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Lot 157
DC Comics - Marvel - Atlas - Charlton - Approx 230 x mostly modern age comics from the 1980s and 90s with a few 1960s and 70s issues including Superboy, Green Arrow, Tarzan Of The Apes, Aquaman, Babylon 5 and many more, also includes three movie poster prints. They appear mostly in Good condition. (This does not constitute a guarantee)
Lot 2063
Pair of Victorian black and white prints both in matching frames: one depicting the 34th Regt at Fontenoy 11th May 1745. Overall size including mount and frame 107cm x 58cm. : the other depicts the Battle of Arroyo Dos Molinos 28th October 1811. Overall size including mount and frame 103cm x 59cm. (2)
Lot 2093
WW1 British Framed Photos and unframed prints to include: No 4 Section, B Coy. 6th Hampshire Regt, Agra, India 1915 overall size in frame 34cm x 29cm: Pre WW1 Photo British Infantry in frame overall size 34cm x 44cm: 5 other framed coloured prints inc Lt. Gen Lord Hill KB, WW1 "Chips" and "Comic Life" Comics, etc.
Lot 510
TWO BOXES AND LOOSE ELECTRONICS, TOYS, GAMES, PICTURES AND SUNDRY ITEMS, to include a Hewlett Packard 2009v computer monitor and keyboard, an HP Envy 4500 printer, a vintage Me Opta Admira 8F cine camera in a leather case, approximately twenty playworn diecast cars including Matchbox and Corgi, a boxed House of Marbles wooden Mancala game, seven framed prints and original artwork, etc (sd) (2 BOXES + LOOSE)
Lot 515
FIVE BOXES AND LOOSE CERAMICS AND GLASSWARES, to include a Sylvac 1115 squirrel and acorn jug in light brown, a Portmeirion oven to table hen shaped dish (sd), six art glass birds, Scheurich West German vases, four Hornsea Fauna vases and jugs with a similar Sylvac piece, tallest 25.5cm, two large jardinieres, framed prints and Oriental embroidery, a tray decorated with butterfly wings, etc (sd) (5 BOXES + LOOSE)
Lot 604
TWO BOXES AND LOOSE SUNDRY ITEMS ETC, to include vintage insulated tea and coffee pots, milk jug, sugar bowl and matching tray (spout chipped to coffee pot), George Foreman grill, quartz wall clocks, vintage G.E.C radio, illuminated Christmas tree decoration, boxed Canon Ixus 750 digital camera, Canon 35mm compact film camera, Panasonic HDC-HS700 video camera, Sony Cybershot DSC-P72 digital camera, Disney soft toys, easy listening LP records, DVDs and CDs, wooden stick stand, paintings and prints etc
Lot 606
MARIO DE BIASI (ITALY 1923-1013), 'PARK AVENUE, NEW YORK 1964', a lithographic print with blind stamp to the margin, titled in pencil to the mount, approximate size 27cm x 19cm, together with two limited edition Ben Moystyn photographic prints of New York, both numbered 1/650 artist labels verso (3)
Lot 608
FRAMED DECORATIVE PRINTS ETC, to include Frederick Morgan 'His first tooth', Thomas Lawrence 'Miss Peel', Gabriella Benevolenza 'Sweet Harmony', Charles Rennie Mackintosh prints of architectural drawings for the Tea rooms, architectural print of the Golden Gate Bridge, three Lisa Bengtsson dog prints etc together with two unframed Boris O'Klein prints signed in pencil
Lot 610
20TH CENTURY PAINTINGS AND PRINTS, comprising Edwin Grieg Hall 'Blea Tarn', signed bottom left, artist label verso dated 1967, watercolour on paper, approximate size 27cm x 37cm, John Morland river landscape, watercolour on paper, David Ireland 'Allport Dale' watercolour on paper, David Farnsworth 'Hedge Windmill', watercolour on paper, three John D Peck landscape watercolours, Jeremy King limited edition canal landscape print, Peggy Hinaekian 'La Tapis Volant' limited edition print, indistinctly signed silk screen print of fishing trawlers, Dorothy Smith 'Boats near Havant' pastel on paper and an unsigned coastal watercolour landscape (12)
Lot 611
