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Lot 258
Carter (S).- Owen (W) Five Poems number 14 of 20 copies (and 3 hors commerce copies) signed by the artist/printer, printed in black and colours, screen-prints with cut-out overlays in coloured papers by Sebastian Carter, loose as issued in original printed wrappers, uncut, prospectus loosely inserted, original cloth drop-back box with printed label on lid and spine, with original wooden slip-case packaging, 4to, Cambridge, Rampant Lions Press, 2003.
Lot 395
Quain Anatomy of the Arteries 1844 plate vol. only, 87 mounted lithographed plates on india paper, most partially hand-coloured, tissue guards, some damp-staining, especially to versos of mounts, loose as issued, housed in a modern morocco-backed boards drop-back box, 1844; and 4 framed and glazed anatomical prints, v.s.(5)
Lot 125
AFTER SHELDON WILLIAMS `Double Posts and Rails`, `The Find Tally-ho` and `The Finish`, hand coloured engravings, by Charles hunt, published by J McQueen, each 6 1/4" x 12 1/2"; Herbert Bright, after John Constable, The Haywain, signed in pencil by Bright lower right, mezzotint, 10" x 14 3/4" and another mezzotint after Constable, together with three further prints
Lot 16
Dean & Munday (publishers). The New Quizzical Valentine Writer. An Excellent Collection of Humorous, Droll, and Merry Valentines, c.1820, aquatint frontis. with orig. hand-colouring (frayed & fre closed-tears to margins, loose & some adhesive tape to inner margin), some offsetting to title, orig. printed wrappers, edges frayed & some dust-soining, old spine repair, slim 8vo, together with Darton & Clark (publishers), The New Nursery Alphabet, c.1830, hand-col. wood eng. illusts. some dust-soiling and few marks, orig. prints wrappers, dust-soiled and some wear, slim 8vo. (2)
Lot 288
Bond (Vida, 20th century). A collection of approx. 30 original illustrations and drawings, c.1950s, including book cover designs, pen and wash illustrations, life drawings, etc., various sizes, together with numerous woodcut prints by Boyd, and a collection of ten 1930s original and printed book illustrations by H.M. Crabtree including work used to illustrate Walter de la Mare’s ‘Memoirs of a Midget’ and Mary Webb’s ‘Precious Bane’, comprising four drawings in pen and ink, charcoal and pastel and monochrome gouache, and six colour lithos. (approx. 50)
Lot 843
TRADE CATALOGUES. THE NOTTINGHAM BUILDER`S BRICK CO LTD CATALOGUE OF PATTERNS 1898 two copies; Walter McFarlane & Co, Glasgow, Illustrated Catalogue of McFarlane`s castings, seventh edition, vol 1, section 1, rain-water pipes and connections, ears and heads, folio, with - section one, soil and drainpipes and connections, ventilation pipes, cable pipes (two copies) [c1890], Mellowes & Co Ltd, Sheffield - Metal Windows, colour illustrations [c1920], three others; several Victorian and other 20th century photographs of Nottingham, including a street scene, c1880, mounted albumen and silver prints and a builder`s ms estimate for extensive alterations and additions to the Star Brewery of James Shipstone & Sons Ltd, February 1925, 58 folios (qty)
Lot 891
CHARLES NICOLAS COCHIN (1688-1754) AFTER CHARLES-NICOLAS COCHIN (1715-1790) DECORATION DU BAL MASQUÉ DONNÉ PAR LEY ROY... A L`OCCASION DU MARIAGE DE LOUIS DAUPHIN DE FRANCE... LA NUIT DU XXV FEVRIER MDCCXLV; [A COMPANION] a pair, the latter proof before letters, etchings, 1745-54, printed later, trimmed to or within platemark, 46 x 77cm; with two similar prints (4). ++ All with light time stains etc, printed on stout wove in the later 19th or early 20th c. The unlettered print with central vertical crease
Lot 895
SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) SPANISH WHEELWRIGHTS. drypoint, signed by the artist in ink and numbered XXIII of an edition of, probably, 75 published by Alex. Reid & Lefevre, London and W B Simpson, Glasgow in 1931, 24.5 x 32.5cm Flint`s superb drypoints, some of the finest prints produced in Britain in the first half of the 20th century, were all executed between 1928 and 1935 when eye strain forced him to give up the burin. Of the sixty-six subjects only about half were issued in small editions. Of Spanish Wheelwrights, he wrote `As this subject was so attractive I deliberately tried to make it as impressive as possible. It developed from a drawing of an interior of a noble house fallen from its high estate in a sun-bleached Castilian village. All the mechanical details are authentic but the dark central recess is an invention of my own.`. ++ A fine `velvety` impression which appears to be in very good condition although unexamined out of the frame on the (clean) wooden backboard, the label of the Regent Gallery, formerly Armstrong Gallery, Glasgow
