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![Peregrine Books. The Meyers' Illustrations of British Birds. By W. G. Hale, 1st edition, [London & Leeds]: Maggs Bros. an](https://cdn.globalauctionplatform.com/c48d82bc-ed62-44d5-8378-ac9400f91885/745a8faa-9709-4f9f-ba88-aca60111420c/468x382.jpg)
Lot 122
Peregrine Books. The Meyers' Illustrations of British Birds. By W. G. Hale, 1st edition, [London & Leeds]: Maggs Bros. and Peregrine Books, 2007, 44 plates (comprising 2 tipped-in lithographs from Meyer's original folio edition of the Illustrations, 2 uncoloured plates, and 40 tipped-in colour facsimiles of Meyer's original plates), original maroon half morocco, slipcase, folio, number 28 of 40 deluxe copies signed by the author (there were also 80 standard copies), together with: ibid. The Falkland Islands. An Artist's Portfolio. Mandy Shepherd. Written and Illustrated by the Author. With a Foreword by Lord Inge, 1st edition, Leeds: Peregrine Books, 1998, tipped-in colour plates, original blue half morocco, slipcase, folio, number 69 of 350 de luxe copies signed by the artist, from the total edition of 368, Thornton (R. J.). Thornton's Temple of Flora, with Plates faithfully reproduced from the Original Engravings, and the Work described by Geoffrey Grigson, with Bibliographical Notes by Handasyde Buchanan, London: Collins, 1951, facsimile plates (some in colour), tissue-guards, original half cloth, two dust jackets (inner and outer; outer jacket unevenly sunned and with repairs), folio, Ariel Press. British Sporting Prints. Edited by John Cadfryn-Roberts, 1st edition, London: The Ariel Press, 1955, colour illustrations, original half cloth, dust jacket (nicked, soiled and repaired), slipcase (rubbed and marked, staples rusted), folio, and 10 similar natural history reference books, folioQty: (14)
Lot 14
* Darell (Sir Harry Francis Colville). [China, India, Cape of Good Hope and Vicinity. A Series of Thirteen Treble-Tinted Views from Sketches by Lieut.-Col. Sir Harry Darell, Bart., 7th Dragoon Guards], 1st edition, [London: Day & Son, 1852], 13 tinted lithographs on wove paper with additional hand-colouring (including white body-colour), each separately mounted, framed and glazed, framer's pencil annotations to margins (concealed by mounts), pin-holes to corners of images, 'Gateway of Aurungzebe's Daughter's Tomb, at Aurungabad' with damp-stain to lower margin, 'Interior Soupah, Deccan' with repair to lower margin, glass on one print ('Temple and Ruined Fort of Soupah, Deccan') cracked, sheet sizes 55.6 x 36 cm, mount apertures 42.2 x 28.2 cm and reverseQty: (13)NOTESMendelssohn I pp. 414-15; not in Abbey. These thirteen prints were issued bound and with two text-leaves including a title-page and perhaps a list of plates, but no other text. The work is rare: three copies traced in libraries world-wide (one at the British Library and two at the V&A); one other copy has appeared at auction in the last 50 years. ‘Sir Harry Darell served with the 18th Royal Irish on the China Expedition, as aide-de-camp to Brigadier-General Burrell, and was present at the first taking of Chusan (medal). He served also with the 7th Dragoon Guards against the insurgent Boers in South Africa in 1845; also during the whole of the Kaffir war of 1846-7, and commanded the squadron of his regiment at the Gwanga, on the 8th June, 1846, and received two severe wounds in the charge an attack, and his charger wounded in five places’ (The New Army List, No. XLI, 1849, p. 27 n. 3). The prints comprise: 1. Taking of the Island of Chusan by the British, July 5th, 1840. 2. Small Indian Temple. 3. Gateway of Aurungzebe's Daughter's Tomb, at Aurungabad. 4. Parell, the Government House, Bombay. 5. The Caves of Elephanta. Exterior. 6. Interior of the Caves of Elephanta. 7. Hindo Temple, Ellora. 8. Temple and Ruined Fort of Soupah, Deccan. 9. Interior Soupah, Deccan. 10. Charge on the Gwanga, Cape of Good Hope, on the 8th June, 1848. 11. Interview between Col. Hare, Lieut. Governor, and the Caffir Chiefs, at Block Drift. 12. The Troops Crossing the Great Fish River in Pursuit of Cafirs and Cattle, Cape of Good Hope 13. Run with the 7th Dragoon Fox Hounds in Caffir Land, Cape of Good Hope. Although 'The Troops Crossing the Great Fish River' has the imprint of Ackermann in addition to that of Day & Son it is original to the work.
