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255201 item(s)/page
Lot 596
Keith Baldock (20thC). Sea harvest, artist signed limited edition print, 25cm x 36cm, Steve Farrow Ross Jackal, print, signed, various still life prints, other pictures, frames, tipping prints, Oriental figure prints, a plaster style shield marked with hood set with crow and anchor, etc (a quantity).
Lot 599
After Morris. Sunset, print, 51cm x 18cm, another Misty Sunrise, Hogarth print, prints, pictures, frames, after McDonald, The Quarrel and Reconciliation and Finis, after Wheatley, Hot Spiced Gingerbread Smoking Hot Cries of London Style glass print and another, various prints, pictures, frames, etc. (a quantity)
Lot 257
A World War II German Third Reich book, "Der Kampf im Westen" (the struggle in the West). Containing metal folding stereoscope and 100 slides by Raumbild-Veralg of Munich chronicling the German push to France in 1940. Scenes to include a German gun battery firing, Germans crossing the Rhine, The arrival of General Busch, surrender of French troops & Hitler leaving the armistice train carriage following France's surrender. The book also contains eight colour prints relating to the invasion. Spine defective and fading to front boards.
Lot 171
Aviation Prints. 14 limited edition colour prints, comprising Lothian (Graeme), Combat over Normandy, signed by Johnnie Johnson, Pete Brothers, Geoffrey Page and the artist, sheet size 56.5 x 81cm (2), Lothian (Graeme), Fighting Lady, signed by the artist, sheet size 57 x 81cm (2), Lothian (Graeme), Ranger, signed by Johnnie Johnson and the artist, sheet size 39 x 62cm (2), Holt (Alan S), Foes, now Friends, signed by Johnnie Johnson and the artist, sheet size 49 x 59cm (2), Belling (Ron), The Sailor, signed by Johnnie Johnson, sheet size 32 x 43cm (2), Belling (Ron), Winged Victory, signed by Harry Walmsley, Peter Cowell, Ross Harding, Johnnie Johnson, Terry Spencer and the artist, sheet size 60 x 70cm (2), Smith (Simon), Combat over the Pas De Calais, signed by Johnie Johnson and the artist, sheet size 43 x 60cm (2), all unframedQty: (14)
Lot 172
Aviation Prints. 14 limited edition colour prints, comprising Lothian (Graeme), Combat over Normandy, signed by Johnnie Johnson, Pete Brothers, Geoffrey Page and the artist, sheet size 56.5 x 81cm (2), Lothian (Graeme), Fighting Lady, signed by the artist, sheet size 57 x 81cm (2), Lothian (Graeme), Ranger, signed by Johnnie Johnson and the artist, sheet size 39 x 62cm (2), Holt (Alan S), Foes, now Friends, signed by Johnnie Johnson and the artist, sheet size 49 x 59cm (2), Belling (Ron), The Sailor, signed by Johnnie Johnson, sheet size 32 x 43cm (2), Belling (Ron), Winged Victory, signed by Harry Walmsley, Peter Cowell, Ross Harding, Johnnie Johnson, Terry Spencer and the artist, sheet size 60 x 70cm (2), Smith (Simon), Combat over the Pas De Calais, signed by Johnie Johnson and the artist, sheet size 43 x 60cm (2), all unframedQty: (14)
Lot 173
Aviation Prints. 14 limited edition colour prints, comprising Lothian (Graeme), Combat over Normandy, signed by Johnnie Johnson, Pete Brothers, Geoffrey Page and the artist, sheet size 56.5 x 81cm (2), Lothian (Graeme), Fighting Lady, signed by the artist, sheet size 57 x 81cm (2), Lothian (Graeme), Ranger, signed by Johnnie Johnson and the artist, sheet size 39 x 62cm (2), Holt (Alan S), Foes, now Friends, signed by Johnnie Johnson and the artist, sheet size 49 x 59cm (2), Belling (Ron), The Sailor, signed by Johnnie Johnson, sheet size 32 x 43cm (2), Belling (Ron), Winged Victory, signed by Harry Walmsley, Peter Cowell, Ross Harding, Johnnie Johnson, Terry Spencer and the artist, sheet size 60 x 70cm (2), Smith (Simon), Combat over the Pas De Calais, signed by Johnie Johnson and the artist, sheet size 43 x 60cm (2), all unframedQty: (14)
Lot 179
Lea (G.E., active 1980s). Dakota over Burma, oil on canvas, signed and 19(87) lower right, 51 x 76.5cm, framed, manuscript label to verse inscribed '48 Squadron C47 Dakota over Burma' with a list of the crew, together with a mixed collection of colour prints including Spitfire Mk.XVI-TB752 No.403 (R.C.A.F.) 'Wolf Squadron) showing a side profile of the aircraft and signed by Al Deere and Johnnie Johnson, 29 x 41cm, framed and glazed (frame size 41 x 52cm), another print titled 6th June, 1944, numbered 249/250 and signed by Bernard Hyde (Flt Lt, 271 Sqn RAF Down Ampney' image size 25 x 43cm, framed and glazed (frame size 54 x 68cm), other prints include No.2 Staging Point Meiktila Burma 1945, signed by Frank Wootton 19.5 x 26cm, mount aperture, framed and glazed (frame size 37 x 44cm) and other prints plus plus a collection of 48 squadron memorabilia including a tapestry cushion with squadron badge for 48 and 271 squadrons and a quartz clock with squadron badge, two framed embroidered squadron badges for 48 and 271 squadrons, each framed and glazed 25 x 29cmQty: (10 frames + a carton)
