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Lot 450A
Nick Drake - 'Remembered For A While' Box Set (Including John Peel Session 10") - A limited edition (number 0937/1000) deluxe box set celebrating Nick Drake.The set contains The 10" John Peel Session (ANTARMP003 - in mint condition). The book signed by Gabrielle Drake and Cally together with prints and signed slip by Julian Lloyd. All housed within a dark red box set case.
Lot 502
The history and antiques of the city of Bristol - Compiled from Original Records and authentic manuscripts, in public offices or private Hands; Illustrated with copper plate prints and fold out examples. By William Barrett, Surgeon, F. S. A. Bristol: printed by William Pine. 1780 18th century.
Lot 567
Bruce Springsteen - limited edition Richard E Aaron signed and numbered print of the photographer's iconic photograph from the 1979 No Nukes concert, signed, mounted and framed, 25.5" x 20" * One of thirty limited edition signed prints. Given to the vendor by the photographer after he bought a much larger Bruce Springsteen image for a client.
Lot 376
A group of prints and mapsincluding: Engraved plate of St. Pauls, North elevation, George Gladwin, 1826 (70 x 49 cm), rolled; The South East prospect of St. Michael’s Mount, Cornwall. May 24, 1739 (81 X 18 cm), rolled; Ordnance Survey Map of Hampstead, 1873. Three sheets joined together (106 X 67 cm); City & county of the city of Canterbury, surveyed in 1873 by W Wynne. Coloured, linen backed, folded in the middle and rolled (106 X 71 cm); Hollars' views of London for 1647, sheets 2-6. Lithograph Soc. 1907. Rolled; & Rhinebeck’ Panorama of London, London Topographical Soc. Pub. No. 125, 1981, rolled. KAY NIELSEN: Ten tipped-in colour plates, each with the description paper guard; Plus one colour plate by Jessie M King; Eight colour plates, including two by Rowlandson; Plus a colour lithograph: The British Bee Hive- a penny political picture for the people, 1867; Plus: Sixteen other engraved plates. (qty.)From the Paul Bentley collection of maps and atlases.
Lot 193
Utagawa Kunisada 'Toyokuni II' (Japanese, 1823-1880),seven woodblock prints from the series 'omokage genji gojūyon jō' (Reflections of Genji's Fifty-four Chapters), signed Baichōrō Kunisada ga, oban,37 x 24.5cm, framed (7)Condition ReportDid not examine outside of the frames. Frames with surface scratches, knocks, cracks. Two missing glaze.All with foxing and staining marks. Minor cockling to paper.
Lot 1002
(1) Tine Baanders heeft haar atelier en woning verplaatst naar Zuideramstellaan 127 Amsterdam Telefoon 93055. Letterpress card, 12 x 15.5 cm, striking typography by Baanders. (2) Gedenkboek gemeente telefoon Amsterdam 1896-1936. Uitgegeven ter gelegenheid van haar 40 jarig bestaan op den eersten november negentien honders en zes en dertig. N.pl., n.d. (Amst., 1936), XII,240 p., num. ills., title-p. and orig. gilt cl. des. by Baanders. (3) N.V. Eisenloeffel's Kunsthandel, Amsterdam. Catalogue d'eaux-fortes et de lithographies. Troisième partie de la collection. Amst., Naaml. Vennootschap Drukkerij voorheen Dieperink & Co, n.d., (28) p., w. ills., orig. stapled lithogr. wr. by Baanders. Rare catalogue, listing prints by M. Bauer, F. Brangwyn, H. Daumier, E. Degas, E. Delacroix, P. Gauguin, W. Hogarth, J.B. Jongkind, E. Manet, P. Picasso, a.o. (4) Amsterdamsche tentoonstelling voor woninginrichting in het Stedelijk Museum van 20 mei tot 1 Juli 1921. Amst., Stadsdrukkerij, 1921, VIII,(2), 54 p., w. ills. and advertisements, orig. lithogr. wr. by Baanders. -and 3 others, incl. 2 issues of De vrouw en haar huis. (total 7)
Lot 1025
