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Lot 466
FOUR BOXES AND LOOSE VINTAGE SUITCASES, BOOKS, PICTURES, TYPEWRITER AND SUNDRY ITEMS, to include a Remington Noiseless typewriter with cover, two small vintage suitcases, largest 55cm x 38cm x 18cm, a box of twelve boxed Cordless Electric Mixer Blenders, two evening bags, vintage buttons and buckles, forty eight books in hardback and paperback formats to include antiquarian and vintage titles, literature, humour and cookery, framed prints, early twentieth century photographs and other pictures, etc (4 boxes + loose) (sd)
Lot 492
FOUR BOXES AND LOOSE CERAMICS, METAL WARES AND ELECTRICAL EQUIPMENT ETC, to include Royal Stafford apple blossom part dinner service, floral pattern tea wares with a gilt wavy rim, silver plated tea wares, two Ambiano soup makers - only one power cable, De'Longhi Nescafe Gusto coffee maker - missing water tank, HP and Epson printers, assorted prints etc (ELECTRICAL ITEMS UNTESTED) (4 boxes + loose)
Lot 541
EIGHT QUEEN ELIZABETH I AND QUEEN MARY ENGRAVINGS AND PRINTS, comprising the following Queen Elizabeth: an etching by Charles David after Isaac Oliver, approximate size 22cm x 16cm, print after Isaac Oliver originally published in Heroologia Anglica 1620, an etching by Peter Vanderbank after Edward Lutterell, an etching after William Faithorne circa 1640-1645 with various historic handwriting over the paper, etching after Thomas Coxon, published by Henry Balam, an unidentified print depicting an aging Elizabeth holding a skull instead of the Orb and a further unidentified etching of Elizabeth with text below reading Elizabeth Queene of England, France and Ireland, together with a framed etching of Queen Mary I, engraved by Peter Vanderbank after Edward Lutterall (Provenance: The Arnold Fellows Collection)
Lot 429
THREE BOXES OF CERAMICS AND SUNDRIES, to include a pair of marble and gilt metal table lamps, height 65cm to top of brass fitting, a brass spirit kettle, Mason's 'Fruit Basket' pattern dinner ware, a Royal Doulton HN2401 'Sandra' figurine, a Karl Ens 'Kingfisher' figurine, two mantel clocks, three blue and white Pountney & Son Ltd- Bristol 'Mandarin' pattern covered tureens (one missing lid), oak picture frames, a Crown Staffordshire Colibri 'Column' table lighter, planters, vases, framed prints, figurines, etc. (s.d) (3 boxes + loose)
Lot 481
A SMALL QUANTITY OF PAINTINGS AND PRINTS, to include an indistinctly signed oil on canvas landscape, approximate size 60cm x 90cm, three smaller oil on canvas river landscapes, approximate sizes 20cm x 24cm, a Robert Cox still life study of flowers in a vase, approximate size 50cm x 60cm, reproduction maps etc (1 box + loose)
Lot 427
TWO BOXES OF TREEN AND FRAMED PICTURES, to include framed watercolours, prints and oil an on canvas, a L.W Moorhouse Leach silhouette portrait dated 1901, copper jugs, stainless steel tea ware, two cast iron 'Wheatsheaf' door stops, a pair of 'Barley Twist' candle sticks, wall clock, etc. (s.d) (2 boxes + loose)
Lot 469
DECORATIVE PAINTINGS AND MIRRORS ETC, comprising a large oil on canvas landscape signed Marten, approximate size 60cm x 90cm, landscape oil on canvas signed Cafieri, landscape oil on canvas signed Stevens, approximate sizes 50cm x 75cm, a wall mirror by Next, approximate size 90cm x 60cm, a further unbranded wall mirror, a box canvas triptych depicting a coastal landscape and a deep framed flower artwork, together with photographic poster prints depicting historic military aircraft
Lot 530
A QUANTITY OF PORTRAIT ENGRAVINGS AND PRINTS ETC, to include Algernon Percy Earl of Northumberland engraved by I. Payne after Anthony Van Dyck circa 1635, a further engraving of Percy after Van Dyck, engraving of Martin Luther, a frontispiece to his Divine Discourses at his table published by William Dugard 1652, engraving of George Buchanan after Esme De Boulonois, engraving of Dutch Artist David Beck published by Johannes Meyssens, engraving of Peter Paul Reubens possibly engraved by Wenceslaus Hollar, engraving of 'Will Sommers, King Henrys jester' published by W Richardson 1798, engraving of Lady Mary Sidney, wife to the late Henry Herbert earl of Pembroke, dated 1618 in the plate, William Faithorne engraving of King Charles II circa 1640's, Engraving of Edward Earl of Clarendon engraved by Michael Burghers after a painting by Peter Lely, together with other assorted engravings etc (Provenance: The Arnold Fellows Collection)
