We found 255176 price guide item(s) matching your search
There are 255176 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
255176 item(s)/page
Lot 45
Cecil Aldin (British 1870-1935) "The Bluemarket Races", "The Start" and "The Finish", 1902, published by Lawrence & Bullen, chromolithographs.each 52.5cm x 74cm (20.75in x 29in)Qty: 2Condition report:The prints are in good, original condition. There are some areas of browning and foxing across the sheets. The prints are both framed and glazed. The frames have some minor scuffs and knocks commensurate with age.
Lot 59
1982, diptych, one signed in pencil, lower right, second panel, from the edition of 3000, published by the Tate Gallery, London, reproduced and printed in Great Britain by Lautrec Photo Litho Ltd., Leeds, on wove paper, original colour offset lithographs.each panel 63.5cm x 74.5cm (25in x 29.25in)Qty: 2Condition report: The prints are both in very good, original condition with no obvious faults to report. The prints are unframed.
Lot 556
A Thai bronze figure of Budhha seated on a high pedestal throne, traces of red lacquer and gilding, the figure 21cm high, wood stand and two Japanese woodblock prints, by Utagawa Kumsada II and Keisai Eisen, 19th century (3)Condition Report: wear to gilding and some green corrosion and finial bentThe woodblocks faded and scuffed Condition Report Disclaimer
Lot 665
Three Japanese Woodblock Prints by Ichiryu Toyokuni; a woodblock print by Utagawa Kunisada; a printed double-page from Kono Bairei's "Images of 100 Birds and Flowers; and two Shijo School style ink paintings; all framed and glazedCondition Report: Some wear and loss of margins to the printsCondition Report Disclaimer
Lot 513
* Lay (Trevor). Close Support, colour print numbered 70/100, showing 273 Squadron - Sittang River Bend, Burma 1945, signed by the artist lower right, sheet size 45 x 58cm, together with 8 further colour prints including Trevor Lay, Life Goes On (1/12 A P.), 47 x 62.5cm, Trevor Lay, Badge of Honour (29/500), Bill Perring "Halifax" (36/850), Bill Perring "Messerschmitt" (695/850), Bill Perring "Hurricane" (20/20 artist's proof), Bill Perring "Hecules" (486/850), Bill Perring "Lancaster!" (405/850), Bill Perring "Typhoon!" (110/850), all unframedQty: (9)
Lot 514
* Phillips (William S). The Beginning of the End, colour print numbered 682/1000, showing The B-29 Enola Gray returning from a rendezvous with destiny, 6 August 1945, multi signed by her 5 aircrew including Command Pilot Paul Tibbets and also signed by the artist, sheet size, 58 x 72cm( with certificate), together with 7 further aviation prints including Mark McCandlish, The High and the Mighty (478/950), sheet size 58.5 x 84cm, Roderick Lovesey, A tribute to the United States Air Force in England (3/850) (10 signatures plus artist), Roderick Lovesey, A tribute to Sir Thomas Sopwith (652/850), Roderick Lovesey, A tribute to Women Aviators (201/300), Roderick Lovesey, A tribute to The Royal Air Force 1918 to 1993 (258/850), John Rayson "Little Snoring Intruders" and William Phillips, Early Morning Visitors (with certificate), all unframedQty: (8)
Lot 302
* Military Prints. Dighton (Richard, 1795-1880). Triumph of the British Flag over the French Eagles & Colours, taken by our brave soldiers in different actions, as they appear'd in the park, May 18th, 1811, hand-coloured etching, published by Deighton, Spring Gardens, May 1811, plate size 20.5 x 28 cm (8 x 11 ins), with margins, framed and glazed, together with 12 other various early 19th century hand-coloured engravings of military costume, including: Cornet of the Horse Guards, circa 1820, hand-coloured copper engraving (sold at Suffolk St., Dublin), plate size 14.5 x 9.5 cm (5.75 x 3.75 ins) with margins, gilt frame, glazed; 5 hand-coloured prints by G. E. Madeley (1798-1858): Fifth Foot 1688, Sixteenth Regiment of Foot, Twenty Second Regiment, Royal Regiment of Horse Guards, 1828 & Eighth or King's Regiment of Foot; H. Ridley, 5th Dragoon Guards, hand-coloured aquatint, circa 1825; E. Howell, Royal Artillery Officers, circa 1830, hand-coloured lithograph; 14th Light Dragoons, hand-coloured wood engraving, circa 1860s; and two others, similar sizes, all framed and glazedQty: (13)
Lot 349
Fraser (Edward, and L.G. Carr-Laughton). The Royal Marine Artillery 1894-1923, 2 volumes, Royal United Service Institution, 1930, numerous monochrome plates, including some after photographs, some plates and leaves loose, with occasional slight fraying, original dark blue cloth gilt, some light marks, second volume with some fraying and minor wear to extremities, hinges somewhat loosened, large thick 8vo, together with: Field (Colonel Cyril). Britain's Sea-soldiers, A History of the Royal Marines and Their Predecessors and of Their Services in Action, Ashore and Afloat, and Upon Sundry Other Occasions of Moment, 3 volumes (including 1914-1919 volume), Liverpool, Lyceum Press, 1924 (third volume published Devonport, Swiss & Co., Naval and Military Printers and Publishers), [1927], numerous illustrations, including many in colour, folding maps in pocket at rear of third volume, original blue cloth gilt (first volume morocco-backed), rubbed and marked, 4to, plus: Robinson (Commander Charles N., editor). Navy & Army Illustrated, a magazine descriptive and illustrative of everyday life in the defensive services of the British Empire, volumes I-IV, 1895-1897, numerous monochrome illustrations after photographs, etc., all original publisher's pictorial green cloth gilt, a little rubbed, folio, and others related, on the Royal Marines, including The Globe and Laurel, The Journal of the Royal Marines, volumes VIII and XVI, January-December 1901 and January-December 1909, Edye, History of the Royal Marine Forces 1664-1701, volume 1 only, 1893, 43 mounted prints and engravings of military costume and cartoons, etcQty: (59)
