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Lot 178
A group of four David Shepherd railway prints of steam engines, comprising 'Guildford Steam Shed No 2', 651/900, 28 by 20.3cm, glazed and framed 49.2 by 48cm, 'Guildford Steam Shed No 1', 651/900, 30.5 by 25.3cm, framed and glazed 49.2 by 47.8cm, 'Guildford Steam Shed No 3', 651/900, 28 by 20.3cm, framed and glazed, 49 by 48cm, and 'On the Sub Nigel Mine in the Transvaal', 25/850, 32.5 by 21.5cm, framed and glazed, 59.3 by 49cm, each pencil signed, numbered and mounted. (4)
Lot 38
James Bond prints collection of beautiful print designs from the 007 spy films including scene designs, costume designs and machine designs. Featuring Mustang Snow Vehicle, costume designs for James Bond for arrival in St Petersburg, the jet boat rig in Qs lab, the laser room in Goldfinger, Xenia Onatopp costume design by Lindy Hemming, the boat chase, Russian Sub Mine room, Dr No underground living room, Moonraker shuttle launch complex, Diamonds Are Forever penthouse scene and more. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 375
JAMES TURRELL (AMERICAN, B. 1943) AND THOMAS JOSHUA COOPER (AMERICAN, B. 1946)EclipseBoxed folio containing booksigned and numbered in pencil 'IX/X James Turrell 38/100'with two original prints by James Turrell, one signed in pencil 'Turrell' (in the margin), one inscribed with date in pencil '1636' (in margin)each 27 x 21cmand two prints by Thomas Joshua Cooper, each signed and dated in pencil '1999' (in margin), one numbered in pencil '37/100', the other numbered in pencil '38/100' (in margin)each 17 x 24cmProvenanceHaunch of Venisontogether with The Gazing Engine CD of music composed and produced by Paul Schutzeoverall size 29.5 x 23 x 4cmProvenanceHaunch of VenisonCondition reportThe box, book and prints are all in excellent, mint condition.
Lot 318
HERBERT GEORGE PONTING (BRITISH, 1870-1935)The Ponting CollectionA limited edition of twenty hand finished photographic prints, each individually numbered and limited to four hundred copies, printed using the original negatives by H G Ponting in the possession of Popperfotoedition 6/400, collector's boxed edition 6/30sheet size 40 x 50cmProvenanceHaunch of VenisonCondition reportEach sheet is in good, clean condition, held in the original embossed wrappers; some minor marks to the presentation case but generally sound.
Lot 90
LUCIAN FREUD (1922-2011)Bella (Hartley 30) Etching, 1987, on BFK Rives paper, signed and numbered 'AP XII/XV' in pencil, an artist's proof aside from the edition of 50, printed by Studio Prints, co-published by James Kirkman and Anthony d'Offay, London, the full sheet, in very good condition, framed Plate 423 x 348mm. (16 5/8 by 13 3/4in.); Sheet 695 x 569mm. (27 3/8 by 22 3/8in.)Footnotes:ProvenanceMarlborough Graphics Ltd, London (with their label).Acquired directly from the above by the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 94
TOM WESSELMANN (1931-2004)Monica Nude with Lichtenstein Screenprint in colours, 2002, on Museum board paper, signed and numbered 9/60 in pencil (there were also eight artist's proofs and six printer's proofs), published by Cooper Square Prints, Inc., New York, the full sheet, in very good condition, framedImage 622 x 1067mm. (24 1/2 x 42in.); Sheet 914 x 1254mm. (36 x 49 3/8in.)For further information on this lot please visit Bonhams.com
Lot 93
LUCIAN FREUD (1922-2011)Man Resting (Hartley 34) Etching printed with tone, 1988, on Somerset Satin wove paper, initialled and numbered 21/30 in pencil, the second state (of two), printed by Marc Balakjian at Studio Prints, published by James Kirkman, London and Brook Alexander, New York, the full sheet, in overall very good condition, framedPlate 369 x 410mm. (14 1/2 x 16 1/8in.); Sheet 470 x 502mm. (18 1/2 x 19 3/4in.)Footnotes:ProvenanceSotheby's, Old Master, Modern and Contemporary Prints, London, Tuesday 2 July 2002, lot 198.Acquired from the above sale by the present owner.ExhibitedLucian Freud Etchings 1946-2004, Scottish Gallery of Modern Art, Edinburgh (with their label); Abbot Hall Art Gallery, Kendal; Fitzwilliam Museum, Cambridge; Birmingham Museums and Art Gallery; Marlborough Graphics, London, 2004–05.Lucian Freud, Museo Correr, Venice, 2005 (with their label).Lucian Freud: Etchings, Northcote House Gallery, University of Exeter, 2007.The sitter in this work is Angus Cook, a filmmaker who sat for Freud regularly between 1985 and 1990. Angus was one of the few men that posed completely naked for Freud, and in fact one of the first ones to have done so. Freud made seven etchings of Angus, including the one presented here. This work closely relates to another two etchings made the year before in 1987, Naked Man on a Bed (state I), and Naked Man on a Bed (state II), albeit in the present version the focus is on the sleeper's head, emphasizing the infantile effects of sleep on a grown-up man's facial features, and wonderfully conveying Freud's liking for 'people to look as natural and as physically at ease as animals' (Lucian Freud, quoted in Feaver, Lucian Freud, 2002, pp.41-42).This is the first time an impression of this etching has come to the market since 2013.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 1