Comprising books, booklets such as theatre programs and some loose prints. (1) Litho's, houtsneden, teekeningen door Joan Collette. 1e Serie. Amst., Faddegon, 1921, printed in a limited ed., 12 plates of which 4 lithogr. and 4 woodcuts, loose as issued in the orig. stiff paper portfolio w. woodcut front and back, 4to. Plates foxed, potrfolio sl. foxed and other sm. imperfections. Very rare, only 1 copy in NCC. (2) De bedrijfsreclame. Officieel orgaan van de Vereeniging ter Bevordering der der Bedrijfsreclame. Serie III, nummer 5. Amst./ The Hague, Jan. 1918, 83-100 p., w. plates and ills. (partly by Collette), advertisements, orig. wr. by Collette. Contains an article on Collette by H. Hoste (p. 83-88), w. 2 tipped-in col. lithogr. plates, 1 full-p. ill. and several smaller ills. by Collette. (3) Waals, J.E. van der (ed.). In 't Bloemhofke. Blaricum, De Waelburgh, (1921), printed on handmade paper 62 p., woodcut title, 3 plates and orig. wr. by Collette. Paper over spine browned and torn. Rare. (4-7) Four issues by the Amsterdam Stadsschouwburg, w. col. lithogr./ woodcut wr. by Collette. Bladen van den Stadsschouwburg 1, and 3/4 (1920) and 2 programmes (n.d., w. nice col. advertisement of 't Woonhuys on backwrappers). -and 14 others, incl. 1 other booklet issued by De Waelburgh and advertorial material of F.G. Lebbing in Amsterdam and a signed woodcut by Eekman. A few duplicates. (total 21)
Lot 1048
Invitation card for 'de vóórbezichtiging van haar tentoonstelling op vrijdag 26 november 20.15 in het Stedelijk Museum'. Folded card, cover image by Escher. One of the two smaller 'knopen', Bool 444. Added: (2) An M.C. Escher Calendar 1977. Minor damage in the upper left corner. (3) Sotheby's Nineteenth and Twentieth Century Prints 1984 catalogue incl. an Escher collection. (total 3)
Lot 1106
Consisting of booklets and prints, incl. 32 "Bijvoegsels" of De Kroniek (1895) and 8 well preserved unif. booklets concerning the Richard-Strauss Feest in The Hague, 1911. The "Bijvoegsel" of De Kroniek incl. duplicates. Incl. a.o.: (1-3) Der Ring der Nibelungen von Richard Wagner. 3 col. lithogr. programs (for Siegfried, Götterdämmerung and Walküre), all approx. 39 x 29 cm, printed by Amst. Boek- en Steendrukkerij vh Ellerman, Harms & Co for the Wagner-Vereeniging, 1901-03, each w. richly ill. title by Molkenboer recto and letterpress program verso. Folded. Rare. -and 4 similar programs of the Wagner-Vereeniging (Lohengrin, 2 different ones) and Tristan und Isolde (2 copies), 1901-10, all by Molkenboer (incl. 1 duplicate). Cf. Muller/ Kyrova, Antoon Molkenboer, Ontwerpen voor muziek en toneel 1895-1917, p. 15-17 and Cat. Kunstenaren der idee 49a-d. (4-8) Willem van Holland. Verzen van J. van Dorp. Officieel tekstboekje van het openlucht-natuurspel (...) op te voeren door leden van het Utrechtsch Studentencorps. Ontwerp van Anton Molkenboer. Muziek van Willem Andriessen. 2 variants of the same booklet, Utrecht, B. Brugsma, 1911, 26 p., w. 3 col. lithogr. plates by Molkenboer, bound in different stapled/ thread-bound orig. wr. des. by Molkenboer, narrow large 8vo. W. 2 single leaf programs and a poster stamp of the Lustrumfeesten. (9) Toelichting bij de gedenk-schildering "het opkomende Holland der veertiende eeuw in zeven paneelen door Antoon Molkenboer. N.pl. (The Hague), n.publ., n.d. (1914), 13 p., 9 plates, orig. cord-bound wr. (foxed). W. loosely inserted bifolium "Tentoonstelling van werken van Antoon Molkenboer" (Jan.- Febr. 1914). (total approx. 60)
Lot 1147
Col. etching, 79 x 56 cm, titled, signed, dated ('85) and numb. (4/20) below image. (2) "Baudelaire". Col. etching, 78 x 53 cm, titled, signed, dated (1980) and numb. (3/12) below image. (3) "Italiaanse notitie". Etching, printed in brown, 78 x 53 cm, titled, signed, dated (1980) and numb. (II/III) below image. -and 5 other prints, all signed, dated and numb. -and 3 other items by Tolman. All in excellent condition. (total 11)
Lot 1150
(1) Veldhoen and Plomp, H. De Kunst van het sterven. Amst., G. Timmer Prods, 1984. No. 26/90. Cl. Obl. sm. folio. (2) Portretten 1950-1987. Gemeente Museum Helmond, 1988. Exhibition catalogue. (3) A series of 8 sm. lithogr. prints (1 duplicate), "Aat Veldhoen tekent indicaties van locoid". All 17 x 24, signed in the plate. (4) Both the Dutch and English versions of Mensen in de International Handel. Free Spirit, 1980. Drawings by Veldhoen. -and 8 other Veldhoen items (incl. exhibition catalogues), some duplicates. Generally good condition. (total 20)
