal city with a sight on the Tiber, the Ponte S. Angelo spanning it, the Castel S. Angelo in the right half of the picture as well as the imposing Peter's Cathedral a.o. - In the lower margin of the sheet Vasi positioned as already in the sheet "Campo Vaccino" a dedication, here to the "Signori Conservatori del Popolo Romano" as well as a cartouche with the coat of arms of the city. This is followed by a legend with 26 buildings, which are numbered as before in the engraving. The two engravings "Campo Vaccino" and "La Città Leonina" were followed in 1771 by "La veduta della Basilica di S. Maria Maggiore" and "La veduta della Basilica di S. Paolo fuori delle Mura". - Isolated little brown spots, overall nuanced and strong print with impressive dimensions.
Lot 176
Amerika - - Sammlung von 36 OPhotographien von Pasadena, Kalifornien. Vintages. Silbergelatineabzüge. Um 1900. Versch. Formate von ca. 8 x 20 bis 15,5 x 20,5 cm. Mont. in Album d. Zt. Quer-Fol. HLdr. mit goldepr. Fileten (berieben, ein Gelenk etw. eingerissen, Rückdeckel mit Wasserfleck). Die sehr seltenen, meist im Negativ in Englisch einkopiert bezeichneten u. nummerierten Aufnahmen zeigen u.a.: Drive at San Gabriel Winery, Baldwins Ranch, Baldwins Lake, General Otis Residence, Orange Grove Ave. (Stewart's Residence), Figueroa, Residence of Chas. Richardson / of Mr. Green Altadena, Street in St. James Park, Merwins Gold of Ophir, Magnolia Ave. Riverside, Burrage Residence, Brookside Ave. Redlands, Madame Mo, Straußenfarm (Cawston Ostrich Farm). - Im Negativ meist mit Copyright bzw. Photographensignet des Atelier Graham versehen, vereinzelt dat. (1899-1901). - 3 im Anschluss urspr. vorh. Aufnahmen entnommen, tls. etw. gebräunt u. stockfleckig, insg. gut erhalten. America - Collection of 36 orig. photographs of Pasadena, California. Vintages. Silver gelatin prints. Around 1900. Mounted in contemp. album. Half leather with gilt fillets (rubbed, one joint somewhat torn, back cover with waterstain). - The very rare photographs, mostly numbered and inscribed in English in the negative, show among others: as listed above. - Mostly with copyright or photographer's signet of Atelier Graham in the negative, occ. dated (1899-1901). - 3 original photographs removed, some browning and foxing, overall good condition.
Lot 168
1. Weltkrieg - Japan - - Sammlung von 140 OPhotographien mit Aufnahmen deutscher China-Kämpfer im japanischen Kriegsgefangenenlager Kurume. Vintages. (Brom-) Silbergelatineabzüge. 1915-1920. Versch. Formate von ca. 7 x 4,5 bis 11 x 14,5 cm. Tls. mont., tls. kaschiert in Album d. Zt. Quer-4°. Kt. mit Kordelbindung (kl. Randläsuren). Kurume liegt in der Präfektur Fukuoka auf der Insel Kyushu. Im Ersten Weltkrieg hielt man dort deutsche Soldaten bis 1920 in Gefangenschaft. - Das vorliegende Album zeigt u.a.: Lagerleben (Weihnachten, Theater, Ausflüge, Feldarbeit, Schlafraum, Kendo-Kampf, Vorschrift über die Nachtwache, Modellbau), ethnographische Aufnahmen (Wäschewaschende Frauen am Fluss, Reisbauer, Schirmherstellung, Frauen mit Kindern, Buddhisten), Eisenbahn, Stelzenhütten, Boote, Ansichten, Rückkehr nach Deutschland mit dem vom Deutschen Reich gecharterten japanischen Dampfer Himalaya Maru, Empfang in Wilhelmshaven. - Vereinzelt kl. Läsuren u. Knicke, tls. gering ausgesilbert, insgesamt wohlerhalten. World War I. - POW - Collection of 140 OPhotographs with pictures of German China fighters in the Japanese prisoner of war camp Kurume. Vintages. (Bromine) silver gelatin prints. 1915-1920. Mounted in contemp. album. Cardboard with cord binding (small marginal defects). - Kurume is located in the prefecture of Fukuoka on the island of Kyushu. During World War I German soldiers were held prisoner there until 1920. - The present album with pictures of, among other things: Camp life (Christmas, theatre, excursions, field work, dormitory, kendo fighting, regulation on night watch, model making), ethnographic shots (women washing clothes by the river, rice farmer, umbrella making, women with children, Buddhists etc.), railways, stilt huts, boats, views, return to Germany on the Japanese steamer Himalaya Maru chartered by the German Empire, reception in Wilhelmshaven. - Occ. small tears and creases, partially minor oxidation mottling, overall in good condition.
