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Lot 164
BOYDELL (John & Josiah) A Set of Prints Engraved after the Most Capital Paintings in the Collection of Her Imperial Majesty The Empress of Russia, Lately in the Possession of the Earl of Orford at Houghton in Norfolk; with Plans, Elevations, Sections, Chimney Pieces & Ceilings, 2 vol., title dated 1788, approximately 68 x 51cm, text in English and French, vignette title, engraved portrait frontispiece of Empress Catherine II to Vol. 1, 28 plates of architectural and design features, 60 plates, straight grain morocco gilt, boards detached; Vol. II with portrait of Walpole, (partial tear along top of platemark just affecting image), and 69 plates, all as required, some old staining and creasing (2)Please note that this is printed on wove paper indicating a 19th century printing. No watermarks detected on spot checks to several leaves and plates.
Lot 379
Prints, offprints and other. New Declaration of the Confederate Princes and States, translated out of the French, 1689, damaged title, 28pp., disbound; LEY (J) The Fury of Warfare and Folly of Sinne, 1643, 72pp., incomplete, disbound; letter typed to Thomas Wise, 1931, from William Robinson (Rare Book Dealer) on the discovery of a Caxton, in folder; a few old legal transaction documents; small size woodcut battle scenes, clipped with text verso; MILLER (P) The Gardener's Kalendar, 1754, stained, calf, worn; etc
Lot 501
O'CONNOR (John) The Wood Engravings, with a commentary by Jeannie O'Connor, Whittington Press 1989, no.X of 50 copies, signed by both the O'Connors, with a Portfolio of additional Proofs, in quarter Nigerian goatskin by the Fine Bindery; Twins, Whittington Press, 1991, signed, one of 350 sets (2)a few slight finger marks to the slip case. 8 loose prints to the portfolio. No other real condition issues noted.
Lot 38
After David Roberts RA 29 lithographs of travel subjects, with text and hand-colouring, various sizes, unframed;together with two volumes of 'David Roberts, The Holy Land, 123 Coloured Facsimile Lithographs & The Journal from his visit to the Holy Land', with original slipcasestaken from a large volume, printed with the words 'Published F G Moon 20 Threadneedle Street, June 1st 1844' underneath each plate.The colour of the prints is even and varies from cream in colour, to a darker shade. There are some adhesive marks and residue from masking tape used to mount these when framed, and pencil or crayon marks to the back and sides. Mount shadows to a few - all have been photographed please see images for condition
Lot 326
HAMERTON (P G) The Portfolio, 1878, folio, plates, mainly to include 'Billingsgate', etching by J. McNeill Whistler, 1859, wide margins; lacking title at the start, but with various other plates and illustrations [Alma-Tadema plate damp stained], half morocco binding, rubbed. Sold as a collection of prints, not subject to return.
Lot 165
BOYDELL (John & Josiah) A Set of Prints Engraved after the Most Capital Paintings in the Collection of Her Imperial Majesty The Empress of Russia, Lately in the Possession of the Earl of Orford at Houghton in Norfolk; with Plans, Elevations, Sections, Chimney Pieces & Ceilings, 2 vol., title dated 1788, approximately 70 x 52cm, text in English and French, title vignette, engraved portrait frontispiece of Empress Catherine II to Vol. 1 (with tear and crease), 28 plates of architectural and design features, 60 plates, circular bookplate of Thomas Walpole; Vol. II with portrait of Walpole, and 69 plates, all as required, some old staining and creasing, boards (detached and rubbed)Please note that this is printed on wove paper indicating a 19th century printing. No watermarks detected on spot checks to several leaves and plates.