Lot 1273
Boekdruk, stans en tekst Ewald Spieker, Amst., 1989, printed in 70 signed and numb. copies (no. 52), (12) p., partly perforated in the shape of a mouth, orig. thread-bound wr. w. dust wr. Exquisitely produced booklet. (2) Berg, A. van den and Spieker. New Years greeting, 1985, printed in 200 numb. copies (no. 125) signed by the poet and the printer, bifolium w. blindst. front and poem on the inside, 17.5 x 15 cm. Vague fold. (3) 'Number 2 with 3 red semi-circles'. Multiple of silver-col. paper, 30 x 10 cm. Brussels, by Plaizier, n.d., in the orig. plain envelope. Four copies. -and 18 others, incl. another New Year's greeting signed by Van den Berg and Spieker and 2 col. letterpress prints on cardboard, one with the scrambled text "Randstad nog lang niet volgebouwd". (total 24)
Lot 1276
Amst., E. Spieker, 1991, (10) lvs and 2 loosely inserted prints signed in pencil, printed in col. in 32 signed copies (no. 8), orig. dec. wr., orig. wooden and cardboard slipcase, square 8vo. (2) Idem. Typo multiple. (Ibid.), idem, n.d. (ca. 1990), multiple consisting of 3 cut-out cardboard ampersands on wooden pedestal, height 12.5 cm, produced in 50 numb. and signed copies (no. 6), kept in orig. cardboard box (12.5 x 12.5 x 3 cm). (total 2)
Lot 130
All 19th cent. (1) Four Imagerie d'Epinal prints, ca. 1890: Le petit chaperon rouge, Le nain jaune, Le chat botté and Marthe la bonne petite ménagère. (2) Many copies (most complete) of a series of 60 Imagerie d'Epinal prints in English "printed expressly for the Humoristic Publishing Co, Kansas City, Mo.", ca. 1850-75. Prints of var. stories such as Impossible Adventures, Francis the Foundling, The Discreet Child and The Selfish Little Boy. (3) Var. prints from the Prenten-Magazijn voor de Jeugd, publ. by D. Noothoven van Goor (mid 19th cent.). All fragile, w. sm. tears, browning. (total approx. 500)
Lot 131
Issued by or in the in the manner of Imagerie Pellerin (Épinal) and Brepols in Turnhout, late 19th/ early 20th cent., containing var. amounts of col. catchpenny prints all but 1 in orig. wr., all folio. Incl. duplicates/ variants, w. occas. defects. Sold as a collection, not subject to return. A nice collection of albums containing collections of catchpenny prints in the typical way Pellerin and Brepols published them in huge quantities, but not often found in the form of albums with the orig. wr. (1x dep. Sinterklaas) preserved. Added: one other large sized issue by Brepols. (total 16)
Lot 132
Incl. 2 of the Prussian infantry (1 soldier cut out of one) and 2 of the German dragoons. All publ. by C. Burckardt in Weissenburg, late 19th cent. (2) Het Uilenbord/ Jeu de la Chouette. Turnhout, Brepols & Dierckz zoon, ca. 1880. (3) Two other German prints, "Kränze" and "Kleine devisen". Most prints (partially) handcol., all approx. 42 x 34 cm. Browning, edges worn, sm. tears. (total 8)
Lot 133
Most 19th cent. (1) Nieuwe prentkundig ABC voor lieve kinderen, met toepasselyke versjes. Alphabet catchpenny print. Turnhout, van Genechten. Handcol. (2) Précis historique de Notre Dame de Basse-wavre/ Beknopte geschiedenis van O.L. vrouw Vanneder-Waver. Ibid., Dierckx. Handcol. (3) Two Prenten-Magazin voor de jeugd prints. Purmerende, J. Schuitemaker. 1 partially handcol. (4) Janklaassen's groote menagerie. Eerste blad. Munich, K. Braun en F. Schneider, ca. 1843-1920. Handcol. (5) Kluchtige gestalten en dieren/ Scènes grotesques. (Turnhout, Brepols, ca. 1800-33). Handcol. woodcut engr. Sheet w. 24 representations of animals and figures, under each image a caption in Dutch and French. No. 55 top center. Top right corner lacking. -and 10 others. Folds, tears, edges worn, some extremely worn/ torn. (total 16)
Lot 1332