Lot 11
Giovanni Boccacci. Furnem(m)ste Historien und exempel vom widerwertigem Glück, mercklichem und erschröcklichem unfahl, erbärmlichen verderben unnd sterben, großmächtiger Kayser, Künig, Fürsten unnd anderer namhafftiger Herrn. In neün Büchern, durch ... Joannem Boccatium von Certaldo in Latein beschriben ... von Hieronymo Ziegler fleyssig verteütscht. Mit Titelholzschnitt, Wappen-Holzschnitt auf dem Titel verso u. 119 Textholzschnitten von H. Burgkmair, H. Schäufelein u.a. Augsburg, H. Steiner, 1545. 6 nn., 250 num. Bll. 4°. Schweinsldr. d. Zt. auf 4 Bünden über Holzdeckeln mit Streicheisenlinien u. Rollenstempeln, tls. abgefasten Kanten u. 2 Schließen (berieben, Rücken gebräunt, Ecken bestoßen, oberes Kapital mit kl. Fehlstelle, Schließbänder erneuert, geringe Wurmspuren). Erste deutsche Ausgabe von "De casibus virorum illustrium". - VD 16, B 5813. - IA 120.299. - Lipperheide Cg 34. - Oldenbourg L 197. - Die schönen Holzschnitte, in versch. Formaten u. in unterschiedlicher Qualität, sind meist früheren Drucken Steiners entnommen, u.a. dem deutschen Cicero von 1534, Petrarca und Theuerdank. - Gleichmäßig gebräunt, vereinzelt gering fingerfleckig, 2 Bl. mit kl. Rasurstellen. - Angebunden: Ders. Ein Schöne Cronica oder Hystori buch, von den fürnämlichsten Weybern. Nachmaln durch Henricum Steinhöwel in das Teütsch gebracht. Mit 81 (inkl. Titel) Textholzschn. von L. Beck, J. Breu u. H. Schäufelein. Ebd., 1541. 6 nn., 90 num. Bl. - Erste deutsche Ausgabe bei Steiner von "De claris mulieribus" und mit diesen Illustrationen. - VD16 B 5816. - Dodgson II, 14, 34 u. 127. - Oldenbourg L 194. - Hollstein (Beck) II, 172, 15 u. (Breu) IV, 182, 528-608. Vgl. Fairfax Murray I, 80 (2. A. 1543). - Der Übersetzer Steinhöwel widmet das Buch "allen frommen Weybern zu einer Eer, und den bösen zur besserung und warnung". "Vor allem offenbart sich seine humanist. Gesinnung in der Stellung zur Frau. Schon die Wahl von Boccaccios Werk ist bemerkenswert" (Stammler). - Die Holzschnitte waren ursprünglich für eine von Steiner vorbereitete Dekameron-Ausgabe bestimmt, einige sind Wiederholungen aus anderen Verlagswerken. Nach Hollstein stammen 77 Holzschnitte von Jörg Breu, 3 von Leonhard Beck u. 1 von Hans Schäufelein. - Wappenexlibris "I. E. Ruedorffer.S.TL.". - Gleichmäßig gebräunt, vereinzelt gering wasserfleckig, Titel mit Randausriss (wohl durch Verlust eines Blattweisers), 2 Bl. mit kleiner Rasurstelle, Bl. 46 mit 2 Randeinrissen. - Sehr seltener Sammelband mit den zwei hervorragend und reich illustrierten Werken Boccaccios über die bedeutenden Männer und Frauen der Geschichte, beide in erster deutscher Ausgabe. With title woodcut, coat of arms woodcut on title verso and 119 woodcuts in text by H. Burgkmair, H. Schäufelein a.o. Contemp. pigskin on 4 raised bands over wooden boards with string lines and roller stamps, partly chamfered edges and 2 clasps (rubbed, spine browned, corners bumped, upper capital with small missing part, leather of clasps renewed, small traces of worming). - First German edition of "De casibus virorum illustrium". - The beautiful woodcuts, in various formats and in different quality, are mostly taken from earlier prints by Steiner, among others from the German Cicero of 1534, Petrarch and Theuerdank. - Uniformly browned, sporadically a little fingerstained, 2 leaves with small shaved areas. - Bound with: As listed above. With 81 (incl. title) wood engravings in text by L. Beck, J. Breu u. H. Schäufelein. Ibid., 1541. - First German edition by Steiner of "De claris mulieribus" and with these illustrations. - The translator Steinhöwel dedicates the book "to all pious weybers for an eer, and to the wicked for improvement and warning". His humanist attitude is revealed above all in his attitude to women. The choice of Boccaccio's work alone is remarkable" (Stammler). - The woodcuts were originally intended for an edition of the Decameron prepared by Steiner, some are repetitions from other publishers' works. According to Hollstein, 77 woodcuts are by Jörg Breu, 3 by Leonhard Beck and 1 by Hans Schäufelein. - Heraldic bookplate "I. E. Ruedorffer.S.TL.", uniformly browned, sporadically a little bit waterstained, title with marginal tear (probably due to loss of a page pointer), 2 leaves with small shaving spot, leaf 46 with 2 marginal tears. - Very rare collective volume with the two excellently and richly illustrated works of Boccaccio on the important men and women of history, both in the first German edition.