DECORATIVE PAINTINGS AND PRINTS ETC, to include Jessie Arms Botke 'Copa de Oro' peacock print, approximate size 70cm x 57cm, two landscape watercolours signed C.M Evans, approximate sizes 29cm x 47cm, prints by Lucio Sollazzi 'The Grand Canal', Ronald Meilhof 'Swan Lake', Peggy Packer floral print, and assorted other prints etc
Lot 636
A BOX AND LOOSE SEWING MACHINE, CLOCKS, BOOKS AND SUNDRY ITEMS, to include a Singer 99K sewing machine, approximately twenty books including Beatrix Potter, classic fiction and poetry, a twentieth century Roamer alarm clock, a vintage suitcase and matching vanity case, twelve framed prints and original art works largest approximately 85cm x 71cm, two modern mantel clocks, four boxed Wedgwood collectors plates, etc (sd) (1 BOX + LOOSE)
Lot 679
SEVEN BOXES AND LOOSE PICTURES, SUITCASE, POSTCARDS, TOYS AND SUNDRY ITEMS, to include approximately seventy early twentieth century postcards of Rye, Richmond and Welsh castles, an Early Learning Centre wooden train set with engines including Thomas the Tank Engine, four table lamps, a pair of lantern style modern wall lights, fourteen framed prints and original art work largest frame approximately 69.5cm x 59.5cm, a large Antler wheeled suitcase, a boxed Orange New York Graphite mobile phone handset, a Philips K7 compact cassette player, etc (sd) (7 BOXES + LOOSE)
Lot 705
FOUR BOXES AND LOOSE BOOKS, PICTURES AND SUNDRY ITEMS, to include approximately one hundred and twenty books with titles to include cookery, fiction, history and reference, The History and Gazetteer of the County of Derby: drawn up from actual observation and from the best authorities (volume one, 1833), a pair of wooden book ends with brass motifs, a Build-a Bear Bonus Club Lil Brownie Cub bear wearing a Christmas outfit, ten framed prints largest approximately 69.5 x 74.5cm, etc (sd) (4 BOXES + LOOSE)
Lot 728
PAINTINGS AND PRINTS ETC, to include a James Ingham Riley watercolour of the Lake District?, approximate size 20cm x 41cm, unsigned amateur watercolours depicting views of Tamworth unframed), unframed amateur landscape watercolours, two early 20th Century still life studies of fruit signed T. Wilson, approximate sizes 19cm x 29cm, modern woolwork picture etc (box and loose)
Lot 729
DECORATIVE PICTURES AND A MIRROR, to include a Caesar Smith signed limited edition print with horses and hounds, approximate size 52cm x 77cm, Boris Riab print of sporting dogs, bears a signature, Ruane Manning print, C J Thornton landscape print, watercolour of a Kestrel initialled A.W.S '90, indistinctly signed watercolour landscape, together with other prints and gilt framed, bevel edged glass mirror, approximate size including frame 77cm x 107cm
Lot 740
DECORATIVE PAINTINGS AND PRINTS, comprising a modern impressionist style pastoral landscape with young shepherdess and her flock, unsigned oil on board, gilt frame, approximate size 19cm x 24cm, two late 19th century waterfall landscapes, indistinct monogram bottom right, oil on board, two late 19th century watercolours depicting a view to a cathedral and a female figure on city walls, monogram JHB?, an oil of two figures in a drawing room, signed Jacquier, oil on canvas, six gilt framed print reproductions of paintings by John Constable and Joseph Farquharson, Rembrandt print 'girl with a broom', two modern miniature still life oils on board, three prints depicting grapes and berries and a Victorian tapestry in a birdseye maple frame depicting a milkmaid and a female figure, approximate size 125cm x 100cm
Lot 741
PAINTINGS AND PRINTS ETC, to include a watercolour of R65 HMS St James, monogram botom right, approximate size 19cm x 26cm, landscape watercolours by Tom Jacobs, Peter Wooley and Lily Thomas, Gerry Vaughan abstract flower still life, pastel on paper, two mixed media works by Lydia Solomon, Judy Brown ceramic owl plaque, Isabel Brent limited edition print, Indo Persian book page with text and watercolour depicting a hunting scene with deer, crocodiles and a tiger, Joseph Pickett print 'Manchester Valley', African batik picture attributed to Mutyaba verso, modern maps etc