Albrecht Dürer (1471-1528)The Virgin and Child with a Monkey (Bartsch 42; Meder, Hollstein 30; Schoch Mende Scherbaum 20) Engraving, circa 1498, on laid paper, watermark Tower, a Meder L impression, with narrow margins, trimmed on or just inside the platemark at upper right and lower left corners, with a few small repaired tears, time staining and foxing, generally in good conditionPlate 187 x 123mm. (7 3/8 x 4 5/8in.); Sheet 189 x 125 (7 1/2 x 4 7/8in.)Footnotes:ProvenanceChristie's London, Prints, 30 November 1999, lot 55.Acquired from the above sale by the current owner.For further information on this lot please visit Bonhams.com
Lot 87
BARBARA HEPWORTH (1903-1975)The Aegean Suite The complete set of nine lithographs printed in colours, 1971, on wove paper, each signed and numbered 30/60 in pencil, printed by Curwen Studio, with their blindstamp, published by Marlborough Fine Art, London, the full sheets, with pale time and light-staining, the colours slightly attenuated but still good, in overall good condition, framedSheets 810 x 585mm. (31 7/8 x 23in.) (9)Footnotes:ProvenanceChristie's Contemporary Art, London, June 1976. Acquired directly from the above, thence by descent to the present owner. The Aegean Suite is one of only two major sets of lithographs completed by Barbara Hepworth during her lifetime. Although her graphic output was limited, she enjoyed printmaking as the intricacy of its layering process would allow her to develop ideas on space, abstraction, form and texture that she would later translate into her sculpture. Hepworth had started work on the suite in 1970 in St Ives, Cornwall, and completed it with master printer Stanley Jones at the Curwen Studio in London the following year. The apparent ease with which she combines the drawn line and the lithographic wash is a testament to her skills and dedication to the medium. The title and geometric forms choreographed across all nine works of the present set also convey the artist's fascination with the sites of antique Greece, while the abstracted suns and moons are reminiscent of her interest in the celestial; a theme she keenly explored in her graphic oeuvre. This complete set with all nine works presented in their original frames was purchased from Christie's Contemporary Art exhibition in June 1976 and are offered alongside the Christie's original Certificates of Authenticity, a brochure printed in colours about the prints, a typed letter by David Case introducing the June 1976 collection and the exhibition pricelists.The 1976 exhibition focused on Barbara Hepworth who had died the year before, presenting her alongside other contemporary printmakers, notably Julian Trevelyan and Dorothea Wight.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 62
After Fernand Léger (1881-1955)Visage à une main fond ocre (cf. Saphire 111) Painted and glazed ceramic relief, circa 1950, titled and numbered 124/250 with the 'Musée National F. LEGER_BIOT' stamp verso, France, in very good condition445 x 307mm. (17 1/2 x 12 1/8in.)Footnotes:Fernand Léger was a painter, printmaker and sculptor, who developed a strong visual language of shape and colour to interpret his view of modern life and is perhaps best known for his distinctive brightly coloured subjects outlined in black. He liked to experiment with other media including book illustrations, stained glass and ceramics. In 1949 he began working in collaboration with the ceramicist Roland Brice at Biot, near Antibes. Léger conceived the designs and Brice produced the moulds which were then shaped and coloured by Léger. The designs were partially inspired by motifs already used in his paintings and prints, with two favourite subjects being the circus and head of a woman. These two ceramic reliefs show his use of vibrant colours to contrast with the white glazed ceramic of the figures and black lines to emphasize the three dimensionality of the work. Shortly after Léger's death in 1955, his wife Nadia built the Musée national Fernand Léger in Biot, which now houses the French national collection of his work, including several ceramic pieces.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 33
