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Lot 650
VARIOUS LITHOGRAPHERS AFTER WILLIAM SIMPSON, RI (1823-1899) SCENES FROM THE CRIMEAN WAR eight, lithographs by Day & Son, 38 x 57cm, two limited edition prints of birds after Gordon Beningfield, signed by the artist in pencil, a facsimile of Orme's British Field Sports published by C W Traylen, two prints after Russell Flint and a colour print of a Mercedes Benz 200 SLR motor car,signed by Sir Stirling Moss and two others, sold in portfolio ++Some handling marks but mostly in good condition including the print of the motor car
Lot 663
CHINA. AN ALBUM OF PHOTOGRAPHS, LATE 19TH C 19 mainly mounted albumen prints, 23 x 33cm and c including two panoramas on linen hinged leaves, captioned on the mount in ink or inscribed verso in pencil, including views of the Imperial Palace grounds Peking and the Great Wall but mainly of Amoy (Xiamen)
Lot 666
GRAND TOUR. A VICTORIAN PHOTOGRAPH ALBUM OF CECIL TURNOR, THE PHOTOGRAPHERS INCLUDING CHARLES NETTLETON (1826-1902) LAI AFONG (1839-1890) AND KUSAKABE KIMBEI (1841-1934), 1870s 94 mounted albumen prints, various sizes, many larger format and panoramic views, including Hong Kong, Singapore, New Zealand, Australia including Maoris and Aborigines, Japan, Aden and the Paris Exposition 1878, augmented with lithographs and other prints on linen hinged leaves with watercolour pictorial title page of Stoke Rochford Hall, Lincolnshire inscribed on a red banner Cecil Turnor, 52 x 36cm
![JOURNAL [THE STEREOSCOPIC MAGAZINE: A GALLERY OF LANDSCAPE SCENERY ARCHITECTURE AND NATURAL HISTORY] PHOTOGRAPHICALLY ILLUST](https://cdn.globalauctionplatform.com/13371180-6317-47f2-af1d-a6b80108359a/2e8459e9-6016-4980-cb45-c319bbf0d080/468x382.jpg)
Lot 669
JOURNAL [THE STEREOSCOPIC MAGAZINE: A GALLERY OF LANDSCAPE SCENERY ARCHITECTURE AND NATURAL HISTORY] PHOTOGRAPHICALLY ILLUSTRATED WITH FORTY EIGHT [ONLY] MOUNTED STEREO ALBUMEN PRINTS BY ROGER FENTON (1819-1869) AND OTHER PHOTOGRAPHERS [PUBLISHED BY LOVELL REEVE & CO, 1858] disbound sold as a collection of plates, not subject to return
Lot 917
A GEORGE III AMBOYNA, MAHOGANY AND SPECIMEN VENEERED 'COTTONIAN' BOOKCASE, ATTRIBUTED TO ROBERT TUSON, C1780 of breakfront form with dentil cornice and round-arched glazing bars, fitted with shelves of deal faced with mahogany, the lower doors principally veneered in zebrawood between ebony bands and on the inside with exotic specimen veneers, the sides in zebrawood, 152cm h; 40 x 144cm Provenance: One of the group of similar amboyna bookcases commissioned by Charles Rogers, FRS, FSA (1711-1784) firstly from the London cabinet maker Thomas Wood, c1757 and subsequently from Robert Tuson for his house in Laurence Pountney Lane, London; inherited together with Roger's collection by his brother-in-law William Cotton I (1713-1791); his son, William Cotton II (1759-1816) and removed to Balham Hill House; his son William Cotton III, MA, FSA (1794-1863) and removed in 1823 to The Priory, Leatherhead, Surrey by whom given with the Rogers Collection to Plymouth Proprietary Library in 1853; transferred to Plymouth City Museum & Arts Gallery on permanent loan in 1915. A note on provenance: the present bookcase is understood to have been acquired by the vendors' father from the trade in about 1960. It is not known when it left the Cottonian Collection, the provenance of which is as above: The present bookcase is almost certainly one of those made for the 18th century antiquarian and collector Charles Rogers. A particularly learned connoisseur and collector on the grand scale, his scholarly interests ranged from books and fine art to the natural sciences. He is known to have collected rare and exotic woods, on account of both their aesthetic and scientific value. The cabinets to house his collection,with their restrained design, but extensive use of particularly rich veneers, especially amboyna but also zebrawood, amarillo and even manicheel were, most unusually for the period, central to the Collection itself, rather than, merely to housing the prints, old master drawings, folios, books and manuscripts. According to Rogers' accounts he first ordered an 'Amboina' bookcase from the London cabinetmaker Thomas Wood in 1741. In 1780 he ordered another, hitherto thought to be one of the two surviving examples, from another London cabinet maker, Robert Tuson. Highly prized in the Regency period, 18th century English amboyna furniture is extremely rare. Obtained from the island of Ambon (in Indonesia) it was rare and valuable. For a full account of Rogers' furniture by Dr Adam Bowett, see Historic Furniture in the Cottonian Collection: A Concise Catalogue was published by Plymouth City Museum Art Gallery in 2014. Mellors & Kirk acknowledges the kind assistance of Dr Adam Bowett in the cataloguing of this lot. ++In good original unrestored condition
