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A selection of 20th Century framed prints to include a reproduction print after Casteels engraved by H. Fletcher featuring the flowers of May, a print by Janet Galloway entitled 'Longstock Water Gardens' no. 25/100, a collection of engravings of the buildings of Regent's Park, and a selection of black and white Victorian photographs of Bristol to include Whiteladies Road, Blackboy Hill, Pembroke Road and Alma Vale Road, and a limited edition print of New College Oxford. Measures: 30cm high x 45cm wide.
After William Broome (1838 - 1892 ) A pair of Victorian 19th Century chromolithograph prints of the Ramsgate Lifeboat ' The Bradford ' going to the rescue of a crew along with another of the Ramsgate life boat going to the rescue of a stricken vessel. Each framed and glazed, signatures to lower corner. Frames measure 90cms x 64cms
VICTORIAN PHOTOGRAPHY. PHOTOGRAPH ALBUM, LATE 19TH C of half plate and quarter plate albumen prints by James Valentine, George Washington Wilson, Francis Frith & Co and photographers unknown, landscapes, coastal scenes, monuments, towns and cities from Cornwall to Scotland including Wales, mounted on linen hinged leaves, somewhat stained and foxed, folio, half calf, boards worn and partly crushed (approx 115)++++
ENGLISH SCHOOL, EARLY 19TH C MOUNTAINOUS LANDSCAPE WITH FIGURES watercolour, 17 x 24cm, laid down on an old mount and miscellaneous other drawings including a South West View of Crewkerne Church Somerset by T R Simmons, 1829, a watercolour of Freiston Church, Lincolnshire, en grisaille, another of a country house, en grisaille and contemporary early 19th c hand coloured prints, sold in portfolio (15)++Most items in good condition, others with foxing or handling marks
BY AND AFTER ROBERT DIGHTON (1752-1814) A FASHIONABLE LADY IN DRESS & UNDRESS hand coloured etching, published 1807, 25 x 20cm and four contemporary furnishing prints (5)++Fashionable lady print with stained vertical tear through title lines and generally slightly stained and discoloured, the four other prints including a brightly coloured woodcut of the Gleaner, the three remaining small prints generally browned
ROBERT POLLARD (1758-1838) AFTER ANGELICA KAUFFMAN BEAUTY, GOVERNED BY PRUDENCE CROWN'D BY VIRTUOUS LOVE stipple engraving in sepia, 30cm diam, 19th c circular giltwood and composition frame with oval purple ink framer's stamp of H WARREN STAMFORD and a pair of smaller late 18th c English oval furnishing prints and seven contemporary prints (10)++As a lot in reasonably good original condition with some small faults and slight damage to the frames such as splits and small old repairs
AUTOGRAPHS. AN EARLY 19TH CENTURY COMMONPLACE BOOK WITH EIGHTY SEVEN MAINLY FREE FRONTS, 1818-1839 signed by principally whig peers and Members of Parliament, many connected to South Staffordshire or neighbouring counties and mostly addressed to the Rev'd George Wharton, MA, Vicar of Kinver, several of the others to John Prichard of Broseley, including the Earl of Harrowby, Viscount Hereford, Baron Grey of Groby, the Marquess of Blandford, Sir Robert Peel, Baron Foley, the Earl of Carlisle, Viscount Dunganon, Viscount St Asaph, the Earl of Galloway, Henry Goulburn, W Ewart, W Ormsby Gore, W Wolryche-Whitmore and R Ingham, several with provincial postmarks, various prints and cuttings, marbled boards, very born, binding perished, losses
TWO EARLY VICTORIAN ALBUMS OF 18TH CENTURY ENGRAVINGS AND several other albums, including portraits and other prints and photographs, folio, one with signature of Edward Sutton, the other with engraved bookplate, boards detached or binding loose, an early 19th c commonplace book, 18th c vellum bound ledger, largely unused, printed emphemera, individual numbers of The Graphic and newspapers, etc
PHOTOGRAPHICALLY ILLUSTRATED. SIBTHORPE (R WALDO) A CATALOGUE OF PORCELAIN & POTTERY ORIENTAL EUROPEAN & ENGLISH, privately published, Nottingham 1874 mounted albumen prints and text on slightly spotted limp card linen hinged leaves detailing 740 items continued from 741 to 771 by hand, ownership signature to title, original maroon cloth, worn, rare Provenance: Coningsby (Charles Walter Sibthope) (1846-1932), 1879.