Lot 206
* Daniell (William). Fifteen views from A Voyage round Great Britain, circa 1825, fifteen aquatints with contemporary hand-colouring, two laid on later card, occasional spotting, each approximately 230 x 305 mm, mountedQty: (15)NOTESThe prints comprise of:- Mevagissey Cornwall, Whitehaven Cumberland, North Foreland Light House, The Longships Lighthouse off the Lands End Cornwall, Gorran Haven Cornwall, Boscastle Pier on the coast of Cornwall, The Rope bridge near the Light House Holyhead, Harwich Essex, Steam Boat on the Clyde near Dumbarton, Sunderland Pier Durham, Broadstairs, Ramsgate, Folkestone Kent, The Orford Ness Light House Suffolk, The Entrance to Amlwch Harbour Anglesea [and] Pier at Margate.
Lot 207
* Daniell (William). Fourteen prints from 'A Voyage round Great Britain', circa 1825, fourteen aquatints with contemporary hand colouring, all in good condition with wide margins, each approximately 230 x 305 mmQty: (14)NOTESThe prints comprise of - Liverpool taken from the opposite side of the River, The Towns-end Mill Liverpool, Hull Yorkshire, Boston Lincolnshire, Yarmouth from Gorlstone, South End Essex, Aberdeen, Bridge of Don Old Aberdeen, Leith, Invernernie Bridge, Distant view of Cruachan-Ben taken near Arros Bridge Isle of Mull, Steamboat on the Clyde near Dumbarton, Tenby Pembrokeshire [and] The Lighthouse on Point of Air Flintshire.
Lot 224
* Montaut (Gamy & E.). 1er. Raid Paris-Bordeaux fair en six heures, le 3 Sept 1910 par Bielovucic sur Voisin Monopole cie Aerienne (Paris), Circuit Europeen. 1r. Beaumont 2e. Garros sur monoplan Bleriot moteur Gnome Magneto Bosch Helice Normale, Les Dirigeables Parceval et Gross en manoeuvre à Cologne, Coupe Vanderbilt - Le Match Gabriel - Long Island Railroad au passage a Niveau d'Hicksville, Le Morning Post passe à Brighton le 28 Octobre 1910 moteur Panhard Levassor tissu Hutchinson [and] An untitled view of a monoplane landing at a French military airport, Mabileau & Co. Paris, circa 1910, together six pochoir prints, heightened with body colour, slight spotting and staining, some marginal fraying and some marginal closed tears with slight loss to corners, each approximately 400 x 750, one framed and glazedQty: (6)
Lot 227
* Prints & engravings. A mixed collection of approximately 350 prints, mostly 17th - 19th century, etchings, engravings and lithographs of genre scenes, portraits, classical, religion, historical, British & foreign topographical views, natural history and 'Hogarth', including examples by or after Bartolozzi, Tomkins, Jukes, Edy, J. R. Smith, T. G. Dutton, R. Strange and T. Cook, various sizes and conditionQty: (approx.350)
Lot 228
* Railways. A collection of 54 prints and engravings, 19th century, engravings and lithographs of trains, railway buildings, cuttings and viaducts, including Oesterlein (A. lithographer). Crumlin Viaduct in Süd-Wales, circa 1860, tint stone lithograph after R. Baumeister, occasional repaired marginal closed tears, 350 x 550 mm, together with Ingrey & Madeley (lithographers). The Railway at Cheshunt in Hertfordshire; Invented by Henry R. Palmer, Civil-Engineer, circa 1850, hand-coloured lithograph narrow margins, laid on later paper, 125 x 280 mm, mounted, with Hake (W. after). The Opening of the Bristol and Exeter Railway as seen from Exwick Hill, circa 1844, hand coloured lithograph, narrow margins, 180 x 245 mm, mounted, with another uncoloured example, plus Davy (Henry). The Eastern Union Terminus, St Mary Stoke, Ipswich, Suffolk. This Railway