Lot 339
Ships Crests. A mixed collection of maritime collectables, including ships crests for HMS Drake, Cambria, Malabar, Pembroke, Flying Fox, Nato, Tamar, Dartmouth and Vernon, all-composite and mounted on a wooded shield, together with a brass model of a 21 inch Mk IV torpedo made by a Whitehead Artificer at HMS Vernon 1935, 27cm long, 5 ships in a bottle, a small three-blade propeller, a rusted cannonball, Zulu throwing spear, various nautical prints and other itemsQty: (2 cartons )
Lot 382
Military Photographs. An album containing 16 black and white photographs (10.5 x 15cm) of 9th Queen's Royal Lancers at their Kingston camp, Lewes, Sussex in the summer of 1911, including a photograph of Major General E.E.H. Allenby, Inspector of Cavalry (later to become famous in the Middle East campaign), all tipped in the album and printed Reaves Lewis below, the soft brown leather album 22 x 31cm, together with another album for 1st L.R.V. Marching Column, Ayr, Dalmellington, Patna Easter 1899, containing 48 snapshot monochrome photographs showing parades, training and marching, the album 23 x 15.5cm, an album compiled by Colonel F.C. Wemyss, Commandant 3rd and 4th Battalions Duke of Wellington's West Riding Regiment 1884, the album records his military and career and includes newspaper cuttings, colour military prints, invitations, menus, letters and large photographs (pasted in the album) 15.5 x 20.5cm, another album with photographs relating to the East Kent Volunteers circa 1899, showing the regiment embarking for the Boer War, barrack life, officers, cyclists, troops and daily life, approximately 47 photographs, various sizes including 15.5 x 20cm and 10 x 7.5cm, plus an album of loose military photographs circa 1890, some captioned for example Bicycle Gymkhana at Sunderland Barracks June 1897, The Wicklow Artillery Camp etcQty: (5)
Lot 469
Annan (Thomas). Memorials of the Old College of Glasgow, 1st edition, Glasgow: Thomas Annan & James Maclehose, 1871, 41 mounted carbon prints (15 views & 26 portraits), mostly approximately 18.5 x 24 cm or the reverse, tissue guards, a little mostly marginal spotting, all edges gilt, original red morocco-backed cloth gilt, rubbed, some fading and corner wear, 4to (36 x 27 cm)Qty: (1)
Lot 475
Australia & Papua New Guinea. An album containing approximately 190 photographs, c. 1917-20, gelatin silver prints including some real photo postcards and mostly postcard size (8 x 13.5cm) or slightly smaller, pasted as multiples onto rectos and versos of paper album leaves with ink captions, approximately 23 photos loose including 10 real photo postcards, some with inscribed details to versos and some with stamp of photographer John S. Hoskins of Sydney, a total of approximately 60 Australia and 130 Papua New Guinea interest, the Australian photographs mostly pasted at the front of the album with a few at the end, including scenes of the Timber Lands of Atherton Tablelands [near Cairns, Queensland] including timber felling, cutting sugar cane, Mission people and children, a broken jetty at Cardwell after the Cyclone, 1917, Crossing the Johnstone River by Ferry, etc., three Aboriginals detained for murder of a missionary in North Queensland; the Papua New Guinea photographs predominantly of indigenous people, activities including sago pith beating, gathering nuts at Gili Gili, latex rubber factory production (including three larger photographs, 10.5 x 17cm, on two separate album mounts), the Vermauri River and Plantation, Laloki copper miners, Albino native of Trobriand Islands, Port Darwin natives, Villagers of Isuleilei, etc., contemporary linen-backed boards, soiling and wear, backstrip deficient and covers near detached, oblong folio (25 x 30cm), together with a large collection of approximately 450 related roll film negatives, 8 x 13.5cm, many loose and unsorted and unidentified but including over 200 in three contemporary negative film wallets, featuring similar Mission scenes and people, farming, fishing, working and village scenes, scenes from both Australia and Papua New Guinea, one of the cloth wallets with ink signature of J.S. Hoskins, and presumably all taken by him, some negative sleeves with captions and one wallet with legible index at rear, wallets damp frayed but contents largely unaffectedQty: (an album & 450 negatives)Footnote: An interesting and large photographic archive covering various economic activities with indigenous people in both Queensland, Australia and Papua New Guinea. The photographs would appear to have mostly been taken by John S. Hoskins of Sydney between around 1917 and 1920. Commercial rubber was first planted in Papua New Guinea in 1903 with most production in the Australian Territory of Papua (now the Southern Region of Papua New Guinea). The Australian interest in copper mining in Papua began in earnest around 1912.
