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Click here to subscribeNicky Belton Limited Edition Artist Signed Print 'Glitz & Glamour 1' Along With Three Unframed Limited Edition Prints Giclee on paper colour print depicting three stylised fashion illustrations. Housed in contemporary distressed silver chunky frame, pencil signed by the artist to bottom centre, numbered 100/195 in pencil over blimdstamp. Also three unframed limited edition prints on card by Nicky Belton, all in as new condition.
A Collection Of Framed Prints Four items in total to include two limited editions by Fleetwood artist, Alan Cross, the first titled 'Solly's Concert Party' number 6 /250. The second titled 'Fleetwood Lifeboathouse 1906' number 18/101. Also a large limited edition print numbered 123/200 depicting a reclining nude by Aldo Salvadori Italian (b.1905). Finally, a small sepia tone photographic print of two girls in 19th century dress.
A Collection Of Decorative Victorian And Edwardian Style Prints Three in total each housed in contemporary black and gilt frames. The first Depicting two young women with border of yellow daisy's, the second depicting two Victorian women in winter dress, Finally, a rectangular image depicting Victorian children in elaborate bonnets.
A Collection Of Framed Original Artworks And Prints Six items in total to include pencil and ink drawing of Don Quixote, acrylic painting inspired by Magritte, abstract entitled 'Building Crisis 1962 - 1983'. Also, blue and grey abstract print, handtinted print in gold mount entitled 'Cockington Village' and signed print of Monmatre. Please see accompanying image.
A Collection Of Framed Limited Edition Prints 'The Reeves Collection Of Chinese Watercolours' By The Natural History Museum Four in total, each housed in contemporary walnut effect and gilt trim frames, each certificated to verso. To include 'Morning Glory With Butterflies And Dragonfly no.1556 of 1988. Hibiscus With Butterflies no.1556 of 1988. Rose With Butterflies And Dragonfly no.1556 of 1998. Finally, Camellia With Butterflies, no. 1556 of 1998. All in excellent condition, 12 x 9 inches.
A Collection Of Framed Limited Edition Botanical Prints By The Victoria And Albert Museum Four in total, each housed in yellow gilt frame with Turkish marbled inner mounts. Each certificated to verso and numbered 422 of 7500. Includes 'Common Provence Rose, York & Lancaster Rose, Rosa Mundi and Velvet Rose. All in excellent condition
A Large Collection Of Limited Edition Botanical Prints 'The Fairest Flowers Of Pierre-Joseph Redoute By The Natural History Museum Twelve in total, each numbered and certificated to verso, each housed in contemporary distressed gilt frames with inner Turkish marbled mount. All in excellent condition, each 7.5 x 5 inches.
Hogarth(W.)and others. [An account of what seemed most remarkable in the five days peregrination in Kent)], 7 (of 9) tinted or coloured aquatints, bit browned, lacking title and text, half morocco, bookplate of Baron Queenborough, oblong 4to., [1782]--[Johnson(Edward)]The Fen and Marshland churches, third(and final) series, 15 albumen prints by Johnson, original cloth, Wisbeach, [1869][Gernsheim 450 lists all 3 vol.]--Camden(W.)Kent (Cantium) 3 different extracts, 3 engraved plates, including the portrait, binder's cloth, bookplates of William Cook and Sir Thomas Neame, who both had notable Kentish collections, 1695-1806; and others, topography, mostly Kent, including bundles of East Kent Times, 1914 and Isle of Thanet Gazette, 1920 the lot sold not subject to return
[Tait(James)]The Scottish Border; a Memorial of Her Majesty's visit..1867, frontispiece from a photograph by Dutton, 11 albumen prints probably by the same(agrees with list of plates; the NLS has 3 copies with 16, 3 and 0 plates), original blue cloth, gilt, lettered “photographic edition”, Kelso, Rutherfurd, 1871 [Not in Gernsheim or Schultz]--Lydon(A.F.) English Lake Scenery, coloured plates by Fawcett, 2 copies, original cloth, one in red with inlaid title in green and gilt, the other in green, bit loose, Walker,1880---Tourist's Guide to the English Lakes, 12 chromolithographs, cloth, gilt, Nelson, [1886]--Souvenir of the Trossachs, 24 folding views, original cloth, gilt and black, [no imprint, Scotland, c. 1890 suggested for the only copy on Copac]; and others, similar v.s.(12)
