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George Tinworth for Doulton Lambeth, a pair of 'Seaweed' stoneware vases, 1877, applied prints, incised artist's monogram, stamped factory marks, 20cm.Qty: 2Condition report:Both vases have very shallow glaze nicks to the base lines. One of the vases has several of the larger pyramidal beads with chips. The same vase has a small firing line to the underside of the base. No hairlines or restoration.
[Cheny (John) and Thomas Butler, publishers]. [Horses & Their Pedigrees], 34 plates of racehorses engraved by H. Roberts, Parr and Canot after T. Spencer, each portrait surrounded by engraved text, some light surface creasing, autograph index to front free endpaper in a contemporary hand, bookplate to front pastedown, contemporary calf-backed boards, rebacked, morocco label to upper cover, preserved in custom drop-back box with bookplate to inside lid, [Bobins 1196; Lane 168; Snelgrove, British sporting and animal prints, p. 157-170; Sparrow, p.77; cf. Siltzer 389; not in Schwerdt or Huth], oblong folio, [Cheny & Butler], 1740-1746 or 1751-1753.⁂ Rare. Sparrow notes its rarity in 1922, 'rare no doubt, because so many of the copies have been broken up in order that the prints might be sold one by one' (W.S. Sparrow, British Sporting Artists). The last auction record of a complete copy of this particular edition appears to be the sale of the H.R.H The Prince Henry, Duke of Gloucester, held at Christie's, South Kensington (26th January 2006, see lot 599, which sold for £66,000 incl. premium). Yale Centre for British Art hold 3 copies, each with varying numbers of plates [see acc. no. Folio A 2011 88].Provenance: John Spencer Stanhope; Fermor Hasketh (bookplates).
Alken (Henry) The Right Sort, 6 fine hand-coloured lithograph plates by Hullmandel after Alken, interleaved with blank Whatman paper of the same date, modern green half morocco with green morocco label to upper cover, cloth slip-case, [Schwerdt III, p.83; Siltzer p.59; Bobins 1388], oblong folio, S. and J. Fuller, 1821-22.⁂ The Schwerdt-Spitz copy of this rare early series, issued without a title-page and which Schwerdt says was "One of the author's favourites". Few Alken prints are lithographic, and these have strikingly fresh colouring. Provenance: I.C.F.G.R. Schwerdt (bookplate and gilt monogram at foot of spine); Joel Spitz (bookplate and small ink stamp on verso of final plate).
Ferneley (John) Count Sandor's Exploits in Leicestershire, the set of 10 fine hand-coloured aquatint plates heightened with gum arabic on india paper by Edward Duncan after Ferneley, neatly tipped into album, later red half morocco, gilt, gilt-lettered red morocco label to upper cover, [Bobins 775; Siltzer 121], oblong folio, R.Ackermann Junior, 1833⁂ A bright and clean example of this rare set. Count Sandor was a Hungarian nobleman who spent a season at Melton Mowbray on a visit to Lord Alvanley. His daring horsemanship and mishaps were the subject of much merriment over the Melton dinner tables at the time and long afterwards. The prints are based on ten oil paintings which the Count commissioned from Ferneley and took back to his seat at Bais in Hungary.
Chalon (Henry Barnard) Six original preliminary drawings for 'Passions of the Horse'; [together with] the suite of six "proof" prints, [drawings] pencil, black chalk and stumping, some white heightening, each signed and dated, on wove papers, various sizes between 265 x 475 mm (10 1/2 x 18 3/4 in) and 370 x 480 mm (14 1/2 x 18 7/8 in), some signs of careful restoration and each tipped onto conservation tissue support, some large repaired tears within the images, each neatly hinged into uniform mounts tipped onto stubs, modern blue cloth boards, black morocco label to upper cover, gilt, c.1825-1827; [prints] Passions of the Horse: an entirely New Work Described in Six Subjects, lithographs on chine collé, each inscribed "proof", excellent bold impressions, each sheet approx. 450 x 530 mm (17 3/4 x 20 7/8 in), some minor marginal repairs, each neatly hinged into uniform mounts tipped onto stubs, modern blue cloth boards, black morocco label to upper cover, gilt, Ackermann & Colnaghi & Co. et al., 1826, [Bobins 771], oblong folio (2)⁂ The six Passions of the Horse include: Rage & Agony; Love; Joy, or Gladness of an old favourite hunter; Affection; Courage; Terror
Paul (Sir John Dean) [& Henry Alken]. A Trip to Melton Mowbray, hand-coloured aquatint panorama, 14 numbered scenes on conjoined sheets forming continuous strip, c.85 x 6570mm., first state with Fuller imprint, lightly browned at joins, short tears to upper edge of scenes 2, 12 & 13 slightly affecting image (repaired), on roller housed in original boxwood drum covered in glazed hand-coloured pictorial label with title, drum c.130mm. tall, rather worn, [Abbey, Life 488, without drum; Bobins 1309; Schwerdt III p.3; Siltzer p.193; Tooley 363], S. & I.Fuller, 1822.⁂ Scarce set of prints, particularly with the original drum. They were also issued mounted for binding or framing.