Lot 898
LAURENCE STEPHEN LOWRY, RA (1887-1976) THE BEACH; DEAL. two, as issued, printed in colour or monochrome, both signed by the artist in pencil and ball-point pen respectively and with FATG blindstamp, published by Venture Prints Ltd in an edition of 850 in 1973, 28.5 x 52cm and 17 x 24.5cm (2). ++ Both in fine condition
Lot 1090
A RARE QUEEN ANNE CHESTNUT CHEESE PRINT, DATED 1706 carved with the initials MM, tridents and roundels, 35cm diaM. Cheese prints were used on special occasions for impressing a design on a cheese whilst in the vat. See Pinto (Edward H), Treen and Other Wooden Bygones, 1969, p102 and for an illustration of a 17th c Royal Stuart commemorative example, also in chestnut, see plt 103. Pinto also illustrates a Royal Victorian cheese print carved of, probably, mahogany as the following plt.. ++ In very good condition consigned by executors of a local deceased`s estate and almost certainly in that family`s ownership for many years
Lot 87
A DATED WHITEWARE MASONIC JUG. finely painted in sepia with emblems and inscribed Thomas Garn 1831 flanked by pluck & dust prints painted in bright enamels of romantic scenes beneath a wide border of flowers and leaves, the handle, lip and rims picked out in brown enamel, 17.5cm h, 1831. ++ Descending crack in the rim, one or two flat surface grazes around the rim but in good overall condition, no restoration
Lot 94
A PEARLWARE CREAM JUG, PROBABLY NORTH EAST ENGLAND. of helmet shape, with two bright purple transfer prints of a rural scene, the rims outlined in blue, the handle painted with a continuous leaf, 15.5cm h, c1820. ++ In unusually finely preserved condition with one or two spots of flaking on the rim of the lip where the blue enamel has not quite taken but this is so small as to be immaterial. No restoration
Lot 655
A quantity of pictures, to include an etching after Thomas Rowlandson, a 20th century lithograph after Daniel Roberts, an engraved map of Monmouthshire, three photographic reproduction prints after D La Vardera and another print of a woman holding a flower indistinctly signed by a different hand, a 20th century Egyptian style motif and a 20th century flower study
Lot 40
* Japan. A fine pair of late 19th c. Japanese photograph albums, each containing fifty hand-tinted albumen prints (with tissue guards), mounted back-to-back on twenty-five thick card leaves, a.e.g., orig. black lacquered papier-mache boards decorated in gilt with ivory onlays, leather backstrips, each contained in orig. padded silk cardstock box (distressed), the lid and sides decorated with printed images of cranes and num. small figures and incorporating the publisher`s name `K. Tamamuri`, dimensions of albums 12 x 16in (30 x 41cm) Images include landscape views, temples and other buildings at Nikko, Chuzenji, Ashio, Akao, Haruna, Miogi, Miyanoshita, Hakone, Nagasaki, Kioto, Kamakura and Tokyo. (2)
Lot 41
* Japan. A late 19th c. Japanese photograph album containing fifty hand-tinted albumen prints by Kusakabe Kimbei, Yokohama, (with his oval ink stamp on front pastedown), mounted on twenty-five thick card leaves, with tissue guards, a.e.g., orig. black lacquered papier-mache boards, the upper board decorated in gilt with a scene showing a lady seated in a rickshaw, (with bone head, hands and feet), backstrip deficient, 11 x 14in (28 x 36cm) Views include landscapes, street scenes, temples and other buildings in Yokohama, Kamakura, Enoshima, Tokaido, Hakone, Fujiyama and Nikko. (1)
Lot 54
Mitford (Bertram). Our Arms in Zululand: Being the Three Great Battles of the Zulu War, in Verse. Together with the Death of the Prince Imperial, 1st ed., pub. Griffith & Farram, 1882, orig. hand-col. illust. of a Zulu shield and crossed spears on flyleaf, four orig. albumen prints on stiff card leaves, a.e.g., contemp. brown full morocco, upper cover lettered and decorated in gilt with a representation of a Zulu shield and crossed spears, small 8vo (16 x 11cm) (1)
Lot 365
* Belgium & Holland. A mixed collection of approx. fifty prints, mostly 18th & 19th century, engravings, etchings and lithographs, including several with original hand colouring, with examples of town panoramas, portraits and topographical engravings including several `Vue D`Optiques`, various sizes and condition (approx.50)
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255176 item(s)/page