Lot 797
PAINTINGS AND PRINTS ETC, to include Nick Grant watercolour of a man and his dog with a boat at a lake, approximate size 26cm x 47cm, G.M Lawson colourful watercolour landscape, Keith Andrews limited edition print of a welsh cottage, Monica Piggot watercolour of a flowering iris, photographic prints of abandoned vehicles, indistintly signed, floral still life prints etc
Lot 107
Henry Mortikar (Mortecai) Rosenberg (1858 - 1947) "Fruit of the Vine" Signed lower left. Oil on Canvas. Label verso on stretcher. Henry Rosenberg was an American painter and print maker during the end of the 19th C. and beginning of the 20th C. He was recognized as an impressionist, a tonalist and a symbolist painter. His artistic training started in Chicago where he was to become an early member of the Academy of design. He then went to Munich to study under Frank Duveneck at the Royal Academy. He then studied in Florence and Venice, Ital where he learned the art of etching from none other than James Abbott McNeil in 1880. They boarded and worked together. He painted and learned from William Merritt Chase in Venice. He was strongly influenced in Venice by his artist friend Arnold Bocklin. For 10 years he was a recognized painter at Pont-Aven, Brittany. Here he painted alongside Paul Gauguin in 1886 with whom he befriended. He studied or worked with many important artist of his day. Henry Rosenberg was a principal of the Victoria school of art in Halifax, Nova Scotia, from 1898 to 1910. He also was an honorary president of the Nova Scotia Museum of Fine Arts. He lived in Alabama towards the end of his life for health reasons. After his death in 1947 the Museum of Mobile, Alabama. Was granted the Rosenberg estate, consisting of his life's collection of paintings and prints. Making this the Mobile Museum of Arts first acquisition. Provenance: Deaccessioned from Museum to benefit their collections, care and acquisition fund. Sight Size: 16 x 20.5 in. Overall Framed Size: 22.25 x 25.5 in.
Lot 108
Henry Mortikar (Mortecai) Rosenberg (1858 - 1947) Oil on Canvas. Signed and dated (1937) lower left. Artist to the Mobile, Alabama Museum of Art. Henry Rosenberg was an American painter and print maker during the end of the 19th C. and beginning of the 20th C. He was recognized as an impressionist, a tonalist and a symbolist painter. His artistic training started in Chicago where he was to become an early member of the Academy of design. He then went to Munich to study under Frank Duveneck at the Royal Academy. He then studied in Florence and Venice, Ital where he learned the art of etching from none other than James Abbott McNeil in 1880. They boarded and worked together. He painted and learned from William Merritt Chase in Venice. He was strongly influenced in Venice by his artist friend Arnold Bocklin. For 10 years he was a recognized painter at Pont-Aven, Brittany. Here he painted alongside Paul Gauguin in 1886 with whom he befriended. He studied or worked with many important artist of his day. Henry Rosenberg was a principal of the Victoria school of art in Halifax, Nova Scotia, from 1898 to 1910. He also was an honorary president of the Nova Scotia Museum of Fine Arts. He lived in Alabama towards the end of his life for health reasons. After his death in 1947 the Museum of Mobile, Alabama. Was granted the Rosenberg estate, consisting of his life's collection of paintings and prints. Making this the Mobile Museum of Arts first acquisition. Provenance: Deaccessioned from Museum to benefit their collections, care and acquisition fund. Sight Size: 15.5 x 19.5 in. Overall Framed Size: 19.25 x 23.25 in.