Frankland (Sir Robert) [Delights of Fishing], set of 6 hand-coloured aquatint plates, the last watermarked 1827, later red half morocco, gilt, by De Sauty of Donnelly's, black morocco label to upper cover, cloth slip-case, [Siltzer p.122; Beazley, Images of Angling 98-103; Bobins 360], oblong 4to, Thos. McLean, 1823.⁂ Fine copy of this amusing suite of angling prints, probably of the second issue, the first having the imprint of C. Turner. Provenance: Joel Spitz (bookplate)
Smith (Charles Lorraine) [The Pychely Hunt], the complete set of 8 hand-coloured aquatints by Jukes after Smith, each trimmed and mounted, captions present (though occasionally just trimmed) but without imprints, some light spotting, later green straight-grain morocco, gilt, by Zaehnsdorf (1902), [Bobins 1401; Schwerdt III, p.89], oblong folio, [H. Humphrey, 1791].⁂ Very rare complete set of what Siltzer says are the only prints to depict the Pytchley Hunt. "Charles Lorraine Smith ... was himself a great hunter and a friend of the famous Hugo Meynell. He was also an amateur artist and his pictures show the result of the happy combination of his hunting experience and artistic temperament" (Schwerdt). "Dick Knight was huntsman to Lord Spencer, the Master of the Pytchely, during whose mastership there was great rivalry between the followers of the Pytchely and those of the Quorn hunts. Dick Knight's feat was the result of a wager that he would be beaten that day by one of the Quornites, and Plate 3 [here bound as plate 6] "Now Contract ..." shows how he got over an apparently unjumpable place, where the Quornites failed to follow him. To achieve his end he had to ride three different horses, the last one being the leader of a ploughing team"(Schwerdt).The last copy at auction was the Schwerdt-Duke of Gloucester copy in 2006 (£16,000).Provenance: Clarence S. Bement (bookplate); Joseph Widener (morocco bookplate)
Fourteen titles from the Pan/Great Pan series of Ian Fleming's James Bond novels. From Russia With Love is a first edition, second printing but all others in the series are first editions, first prints. Condition is generally very good. Many to feature timeless cover art by Rex Archer or Sam Peffer. In full: From Russia With Love (1959), Moonraker (1956), Thunderball (1963, with bullet-hole cover), Casino Royale (1955), Live and Let Die (1957), Diamonds are Forever (1958), Goldfinger (1961), For Your Eyes Only (1962), Dr. No (1960), The Spy Who Loved Me (1967), OHMSS (1964, some cracking to spine, loose binding), You Only Live Twice (1965). The Man With The Golden Gun (1966), Octopussy (1967).
DC COMICS; two books, Superman in hard sleeve complete with two prints and signed by Brandon Routh (2006 Superman Returns actor) & Dean Cain (Lois & Clark actor), and DC Comics Ultimate Character Guide with six signatures including Scott Hanna, Klaus Janson, & sketch of Batman by Tim Sale, also a large X-Men book (3)
ETRO, TWO SILK AND WOOL MIX SCARVES The scarves with paisley prints, one with a mainly brown and orange colourway, the other with mainly beige, blue and purple based colourway, both with Etro labels; together with an Etro Cotton, modal and cashmere mix scarf, with muted brown, blue and purple colourway, with Etro label Dimensions: first 160 x 64cm Condition Report: silk wool mix scarves- some light wear Cotton mix scarf has some small pulls Condition Report Disclaimer
Facsimile copy of The Daily Mirror, Titanic issue, 'Tuesday April 16th 1912', quantity of ephemera to include motoring catalogues, eg Jaguar V12 engine, Rolls Royce, two Robert Taylor motoring prints 'Brooklands' and a framed set of 25 motoring cigarette cards and sundry motoring interest books and quantity of various 20th century cigarette cards and postcards
COMMONWEALTH & GB - mint and used, mainly unmounted mint and very fine used, top values observed, good Indian, Malta over prints, ETC, Granada 5/- SG 144 UMM Malta set SG 266-282 fine used British Antarctic SG 15 fine used, EAF plus MEF top values UMM etc, high cat plus some GB cylinder numbers
Harold Riley (1934 - 2023): a set of four artist signed limited edition colour prints, The Deansgate Folio, c.1984, each signed and numbered within folder (also signed), together with a set of four greetings cards using the same images. each print, 21 x 29 cm. UK P&P Group 1 (£16+VAT for the first lot and £2+VAT for subsequent lots
Roy Barrett, Lords of the Manor (Ducati's), watercolour, signed, 37 x 45 cm From the estate of the late Roy Barrett, motoring artist. Over the past 25 years, Roy Barrett has built a sizeable reputation within the motoring world for his endearing watercolour paintings, which feature classic motorcyles, cars and other transport subjects, set into delightfully captured scenes, with a strong nostalgic flavour. A reputation which has made his original paintings and limited edition prints eagerly collected and sought after by enthusiasts worldwide. Although known for his motoring paintings, Roy has also painted many other subjects including: figure studies, landscape, railway, aviation and rock and roll inspired themes. Formerly an Art Director with the BBC, being involved in the production of programmes including All Creatures Great and Small and Howard's Way, Roy has put his experience in telling stories with pictures to good use by using paintbrushes in place of TV cameras