Lot 506
BAWDEN (Edward). Various related works. GREENWOOD (Jeremy) Editioned Prints, The Wood Lea Press, Woodbridge 2005, one of 450 copies, illustrations, cloth backed boards, slip case; Edward Bawden War Artist and his letters home 1940-45, Scolar Press 1989, dust jacket; Cecil Higgins Art Gallery hardback catalogue ( 2 copies); YORKE (M) Edward Bawden and his Circle, 2007 edition; Hold Fast by your Teeth,1963, dust jacket; and 6 vols. with Bawden designed dust jackets including The Walled City 1948; etc (15)
Lot 290
DUCAREL (Andrew C) Some Account of the Town, Church, and Archiepiscopal Palace of Croydon. London: J. Nichols 1783, 4to, 10 plates, half calf, rubbed; with the author's autograph letter signed inserted, asking for any information on a portrait of Bishop Parker recently given to the Archbishop of Canterbury and hung in Lambeth Palace, and a question about Hollar's prints
Lot 504
JONES (David) The Engravings of David Jones. A Survey by Douglas Cleverdon. Clover Hill Editions, 1981, 4to, no.54/260 copies printed by the Rampant Lions Press, portrait frontis, illustrations, uncut, cloth with morocco onlaid title piece and spine label; Index of Engravings, Clover Hill Editions 1981, 4to, Portfolio of prints no. XXII/75, with 96 plates on Japon, 10 copper plate prints with tissue guards, in a separate drop back cloth box. With accompanying original bill of saleNo staining issues with the loose prints or body of the book. Free endpapers have a small offset stain to lower margins. Glassine wrapper torn/chipped at head of spine.
Lot 347
BAWDEN (Edward) Collection of ephemera including 4 autograph letters signed, a portrait photograph, 1984 Royal College of Art Printmaking Department Appeal Fund, folder of prints (from an edition of 200 sets), A Retrospective Survey, 1988; 'Designs on Life' concertina folding into boards; Pottery Making at Poole, booklet designed by Bawden, second issue; Curwen Press News-Letters, 1935, paper wrapper; Tea and Tea Cakes, 2nd edition 1946; Two Exhibition Catalogues, 1973-74; Take the Broom, small colour booklet 1952; 75th Birthday Exhibition catalogue 1978; Great Bardfield Summer Exhibition catalogue July 1955; etcPlease find attached the images.Many thanks.
Lot 377
MENNIE (Major John, 1831-1876, MRCS) commemorative album of sketches, photographs, prints, etc, some of Poona interest. Including portraits, few amateur watercolour views, monuments and graves, etc, all mounted to album leaves, 20th century cloth;MENNIE (Lieut-Colonel J O) Presentation typescript folio record of the 130th King George's Own Baluchis (Jacob's Rifles) from 1858 to July 1914 (with Mennie as Commandant), morocco gilt binding, with a regimental group photograph;India, Aden and others, an album circa 1880-90 of views, military groups including 'Belooch Battalion', civilians, etc.; with panoramic Aden views annotated to the reverse; also some Parisian views;together with a collection of related photograph and other albums covering military and family life, including 'Somaliland Diary 1910 - J. O. Mennie', shooting trips, etc.
Lot 31
Franz Xaver Habermann (German, 1721-1796) The Landing of English Troops at New York - Die Anlanding der Englischen Trouppen zu New York, c.1750hand-coloured engraving, 29.5 x 41cmProvenance:Baynton-Williams Old Maps and PrintsPaper flaw/crease noted from centre vertically upwards. Trimmed to mount. Not examined out of frame. Colouring date unknown. Light surface dirt and wear.
Lot 466
Frederick Leslie KENETT (1924-2012) From The Parthenon Marble Sculptures; Sculptures of A Group of Racing Horses, Two reclining Greek Figures, The Standing figure of a Greek Man and The Study of The Head of A Horse. Four albumen prints of sculpture mounted on board, each studio stamped to verso, each image approximately 39 x 50cm, mount size approximately 43 x 54cm. (4)Frederick Kenett is one of the most important and yet undervalued postwar British artists of the twentieth century. He was invited by the Egyptian government in the sixties to photograph the Tomb and artefacts of Tutankhamen*, and was the first person to photograph the treasures in the tomb housed in the museum in Cairo. He travelled widely in Europe photographing classical scenes and sculptures in Spain, France, Italy, Germany and Holland often negotiating with governments.In the early sixties Kenett befriended Henry Moore and instructed Moore on Photography in return Moore helped Kenett by instructing him on the methods and techniques around sculpting. It was during the early sixties that both Moore and Kennet toured together visiting France and the low countries. Following their time together and from the mid sixties Kenett transferred his skills to sculpture and started producing his own work. Comparing both the sculptures of Moore and Kenett it is clear to see the influence that Moore had on Kenett. Frederick Kenett has been described as ‘Unquestionably the greatest photographer of Sculpture in the World who himself became a scuplture’. The Listener, T.G Rosenthal* Sunday Times Colour Magazine Book Review 1963 Acquired by the present owner from the artists estate shortly after the artists passing in 2012. Areas of light discoloration can be found on a number of the mounts (mainly to the backs), a number of bumps can also be found to the corners. Other than this the prints are in good condition.