Lot 240
ARTIST: William Oliver (French, English, 1823 - 1901)NAME: Mother and ChildMEDIUM: oil on canvasCONDITION: Minor craquelure. Few small scattered inpaitings mostly along left and bottom edge. Some damages to frame.SIGHT SIZE: 12 1/2 x 10 1/2 inches / 33 x 27 cmFRAME SIZE: 21 x 19 inches / 53 x 48 cmSIGNATURE: lower leftCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120938US Shipping $60 + insurance.BIOGRAPHY:William Oliver Williams was an English figurative and genre artist based in London who specialised in paintings of young women. He used the professional name William Oliver. He has sometimes been mistakenly referred to as 'William Oliver the Younger' or 'William Oliver II'.Oliver was born in Worcester in 1823, the son of the surgeon William Williams and his wife Jane (maiden name Oliver).Oliver was enrolled (as William Oliver Williams) as a Probationer at the Royal Academy Schools of the Royal Academy of Arts on 18 July 1848 (recommended by Thomas Clark (sic) from Birmingham) and as a student on 16 December 1848. The Schools' register, and other sources, indicate that he also worked at the Government School of Design, Birmingham (see Birmingham School of Art), where he was the assistant master (1849-1851) and the headmaster was Thomas Clarke (1846-1851). Whilst a student at the Royal Academy, he won 1st prize for his drawing from the antique in 1851 in the annual Premiums.During the early part of Oliver's career he added his surname when signing his works. This was seen with his two works exhibited at the British Institution in 1851 and 1852. He also used the name William Oliver Williams when he exhibited six paintings between 1858 and 1863 at the Royal Academy of Arts. In 1858 the first of two paintings was titled Portrait of a gentleman while the second was Rev. B.H. Kennedy, President of the School of Art, Shrewsbury. At this time Oliver had a Shrewsbury address, possibly suggesting that he worked at the local school of art. The final painting in 1863 was titled Crossing the ford.In the early 1850s, Oliver received a commission from the Arundel Society to tour Northern Italy and make drawings and watercolours of the classical masterpieces in the churches and galleries. His full name was first mentioned (as 'a young artist from the Royal Academy Schools') in the Society's fourth annual report in 1853. His task was to make drawings of Giotto's fresco in the Arena Chapel in Padua (see Scrovegni Chapel). Engravings were then made from these drawings. He therefore played a key role in producing one of the Arundel Society's most important early publications. Copies of the book of the engravings are in both the collections of the Royal Academy and the Royal Collection Trust.Sixteen watercolours which Oliver is thought to have painted for the Arundel Society are recorded to have survived. In 1978, they were held in the Fine Art Department of the University of Leeds. More recently, three examples of these chiaroscuro watercolours have been reported to be held by the Victoria and Albert Museum Oliver also painted a number of additional watercolours derived from the Padua frescos, which he sold and which were owned privately in 1978. They have been described as 'highly finished and beautifully executed' and Oliver was described as 'a careful draughtsman and skilful water-colourist'. His watercolours were displayed by the Arundel Society at the Crystal Palace, Sydenham in 1855-6, and were praised by Dante Gabriel Rossetti.After recovering from bankruptcy in 1863, by the late 1860s he was based in London and had adopted his more well-known professional name which he used thereafter. He continued to exhibit at the Royal Academy of Arts and British Institution (Tryste) in 1867, and at the Society of British Artists (The First Letter) in 1868. Subsequently, he also exhibited at the Walker Art Gallery Liverpool, Manchester Art Gallery, Royal Birmingham Society of Artists and Royal Glasgow Institute of the Fine Arts. His favoured exhibition venue was the Royal Academy of Arts. He exhibited 15 more works there starting with A thing of beauty is a joy for ever and Forget me not in 1867, and finishing with Mrs Oliver Williams in 1897. It is recorded that at least one of his paintings had sold in one of the major auction galleries for more than ВЈ100 during the 1970-1975 period.His works mainly depicted figures of young women and pretty girls, or an attractive woman sometimes in Greek or Roman costume. Oliver's paintings were popular at the time and prints were made in response to demand. This popularity is reflected in the fact that 33 of his paintings are exhibited in public museums and galleries throughout the United Kingdom, as seen on the Art UK web site. There is one of Oliver's oil paintings in the Royal Collection. It is titled Jack's Letter and is signed and dated 1881. It was presented by Mr and Mrs E. Johnson as a wedding present to the Duke and Duchess of York, 6 July 1893.Oliver's paintings are still available from dealers and at auctions. Examples of high recent auction prices for his paintings are ВЈ4,320 for The letter at Bonhams on 21 June 2011 and ВЈ5000 for Reclining Beauty at Christie's on 11 March 2015.
Lot 132
Original vintage advertising poster for an exhibition of work by Alexander Calder (1898-1976) at the Galerie Maeght in Paris, 1977. The poster features a bold abstract design by Calder, comprising a stack of blacked shapes and a red circle against a plain background. Text is black and blue, to the right and below the image. Best known for his mobiles, Calder was a profilic American sculptor who also worked on paintings, prints, theater and jewellery design and posters. Very good condition, minor staining. Country of issue: France, designer: Alexander Calder, size (cm): 76x59, year of printing: 1977.
Lot 6
Original antique poster advertising printing services of the French printer Edmond Sagot (1857-1917). Elegant artwork by Paul Helleu (1859-1927) features a lady painting on an easel with her dress sprawled out onto the floor. Ed Sagot collected posters from 1886, and published his first catalogue of them in 1891. He also published numerous original prints by contemporary French artists. Very good condition, minor creasing, minor staining, backed on linen. Country of issue: France, designer: Paul Helleu , size (cm): 103x70, year of printing: 1890s.
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255201 item(s)/page