was opened by the Directors on Thursday, June 11, 1846, uncoloured etching, some creasing and spotting, occasional repaired marginal closed tears, 180 x 260 mm, mounted, and Fordyce (W. publisher). Old Locomotive Engine, Constructed by the Late George Stephenson for Killingworth Colliery, circa 1860, uncoloured engraving, 200 x 260 mm, mounted, with Bourne (J. C.). Avon and Railway, Fox's Wood, printed C. F. Cheffins, circa 1850, hand coloured lithograph, small margins, 185 x 305 mm, plus others similar, various sizes and conditionQty: (54)
Lot 231
Scrap Albums. Five scrap albums, mid-late 19th century, containing engravings and lithographs of genre scenes, natural history, topographical views, domestic animals, sporting, portraits, scraps, greetings cards and historical scenes, partially excised, some prints torn with loss, all the images are laid on linen pages, albums are various sizes and condition but mostly folioQty: (5)
Lot 232
* Sporting prints. A collection of 26 prints, 17th - 19th century, including Barlow (Francis). Coursing Fallow Deer, Hare Hunting, Feasant (sic) Hawking, Partridge Hawking, River Fishing [and] Cony Catching, circa 1671, six uncoloured etchings after Barlow with one attributed to W. Hollar, tipped on to an old album page in three pairs, each approximately 170 x 230 mm, together with Jones (W. D., publisher). Eight humorous sporting prints, 1813, aquatints with contemporary hand colouring, tipped on to old album pages in pairs, each toned overall, each approximately 145 x 210 mm, with Alken (S.). Unkennelling, Hare Hunting, Rat Hunting, Ferreting Rabbits, The Marquis of Salisbury and the Noblemen and Gentlemen of the Harfield Hunt..., Stag at Bay, The Surrey Hunt, Col. Berkley..., of the Berkeley Hunt, Otter Hunting, Duck Hunting, Cock Fighting (Setting to) & Drawing a Badger, Sherwood, Jones & Co. 1823, twelve aquatints by P. Roberts, T. Sutherland, and J. Gelndah, all with contemporary hand colouring, tipped on to old album pages in pairs, each approximately 130 x 210 mm, plus Staines (F. W.). The Harriet Schooner R. Y. S. John Beardmore Esq., A. Hinton, Portsmouth, Ackermann & Co., circa 1850, tint stone lithograph, the title on either side of the coat of arms of John Beardmore, slight spotting, 340 x 430 mm, together with another approximately 100 excised album pages, many with multiple images to a sheet of sporting scenes, juvenalia, topography and genre scenes, various sizes and conditionQty: (approx. 125)
Lot 245
* Ballooning. A collection of 21 prints and engravings, mostly 19th century, aquatints, etching, engravings and lithographs, including Bonnington (R.). The Ascent of Mr Sadler the Celebrated British Aeronaut at Nottingham November 1st 1813, published by R. Bonnington, Nottingham, Jany. 17th, 1814, aquatint with contemporary hand colouring, 405 x 260 mm, together with Alvey (F. lithographer). The Vauxhall Royal Balloon, Formed of 2000 yards of silk and capable of ascending with Twenty Eight Persons, beside ballast and Apparatus..., First Ascent with 9 Persons made from Vauxhall September 9th 1836, William Spooner, circa 1836, uncoloured lithograph, upper right corner torn and repaired but not affecting image, one repaired marginal closed tear, slight dust soiling, 285 x 230 mm, with Lake (W. lithographer). The Ascent of the Royal Nassau Balloon from Vauxhall with the Parachute attached [and] The Fatal descent of the Parachute by which Mr Cocking lost his life. The Sketch taken by an Eye-witness, William