Lot 476
Bear Hunters. Three photographs of Russian bear hunters with their kills, gelatin silver prints, one dated 30.12.09 in the image, the other two probably slightly later, 12 x 17 cm and smaller, mounted on to 3 uniform card album leaves, together with: Schiller (Anna). Oil 'blow-outs' at Campina, Romania, c. 1907, 3 matte gelatin silver prints, photographer's blind stamp to edge of each print, 30 x 23.5cm, original window mounts, some foxing and corner chips, plus a group of 21 photographs of a Debenhams Longman & Co. Ltd. furniture factory, possibly Matthews Company factory, Gloucester, c. 1930, 22.5 x 29.5cmQty: (27)
![Bourne (Samuel, 1834-1912). Bridge near Srinuggur [and] Gooroo-ki-Mandi or Temple of the Hindoo Saint, both c. 1865, albumen](https://cdn.globalauctionplatform.com/0e340770-eaaa-491f-b03e-add000d303e1/d1c25a10-9e74-48a1-9f06-add700bb3d21/468x382.jpg)
Lot 484
Cain of London. A large photographic archive of gay and leather fetishism photographs by Cain of London [Anthony Clifford Burls], late 1960s/1970s, mostly vintage photographs of posing male models, many with leather fetishism interest, some on motorbikes but largely indoor studio shots, model names identified including Guy, Eric, Dave James, Scott Richardson, a total of 51 vintage gelatin silver prints with Cain stamps or credit labels to versos, 20 x 25cm, plus a further 24 similar with Anthony C. Burls stamps to versos, and a further 42 without credit stamps including 4 of Wolfgang von Jürgen (plus signed publicity leaflet for Tony and 3 typed letters signed to Burls including one aspiring to be a model, dated 27 July 1970), together with a large group of over 300 x 35mm contact print images, many on 30 sheets of eight contacts but including some sheets partly cut up, plus related photographs by 'Cain' including a series of 30 photographs of fairgrounds and male fairground workers, many with shirts stripped off, plus a further 30 photographs of amateur football teams and footballers, (including a small number of negatives), plus an assorted group of approximately 200 photographs including young male models, head shots, car rallying and assorted subjects, mostly postcard sizes and smaller but including a small number of large format photographs, plus a small quantity of printed ephemera including 4 small Cain of London catalogues, photograph price lists (with UK and US prices), plus an original certificate of registration of business name for Burls to be Cain of London, dated 2 May 1968, and another for the business name Cain of London dated 6 August 1969Qty: (an archive )Footnote: An extraordinary photographic archive of gay and leather fetishism history, obtained by the owner from the estate of the photographer. The Sexual Offences Act was passed in 1967, decriminalising private homosexual acts between men aged over 21, while at the same time imposing heavier penalties on street offences. So while these photographs were taken in this more liberal new era the risks and challenges would still have been great. Some of the male models for 'Tom' Cain's photographs were gay but many were straight and not having the right leather gear of their own had to borrow from Cain's limited wardrobe. Due to the risqué content finding publishers for catalogues was near-impossible and Cain and friends had to make these improvised home-made photocopied catalogues. One stapled 4-page photographs price list has printed, (with remarkable social historical foresight), the words 'First Edition' on the upper wrapper.