Comprising prints, booklets, Christmas numbers of periodicals, a calendar, unused diplomas, etc. Incl. a.o.: (1) Werledbibliotheek-kalender 1928. Complete calendar consisting of 6 sheets, each 30 x 30 cm and w. different central col. woodcut depicting birds, monogrammed in the blocks. Fine copy. (2) Aan de bezoekers van de Kathedraal Sint Bavo. Bisdom Haarlem, Kathedraal Sint Bavo. Haarlem, Drukkerij De Spaarnestad, n.d. (ca. 1930), 21,(2) p., photogr. ills., orig. wr. in red, purple and gold des. by Bosen, w. his monogram in the technique. (3) Geschiedenis en cultuur van een blindenwereld 1859-1934. Gedenkboek bij gelegenheid van het 75-jarig bestaan van het R.K. Blinden-Instituut "Sint Henricus" te Grave. Ibid., idem, (1934), 95,(1) p., num. photogr. ills., orig. wr. des. by Bosen, w. his monogram in the technique. (4) Anink, B. and P. van Yperen. Spiegel van volmaaktheid. De kleurrijke filmaffiches van Frans Bosen. Haarlem, Stadsbibl./ Arcadia, 1999, 96 p., richly ill, orig. wr. (Haarlemse Doelenreeks 5). -and 23 others, incl. Katholieke Illustratie Kerstboek 1933, 1934 and 1937, a tinted linocut of a street in Zandvoort, 2 unused charters of the St. Josephs-Gezellen-Vereeniging in Leiden and related items, and 5 membership cards for the Katholiek Radio Omroep (K.R.O.), 1929-69. (total 27)
Lot 155
All 19th cent. Comprises: (1) Three Harlekijnspel prints, incl. 1 publ. by Hemeleers-Van Houter (ca. 1850) and 1 publ. by J. Vlieger (ca. 1880). (2) Two Jeu de cartes/ jeu de dominos prints. (3) Two Kinderspelen prints from the Prenten-Magazijn voor de jeugd, both publ. by D. Noothoven van Goor (mid 19th cent.). (4) Seven Jeu de l'oie/ Ganzenspel prints, incl. 1 Imagerie d'Epinal print. All fragile, w. tears, sm. holes, browning. (total 14)
Lot 1585
Late 19th/ early 20th cent. Comprises: (1) De gevolgen van het drankgebruik. Utrecht, J. Bos, 1891. 8 tinted lithogr. plates after G. Cruikshank. 2 copies, and a copy of the 8 plates under passepartouts. (2) Der Leutnant. Album von Ed Theony. Munich, Albert Langen, n.d. Unbound collection of 19 prints. (3) Four prints from La Galerie/ revue comique. All w. sm. defects such as sm. tears, browning. (total 33)
Lot 160
Including titles: "Met den bal en met de bikkels", "In de keuken", "Aan het Station", "Aan het station" and 14 more. All 49 x 64 cm, Roman numbered. (from a series of 23) and w. captions. A few printed by Emrik & Binger (Haarlem), most printed by S. Lankhout in The Hague for Joh. IJkema, n.d. (ca. 1880-90). A few plates dam., many plates frayed/ w. tears. Mostly in acceptable condition for such large, fragile sheets. A large set like this is rare; a set of 24 plates in 2nd ed. preserved in the Amst. University Library. Sold as a series of prints, not subject to return. (total 23)
Lot 161
7 uncut sheets of silhouette figures. 5x Imagerie d'Épinal prints by Pellerin & Cie, 2x Imagerie Delhalt in Nancy. All late 19th cent. Images for a.o. Le Malade imaginaire (2x), La Tentation de Saint Antoine and Les Aventures de Polichinelle (2x). Some sm. tears, 1 w. large tear, browned. (total 7)
Lot 165
19 sheets w. col. backgrounds and/ or dec. for Kindertheaters, late 19th cent. Incl. backgrounds of a.o. an Indian temple, a castle garden, "chambres bourgeoises", a forge and an unused "petit théâtre", w. cut-outs for an entire paper theatre. Var. sizes. -and 1 catchpenny print, "histoire naturelle, poissons", w. images of num. fishes. Prints w. sm. tears (mostly not affecting images), 1 image cut, browned as usual. (total 20)
Lot 1674
Large chromolithogr. poster on 3 attached sheets. 162 x 68 cm (in total). Numb. "179" below the image. Weissenburg, C. Burckhardt's Nachf., n.d. (between 1889 and 1906). Well-preserved copy for such a large poster. Belonging to a series of large chromolithogr. costume prints. Rolled, some horizontal folds, portion of upper right corner loosening, blank margins w. sm. tears/ frayed/ creased, some other sm. imperfections.