Follit, Leicester Square & Reeves & Sons Cheapside, circa 1835, two hand-coloured lithographs on one sheet (as published), slight toning and dust soiling, 250 x 335 mm, plus Cauci (P. lithographer). A View in the Neighbourhood of Sevenoaks, selected by Mr T. R. Joliffe and Professor Cornillot for the scene of their first aerial ascent..., circa 1825, tint stone lithograph, some old tape and adhesion scarring to lower margin, not affecting title or image, very slight spotting to margins, 190 x 215 mm, and Murray (J. publisher). The ascent of Mr Sadler and Captn. Paget from Hackney, 12thg August 1811 from a drawing taken on the spot, August 19th [1811], uncoloured etching, 255 x 170 mm, with Pollard (R.). The Natives of Tornea Lapmark assembled at Enontekis to witness the launching of the first Balloon within the Arctic Circle, T. Cadell & W. Davies, 1819, uncoloured engraving after E. D. Clarke, 160 x 210 mm, plus Senell (J. publisher). View of the Ascent of Mr Lunardi's Celebrated Air Balloon from the Artillery Ground, Sept. 15th 1784, The European Magazine, Oct. 1784, uncoloured engraving, 230 x 170 mm, with others similar, various sizes and conditionQty: (21)
Lot 272
* London. Parrott (William), Six lithographic views of London, originally published in 'London from the Thames', Henry Brooks, November 1841, six (of twelve) hand-coloured lithographs, slight mount staining, each approximately 270 x 430 mmQty: (6)NOTESAbbey Scenery 237. The prints consist of - Somerset House St Paul's & Blackfriars Bridge from Waterloo Bridge, Chelsea with part of the old church and Sir Hans Sloane's Tomb, London Bridge from the Pool, Ship Building at Limehouse The President on the Stocks, The Pool looking towards London Bridge [and] The Pool from London Bridge. Morning.
Lot 274
* Maritime. A collection of eight engravings, 17th & 18th century, uncoloured engravings, including Garrett (John, publisher). Untitled engraving of a warship, printed and sold by John Garrett at his shop next ye Exchange in Cornhill: where ye may have all sorts of Large and Small Mapps, Books, Books for Drawing and Coppy Books and Choyce of very good prints, circa 1700, uncoloured engraving, some creasing, slight spotting and staining, 380 x 465 mm, together with Schenk (Petrus). A 4th rate Dutch men of war, English built, hawling up her forsail, circa 1700, uncoloured engraving, titles repeated in French and Dutch, 215 x 340 mm, with Jenner (Tomas). Untitled print of a warship, possibly the 'Sovereign of the Seas, 1653, uncoloured engraving, trimmed to the image on three margins, old folds, tipped on to modern card, 200 x 245 mm, mounted, plus Merian (Matthäus). Abbildung der Statt un Rivier von Rochester, Chetham etc..., circa 1677, uncoloured engraved prospect of the Dutch raid on the River Medway in 1667, 145 x 375 mm, mounted, and Asbeeldinge vande twee Bloedige Zeeflagen gehouden op den 7 en 14 Juny 1673..., untitled uncoloured engraving of a sea battle, trimmed to neatline, 180 x 300 mm, mounted, with another three similarQty: (8)
Lot 53
Rona Swallow: "Wood Chip", lino/woodcut, signed in pencil, 31 x 29 cm, framed and glazed; Robert R Greenhalf: "The Gleaners", limited edition coloured etching, signed in pencil, 17 x 17 cm, framed and glazed; a Hogarth print; H B Thorpe: Nether Alderley Mill and a similar work, 2 artist signed limited edition prints; a selection of coloured prints, framed and glazed, other pictures and prints
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255176 item(s)/page