Lot 457
Frederick Leslie KENETT (1924-2012) Eight prints including, The Statue of David, The Catacombs of Rome, St Peters Dome, The Ancient Gateway To Rome, The Temple of Capitoline Jupiter, The Appian Way, Eight albumen prints, each studio stamped to verso, 35.5 x 27.5cm. (8)Frederick Kenett is one of the most important and yet undervalued postwar British artists of the twentieth century. He was invited by the Egyptian government in the sixties to photograph the Tomb and artefacts of Tutankhamen*, and was the first person to photograph the treasures in the tomb housed in the museum in Cairo. He travelled widely in Europe photographing classical scenes and sculptures in Spain, France, Italy, Germany and Holland often negotiating with governments.In the early sixties Kenett befriended Henry Moore and instructed Moore on Photography in return Moore helped Kenett by instructing him on the methods and techniques around sculpting. It was during the early sixties that both Moore and Kennet toured together visiting France and the low countries. Following their time together and from the mid sixties Kenett transferred his skills to sculpture and started producing his own work. Comparing both the sculptures of Moore and Kenett it is clear to see the influence that Moore had on Kenett. Frederick Kenett has been described as ‘Unquestionably the greatest photographer of Sculpture in the World who himself became a scuplture’. The Listener, T.G Rosenthal* Sunday Times Colour Magazine Book Review 1963 Acquired by the present owner from the artists estate shortly after the artists passing in 2012. Some very light yellowing can be found in a number of the corners, this can be seen in the original images. But nothing that deters from the overall appeal of the charming prints. Other than this they are in excellent condition.
Lot 206
A pair of The Charlatans framed prints (appearing fully signed by the band) to include; a print picture of the band and the cover of Different Days 2017 both appearing signed from the bands current line up (note there is no Certificate of Authenticity). Conditions appear Good to Good Plus. See photo.
Lot 125
A striking botanical etching from Series of Flowers by Leonard Baskin, featuring a detailed depiction of a thistle rendered in green and blue ink. The composition emphasizes Baskin's signature linear technique, capturing the organic intricacy of the plant's spiky leaves and textured stems. Hand-colored elements accentuate the botanical realism of the piece while maintaining a contemporary aesthetic. Signed in pencil by the artist in the lower margin and numbered 107/120, this work was executed in 1970, reflecting Baskin's continued exploration of nature as a subject. Known for his mastery in printmaking, sculpture, and illustration, Baskin's works are held in major museum collections worldwide. His botanical etchings stand out for their precision and reverence for natural forms, making this a compelling addition for collectors of fine prints and works on paper.Artist: Leonard Baskin (American, 1922-2000)Issued: 1970Dimensions: 23.50"L x 29.50"HCountry of Origin: United StatesCondition: Age related wear.
Lot 111
This original etching by acclaimed American artist Sigmund Abeles showcases his masterful ability to capture the human form with emotional depth and technical precision. Numbered 98 of 110, this limited-edition print is a striking example of Abeles’ expressive and figurative style. Best known for his psychologically compelling portraits and figurative works, Abeles’ art is held in the collections of major institutions, including the Museum of Modern Art and the Art Institute of Chicago. Framed and matted, measuring 25"L x 18"H, this piece is a significant addition for collectors of fine prints and contemporary American realism.Artist: Sigmund Abeles (American, b. 1934)Dimensions: See DescriptionCondition: Age related wear.