Gilpin(William) An extensive collection of his Books, Letters and Drawings. The former including; The Life of Bernard Gilpin, second edition, 1753; The Lives of John Wiclif, 1765; Observations on the River Wye, 1782; the same, second edition, 1789; the same, third edition, Ross, 1826; Observations...picturesque Beauty,...Cumberland and Westmoreland, 2 vol., 1786; Voyage en differentes Parties de l'Angleterre, 2 vol., 1789; Observations ...picturesque Beauty...particularly the High-Lands of Scotland, 2 vol., 1789, the same, third edition, 2 vol., 1808 Forest Scenery, 2 vol., 1791, the same, second edition, 2 vol., 1794; Six Landscapes, 1794; Three Dialogues, 1796; An Essay on Prints, fourth edition, 1792; Three essays on picturesque Beauty, second edition, 1794; the same third edition, 1808; Observations on the Western Parts of England, 1798; Observations on the Coasts of Hampshire, large paper, 1804; Memoirs of Josias Rogers, 1808; Observations on...the Counties of Cambridge, 1809; The last work(Gilpin's Day), 1810; the same, 1824; all generally in good state; The Six Landscapes and Gilpin's Day 1810 have tinted plates; those of the 1824 edition are coloured. There are also some 20 others, reprints, duplicates, books about Gilpin or his family, etc. etcLetters. The most important are 10 letters from Gilpin to Cadell and Davies, 1797-1803, many with draft replies. e.g. Gilpin's Western Tour [1798] “suppose 750...paper 29 Reams at 30/- £44. Boarding 750 at 9d £28-2-6...we will repay you the £70 paid to Mr. Alken for etching the plates, and we will give you £180 for the Copyright..” “An engraver of the name of Green who has lately executed some Scotch Views in Aqua tinta for us in a very neat Manner, hearing us express our Regret that the Plates of the Wye could not be found, offered to furnish us with fac-similes of them at what we concieve a very modest charge , two Guineas each Plate.” “I leave the business of a small edition of the Lakes etc wholly in your hands. I am far less solicitous abt. it, than abt my sermons..” There is much similar detail in the other letters of this correspondence, and there are a few other letters and fragments, including 2 from Lord Kenyon.Drawings:Sawrey Gilpin RA, British 1733-1807- Sketch of horses; brown ink over traces of pencil, signed, 16x22.4cm, (unframed): Sawrey Gilpin RA, British 1733-1807-Sketch of cattle in a field; pencil, signed and dated Sept 1794, 21.2x32.1cm: Attributed to Rev. William Gilpin, British 1724-1804- View of a castle; ink, watercolour & wash, monochrome, 15.3x24.7cm, (unframed): Attributed to Rev. William Gilpin, British 1724-1804- Figures walking along a country path; ink, watercolour & wash, monochrome, 15x25.2cm: Attributed to Rev. William Gilpin, British 1724-1804- View of a castle through trees; ink, watercolour, & wash monochrome,18.2x26.6cm, (unframed): Attributed to Rev. William Gilpin, British 1724-1804- View of a castle ruins; ink, watercolour & wash, monochrome, 9.9x16cm, (unframed): Rev. William Gilpin. British 1724-1804- Three sketches of the same castle view on a hillside; pencil, ink and wash, collectors stamp W. Parker on corresponding paper, 18x26cm (max), (3) (unframed) Provenance: Christies auction 11 Nov. 1969, Lot 72. Sold by Major FCF Parker, Newbiggin Hall, Temple Westmorland. Bought by Charles Gilbert Benson. Originally in the collection of William Parker, of Skirwith Abbey: Attributed to Rev. William Gilpin, British 1724-1804- Castle on a hillside; ink, watercolour & wash, monochrome,9.4x15.5cm, (10) (unframed)
Two (2) Vintage Color Prints. Framed under glass. "The Marquess of Salisbury, carrying St. Edward's Staff. Lord Calthorpe, carrying the Gold Spurs. The Marquess of Wellesley, carrying the Sceptre with the Cross.19th. July 1821", "Lord Gwyder, Deputy Lord Great Chamberlain, In His Robes of Estate and Lord Howard of Effingham, Deputy Earl of Marshal of England, in His Robes of Estate" Unsigned. Light toning and foxing or in good condition. Measures 13" x 20" (sight), frames measures 21-1/4" x 28-1/4". Shipping: Third party. (estimate $300-$400)
Julian Opie (b.1958)Twenty Six PortraitsThe complete book of 26 prints in colours, comprised of 16 lithographs bound as issued, five Lambda prints and five screenprints tipped-in (as issued), on wove paper, the full sheets, with text by the artist, signed and numbered from the 250 in pencil on the justification page, published by Alan Cristea Gallery, London, bound in the original cloth cover, contained in the original navy silk slipcase, 427 x 304 x 20mm (16 3/4 x 11 7/8 x 3/4 in) (vol)