Lot 1727
Approx. 70, most 1980s, all silver gelatine prints, var. sizes and most w. descriptions verso. Incl. photos of a.o. the blockade of the UNC factory in Almelo, police clearing a squatters' residence on Rembrandtkade in Utrecht (and in many other places), protests in Groningen and Arnhem against arms exports, an Amsterdam protest against police violence, blockades of various ports and canals incl. the Noordzeekanaal and protests in Amsterdam against the nuclear bomb. With copyright stamps of a.o. de Volkskrant, B. Berhoeff, M. Antonisse, Nationaal foto persburo, W. Hendriks, Foto-persbureau Stokvis, Almere press studio Friedländer, P. Mellaart, J. Jongerius, ANP foto and E. de Kam. Some w. a few sm. defects, but overall in very good condition. Nice collection. (total approx. 70)
Lot 1774
Var. sizes (all w. sheet size 50.5 x 32.5 cm), all signed in pencil, 2 prints also numb. 8/10 and 15/18 in pencil. Annotations in pencil by the artist in lower right corners: "Derniere état", "Lucette", "Attente" and "Troisième état". One print dust soiled in right margin, sl. affecting the image, a few other sm. marginal defects. (total 4)
Lot 1788
(1) Five cabinet cards of nude women by C. Müller, Berlin, 1903. All 17 x 11 cm. (2) A series of 7 erotic col. etchings finely portraying the (un)dressing of a woman, "La Puce" by "R-Kiss". Late 19th cent. (?) All 18 x 12.5 cm. Incomplete series, worn. (3) Paper underpants. -and 2 other erotic prints. (total 15)
Lot 303
met den aanvang der negentiende eeuw. Amst., E. Maaskamp, (1811). 21 (incl. frontisp.) beautifully handcol. (stipple-) engr. costume prints by L. Portman after J. Kuijper, all w. protective paper, title and text in Dutch and French. Contemp. hcalf w. marbled paper boards, mor. letterp. on ribbed spine. 4to. Outer spine sl. worn, joints loosening but holding on cords, occas. foxing.
Lot 395
Kunstalbum van 41 afbeeldingen naar schilderijen. Zutphen, Schillemans & Van Belkum, n.d. (1898). Text and 41 fine chromolithogr. plates by J.L. Goffart after O. Eerelman, published in 10 installments in their orig. wr., loose as issued in (sl. worn) orig. gilt cl. portfolio, 62 x 37 cm. Fine copy. A collection of 41 beautiful chromo-lithographs of different horse breeds produced after paintings by the famous Groninger animal painter Eerelman (1839-1926). The lithographs resemble oil paintings, thanks to a very expensive printing procedure which gives the surface of the prints an oily expression. Each lithography accompanied by a 4 page descriptive text printed on laid paper. A list of subscribers is added to this copy. Rare.
Lot 419
Different formats, var. sizes. A collection of prints, mostly copper engr. of Amsterdam buildings, canals, views etc., incl. a costume view of Amsterdam seen from the Ij river by C. Allard, ca. 1700. Also incl. Commelin, Rademakers and a few Schenk prints etc. Sold as a collection of prints not subject to return. (total approx. 100)
Lot 432
representée en CIX figures en taille douce (...). Amst., D. Mortier, 1719, 22 descriptive p. for 109 engr. plates (partly (large) folding, double-p. or with several individually engraved ills. on one leaf), contemp. calf with gilt and ribbed back, folio. Text and prints rather tanned; one plate with large tear, occ. smaller tears, water stain to endpaper and some smaller defects. Leather on upper joint split and one corner of the sl. stained front board expertly restored. Still a good copy with the bookplate of VINCENT VAN GOGH (1866-1911) etched by Marius Bauer to inside front board. *Van Gogh's splendid print collection and library were sold at various auctions from 1911 to 1918. According to Herman de la Fontaine Verwey, this was one of the most extraordinary collections of books ever collected in the Netherlands. The standard work on architecture by Jacob van Campen and the art of Hubertus and Artus Quellinus for the Dam Palace, with engravings of all facades, plans of the entire building and the large hall, interior views and all sculptures. Particularly impressive are the giant plates of the tympana at almost 170 cm in width. Earlier editions appeared in instalments from ca. 1655. After our edition, the series was issued again several times in the 18th century.