Marc Chagall (1887-1985)Printemps au Pré, from Daphnis et Chloé (Mourlot 314; Cramer Books 46) Lithograph in colours, 1961, on Arches wove paper, signed and numbered 12/60 in pencil, printed by Mourlot, published by Tériade, Paris, the full sheet with a deckle edge at right and below, with minor light-staining, the colours still strong and vibrant, in good conditionImage 420 x 640mm. (16 1/2 by 25 1/4in.); Sheet 538 x 756mm. (21 1/4 x 29 3/4in.)Footnotes:Marc Chagall is recognised as one of the leading lithographers of the 20th century. The following collection highlights the artist's fascination with printmaking in Paris from the 1950s to the 1980s and his close collaboration with master printmaker Charles Sorlier and the Mourlot Studios.It was a fascination that mainly came about later in Chagall's career when he had reached the grand aged of 63. After returning to France in 1947, having escaped Nazi-occupied France for the United States six years earlier, he took up printmaking with the aid of both Atelier Mourlot director, Fernand Mourlot, and expert printmaker, Charles Sorlier. Sorlier would become Chagall's most important creative collaborator, assisting him in the Mourlot atelier. Together they would come to create an exceptional body of lithographic work, illustrating Chagall's most recognised and favourite subjects from matrimony, birds, animals and flowers to biblical scenes and the circus. Within this important private collection, assembled over two decades from Northern Germany, is offered a selection of prints from Chagall's first major colour portfolio, Daphnis et Chloé (Lot 33-42). The 42 lithographs that make up the vibrant book are based on the Greek poet, Longus' retelling of Daphnis and Chloé love story. Commissioned by one of the most important art publishers of the 20th Century, Tériade believe Chagall would be perfect at capturing a tale of love over adversity and he was not wrong. After a trip abroad and inspired by the light and landscape of the Greek islands he visited, Chagall returned to Paris with a series of preparatory studies to produce the portfolio with Sorlier. It has since come to be regarded as one of the most important and beautifully illustrated books of the last century – and a highlight of Chagall's storied career. As Chagall and Sorlier's relationship strengthened, Sorlier would evaluate the quality of the lithographs and numbering of the proofs, destroying any excess, after which Chagall would hand sign them. Devoted to the process and insistent upon rigorous standards, Chagall would work and rework the plates and colours until he was completely happy, standing with Sorlier at every step of the process. Sorlier once wrote 'the great integrity he invests in his work...requires that the plate bear my name each time he has not directly participated in the transcription to stone'. For this reason, most of the afterworks are signed by Marc Chagall and in the stone by Charles Sorlier. These so-called afterworks are currently some of the most valuable and sought after works of Chagall's entire artistic oeuvre (Lot 53-54). Such collaborations exemplify the close and harmonious bond between the artist and the master printer.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 95
ROY LICHTENSTEIN (1923-1997)Bicentennial Print, from America: The Third Century portfolio (Corlett 136) Lithograph and screenprint in colours, 1975, on wove paper, signed, dated and numbered 137/200 in pencil (there were also 25 artist's proofs), printed by Styria Studio, with their blindstamp, published by APC Editions, New York, very pale mount staining, the yellow slightly attenuated, generally in good conditionSheet 762 x 567mm. (30 x 22 3/8in.)Footnotes:ProvenanceSotheby's London, Old Master, Modern and Contemporary Prints, 1 April 2008, lot 450.Acquired from the above by the present owner.This is from a portfolio of 13 works by various artists which was sold in aid of several charitable organizations chosen by the artists. This included Change Inc., which was founded by Robert Rauschenberg to support struggling artists and was one of Lichtenstein's chosen charities.For further information on this lot please visit Bonhams.com
Lot 132
Gross (Anthony).- Theocritus. Sixe Idyllia..., Introduction by Douglas Cleverdon, 2 vol., letter K of 12 deluxe copies signed by the artist and with an original drawing, a set of signed proofs in first state and a set of signed prints in final state, from an edition limited to 417, this copy one of 4 for presentation, 8 etchings by Anthony Gross, most full-page, original brown morocco, by Sangorski & Sutcliffe, with bull's head in gilt to upper cover, t.e.g., others uncut, drawing and additional prints loose as issued in original morocco-backed marbled board drop-back box, together in slip-case, some very slight rubbing at edges, 4to, New York, Chilmark Press, printed at the Rampant Lions Press of Cambridge for Clover Hill Editions, 1971.
Lot 133
Gross (Anthony).- Theocritus. Sixe Idyllia..., Introduction by Douglas Cleverdon, 2 vol., number III of 135 copies signed by the artist and with an additional set of signed prints in final state, from an edition limited to 417, 8 etchings by Anthony Gross, most full-page, original morocco-backed pictorial cloth, gilt, t.e.g., others uncut, additional plates loose as issued in original morocco-backed marbled board drop-back box, together in slip-case, 4to, New York, Chilmark Press, printed at the Rampant Lions Press of Cambridge for Clover Hill Editions, 1971.