δ R.B. Kitaj (1932-2007)A Day Book (Rama 133-143, 145)The portfolio, 1970-72, comprising twelve of thirteen prints of various media, lacking R.144, each signed and numbered from the edition of 200 in pencil or crayon, with title-page, text by Robert Creeley and justification, this copy signed by Creeley and numbered by the from the edition of 200, on various papers, published by Graphis, Berlin, loose in the original red portfolio, with title printed on the uppers, overall size, 635 x 435mm (25 x 17 ¼ in) (folio)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Frank Auerbach (b.1931)Bill Etching printed with tone, 2009, signed, titled and numbered from the edition of 100 in pencil, on Somerset Velvet, printed by Marc Balakjian at Studio Prints, London, loose as issued, with full margins, 180 x 150mm (PL), together with a copy of the book, Frank Auerbach by William Feaver, published by Rizzolo, New York, within the black cloth covered portfolio case, the title printed in silver on the uppers, overall 325 x 270mm (12 3/4 x 10 5/8in)(folio)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Howard Hodgkin (1932-2017)Composition with Red (Arch) (Heenk 10)Lithograph printed in colours, 1970, signed and numbered in roman numerals in pencil, one of thirty-five impressions printed on Hosho vellum Japanese paper, printed by Stanley Jones at Curwin Prints Ltd, London, published by Felix Mann and Galerie Wolfgang Ketterer, Munich, with their blindstamp, the full sheet, 530 x 756mm (20 7/8 x 29 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henry Moore (1896-1986)Head (Cramer 364)Lithograph printed in colours, 1975, signed and inscribed 'ea' in pencil, an artist's proof aside from the edition of 50, on Japan Nacre paper, printed by Curwen Prints Ltd, published by Henry Moore & Felia Leal, Paris, with full margins, sheet 768 x 584mm (30 1/4 x 23in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henry Moore (1898-1986)Woman Seated on Fireside Stool (Cramer 311)Lithograph printed in colours, 1973, signed and inscribed 's/p' in pencil, a proof aside from the numbered edition of 75, on wove paper, printed by Curwen Prints, Ltd, London, published by Fischer Fine Arts, Ltd, with full margins, sheet 650 x 500mm (25 6/8 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henry Moore (1896-1986)Visitation (Cramer 629)Lithograph printed in colours, 1981, signed and inscribed 'e/a' in pencil, an artist's proof aside from the edition of 50, on wove paper, printed by Curwen Prints Ltd, London, published by Raymond Spencer Company Ltd for the Henry Moore Foundation, Much Hadam, with full margins, sheet 446 x 410mm (17 1/2 x 16in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henry Moore (1896-1986)Three Marys (Cramer 627)Lithograph printed in colours, 1981, signed and inscribed 'e/a' in pencil, an artist's proof aside from the edition of 50, on wove paper, printed by Curwen Prints Ltd, London, published by Raymond Spencer Company Ltd for the Henry Moore Foundation, Much Hadam, with full margins, sheet 406 x 445mm (16 x 17 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henry Moore (1898-1986)Four Silhouette Figures (Cramer 283)Lithograph, 1973, signed and inscribed 's/p' in pencil, a proof aside from the numbered edition of 50, on wove paper, printed by Curwen Prints, Ltd, London, published by Gerald Cramer, Geneva, with full margins, sheet 326 x 452mm (12 3/4 x 17 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Elisabeth Frink (1930-1993)Spinning Man II (Wiseman 3)Lithograph, 1965, signed, dated and numbered from the edition of 50 in pencil, on handmade Barcham Green Crisbrook paper, printed by Curwen Studio, published by Curwen Prints, London, with full margins, sheet 575 x 805mm (22 5/8 x 31 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Elisabeth Frink (1930-1993)Spinning Man V (Wiseman 6)Lithograph, 1965, signed, dated and numbered from the edition of 65 in pencil, on handmade Barcham Green Crisbrook paper, printed by Curwen Studio, published by Curwen Prints, London, with full margins, sheet 805 x 575mm (31 3/4 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Elisabeth Frink (1930-1993)Spinning Man VI (Wiseman 7)Lithograph, 1965, signed, dated and numbered from the edition of 50 in pencil, on handmade Barcham Green Crisbrook paper, printed by Curwen Studio, published by Curwen Prints, London, with full margins, sheet 805 x 575mm (31 3/4 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
