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Lot 293
* Schiavonetti (Luigi). To Major Elliot, the Officers and Gentlemen of the Westminster Volunteer Cavalry.....a Party of the Corps performing the Attack and Defence at Speed, pub. Sydm. Edwards, July 1st. 1801, fine stipple engraving with orig. hand colouring, some marginal fraying & closed tears, some dust soiling largely confined to margins, occ. spotting, 545 x 685 mm, framed, mounted and glazed. Ian Mackenzie, British Prints Dictionary and Price Guide, pp.304. Not examined out of frame. (1)
Lot 299
Scrap album. A fine quality and varied album, 1820s, containing 26 watercolours of flowers and untitled English and Scottish (or Alpine?) views, a few gouache scenes including a view of Newport in Pembrokeshire, several pencil drawings mostly copies of engravings, three watercolours on crepe paper (some flaking), several engraved prints, many items loosely contained, contemp. blindstamped plum full sheep, a little wear to extrems., 29.4 x 24cm (1)
Lot 300
Scrap album. A good quality album, 1830s-50s, comprising about 15 watercolours including untitled views (many Italianate or Alpine), portraits, etc., a small gouache of the grotto at Pausilipo near Naples, ink or pancil drawings including copies of prints, some tipped-in engravings, etc., a.e.g., orig. blindstamped buckram, lower cover detached, 23.4 x 19.5cm (1)
Lot 302
Scrap album. A good album containing drawings and prints on various subjects, c.1840s, including approx. 45 watercolours of flowers and butterflies, approx. 80 pencil drawings of views, some titled incl. Blackwood Bridge and Cowdray House in Sussex but mostly untitled English rural scenes, some portraits and prints, contemp. plum half morocco, 38 x 28cm (1)
Lot 305
Scrap albums. Two mid 19th century albums, the first containing approx. 40 pencil drawings of mostly topographical views, incl. Kirkstall Abbey in Yorkshire, cottage at Ambleside, Ross Church, etc., also containing numberous carte de visite photographs of families presumably with a connection to the original owner, 30.5 x 25cm, the other album containing mostly prints of various subjects, contemp. bindings, rubbed, 30.5 x 25cm (2)
Lot 306
Scrap albums. Two mid 19th century albums, the first containing approx. 18 watercolours and 20 pencil or ink drawings, incl. views in Cornwall, Norfolk & Hampshire and some very good studies of flowers, contained in a worn vellum binding, 27 x 22cm, together with another album some pencil views and numerous prints, 29 x 24cm (2)
Lot 551
Vengeur-d`Orsan (Dr. A). Our Satellite, a Selenography according to the present state of science, part one only, 1862, photographically illustrated and including two albumen prints showing magnified portions of the lunar surface adjacent to Tycho and surrounding districts (approx. 18 x 21cm), contents loose in orig. linen-backed litho. pictorial stiff wrappers, ex-lib. with several ink stamps, some soiling and wear, spine frayed, folio (1)
Lot 561
Dufy (Raoul). Ten Colour Collotypes After Watercolours, Selected and with an Introduction by Max Huggler. With a Foreword by Sir John Rothenstein, pub. Oldbourne Press, 1961, ten window-mounted coloured prints, each 13 x 10 in (33 x 25cm), orig. printed boards with linen backstrip, tall folio. Limited edition 74/200. (1)
Lot 562
Flint (Sir William Russell). Sir William Russell Flint 1880-1969. A Comparative Review of the Artist`s Signed Limited Edition Prints, by Keith S. Gardner and Nigel D. Clark, oub. Sir William Russell Flint Galleries Ltd., Bristol, 1986, numerous col. and b & w illusts., orig. publisher`s half morocco gilt, folio. Limited Collectors Edition 780/1500. (1)
Lot 563
Flint (Sir William Russell). Sir William Russell Flint 1880-1969. A Comparative Review of the Artist`s Signed Limited Edition Prints, by Keith S. Gardner and Nigel D. Clark, oub. Sir William Russell Flint Galleries Ltd., Bristol, 1986, numerous col. and b & w illusts., a.e.g., orig. publisher`s morocco gilt, folio, contained in orig. slipcase. Limited De Luxe Edition 364/500. Ex libris bookplate of Sir William Russell Flint. (1)
Lot 602
