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Lot 82
GWYNETH RYDER limited edition print - Admiralty Pier Holyhead, 13.5 x 19cms, indistinctively signed watercolour - The Menai Bridge with steamboat, 26 x 36cms, ELSPETH MACNAMARA watercolour - The Menai Straits, 30 x 42cms and an assortment of other paintings and prints including DAVID SHEPHERD, VERNON WARD ETC
Lot 117
*Bridget Riley CH (b.1931)'Fragment 3'screenprint on perspex, signed and dated '65 l.l., from an edition of 75 with 4 artist's proofs59 x 78cmFrom the series of 7 'Fragments', published by the Robert Fraser Gallery.Bridget Riley came to prominence in the early 60s with her experiments in Op Art - abstract art that created an optical illusion. Sometimes using colour, Op Art tricked the eye, creating the deception of warping, vibrating or flashing. At this period of her career, Riley was mainly working in black and white, which created the very strong and now iconic images synonymous with the 60s. The series of 'Fragments' were published in an edition of 75. In the exhibition catalogue at the Robert Fraser Gallery, Riley explained: 'During the preparatory work for a painting, I may make images which are tangential to the problems posed by the particular painting. Some of these images I return to and develop later, others remain as fragments of a theme. These prints are a selection of such fragments in my folios and cover a period from 1962-1965'. Printed on the back of a clear perspex sheet, the brilliant white background was then printed over the top. Riley was experimenting with new, modern materials and the result is very sharp and bold.*Artist's Resale Right may apply to this lot.
Lot 172
The Curwen Studio50th Anniversary Portfoliothe suite of thirty-one lithographs printed in colours, edition 27/50, includes:1. Mark Hearld, Anniversary;2. Stanley Jones, Umbra;3. Colin Wilkin, Byway & Bicycle;4. Carry Akroyd, Something Fenny;5. Robert Scott Simon, High Octave;6. Tim Wood, Coast;7. Mary Dalton, Pea Pods;8. Thomas Martin, Radial 1;9. Bernard Dunstan, Early Morning;10. Noel Myles, Suffolk Hops;11. Jenny Roland, Salt of the Universe;12. Sargy Mann, Seated Girl;13. Luke Elwes, Prayer;14. Stephen Walter, Road Signs no. 2, 2009;15. Mary Fedden, Fourteen;16. Rosie Corcoran, Hunted;17. Michael Papworth, Tournesol;18. Virginia Powell, Pond;19. Darryl Nantais, Evolution;20. Wilf Roberts, 'Bwlch';21. Claudia Williams, Beach;22. Glynis Mills, Unicorn;23. Angie Lewin, Autumn;24. Bernard Cheese, Green Apples;25. Hen Coleman, 'disencharted by the day, the land set out to sea';26. Sheila Ingham, Narragansett R.I;27. Mike Hawkins, D40 x6E;28. Roger Phillippo, Red Sail;29. Kate Dicker, Toy Racers;30. Diana Armfield, Full Field of Sunflowers, South of France;31. Dale Devereux Barker, Perfect Finishcommissioned, printed and published by Curwen Studio 2008-200925.5 x 31cm each (31)This set of prints is stored in a presentation frame with the option to choose which print is on display.Provenance: Acquired by the present owner directly from the Curwen Studio.Condition report: Good condition.
Lot 76
*Laurence Stephen Lowry RA (1887-1976)'Sailing Boats'offset lithograph in colours, signed in pencil l.r., published by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blind stamp29 x 34cm*Artist's Resale Right may apply to this lot.Condition report: Published in 1975, from an edition of 850Some yellow staining from acidic mount. Secured verso by tape at the top of the sheet. A few flecks of dark grey foxing in the margins. A small brown stain in the lower area.
Lot 81
*Laurence Stephen Lowry RA (1887-1976)'Industrial Scene'offset lithograph in colours, signed in pencil l.r., published by Venture Prints Ltd., 1974, with the Fine Art Trade Guild blind stampimage 34 x 24cmProvenance: The Royal Academy of Arts, London, print no.298*Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper in the top area, barely noticeable. Some light staining from the acidic mount. Appears to have been taped into the mount, so we have not been able to view the full sheet without the mount.
Lot 89
*Mary Fedden RA (1915-2012)Two Pearssigned and dated '10 l.r., oil on canvas35.5 x 45.5cm, unframedProvenance: Gifted in person by Mary Fedden RA to Stanley Jones MBE and Lorraine Chitson in 2010 to raise future funds for the Curwen Print Study Centre.*Artist's Resale Right may apply to this lot.'Mary Fedden became involved in printmaking at the Curwen Studio through the influence of Julian Trevelyan, her husband who had gained experience of printmaking in his early career from time spent in Paris with S W Hayter, the well-known etcher and engraver. However, it was only when in London and both were commissioned to produce work by the Waddington Gallery in Cork St, that Mary made her appearance at the Curwen Studio and our association began. She was fascinated by the possibilities of zinc plate lithography and quickly learned how to collaborate with the printers in technical aspects of making her images, which were reflective of a style also present in her paintings. During these years, the images developed a freshness that marked them as some of her most characteristic lithographic prints. Over the many years of working together, we became close friends as well as Artist and Printmaker - a friendship which I valued.'Stanley Jones MBE'Mary and Stanley sat together on a small settee in the studio, she holding his hand delighted to have her old friend with her. They reminisced about Julian and memories of Paris and times gone by. It was very special to have the opportunity to listen to their stories and share our news and plans for the future of the Study Centre. Mary then selected a painting ('Two Pears') that she wanted us to have so that we may use it to raise funds for development.'Lorraine Chitson, Curwen Print Study Centre DirectorCondition report: Good condition.
Lot 313
THREE PORTRAIT PRINTS OF AUGSBURG SILVERSMITHS comprising Philipp Adam Benz (1709-1749), mezzotint by J. J. Haid after J. Holzer, 40 x 26cm.; Johann Elias Mayer (1722-1772), mezzotint by J. E. Haid after A. Graff, 41 x 28cm.; and Johann Wilhelm Dammann (1716-1784), mezzotint after A. Graff, trimmed and with printing creases, 34 x 24cm approx. (3)
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255201 item(s)/page