Lot 141
Choose Your Weapon is a striking color screenprint after the elusive street artist Banksy, reinterprets Keith Haring's iconic barking dog motif within a contemporary urban context. The artwork features a hooded figure in grayscale, face obscured by a mask, holding a chain attached to a stylized white dog with thick black outlines and dripping accents, evoking graffiti's raw aesthetic. Set against a bold red background, this composition critiques modern youth culture, anonymity, and authority while paying homage to street art pioneers. Banksy's ability to merge social commentary with stark, impactful visuals makes this print a highly sought-after piece in contemporary art circles.West Country Prince is an enigmatic artist recognized for creating meticulous replicas of Banksy's iconic screen prints. Employing techniques and materials akin to those used in Banksy's original works, West Country Prince produces hand-pulled screen prints on similar paper, resulting in pieces that closely mirror the originals. The artist's identity remains undisclosed, fueling speculation about potential connections to Banksy or the street art community. These reproductions offer art enthusiasts an accessible alternative to owning high-priced original Banksy artworks.Artist: After Banksy (English b. 1974)Issued: c. 2010Dimensions: 27.50"L x 27.50"HCountry of Origin: BritainCondition: Age related wear. Minor crease on upper left.
Lot 212
A striking giclee screenprint by renowned street artist and designer Tristan Eaton, known for his dynamic fusion of pop culture, comic book aesthetics, and surrealist collage. This unique version from Women of Marvel: The Portrait Collection, in partnership with the comic industry titans Marvel Entertainment. is 1 of a kind from a series of 1,500 original fine-art prints consisting of 26 original hand-painted portraits and hundreds of layered design elements, making it a unique collectible series like no other. Handcrafted by the artist over months using spray paint on canvas, pen and ink, digital design, and custom print making, Eaton then used a custom algorithmic software to create 1500 surprising and beautiful works of art. The results rendering each piece totally unique and one of a kind.This limited edition of 1500 is a reinterpretation of Marvel's X-Men imagery, featuring a fragmented female portrait seamlessly integrated with bold comic-style illustrations, vivid color blocking, and layered typography. The work captures Eaton's signature technique of juxtaposing realism with abstract design elements, paying homage to both classic comic book artistry and contemporary street art. The composition is enhanced with a torn-edge presentation, a gold embossed seal, and a PSA authentication sticker. Eaton's distinct use of textures, halftones, and high-contrast black-and-white portraiture against vibrant pop-art hues makes this a compelling collector's piece for fans of both fine art and graphic illustration. On lower left: 1/1 # 1009. Artist: Tristan Eaton (American b. 1978)Issued: 2024Dimensions: 18"L x 23"HCountry of Origin: USACondition: Age related wear.
Lot 103
This limited edition print by Carl Beam (1943-2005, Canadian), titled Deontic Paradox Koan, exemplifies his signature fusion of Indigenous, historical, and contemporary themes. Known for his experimental mixed-media approach, Beam incorporates layered imagery and text to provoke thought on philosophical and cultural paradoxes. This monochromatic composition is hand-signed by the artist in the lower margin and numbered 134/300, making it a valuable collector's piece. Beam, a trailblazer in Indigenous contemporary art, was the first Indigenous artist to have work acquired by the National Gallery of Canada as contemporary art rather than ethnographic. A compelling addition for collectors of modern Indigenous art and conceptual prints.Artist: Carl Beam (Canadian 1943-2005)Issued: c. 1990Dimensions: 12"L x 16"HCountry of Origin: CanadaCondition: Age related wear.
Lot 172
A striking limited edition print by renowned urban artist Fin DAC, in the Akiko series. This piece showcases his signature blend of traditional and contemporary elements, depicting a modern interpretation of a geisha with bold colors and intricate details. Numbered 42 of 110 and embossed stamp by Graffiti Prints Co., this artwork exemplifies Fin DAC’s unique style and craftsmanship. A must-have for collectors of contemporary street art. Measures 9.5"L x 9.5"H.Dimensions: See DescriptionCondition: Age related wear.
Lot 126
This limited edition woodcut print by renowned artist Leonard Baskin showcases his signature bold contrasts and expressive carving technique. The artwork, numbered 146/175, is hand-signed by Baskin in pencil along the lower margin. Known for his dramatic and thought-provoking works, Baskin was a pivotal figure in 20th-century printmaking and book illustration. This piece is professionally framed with a black border and off-white matting, making it a striking addition for collectors of fine art prints and modern graphic works. Artwork can be unframed and rolled for shipment.Artist: Leonard Baskin (American, 1922-2000)Issued: 20th centuryDimensions: 11.25"L x 14.25"HCountry of Origin: United StatesCondition: Age related wear.