Lot 486
Canada. An album containing 38 postcard-size photos including 14 real photo postcards (5 postally used), of figures and scenes in Klondyke, Yukon, Hamilton Bay, etc. early 20th century, together with 8 related gelatin silver prints of various mostly small-format sizes, all corner-mounted into a decorative cloth postcard album, slight wear, slim 4toQty: (1)
Lot 492
Caneva (Giacomo, 1813-1865, attributed to). A group of 14 salt prints, early 1850s, subjects include a seated young woman in part-profile, 185 x 155 mm, a male figure on a horse with stable help (two images, one 50 x 195 mm & 145 x 190 mm), three studies of religious figures and one of a young woman with infant, images 23 x 11 cm and similar, plus seven studies of livestock, mostly oxen but including one horse and one goat, the largest 150 x 205 mm, the smallest 98 x 64 mm, some occasional soiling and a few small marginal tears and splits, individually mounted on contemporary paper mountsQty: (14)
Lot 506
Cuba. A group of 19 albumen prints, c.1890s, mostly of Havana and environs, the largest photograph of Havana harbour showing two steam ships (B.K.T. and Kit) crossing harbour with some old galleons, titled 'Havana Panoramic' in image lower left, 17.5 x 23 cm, contemporary card mount with ink caption beneath dated 1895 and a slightly smaller photograph with negative caption, '547 Pictures of Cuba. Panorama of the Yumuri Valley', one further mounted photograph of Old Havana with ox carts, people and sacks of sugar beet, 13.5 x 21.5 cm, the remaining photographs loose, 3 by Ramon Corral with his name and negative number in image, showing San Francisco Church, the US flag raising over Morro Castle in 1899 to mark victory over Spain, and an old sugar mill outside Havana, each 11.5 x 16.5 cm and similar, the other loose photographs, many with pencil inscriptions to verso, and untitled including scenes of children carrying sugar cane outside Havana, a well dressed group of people in a simple village, San Juan River, 3 more views of Morro Castle, remains of battleship 'Maine' (corner tear without loss), buildings, monuments, mules, etc., mostly 11 x 16 cm and similar sizesQty: (19)
Lot 515
Egypt. A photograph album of Egyptian government vehicles, 1919-20, 48 window-mounted gelatin silver prints, showing government garages, motorcycles, Cairo fire brigade van, repairs, loading of vehicles on trains and boats, cars and ancient monuments, street scenes, etc., fever hospital/GPO vans, early registration numbers in images identified as 73 EG, 90 EG, 102 EG, 123 EG, etc., images 8 x 13.5 cm, a complete album without annotations, photographer's name inscribed on small ticket at rear, 'Verner-Furlong', original cloth with 'Mechanical Transport/Ministry of Communications' label to upper cover, rubbed, small folioQty: (1)Footnote: The photographer is probably 2nd Lieutenant William Albert Verner-Furlong of the Royal Flying Corps.
Lot 519
Franco-Prussian War. Siege de Paris 1870-71. 7ème Bataillon, panoramic albumen print photograph by Disdéri, some fading and marks, uneven central line where two photographs cut and jointed, photographer's stamp lower right, 16 x 50 cm, original mount within red rule with photographer's studio stamp lower left and large ink caption at foot, framed and glazed, together with 6 related albumen prints of Sédan and ruined buildings, 19.5 x 25.5 cm and similar sizes, on contemporary mounts with ink captions at footQty: (7)
![Hyman (Caroline, 1944-). Pomegranates I [and] II, c. 2005, a pair of hand-coloured sepia-toned gelatin silver prints on card,](https://cdn.globalauctionplatform.com/0e340770-eaaa-491f-b03e-add000d303e1/0bb9aa8a-b693-4d0b-a48e-add700bb5e98/468x382.jpg)
Lot 527
Hyman (Caroline, 1944-). Pomegranates I [and] II, c. 2005, a pair of hand-coloured sepia-toned gelatin silver prints on card, images 25 x 25 cm, aperture mounts, the first signed in pencil to lower mount with limitation 1/5, both with pencil titles and limitation numbers of 5 copies to versos, together with 4 others unrelated including 2 Fresson prints from the 'Bordello' series by Vee Speers (1962), both limitations of 20 numbered copiesQty: (6)
Lot 530
India. A group of 24 photographs of the family of the Maharaja of Indore and related court officials, c. 1911, gelatin silver prints including copy prints of earlier photographs of Tukojirao Holkar II & III, from the 1870s and later, images 14.5 x 20.5 cm and similar (and 6 smaller), mounted on rectos of 21 stiff card album leaves with printed captions pasted beneath, the majority showing large groups of Council and Ceremony groupsQty: (24)
Lot 531
India. Views of Benares from the Riverside. Presented by the Maharaja of Benares, c. 1890, 19 mounted albumen prints within red rule borders with printed caption at foot, images 10 x 7 cm, leporello red roan gilt, rubbed, some edge wear, upper joint split and a little loss at head and foot of spine, 16moQty: (1)
Lot 537
Jazz Musicians. A group of 4 large-format gelatin silver prints of jazz musicians, including Archie Shepp at home, Cooper Square, New York, 1967, photographed by Val Wilmer, printed by the photographer, 2003, pencilled details and signature to verso, signed by the photographer in ink lower right, 23 x 34 cm; Ronnie Scott, Gerrard Street, London, 1961, by Val Wilmer, printed by the photographer 2004 with pencilled details and signature to verso, 30 x 27 cm, photographer's embossed stamp to blank lower margin; plus a photograph of the Temperance Seven by Richard Levin, 26 x 25 cm; and an enlarged contact sheet of a 36-shot film, mostly featuring Benny Goodman playing clarinet, 38 x 46 cmQty: (4)
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255201 item(s)/page