Lot 505
(1) Guinea. Amst., F. de Wit, ca. 1680. 43 x 54 cm. Col. copper engr. of Guinea. Cartouche on bottom w. title, ships in the "Oceanus Aethiopicus" and animals (elephants, lions and monkeys) in the interior. Verso blank. (2) Regna Congo et Angola. Amst., Heirs J. Janssonius, ca. 1675. 42 x 51 cm. Allegorical cartouche w. title, glued on paper. Shabby copy. -and 18 other engr., (mainly prints) on African subjects. Sold w.a.f. and not subject to return. (total 20)
Lot 506
Dressée au Dépôt des Cartes et Plans de la Marine. By F.E. de Rosily-Mesros, 1798. 70 x 49 cm. W. title, coastline and profiles of the Vietnamese coastline. (2) Troisieme Feuille des côtes de Cochinchine depius le Cap Boxhornen justqu'au Cap Choumay (...). W. title, coastline and inset of the Vietnamese coastline between Cap Choumay and L'Ile des Tigres. These first 2 maps show the early days of French political interest in Vietnam. Both w. a few tears at the sides. (3) Nautical chart of a part of the Malabars by F. Valentyn. Dordrect, J. van Braam and G. Onder de Linden, 1724-26. 30 x 38 cm. Col. (4) Descrittione dell Isola di Taprobana. Early ed. of Porcacchi's very attractive and early map of Sri Lanka. Venice, G. Porro, ca. 1600. 11 x 15 cm. Restored. (5) Carte des déclinaisons et inclinaisons de L'Aiguille Aimantée (...) 1775. 51 x 58 cm. Paris, La Perousse; Buffon, 1788. -and 8 more maps (17th and 18th cent.) and prints of a.o. Isfahan and Samboupo on Celebes (Indonesia). (total 13)
Lot 510
Satirical map of the First World War in Europe. Ryozo Tanaka. Tokyo, Shobido & Co., 1914. 39 x 55 cm. Text in both English and Japanese. Rare Serio-comic map showing the political relations during World War I, shortly after the Chinese Revolution, from the Japanese point of view. This map was designed and printed by Tanaka Ryozo (1874-1946), who ran a print shop in central Tokyo and later became well known for producing prints of works by prominent modern woodblock artists. Although it is described as 'map of the world', it is really a map of Europe, Asia and part of North Africa. The US is interestingly shown as a man in a top hat looking at Asia through a telescope from a small patch of land that appears to be somewhere in the middle of the Pacific. The rest of North and South America and all of Australia and New Zealand are missing. The colourful and decorative map cleverly depicts each country as an animal, or more rarely as a human figure, giving an intriguing insight into Japanese perceptions of the state of the world (and some Japanese prejudices about neighbouring countries!) at the start of World War I.
Lot 6012
Silkscreened card covers in black slide binder, 30.5 x 20.5 cm, ca. 36 pp. with fold-outs. Limited edition of 300 copies. Features colour silkscreen prints by Guido Biasi, Georges Noel, Jan Voss, Paul Wunderlich and Rene Berthelo. Also includes b/w reproductions of works by Christo, Cy Twombly and Lourdes Castro as well as several performance scores in French and English by Fluxus artist Benjamin Patterson. Text contributions by Francois Dufrene, Carl Laszlo, J.J. Leveque and others. Very good copy, rare.
Lot 6014
Two issues of the magazine 'for the new conception in art and culture' edited and published by herman de vries in Arnhem. Assembling type magazine, with artists' contributions (some original). Mostly mimeographed, staple bound, 29.5 x 21.5 cm in varying lengths. Texts in German, Dutch, English and French. (1) No.2/3 May 1965. Zero Avantgarde 1965. Numbered in blue pen 160/300. Contributions by Diter Rot, Paul de Vree, Henri Chopin et al. Original prints by herman de vries and Wybrand Ganzevoort. Includes a large fold-out announcing the 'Zero-Avantgarde' show at Fontana's atelier in Venice 1965. Staples partly loose, creasing on overlap of edges, interior fine. (2) No.9 Summer 1967. Black thick paper cover (with some edge wear), numbered in black marker 289/320. Contains all original contributions: 6 black pages by Ad Reinhardt, 2 gold sheets by Mathias Goeritz and 6 white sheets by herman de vries. (total 2)
Lot 6022
Stuttgart, Edition Hansjörg Mayer, 1967. Exquisitely designed thick board grey printed portfolio, 48 x 48 cm. Contains 14 white sheets, one featuring a preface by Siegfried Maser, and 13 embossed prints, each signed on the reverse. Edition of 40, with only 26 copies in trade numbered a-z. This is an unnumbered copy. Portfolio in fine condition, prints are clean, mostly very good, some sheets show a very slight bump on tip of lower left corner. Rare limited edition.