Lot 382
Masson, André - - André Malraux. Les Conquérants. Trente-trois eaux-fortes originales en deux couleurs gravées par André Masson. Mit 33 zweifarb. (26 ganzs.) Original Aquatinta-Radierungen von Masson. Paris, Albert Skira, (1949). 222 S. Fol. Lose Bögen in OBrosch. in OChemise u. OPp.-Schuber (Schuber erneuert, OChemise etwas gebräunt und minimal fleckig). Eins von 125 (GA 165) nummer. Exemplaren auf Marais-Papier (mit Wz.) mit Massons Illustrationen zu Malraux' Roman über die Aufstände in Guangzhou 1927. - Passeron 13. - Saphire/Cramer 27. - Monod 7694. - Rauch 134. - Druckvermerk von Malraux, Masson u. Skira signiert. Gedruckt in der Renaud Corps bei Georges Girard. - Seiten teils mit schwachem gebräunten Abklatsch, insgesamt wohlerhaltenes, unbeschnittenes u. breitrandiges Exemplar mit nuancierten und kontrastreichen Abzügen in zarter bis kräftiger Tonalität. (Slipcase renewed, chemise somewhat browned and minimally stained). - With 33 orig. auqatint etchings (26 full page) by André Masson concerning Malraux' novel about the Guangzhou-Uprising in 1927. - Loose double leaves in orig. wrapper in orig. chemise and orig. cardboard slipcase (slipcade somewhat fingerstained). - One of 125 numbered copies. Publisher's imprint signed by Masson, Malraux and Skira. - Double leaf with the imprint lightstained, occ. slight browned offset, overall well preserved, uncut and wide margin copy with finely nuanced and contrasty prints in gentle to strong tonality.
Lot 294
Johan Georg Wagner. Parisische Reyß, Handlung, Pundtschwur, das ist: Warhafftige Erzehlung, was sich in der zwischen dem Aller christenlichsten König zu Frankreich und Navarra Ludovico dises Namens dem XIV. an einem: So danne der Grossmächtigen Republic der 13. und 5. zugewandten Orthen Hochlobl. Eydtgnossschafft, im Jahr 1663 zu Pariß verpflogenen Pundts Ernewerung, auch underwegs in Stätt- und Orthen Ihres Durchzugs denckwürdiges zugetragen. (Solothurn), 1664. 9 nn. Bll., 44 (recte 46) S. Broschur d. Zt. Einer von 2 Drucken im gleichen Jahr, hier ohne Verlag und Ort. - VD17 23:288573T - J.G. Wagner war Stadtschreiber von Solothurn und als Sekretär der eidgenössischen Delegation verantwortlich für die Reise und die amtliche Darstellung des Empfanges am Hof. Enthält eine detaillierte Beschreibung dieser Reise nach Paris, dabei über den Einzug in Paris, die Empfänge beim König, das Essen, eine Theateraufführung bei Moliere, aber auch die Räubereien und Taschendiebe auf den Straßen von Paris, den Spott der Franzosen über die Bärte der Eidgenossen, die Dreistigkeit der Frauen etc. - Etwas gebräunt und leicht bestoßen, Name auf Titel, rechte obere Ecke des Titelbl. mit kleinem Einriß, insgesamt gutes Exemplar. One of 2 prints in the same year, here without publisher and place. - J.G. Wagner was town clerk of Solothurn and as secretary of the federal delegation responsible for the journey and the official account of the reception at court. Includes a detailed description of this trip to Paris, thereby about the entry into Paris, the receptions at the King's, the meal, a theatre performance at Molière's, but also the robberies and pickpockets on the streets of Paris, the mockery of the French about the beards of the Confederates, the audacity of the women etc. - Somewhat browned and slightly bumped, name on title, upper right corner of title page with small tear, overall a good copy.