MARKHAM SIR CLEMENTS ROBERT. MEMORIALS OF DAVID MARKHAM. A handwritten biography (& Markham family history) of David Frederick Markham (1800-1853) by his son Clements Robert Markham, the explorer, geographer & author who was secretary of the Royal Geographical Society & responsible for organising Scott's Antarctic Expedition. 6 vols. Quarto. Some 600/700 manuscript text pages (readily readable), circa 165 pasted in photographs together with prints, pedigrees & family trees. Defective bdgs. with gilt crest to upper brds. The volumes have been broken for removal of watercolour plates, consequently some 40 text pages are lacking, however there is a wealth of personal & family history & ancestry relative to the Markhams as far back as the 11th century. A unique research resource. The lot also includes 9 orig. letters addressed to David, his nephew William Wickham & to Sir Clements Markham, together with a transcription of an epitaph. David Markham was a Canon to the Royal Family including the young Queen Victoria. He was a writer, illustrator & extensive traveller. His son, the writer of this work, Clements Markham had a remarkable career. He sailed to the Arctic as a Midshipman in the search for Franklin's expedition; he was secretary of the Royal Geographical Society & latterly its president; he was heavily involved with the career of Captain Robert Falcon Scott (Mount Markham in Antarctica is named for him) & he was an explorer & a prolific author. Condition Report. All vols disbound. Some discolouration / staining but generally legible. see images
A VICTORIAN ONYX AND ENAMEL MEMORIAL LOCKET PENDANT BY PHILLIPS BROTHERS & SON, circa 1870, the oval cabochon black onyx within a beaded blue enamel border, framed by a frieze of oval panels heightened with blue and black enamel, spaced by ropetwist wirework and bead decoration, below a similarly decorated pendant bale with maker's mark, the glazed verso containing a photograph portrait and inscribed 'Julia Hay Norman, Died 3rd October 1873', length 5.4cm The photograph contained in this locket is believed to portray Julia Hay Norman, née Cameron (5 December 1838 - 3 October 1873), daughter of Julia Margaret Cameron (11 June 1815 - 26 January 1879), the celebrated British photographer. Thence by descent. Born in Calcutta, India, Julia Hay Cameron married Charles Loyd Norman in January 1859, taking his surname as her married name. Julia and Charles later presented her mother with a camera as a gift, and at the age of 48, Julia Margaret Cameron embarked upon a highly successful career as one of the most significant photographers of the 19th century. Mrs. Cameron's Photographs from the Life, commonly known as The Norman Album, is a photograph album of portraits compiled between 1864 and 1869 that was presented as a gift by Cameron to her daughter and son-in-law in gratitude for having introduced her to photography by their gift of her first camera. Comprising 74 albumen prints, it includes portraits of Charles Darwin, Alfred Tennyson and Henry Taylor. The dedication reads: To the givers of my camera I dedicate/give these works of this camera, with all gratitude for the inexhaustible pleasure to me, & to hundreds, which has resulted from the gift. Freshwater Bay, Isle of Wight, Sep 9 1869 Robert Phillips and his brother Magnus founded their eponymous firm Phillips Brothers in 1839, becoming Phillips Brothers & Son in 1869. Based in Cockspur Street, London, the brothers collaborated with Castellani and Giuliano and were pioneers of jewellery produced in the archaeological style. Their maker's mark is composed of two P's and the Prince of Wales' feathers, indicative of their royal patronage.
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![Hogarth(W.)and others. [An account of what seemed most remarkable in the five days peregrination in Kent)], 7 (of 9) tinted o](https://cdn.globalauctionplatform.com/c78b5186-58cd-4dd7-b259-a88600c38af6/ac7b48e1-9da1-4688-f84d-35d43f111da3/468x382.jpg)
![[Tait(James)]The Scottish Border; a Memorial of Her Majesty's visit..1867, frontispiece from a photograph by Dutton, 11 album](https://cdn.globalauctionplatform.com/c78b5186-58cd-4dd7-b259-a88600c38af6/3e2e2f15-79b4-4fe6-dbd0-adf74fd7e5a3/468x382.jpg)