Lot 6023
herman de vries: Toevalsstrukturen. The Hague, Prentenkabinet of the Haags Gemeentemuseum, 1968. Harmonica-folded catalogue No.25, 22.5 x 15 cm, 8 pp. Includes 2 loose inlaid embossed prints on thick white paper, 22.5 x 14.5 cm, with artist's name, title and edition information embossed in lower edge. Text reads: 'random objectivation / preegdruk / herman de vries / V1968-105'. The prints were published by the Haags Gemeentemuseum in an unlimited edition and added to the exhibition catalogue. Identical copies, one features some toning, both prints in fine condition. (total 3)
Lot 6033
München, Galerie Heseler, 1972. Special limited edition, this one numbered 965/1000. Catalogue of an exhibition of works by Piene and other members of the Zero Group active from 1957-1966. Loosely inserted is a list of exhibited works by the participants such as Arman, Aubertin, Castellani, Dorazio, Fontana, Schoonhoven, de vries et al. Original colour silkscreen cover by Otto Piene, with transparent dust-jacket, 29 x 21.5 cm, 67 pp. profusely ill. in b/w, with one image by Yves Klein in black and blue. Text in German and English. Includes six original prints bound to spine, folded once in the middle, ca. 29 x 28.5 cm, rubber stamped with the artists' names. The works comprise a blind print by Günter Uecker (nails), and original silkscreen prints by Ruprecht Geiger, Hermann Goepfert, Oskar Hollweg, Heinz Mack and Otto Piene (twice, including the cover). The prints are all in very fine condition, with a tiny dog ear at the lower corner of Piene's work (1 cm). Very light abrasions to the cover edges, generally a crisp copy.
Lot 6052
Two cards and 3 original b/w photographs. (1) Exhibition announcement card 'Andy Warhol Electric Chairs', Seriaal Gallery Amsterdam and Des Bouvrie Bussum, 1972, 20 x 14 cm. (2) Three b/w analogue photo prints, all with copyright stamp of Ad Petersen Amsterdam. Handwritten text on rear of one picture mentions 'Andy Warhol Electric Chairs 1971, from the portfolio with 10 silkscreens, Seriaal'. The photo was used for the Seriaal invitation card. (3) Announcement card for the same silkscreen series by Galleria Multipli in Torini, 1971. Electric Chairs by Andy Warhol embodies a portfolio of ten different electric chairs, published in 1971 in an edition of 250. (total 5)
Lot 6056
from prospectus brochures by Tyler Graphics, New York. Includes: (1) Josef Albers, Gray Instrumentation II, 1975. Prospectus, 23 x 23 cm, 4 pp. Promotional text for the portfolio consisting of 12 original printed silkscreen prints in an edition of 36 plus 10 artists proof. Pasted in is a handprinted screen miniature of Gray Instrumentation III, 20.5 x 20.5 cm, printed in light tones of brown and blue on Arches paper. Tiny browning spot to lower right corner (on white border), else very good. (2) Josef Albers, Never Before, 1976. Prospectus, 23 x 23 cm, 4 pp. plus loose inlaid sheet. Promotional text about the portfolio offering 12 original 5-colour screen prints in an edition of 46 plus 10 artists proof. Pasted in is a handprinted screen miniature of Never Before, 19.5 x 20.5 cm, printed in ochre, brow, pink and purple tones on Arches paper. Mint copy. (3) Announcement card for an exhibition by Albers at Landesmuseum Münster, 1968. 10.5 x 15 cm, 4 pp. Cover image features a silkscreened work in 4 colours. All prints are gems. (total 3)
Lot 606
(1) Pontiac Review. Raadsel. Nos. 1-7. Sc. (2) Styx. Amst., Podium, 2015. Cloth-backed pictorial boards. (3) Een kleine ontstaansgeschiedenis van: Pontiac's Pornfolio of The Making of Sacred Pin-Ups (...). Amst., T. Mittelmeijer, 1993. Ill. sc. (4) Four prints, signed and numb. 63/250 by Pontiac in pencil. -and 2 other works by Pontiac. (total 15)
Lot 62
Amst., Corunda, 1946. Sheets w. animal images unused. Portfolio spine splitting. (2) Kom Binnen in het Huis van El Pintor (...). Amst., Variété, n.d. (1943). 6 full-p. col. ills. Added: (1) 12 Kleurprentjes van Engelien Reitsma Valença. Naarden, Koster, n.d. 4 different envelopes of prints, A-D. (2) Beckers, Gerda. Uit de bibelebomsche nap. Amst., Parnassus, (1938). Spiral bound. -and 2 others. All w. signs of wear. (total 9)
Lot 6216
Softcover, 15.5 x 11 cm, 20 pp., ills. b/w. Accordion style fold-out with 48 catalogue entries for the prints, followed by a list of the artists' publications. Published as a small catalogue raisonné for a touring exhibition of Ruscha's prints and artists' books. Designed by Andrew Barron, mimicking Ruscha's own artists' books designs. Cover with wear along spine and edges, interior in good condition. Rare.