Lot 72
TWO PENCIL SKETCHES OF ISTANBUL GRAND BAZAAR AND ALI PASHA'S TOMB BY COUNT AMEDEO PREZIOSI (1816 – 1882) Istanbul, Ottoman Turkey, and Greece, second half 19th centuryPencil and white wash highlights on paper, comprising a horizontal-format front view of a crowded market scene in the Grand Bazaar of Istanbul, with typical tall ogival arches, and small boutiques and shops on the sides, signed on the lower right corner; and a larger landscape view of a cemetery, with an inscription identifiying the location as the Tombs of Ali Pasha and his sons in Ioannina, Greece, archaeological ruins in the surroundings, white wash highlights enhancing certain architectural details. The Grand Bazaar folio 23.4cm x 29.5cmThe Cemetery folio 23.2cm x 43.5cm Count Amedeo Preziosi (b. Valetta, 1816, d. Istanbul 1882) was a Maltese painter known for his watercolours and prints of the Ottoman Empire, including the Western Balkan provinces of Greece and Romania. Qty: 2
Lot 2236
A Japanese surimono print “Court Lady and Wooden Horse” from the series for the Hanazono Group (Hanazono bantsuzuki) by Totoya Hokkei (1780-1850), inscribed with a poem and signed Hokkei, Edo period circa 1824. The print, including the blue frame measures 18.5 x 21cm and is loosely attached to a larger brown paper backing measuring 33 x 37cmNotes: For comparison see Harvard Art Museum (object number 1933.4.1919) and Museum of Fine Arts Boston (accession number 00.1911); also see auction results for similar prints at Christie’s (12 July 2018 Lot 46) and Bonhams (23 May 2023 Lot 341) The print shows signs of wear, including stains and discoloration, particularly on the backing paper (see images). No visible tears, major damages, or repairs.
Lot 2244
A set of four Japanese prints reproducing a screen painting attributed to Kano Yoshinobu (1552–1640), held by Kita-in Temple, Kawagoe, published in the early 20th century (1917?), depicting a series of Japanese interior scenes under roofs. The back of each print bears handwritten texts stating "published in 1917" along with a seal for the Japanese Gallery Kensington, London. Dimension: 29cm x 45cmNotes: Identical prints are held in the Harvard Art Museum collection (object number 1950.66.3), which entered the museum in 1950. The Japanese Gallery Kensington has been a well-renowned dealer of Japanese ukiyo-e woodblock prints since the 1970s. Good condition with well preserved colours. No noticeable damages or repairs
Lot 2243
A set of six Japanese woodblock prints of 誠忠義士傳 (Biographies of Loyal and Righteous Samurai) by Utagawa Kuniyoshi 歌川国芳 (1797–1861), published in 20th century after the original version in 1847. Each print measures 35 × 25cm, or 47 × 34cm including the black frame. In excellent condition inside the original case.
Lot 2245
A collection of 13 books on Japanese woodblock prints, 20th century, including volumes on renowned masters such as Hokusai, Hiroshige, Harunobu, and others. Dimension: various sizes.All are hardcover books preserved in fairly good condition, except for protector in a couple of books having some small tears
Lot 2238
A group of four Japanese woodblock prints of figural images, by various artists published in or before 1850s, the first of a courtesan in an interior setting by Utagawa Toyoshige 歌川豊重 (Toyokuni II 1777-1835) published from 1825 to 1835, dimension: 24x36cm; the second depicting a seated woman playing a drum by a stone monument with a man looking down by Utagawa Kuniyoshi 歌川国芳(1798-1861) published circa 1845, dimension: 25x36cm; The third depicting a warrior hiding behind a tree and holding a drawn sword, watching someone playing flute in the background, by Utagawa Kuniyoshi 歌川国芳(1798-1861) published in 1852, dimension 24.5x35cm; The fourth depicting a man in front of a window overlooking the famous Atago Hill, by Utagawa Yoshikazu (active 1850-1870) published circa 1850, dimension: 37x25cm.good overall condition with some tarnish and light creases on the paper, the colours are well preserved
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