Roy Barrett, a Suzuki GT750 by the pier, watercolour, signed, 38 x 53 cm From the estate of the late Roy Barrett, motoring artist. Over the past 25 years, Roy Barrett has built a sizeable reputation within the motoring world for his endearing watercolour paintings, which feature classic motorcyles, cars and other transport subjects, set into delightfully captured scenes, with a strong nostalgic flavour. A reputation which has made his original paintings and limited edition prints eagerly collected and sought after by enthusiasts worldwide. Although known for his motoring paintings, Roy has also painted many other subjects including: figure studies, landscape, railway, aviation and rock and roll inspired themes. Formerly an Art Director with the BBC, being involved in the production of programmes including All Creatures Great and Small and Howard's Way, Roy has put his experience in telling stories with pictures to good use by using paintbrushes in place of TV cameras
Roy Barrett, A Way of Life, watercolour, signed, 38 x 50 cm From the estate of the late Roy Barrett, motoring artist. Over the past 25 years, Roy Barrett has built a sizeable reputation within the motoring world for his endearing watercolour paintings, which feature classic motorcyles, cars and other transport subjects, set into delightfully captured scenes, with a strong nostalgic flavour. A reputation which has made his original paintings and limited edition prints eagerly collected and sought after by enthusiasts worldwide. Although known for his motoring paintings, Roy has also painted many other subjects including: figure studies, landscape, railway, aviation and rock and roll inspired themes. Formerly an Art Director with the BBC, being involved in the production of programmes including All Creatures Great and Small and Howard's Way, Roy has put his experience in telling stories with pictures to good use by using paintbrushes in place of TV cameras
Roy Barrett, Geoff Smith on a BSA, watercolour, signed, 42.5 x 34 cm From the estate of the late Roy Barrett, motoring artist. Over the past 25 years, Roy Barrett has built a sizeable reputation within the motoring world for his endearing watercolour paintings, which feature classic motorcyles, cars and other transport subjects, set into delightfully captured scenes, with a strong nostalgic flavour. A reputation which has made his original paintings and limited edition prints eagerly collected and sought after by enthusiasts worldwide. Although known for his motoring paintings, Roy has also painted many other subjects including: figure studies, landscape, railway, aviation and rock and roll inspired themes. Formerly an Art Director with the BBC, being involved in the production of programmes including All Creatures Great and Small and Howard's Way, Roy has put his experience in telling stories with pictures to good use by using paintbrushes in place of TV cameras
Roy Barrett, Leader of the Pack, watercolour, signed, 37.5 x 49 cm From the estate of the late Roy Barrett, motoring artist. Over the past 25 years, Roy Barrett has built a sizeable reputation within the motoring world for his endearing watercolour paintings, which feature classic motorcyles, cars and other transport subjects, set into delightfully captured scenes, with a strong nostalgic flavour. A reputation which has made his original paintings and limited edition prints eagerly collected and sought after by enthusiasts worldwide. Although known for his motoring paintings, Roy has also painted many other subjects including: figure studies, landscape, railway, aviation and rock and roll inspired themes. Formerly an Art Director with the BBC, being involved in the production of programmes including All Creatures Great and Small and Howard's Way, Roy has put his experience in telling stories with pictures to good use by using paintbrushes in place of TV cameras
Roy Barrett, Autumn Tales, watercolour, signed, 36.5 x 45.5 cm From the estate of the late Roy Barrett, motoring artist. Over the past 25 years, Roy Barrett has built a sizeable reputation within the motoring world for his endearing watercolour paintings, which feature classic motorcyles, cars and other transport subjects, set into delightfully captured scenes, with a strong nostalgic flavour. A reputation which has made his original paintings and limited edition prints eagerly collected and sought after by enthusiasts worldwide. Although known for his motoring paintings, Roy has also painted many other subjects including: figure studies, landscape, railway, aviation and rock and roll inspired themes. Formerly an Art Director with the BBC, being involved in the production of programmes including All Creatures Great and Small and Howard's Way, Roy has put his experience in telling stories with pictures to good use by using paintbrushes in place of TV cameras

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255201 item(s)/page