Lot 6242
Amsterdam, Galerie Swart, 1974. Blank cardboard portfolio with flaps, 30.5 x 30.1 cm. Contains a printed title leaf, and 12 original relief prints, 30 x 30 cm on thick white paper sheets. The prints are made in a limited edition of 10 copies, signed Hilgemann, dated '74 and numbered 2/10 in pencil on the title sheet. The work is identified as G 1974 series 174/2 nos. 1-12. All prints and the title panel are in mint condition. The portfolio shows toning and wear along the margins, with some abrasions on the rear board. Scarce item by German-Dutch artist Ewerdt Hilgemann (born 1938), who was represented by the prominent Amsterdam based gallery Swart in the late 1960s and early 1970s, featuring a new type of abstract constructivism. His paper and sculptural reliefs and his later 'implosion' works are in numerous public and private collections worldwide, such as Louisiana Museum of Modern Art Humlebæk, Muzeum Sztuki Lodz, Kunsthalle Bremen, Museum for Konkrete Kunst Ingolstadt, Kröller Müller Museum Otterlo, Stedelijk Museum Schiedam and Elgiz Museum of Contemporary Art Istanbul.
Lot 6243
Illustrated golden cover, 23.5 x 26.5 cm, 20 pp. Exhibition catalogue featuring project sketches and b/w photos throughout. Introduction by Jean Leering, selected writings by Judd, and an interview by Bruce Glaser with Frank Stella and Judd, edited by Lucy Lippard. Text in English and some Dutch. Classic Judd catalogue, designed by Jan van Toorn. Light finger prints on the sensitive cover, else in very good condition.
Lot 6251
Kiel, Kunsthalle Kiel/Schleswig-Holsteinischer Kunstverein, 1975. Artists' book and Polke’s first catalogue raisonné of prints. Softcover, 21 x 14.5 cm, 160 pp. With striking printed cover drawings: Al Capone on the front and the Pope eating spaghetti on the rear. First part of the publication contains illustrations and descriptions of all editions up to 1975, the second part titled 'Mu nieltnam netorruprup' features approx. 50 pp. of b/w photo collages. Text about Polke's prints by Eberhard Freitag in German. In very fine condition.
Lot 6343
(1) Four colour slides featuring Andy Mouse screenprints, 1986. (2) Postcard promoting Keith Haring's Bad Boys portfolio published by Bébert, Rotterdam 1986. (3) Announcement card for Haring's exhibition 'Recent work' at Tony Shafrazi Gallery New York, Dec. 3 1988 - Jan 7 1989. Features a great b/w photo portrait of Keith Haring at 12 years old. (4) Promotional card for Apocalypse, a portfolio of silkscreen prints by Keith Haring and William S. Burroughs, published by George Mulder Fine Arts, 1988. (5) Exhibition card for Keith Haring Sculptures, at Tony Shafrazi Gallery New York, November 8 - December 22, 1990. Folding card, exterior toned, interior with colour image is fine. (6) Keith Haring, Apocalypse. Exhibition poster Jeffrey Deitch Projects, New York Nov. - Dec. 1999. 64 x 29 cm, folded for mailing as issued. (7) Two original b/w photographs with reproductions of Haring drawings, stamped George Mulder Fine Arts. (8) Two colour photos featuring the artist at work, with label of Philip Samuels Fine Art on rear. (9) Three postcards including one with a portrait of the artist by Annie Leibovitz, 1986 and Haring at the Berlin wall. (total 13)
Lot 6375
Rotterdam, Bébert, 1987. Portfolio containing 6 screenprints by Schoonhoven and six texts by Hans Sleutelaar, 50 x 32.5 cm. Each print signed and dated 'Schoonhoven 1987' in pencil in lower right and numbered in lower left margin. Signed in colophon by both Schoonhoven and Sleutelaar. Edition of 50 (1-50), plus 26 (a-z) for collaborators, and 6 deluxe versions (I-VI). This is copy number 17. Handmade paper portfolio shows light spotting on front, the prints are mint.
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