Lot 74
John Piper signed 6x4 compliments slip dated 15th March 1982. John Egerton Christmas Piper CH (13 December 1903 - 28 June 1992) was an English painter, printmaker and designer of stained-glass windows and both opera and theatre sets. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. He was educated at Epsom College and trained at the Richmond School of Art followed by the Royal College of Art in London. He turned from abstraction early in his career, concentrating on a more naturalistic but distinctive approach, but often worked in several different styles throughout his career. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 82
EDMUND THORNTON CRAWFORD RSA RSW (SCOTTISH 1806 - 1885) - and others, an album of primarily pencil sketches, nine signed by Crawford, others unsigned, various landscape and marine subjects, together with a group of others by various hands and a number of prints, approximately 34 pictures, sizes from c. 7cm by 10cm to c. 14cm by 21cm, album lacking original boards. Album 26cm by 21cm Note: Crawford was a landscape and marine painter, born at Cowden, near Dalkeith, in 1806. He was the son of a land surveyor, and when a boy was apprenticed to a house-painter in Edinburgh. He entered the Trustees' Academy under Andrew Wilson, where he had fellow-students David Octavius Hill and Robert Scott Lauder. William Simpson, who was one of the older students, became a close friend. Crawford's early paintings were exhibited in the Royal Institution, and his first contributions to the annual exhibition of the Royal Scottish Academy appeared in 1831, two of these being taken from lowland scenery in Scotland, and the third being the portrait of a lady. Although not one of the founders of the Academy, Crawford was one of its earliest elected members. His name appears in the original list of associates, but having withdrawn from the body before its first exhibition, it was not until 1839 that he became an associate. Meanwhile he visited Holland for the first of what would be several times. He studied the Dutch masters, whose influence in forming his picturesque style was seen in nearly everything he painted. Despite acclaim and commercial success it was 1848 before he was elected a full academician. In the same year he produced his first great picture, ‘Eyemouth Harbour,’ which he rapidly followed up with other works of high quality which established his reputation as one of the greatest masters of landscape-painting in Scotland. Among these were a ‘View on the Meuse,’ ‘A Fresh Breeze,’ ‘River Scene and Shipping, Holland,’ ‘Dutch Market Boats,’ ‘French Fishing Luggers,’ ‘Whitby, Yorkshire,’ and ‘Hartlepool Harbour.’ He also painted in watercolours, usually working on light brown crayon paper, and using body-colour freely. The only picture he contributed to a London exhibition was a ‘View of the Port and Fortifications of Callao, and Capture of the Spanish Frigate Esmeralda,’ at the Royal Academy in 1836. The characteristics of his art are the old school of Scottish landscape-painting. This was not so realistic in detail as the modern school, but was perhaps wider in its grasp, and strove to give impressions of nature rather than the literal truth. In 1858 Crawford left Edinburgh and settled at Lasswade, but he continued to contribute regularly to the annual exhibitions of the Academy until 1877, maintaining to the last the high position he had gained early in life. He was at one time a keen sportsman with both rod and gun. He died at Lasswade 27 Sept. 1885, ‘Coast Scene, North Berwick,’ and ‘Close Hauled; Crossing the Bar,’ by him, are in the permanent collection of the National Gallery of Scotland and a further nineteen works are held in UK public collections.
Lot 273
NO RESERVE Illustration & Graphics.- Tassi (Roberto) Graham Sutherland: Tout l'Oeuvre Gravé, Paris, 1980 § Hahnloser (M.) Matisse; The Graphic Work, New York, 1987 § Burne-Jones (Dan) The Prints of Rockwell Kent: A Catalogue Raisonné, Chicago & London, 1975 § Knigin (M.) & Murray Zimiles. The Contemporary Lithographic Workshop around the World, New York, 1974 § Lucie-Smith (E.) The Waking Dream: Fantasy and the Surreal in Graphic Art 1450-1900, 1973 § Hogben (c.) & Rowan Watson. From Manet to Hockney: Modern Artists Illustrated Books, 1985 § Reid (A.) A Check-list of the Book Illustrations of John Buckland Wright, Pinner, 1968, illustrations, some colour, original cloth or boards, the first five with dust-jackets, some a little rubbed; and c.40 others on illustration, graphics etc., 4to & 8vo (c.45)
Lot 285
NO RESERVE Photography.- Wilson (Edward L.) American Carbon Manual: or, the Production of Photographic Prints in Permanent Pigments, first edition, carbon print photograph frontispiece, illustrations, advertisements at end, ex-library with occasional ink-stamps, original cloth, small loss to spine head, a little rubbed, 8vo, New York, Scovill Manufacturing Company, 1868.