Lot 134
Gross (Anthony) The Very Rich Hours of Le Boulvé, number 110 of 135 copies signed by the author/artist, etched double-page title, plates and illustrations by Gross, original tan morocco-backed cloth, t.e.g., others uncut, green morocco label on spine, cloth slip-case, Cambridge, Rampant Lions Press, 1980 § Herdman (Robin) The Prints of Anthony Gross: A Catalogue Raisonné, illustrations, original cloth, dust-jacket, Aldershot, 1991, 4to (2)
Lot 136
NO RESERVE Hassall (Joan) and others. Collection of 138 wood-engravings, other artists include Reynolds Stone, Lynton Lamb, David Gentleman, Roy Morgan, Zelma Blakeley, largely consisting of duplicates of the same prints, wood-engravings on various wove papers, none are signed, each sheet approx. 250 x 200 mm (9 3/4 x 7 7/8 in), minor surface dirt, all unframed, [circa 1960] (138).
Lot 140
NO RESERVE Howard (John) Woods, Pennance Point, Cornwall, etching, signed and dated in pencil, with title inscribed and numbered from an edition of 35, platemark 220 x 385 mm (8 5/8 x 15 1/8 in), wide margins, under glass, framed, 2010; together with 17 further 20th century prints by various artists, including Gerhard Fritz Hensel, K. Vernon, Renee Middleton, Alex Eckener, Edward Cherry, Valerie Baines, and others, various sizes, all framed, 20th century (18)Provenance:From the collection of the late Mr. Laurence Lee; where purchased by the present owner [some additions from elsewhere]
Lot 145
NO RESERVE Leighton (Clare) The Farmer's Year, 11 original lithographs only (of 12, lacking October), unsigned, a few creased at blank margin corners, unframed, 351 x 278mm, [1933] § Parker (Nancy) Arctic Orphans, 11 original chromo-lithographs only (of 13), unsigned, unframed, 300 x 235mm; and a small quantity of other prints unframed, some military, v.s., (c.40)
Lot 168
Parrot Presses.- James (Henry) Winchelsea, Rye & 'Denis Duval', with an Introduction by Alan Tucker, number XI of 32 special copies partly hand-coloured by Sylvia Stokeld and signed by Tucker and the artist, from an edition limited to 192, illustrations by Rigby Graham, some hand-coloured, original hand-coloured pictorial boards, slip-case, 1991 § Bishop (Hal) The Wood Engravings of Frank Martin: A Selection...and a Catalogue of all the Relief Prints, number 209 of 360 copies signed by the author and artist, original cloth-backed patterned-paper boards, 1998, small folio, Church Hanborough, Previous Parrot Press (2)
![Parrot Presses.- Searle (Ronald) More Scraps in no particular order: unpublished sketchbooks [&] Watteau Revisited: Drawi](https://cdn.globalauctionplatform.com/432bddcf-302e-403c-b3bd-adf300a709dd/2e7c2a0f-212c-4497-9210-adf300ae4cb5/468x382.jpg)
Lot 171
Parrot Presses.- Searle (Ronald) More Scraps in no particular order: unpublished sketchbooks [&] Watteau Revisited: Drawings, together 2 vol., out-of-series special copy (limited to 42) signed by the artist and with 6 additional hand-coloured prints signed by Searle and Annie Newnham (the colourist), illustrations by Searle, original morocco-backed pictorial boards, uncut, additional prints loose as issued in card folder, together in slip-case, Church Hanborough, Inky Parrot Press, 2008; Searle (Ronald) Forty Drawings, first edition, illustrations, original boards, slightly rubbed and soiled, tear to lower edge of upper cover, 1946, 8vo & 4to (3)⁂ The second is the artist's first book and features drawings from his time as a Japanese POW during the Second World War.
![Rampant Lions Press.- Rampant Lions Press Miscellany (The), [&] Miscellany 2, numbers VIII of 10 special copies & XX](https://cdn.globalauctionplatform.com/432bddcf-302e-403c-b3bd-adf300a709dd/2d7949cc-4601-4ef4-954a-adf300ae415e/468x382.jpg)
Lot 189
Rampant Lions Press.- Rampant Lions Press Miscellany (The), [&] Miscellany 2, numbers VIII of 10 special copies & XX of 20 special copies, both with additional material, from editions of 185 and 225 copies respectively, both with illustrations and specimens, some colour, original cloth-backed marbled or paste-paper boards, uncut, slip-cases, 8vo, Cambridge, Rampant Lions Press, 1988-98 (2)⁂ The additional material in the first consists of a Kafka etching by Alan Wilbur, Will Carter's black letter prayer with hand-rubricated initial, and Sebastian Carter's Pencil Mug linocut coloured by hand, all signed; and in the second the prints by Clare Melinsky and Simon Brett are both signed, and Sebastian Carter's illustration of Swan House is hand-coloured and signed.
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