Lot 384
Joan Miró. (1893 Montroig - 1983 Mallorca). Les essències de la terra per Miró. 1968. Mit 14 blatt- und doppelblattgroßen, teils (Farb-) Lithographien. Je auf chamoisfarbenem GVA Pro Bütten. Blattmaße von 49 x 37,3 cm bis 49 x 74,5 cm. Im Druckvermerk von Miro signiert. Lose Doppelblätter in illustriertem Originalumschlag und Leinenkassette. - Kassette ausgeblichen und mit Lagerspuren. Die Graphiken vereinzelt mit kleinen, leichten Braunflecken und teils minimalen Anschmutzungen. Insgesamt in gutem Zustand. Die Abzüge kontrastreich und satt. Cramer, 120. - Die prächtigen Illustrationen im Stil der Abstraction Lyrique entstanden nach Zeichnungen Mirós zu acht alten katalanischen Texten. Die Mappe enthält sowohl diese Texte als auch die Ode auf Miró von Juan Perucho. Les essències de la terra per Miró. With 14 sheet- and double-sheet-sized, partly (colour) lithographs. Each on buff GVA Pro laid paper. Signed by Miro in the printing note. Loose double sheets in illustrated original envelope and linen case. - Cassette faded and with traces of storage. The prints sporadically with small, light brown spots and partly with minimal soiling. Overall in good condition. The prints rich in contrast and luscious. - The magnificent illustrations in the style of Abstraction Lyrique were created from drawings by Miró to eight old Catalan texts. The portfolio contains these texts as well as the Ode to Miró by Juan Perucho.
Lot 188
Pressephotographie - Film - - Umfangreiche Sammlung von über 5000 Pressephotographien von nationalen und internationalen Schauspielern und Musikern. Silbergelatine- u. Farbabzüge. Um 1950-2000. Versch. Formate von ca. 18 x 13 bis 25 x 20 cm. Enthält Aufnahmen u.a. von internationalen Größen wie Serge Gainsbourg, Bridget Fonda, Henry Fonda, Greta Garbo, Omar Sharif, Sally Field, Farah Fawcett, Jean Claude Van Damme, Bo Derek, Sandra Dee, Jodie Foster, Mia Farrow, Jane Fonda, Lino Ventura, Gary Oldman, Paul Newman, Liam Neeson, Bette Davis, Faye Dunaway, Doris Day, Danny de Vito, Sidney Poitier, Philippe Noiret, Robert de Niro, Roger Moore, Elizabeth Taylor, River Phoenix, Bill Murray, Marx Brothers, Gregory Peck, Steve Martin, Stevie Wonder, Ornella Muti, Burt Lancester, Bruce Lee, Bette Davis, Michael Caine, John Malkovich, Jean Marais, Heath Ledger, Judy Garland, Ewan McGregor, Sandra Bullock, Catherine Zeta-Jones, Sigourney Weaver, Clark Gable, Twiggy, Robin Williams, Hugh Grant. Sowie Stills aus Filmen wie Police Academy, Zurück in die Zukunft, Jesus Christ Superstar, Trainspotting, Ghostbusters, Independence Day, Hair, Alien. Desweiteren deutsche Schauspieler und Sänger, u.a. Rex Gildo, Herbert Groenemeyer, Witta Pohl, Horst Janson, Karel Gott, Katharina und Anna Thalbach, Roland Kaiser, Uschi Glas. - Verso teils hs. bezeichnet, teils mit Photographen- bzw. Copyrighstempel (u.a. Ursula u. Heinz Röhnert, Friedhelm von Erstorff, Herbert Fried, Arthur Grimm, Hipp-Foto, Warner Bros, Metro Goldwyn Mayer, Starfoto, Universal, 20th Cent. Fox, Tri-Star, Cinema International Corp., Miramax) oder montierter typogr. Beschreibung versehen. - Enthält Dubletten. Teils etwas gebrauchsspurig. Insgesamt wohlerhalten. Press Photography - Extensive collection of over 5000 press photographs of national and international actors and musicians. Silver gelatin and colour prints. Around 1950-2000. Contains photographs of international stars, German actors and singers, as well as stills from films, among others, as listed above. - Verso partly inscribed in manuscript, partly with photographer's or copyright stamp or mounted typogr. description. - Contains duplicates. Partly a little bit worn. Overall in good condition.
Loading...-
255176 item(s)/page