Lot 21
Books - Pride and Prejudice by Jane Austin and illustrated by Hugh Thomson, the book cover decorated in peacock feathers together with a 2001 Alec Guinness First Edition of Commonplace Book, a 1954 limited edition Lord Arthur Savile's Crime by Oscar Wilde with wood engraving prints by Dorothea Braby, Rodale Press, a 1967 First Edition The Dream-Time by Henry Treece and a 1965 First Edition Puckoon by Spike Milligan
Lot 357
Mid 20th century books and others to include two 1940s Rex Warner novels, a 1954 Love of Seven dolls by Paul Gallico, Billy Liar by Keith Waterhouse, together with studio magazines and two unframed antiquarian prints, and a 1970 Folio Society Cakes and Ale by W Somerset Maugham Location: LWF
Lot 159
Three modern ring-binder albums comprising of approximately 270 images ' mainly standard-sized postcards, although some are plain-backed postcard size and a few are smaller photos (including some unidentified locations or ships at sea. Album (1) has around 116 shipping cards, mainly Royal Navy but also merchant shipping. There is a mixture of real photographic and printed cards. A couple of Wright and Logan plain-backed photos noted ' there may be more amongst the other non-captioned plain-backed cards. Some have the ship names written in pencil on the back. Two Pamlin prints. Cards include the lower deck at HMS Victory, HMS Rodney and the SS Mona Isle. The photos show, in our view, some of the stronger pages. Album (2) has approximately 75 comic cards, many by unsigned artists but a few of the artist-signed cards include one or two examples of Donald McGill, Cynicus, FC Lewis, Gilson and there's one of Arthur Moreland's John Brown series. Again some of the stronger cards are pictured. Album (3) contains around 80 military real photo, printed and art military cards, British and foreign. There are again some plain-backed photos smaller than postcard size. An RPPC of Lord Kitchener, an art card of Irish Guards Changing Guard at Buckingham Palace, postcards of paintings, one of George Washington crossing the Delaware River are typical examples, but there are also cards showing views of various barracks, several Daily Mail Battle Series card and a few war memorials. The condition of the cards ranges from very good to average, with some faults including creases.
Lot 10
* Burma. An album of photographs of Burmese people and scenes, circa 1880s, a total of 23 albumen prints including views, portraits and river scenes, various sizes, together with a group of 12 full-plate gelatin silver print views of Burma, circa 1900, 21.5 x 29 cm, mounted on rectos and versos of 7 stiff card album leaves, plus an assortment of 14 other late 19th century photographs of Burma, mostly small-format images from Round about Burma series mounted on individual leavesQty: (22)
Lot 101
* World Cruise. Pictorial Record of my World Cruise on Canadian Pacific Steamship Empress of Scotland, 1925-1926, by Lionel Cox, a presentation album containing 167 gelatin silver prints on 64 pages, including people and scenes in India (41), Hong Kong (4), Shanghai (3), Japan (13), Holy Land (37), plus Madeira, Gibraltar, Algeria, etc., images 19 x 24 cm and smaller with printed captions to mounts, two printed leaves at front, original morocco gilt, a little rubbed, oblong folio, together with a second modern photograph album, circa 1950s, containing approximately 200 mounted gelatin silver prints on 65 leaves, including people and hunting scenes in Tanganyika, Nyasaland, plus some images of South Africa and Madeira, mostly 8 x 13 cm and similar sizes, mounted as multiples to album leaf rectos with white china ink captions, contemporary cloth, oblong folio, both approximately 32 x 43 cmQty: (2)
Lot 105
* Zanzibar & Mozambique. An album of approximately 120 photographs of Zanzibar and Mozambique, early 20th century, gelatin silver prints, mostly street scenes, rural views including local people, 10 images 15 x 20.5 cm but the majority 8 x 10 cm and smaller, mounted as singles and multiples to rectos and versos of stiff card leaves with sparse ink captions, inner hinges broken, contemporary cloth, covers and spine detached, oblong folio, together with a photographically illustrated journal of an East African hunting trip by Morgan S. Williams and friends, April 1900, with a 45-page manuscript diary at front and 34 gelatin silver print photographs of native people, antelope and rhino hunting, etc., images 16.5 x 12 cm, uncaptioned and mounted to rectos only, contemporary parchment boards with watercolour pictorial upper cover and red lettering to margins, small 4toQty: (2)
Loading...-
255176 item(s)/page