Durer Album. Herausgegeben von W.v. Kaulbach und A. Kreling, Nurnberg, n.d., c. 1870, forty-two b & w plts., contemp. panelled tree calf gilt by Potter & Son, upper hinge cracked, large 4to, together with Salviati (P.), Ricordo di Venezia, n.d., c. 1880s, eighteen albumen prints mounted on thick card, orig. gilt-dec. cloth, some wear to spine, oblong folio, with other miscellaneous books, mostly large-format (2 cartons)
Lot 604
Flower (Mark, Crawford, Donald and Juler, Caroline). Charles Johnson Payne `Snaffles`. Being A Selection of His Hunting and Racing Prints, Millwood Press, New Zealand, 1983, eighty-two tipped in col. reproduction plts., orig. plum quarter morocco gilt, in presentation case, oblong 4to (limited edition 128/750), together with Mordaunt (Sir Charles and Verney, Hon. and Rev. W.R.), Annals of the Warwickshire Hunt, 1795-1895, 2 vols., 1896, photogravures and maps, some spotting, t.e.g., orig. cloth gilt, rubbed and faded on spines, tall 8vo, with other miscellaneous books, photograph albums, etc. (2 cartons)
Lot 489
BUNNAHABHAIN AULD ACQUAINTANCE-1968 Distilled 31st December 1968, bottled 2002. Distilled and bottled by Bunnahabhain Distillery. Limited edition, bottle is one of 2002. In original tube. This Lot comes with two prints of the Distillery, one signed by John MacLellan, tartan tie, bag tag, pen and telescopeSingle malt, 70cl, 43.8% volume.
Lot 509
Alison Neville b.1945- "Santa Maria del Carmine"; etching printed in colours, signed, titled and numbered 83/100 in pencil, 76x54cm: together with one other similar etching in colours by the same hand titled "Notre Dame", signed, titled and numbered 31/100 in pencil: Russell Baker b.1958- "Sea VIII"; mixed technique screenprint with gold, signed, titled and numbered 72/350 in pencil: together with one other similar mixed technique print by the same hand, titled "Ariel II", signed, titled and inscribed `A/P` in pencil: Mary Rose Owell, late 20th century- Untitled; mixed technique print, signed and titled in pencil: together with three other prints by the same hand from the same suite, all similarly signed and inscribed in pencil: Jo Webster, late 20th century- "Omaji 16"; mixed technique print with gold, signed and titled in pencil: Lou Neaman, late 20th century- "Motion Series Cno.2"; monoprint in colours, signed and titled in pencil, (10) (may be subject to Droit de Suite)
Lot 516
Marco Carlone 1742-1796- "Presso Ludovico Mirri Mercante d`Quadri inconto al Palazzo Bernini a Roma"; hand-coloured engravings, a pair, 49x53cm., ea: Johan Martin Preissler, German 1715-1794- "Ornamens de Troisieme Angle du Salon de la Guerre", after Charles le Bru; engraving, 40x36cm: After Marc Chagall 1887-1995- Mother and child by a tree with a donkey; colour reproduction print, signed within the plate, 68x55cm: Rodman, mid-late 20th century- "October V"; aquatint printed in colours, tondo, signed, titled and inscribed `a.p.` in pencil, 59cm., dia: After Charles George Lewis 1808-1880- "The Melton Breakfast", after F Grant; hand-coloured engraving, a 20th century re-strike: together with three other various reproduction prints in decorative frames, (6)
Lot 521
* Jean Albert Gorin, French 1899-1988- Untitled constructivist composition; screenprint in colours, signed and numbered 162/175 in pencil, bears publisher`s blind stamp Denise Rene Editeur, 66x67cm: together with five other prints by the same hand from the same or related suite, each similarly signed and numbered: together with two other colour screenprints of constructivist inspired compositions by the same or a related hand, both signed and numbered 23/175, 61x68.5cm., ea., (8)
Lot 527
* Paul Hogarth 1917-2001- "Marrakech"; lithograph printed in colours, signed and numbered 12/50 in pencil, 52x72cm: Lee Crew, late 20th century- "Energy" and "Light"; screenprints in colours, both signed, titled and numbered 31/100 in pencil, 65x57cm ea: together with two mixed technique prints by an unknown hand, both signed and numbered 23/175 in pencil, 74x92cm., ea., (5) (may be subject to Droit de Suite)
Lot 536