MONOGRAMMIST W S, C1824 DAVID LOVE AGED 74 [THE PEDLAR POET OF NOTTINGHAM, 1750-1827] hand coloured etching, 12 x 7.5cm, hammered frame and two pairs of smaller contemporary furnishing prints similarly framed (5)++Print of Love lightly time stained but good, the others more heavily stained, the frames oxidised, the two smallest frames with small corner losses
PRINTS AND EPHEMERA. AN ALBUM OF 18TH AND 19TH CENTURY ENGRAVINGS AFTER OLD MASTERS topographical, portraits, Theatre Royal playbill t'his Evening Thursday August 23 1821', folio with watercolour title page of woodland, en grisaille, inscribed Ann Oates Collection of Pictures in Two Volumes, marbled boards detached and miscellaneous other items including five miniature feather pictures of birds, 19th century visiting cards, three parchment deeds 1694 (Felsted, Essex) and 1822 and 1831 (Atherstone, Warwickshire), a late 18th c ms "Evening Amusements The Book of Fortune", 8p of lists, eg What are the Symptons of Love?, inscribed Miss Sarah Dawber, Daniel Dawber Esq, Blyborough [Lincolnshire] original blue paper covered wrappers, 18.5 x 12cm, Joseph Noble, Gazetteer of Lincolnshire ... folding map (torn), Hull 1833, John Cary, A New Map of Nottinghamshire, engraving in fresh contemporary colour, marbled boards with title label, backed on linen, marbled sleeve, 1824, etc++Many items in good condition, condition reports on specific part of the lot available on request
THOMAS GAUGAIN (1756-1810) AFTER THOMAS BARKER OF BATH LABOUR AND HEALTH stipple engraving printed in colour, 57 x 38.5cm and two other similar contemporary prints, T Cuelte after Thomas Stothard - A Tenant's Family and William Dickinson after the Reverend Matthew William Peters - An Angel Carrying the Spirit of a Child to Paradise (3)++All with much dirt, stains and slightly scuffed
VICTORIAN PHOTOGRAPHY. THREE ALBUMS of mostly whole, half and quarter plate and other albumen prints, including views in Great Britain particularly Devon and Cornwall, the Isle of Man, Ireland, the photographers including Francis Frith & Co, Stereoscopic Co Ltd, James Valentine, George Washington Wilson, Gibson, William Lawrence and photographers unknown and a further quantity of approx 60 loose unmounted albumen prints, boards worn and detached++r
FRANCIS HOLL, ARA (1815-1884) AFTER WILLIAM POWELL FRITH, RA THE RAILWAY STATION; DERBY DAY mixed method engravings, signed in pencil by artist and engraver, 70 x 129cm, in the original ornate gilt frames with on the reverse the label of LeggAtt Bros, London (2)++Both prints typically browned, the frames with some loss retaining most of the original gilding
A REGENCY BRASS MOUNTED AND SCARLET MOROCCO COVERED JEWEL BOX 22cm wide, a Victorian mother of pearl inlaid papier mache tea caddy, a pair of hexagonal decoupage boxes and covers with hand coloured prints, early 19th c, etc++incomplete or in poor condition, others better but requiring conservation
VICTORIAN PHOTOGRAPHY. VARIOUS PHOTOGRAPHS albumen prints including Maull & Polyblank (Fl 1855-1865) Mrs Arcedeckne from the series Photographic Portraits of Living Celebrities, arched top, 27.5 x 22.5cm, the photographer's blindstamped mount with label verso, original frame, Samuel Sims (1827-1891) The Ship "Cavalier" after the collision with the "Herman" 1869, 20.5 x 16cm, mounted with photographer's handwritten credit recto and description verso, set of five whole plate photographs of the interior of Newhailes House, Scotland, c1880, in two contemporary frames, Mayer & Pierson of Paris studio photograph of a gentleman seated three quarter length at a table, photographer's original embossed mount and engraved trade label verso, others including cartes de visite and cabinet photographs (one of a fireman), William Slade Stuart (1858-1938) Princess Beatrice (1857-1944) signed by the sitter in ink 'Beatrice 1907', John Campbell, 9th Duke of Argyll (1845-1914) autograph letter signed August 22 1889, 2.5s, on Osborne House notepaper, an album of 12 mounted half plate silver prints of a clergyman and his family in the grounds of Burleigh House, picnicking, veteran motorcars, etc dated Easter 1914 and others (approximately 40)Mrs Arcedeckne nee Jane Pym (1825-1879) married, two years before his death her bachelor husband Andrew Arcedeckne (1822-1871) of Glevering Hall, Suffolk. A Finsbury baker's daughter, aged 15 her occupation was a 'Hat Trimmer'. Later taking to the stage, she enjoyed considerable success. Her wealthy husband's family's fortune was made in the sugar trade and he was the model for Thackeray's Henry Foker in the History of Pendennis (1848-50).++++
MARY JANE BYRON, NEE WESCOMB (1828-1909), THE HON MARGARET ALICE BYRON (1859-1916) AND THE REVEREND FREDERICK ERNEST CHARLES BYRON, 10TH LORD BYRON (1861-1949) various subjects including Thrumpton Hall and Garden, Nottinghamshire, 6 Prospect Place, Harrogate in the rain, near Buxton and a party at Devonshire House, several signed, mostly inscribed (by Lord Byron) and several contemporary photographs (albumen prints) of Lord Byron and others, a letter to his mother, etc, various sizes up to c 25 x 34cm, sold in portfolio (30 approx)++Mostly in good condition
PHOTOGRAPHERS UNKNOWN. TWO FOOTMEN AND THREE OTHER PORTRAITS albumen and other prints, framed as a set in contemporary Victorian gilt Oxford frames with metal rosettes, frames 30 x 27cm overall and two other contemporary Victorian albumen prints, a cabinet portrait of a couple and a whole plate photograph of figures before a country house, in oak Oxford frames (6)++One of the set of four (an ambrotype) cracked otherwise an attractive group in good condition
A CREAMWARE JUG, DATED 1798 with two black transfer prints of RETURNING HOPES and THE SAILOR'S DEPARTURE, the subsidiary print of a garland of hops and grapes to the centre inscribed WILLM LEAN 1798, 24cm hA slightly later Liverpool Herculaneum marked plate with the Returning Hopes print is illustrated Drakard (D) Printed English Pottery, 1992, fig 360.++Slight wear and scratches
OPTICAL PRINTS. RANIERI GRASSI AND OTHERS (FL EARLY 19TH CENTURY) VEDUTA DEL LUNGARNO DI PISA IN TEMPO D'ILLUMAZIONE DALL'ALBERGO DELLA DONZELLE; AND FIVE OTHERS SIMILAR hand coloured etchings, published 1839 and c++Both attractive brightly coloured prints in reasonably good condition for age and with some handling marks and scratches affecting the gouache colouring of the second print
Isabella ConYErs, 1828 Quin Abbey pencil, 16 x 19cm, a drawing of a farm by an early 19th c naive artist and four other small drawings and prints (6)++The two first items in reasonably good condition with slight fading/time staining, the others in variable condition as will be apparent from the images
TWO GOODWINS BLUE AND BLACK OR SEPIA PRINTED EARTHENWARE BYRON GALLERY SERIES PLATES, C1831-8 AND A BATES, BEVANS & IRWIN GLAMORGAN POTTERY BLUE PRINTED EARTHENWARE IMPERIAL QUART JUG, THE PRINTS INCLUDING NEWSTEAD ABBEY, C1825-38 jug 17cm h, printed marks and title Manfred or Mazeppa, jug unmarked++Plates in good condition, jug with horizontal hairline crack, glaze staining and some restoration
AFTER VARIOUS ARTISTS MISCELLANEOUS FURNISHING PRINTS including an early 19th century lithograph of Scott's Madge Wildfire, 22 x 17cm, bird's eye maple frame, similar small portraits, a hand coloured aquatint of Grantham Theatre, 1804 and a pair of Regency oval glass paintings of flowers, the reverse with printed trade label of ATHERTON PUMP LANE CAMBRIDGE (12)++Some faults but many in good condition for the age

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255201 item(s)/page