Lot 672
A SMALL GROUP OF VICTORIAN AND CONTEMPORARY FOREIGN PHOTOGRAPHS 1880'S AND CIRCA mainly albumen prints including Clifton Suspension Bridge, 15 x 24cm, a small group of carteS de visite of members of the Plumptre family of Eastwood, Nottinghamshire, c1860 and several later photographs (35 approx)
Lot 659
A PHOTOGRAPH ALBUM OF CAPTAIN HUMPHREY WATTS, 3RD VB CHESHIRE REGIMENT, C1905 including mounted whole plate photographs of Oxford colleges, boating and groups of officers, mainly at camp, 28 x 37cm and c, several smaller, albumen and platinum prints mounted one to a page on linen hinged leaves, black half calf gilt with initials HW, aeg ++In very good condition with light wear to spine, the leaves and photographs in excellent condition
Lot 675
NOTTINGHAMSHIRE. A COLLECTION OF 18TH AND 19TH CENTURY MAPS, PLANS AND PRINTS AFTER VARIOUS CARTOGRAPHERS AND ARTISTS and smaller quantity of prints of Lincoln and one or two of other places, mainly hand coloured, various sizes, several framed (47) ++In generally good condition, many of the maps with card window mounts as when purchased by the present vendors many years ago from a variety of sources
Lot 665
ROME AND FLORENCE. AN ALBUM OF PHOTOGRAPHS, LATE 19TH C forty three mounted alumen prints, approx whole plate and a contemporary album of mounted photographs of European sculpture, from the r enaissance to the late 19th c (2) ++Both internally clean, the bindings, frayed, worn and discoloured
Lot 671
TWO ALBUMS OF VICTORIAN AND EARLY 20TH C PHOTOGRAPHS mounted albumen and other prints, approx half and quarter plate and other formats, including British views, several albums of Victorian cartes de visite and cabinet portraits, early 20th c snapshot albums and a Japanese concertina album with lacquered boards containing contemporary early 20th c mounted photographs of Hong Kong, India and Japan (12)
Lot 667
SAMUEL BOURNE (1834-1912) AN ALBUM OF PHOTOGRAPHS OF INDIA 95 mounted albumen prints, 23 x 29cm and c, all captioned, several signed Bourne or Bourne & Shepherd and numbered in the negative, including views of Indian monuments, colonial buildings, ancient sculpture and street scenes, Bombay, Jubbulpore, Allahabad, Agra, Secundra, Bhurtpore, Deig, Fatehpur Sikri, Delhi and Lahaore, calf, the upper board lettered in gilt M.H.H. INDIA 1879-80, binding perished, leaves loose
Lot 664
BALLET AUTOGRAPHS. SIGNED PHOTOGRAPHS, 1930S twenty nine vintage photographs and prints, many on the original mount including prima ballerinas, members of the Ballet Russe de Monte Carlo, Serge Lifar and Pearl Argyle, collected by the Misses Peggy and Margaret Saxton, several with an als, various sizes ++The lot in generally excellent condition and several scarce the lot comprises in addition to those named Nini Theilade, Irina Baronova, Vera Nemchinova, Tatiana Riabouchinska, Nana Gollner, Michel Panaieff, Mary Horner, Elizabeth Miller, Dame Ninette de Valois, Pamela May, Alexandra Danilova, Noelle de Mosa (with als), Serge Lifar, Harold Turner, Olga Morosova, Tamara Grigorieva, Paul Petroff, Leonide Massine, Pearl Argyle, Nina Tarakonova, June Brue( and an als) Dame Margot Fonteyn, Michel Fokine and six others
Lot 2
A PAIR OF COLOURED PRINTS MOUNTED ON CANVAS - SAD STORY AND WOODCUTTER & COWBOY AFTER R WESTALL ENGRAVED JOHN OGBOURNE + AN ENGRAVING MOUNTED ON CANVAS TITLED SACRAMENT AFTER R WESTALL ENGRAVED R M MEDON + A PRINT DEPICTING PRIESTS TALKING + A FRAMED COLOURED PRINT BEHIND GLASS - CHRISTOINE RAYMOND PUB. GAINSBOROUGH GALLERIES + A MEZZOTINT - 'SUNDAY - DEDICATED TO ALL CHRISTIANS' AFTER WILLIAM COLLINS ENGRAVED S W REYNOLDS PUB. 1837, MEZZOTINT - 'SALE OF THE PET LAMB' AFTER WILLIAM COLLINS ENGRAVED S W REYNOLDS PUB. 1837 + A MEZZOTINT PORTRAIT - WILLIAM LORD BAGOT' AFTER J HOPPNER ENGRAVED G CLINT (8)
Lot 532
Sundry prints, to include: "An Irish Row", published March 13 1832; a pair of lithographs "Belted Will at Norworth" and "Robert the Bruce prepares to attack Carlisle"; a limited edition signed print after Mark Huskinson "May the champers slip down like your lawyers briefs", signed and numbered 28/200; together with two others, various.
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