Russell Baker b.1958- "Breakthrough"; mixed technique print on paper, of irregular form, signed and titled in pencil, 47x25cm: together with one other similar mixed technique print by the same hand titled `Transfer`, signed and titled in pencil: S Stewart Liberty, late 20th century- "Sunset, Sussex"; lithograph in colours, signed, titled, numbered 1/4 and dated 91: together with three other lithographs by the same and titled "Sunset Hills", "Four Olives", "Offa`s Dyke", all signed, numbered and dated: A Wilkinson, late 20th century- "Autumn Reflections, Giverny"; photo etching, signed, titled and numbered 22/90 in pencil: together with four other similar prints by the same hand titled "Through Willow Branches, Giverny", "The Willow Tree, Autumn, Giverny" and "Sunset After Rain, Giverny", all signed, titled and numbered in pencil: together with three other prints by different hands, titled variously "Explorer XXX", "Defender VII" and "Blue Sea", all signed and numbered, late 20th century, (13) (may be subject to Droit de Suite)
Lot 537
Charlotte Cornish b.1967- "Deep Waters"; screenprint in colours, signed, titled and numbered 12/15 in pencil, 70x54cm: together with four other similar prints by the same hand, titled "Whitehaven Docks", "Working (it) Out", "Looking for Trouble" and "Whitehaven Dock", variously signed, titled and numbered in pencil: Ford, late 20th century- "Large Red Two- Colourworks"; screenprint in colours, signed, titled and numbered 20/40: together with two other colour screenprints by the same hand titled "Large Red One Colourworks" and "Large Red Seven Colourworks", each signed, titled and numbered in pencil: together with a further large quantity of reproduction prints in matching oak frames, (a lot)
Lot 593
* Ralph Agas/J Maitland, publisher c.1738- "A View of London about the Year 1560"; Published in London, 1738. hand-coloured engraving, 32x48cm: together with three other 19/20th century prints and reproductions, (4) Note: Published as the frontpiece to Maitland`s History of London, engraved bird`s-eye view / plan of Elizabethan London as seen around 1560. The work represents a reduced version of one of the first plans of London, attributed to Ralph Agas, with the city`s major edifices and sites depicted, including The Tower, St. Paul`s, London Bridge and interestingly the Bull and Bear Baiting Rings, Covent Garden and others. The River Thames is filled with various sailing ships and barges. An 85 point legend identifies important points of interest. Enhanced by two armorials (the royal and city crests) and a ribbon style cartouche.
Lot 653
* Joseph Canale 1725-1802- Putti in a classical scene; engraving, after Adrien van der Werff 1659-1722, 46x32cm: Frederick Bacon 1803-1887- "The Prisoner of Gisors" engraving after Wenhert: William Miller "Sunset at Sea after a Storm"; publ. 1849, by J Hogarth, London, engraving after F Danby ARA: together with a large collection of other similar 19th century engravings and prints by and after various hands, (unframed) (a lot)
Lot 1073
Ridinger (Johann Elias). An album of 61 stuck-down engraved, EQUESTRIAN PRINTS (sheets: 320 x 236mm, impressions: 208 x 145mm) in two series comprising 1-15 (No 1: `Presentation de la Lance`) and 1-46 prints (No 1: `Un cheval couvert avec des lunettes ...`) respectively, captions in German and French, final map of the first series with 1cm patch of soiling, landscape format (sheets: 450 x 365mm), quarter brown roan, raised bands, pebbled brown cloth boards. With a small number of loose equestrian prints.
Lot 504
After James Carter 1798-1855- "The Port of Liverpool", after George Chambers, originally publ Dec 1st 1841 by Thos Hague; hand-coloured engraving, this example being a late 20th century re-strike, 57x91cm: together with two similar late 20th century re-strikes of original engravings by David Law after Sir Oswald Brierly and four further reproduction prints of birds, various sizes, (7)
Lot 507
Patrick Procktor RWS RE RA 1936-2003- "Camels, Tomb of Zhu Yuan Shang", from the China Series, suite of eight prints, publ by the Redfern Gallery and Editions Alecto, 1980; hand-coloured aquatint, signed and inscribed `AP` in pencil, 45x60cm: together with one other aquatint from the same series titled "Da Miou Mountains, Kwelin", signed and inscribed `Final Colour Proof` in pencil, 45x60cm., (2)
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255201 item(s)/page