Lot 468
A QUANTITY OF ASSORTED PICTURES AND PRINTS ETC, to include to unsigned 19th century landscape studies in charcoal - poor condition, Francis Antoine Bossuet pencil sketch of a Cathedral in Normandie, approximate size of paper 50cm x 35cm - dirty marks to the paper, etching with colours and verse 'Will Watch, The Smuggler Bold' published 1825, printed broadside with hand coloured etching 'Rules and Instructions for playing Skittles' published by G. Kearsley 1786, reprint of 'The Laws of the noble game of Cricket', etchings after Robert Hills comprising studies of horses published 1801 and studies of horses published 1817 together with studies of pigs probably by the same hand, ten engravings from the Frescoes in the Piccolomini library in Siena published 1881 - poor condition, assorted other prints including religious themed prints, some in very poor condition, a framed print of Arnold Fellows after a painting by John Haggis, distressed folio holders etc (Provenance: The Arnold Fellows Collection)
Lot 2028
David Shepherd CBE FRSA FGRA (British 1931 - 2017) 'Giants at rest', 2003 Reproduction hand signed limited edition 703/850 on heavy paper. Measures 52 by 76cm full sheet / 44 by 65cm image. Published by Solomon & Whitehead (Guild Prints) Ltd, 2003 Printed in England Condition is good with no obvious signs of any damage. Comes flat
Lot 2033
David Shepherd CBE FRSA FGRA (British 1931 - 2017) 'Happy Time' 2005 Reproduction limited edition 454/495 on heavy paper. Measures 47 by 86cm full sheet / 36 by 77cm image. Published by Solomon & Whitehead (Guild Prints) Ltd, 2005 Printed in England Condition is good with no obvious signs of any damage. Comes flat
Lot 2039
David Shepherd CBE FRSA FGRA (British 1931 - 2017) 'Tiger in the snow', 2005 Reproduction hand signed limited edition 377/950 on heavy paper. Measures 49.5 by 78.5cm full sheet / 38 by 68cm image. Published by Solomon & Whitehead (Guild Prints) Ltd, 2005 Printed in England Condition is good with no obvious signs of any damage. Comes flat
Lot 2042
David Shepherd CBE FRSA FGRA (British 1931 - 2017) 'In the Masai Mara', 2004 Reproduction limited edition from 261 of 650 hand signed print on heavy paper. Measures 44 by 80cm full sheet / 33 by 70cm image. Published by Solomon & Whitehead (Guild Prints) Ltd, 2004 Printed in England. Condition is good with no obvious signs of any damage. Comes flat.
Lot 2038
David Shepherd CBE FRSA FGRA (British 1931 - 2017) 'The hot springs of Yellowstone', 1992 Reproduction hand signed limited edition 1334/1500 on heavy paper. Measures 51 by 68.5cm full sheet / 35.5 by 56cm image. Published by Solomon & Whitehead (Guild Prints) Ltd, 1992 Printed in England Condition is good with no obvious signs of any damage. Comes flat
Lot 59
â–´ Ronald King (b.1932) 'Slate Lichen II'screenprint in colours, 1966, signed 'Ronald King' in pencil l.r., inscribed with title and numbered '8/50'sheet 101 x 69cm, unframed;Tadek Beutlich (Polish, 1922-2011)'River'screenprint in colours, signed 'Tadek Beutlich' in pencil l.r., inscribed with title and numbered '20/75'sheet 90 x 67cm, unframed, andAndré Bicât (1909-1996)Untitledaquatint in colours, signed 'Bicât' in pencil l.l., numbered '34/60'sheet 61 x 57.5cm, unframed (3)Condition Report'Slate Lichen II': Foxing and staining to the margins with light handling creases. Rips and tears to the sheet edges. A small dirty mark to the red printed area in the lower right quarter, please see images.'River': Time staining and creasing.André Bicât, Untitled: A small tear to th ebottom edge. Foxing to the margins.All of the prints have been previously rolled.
Lot 232
After Joan Miro'Femme et Oiseau VI/X';'Femme et Oiseau VII/X';'Femme et Oiseau VIII/X';'Femme et Oiseau IX/X';'Femme Assise IV'five lithographs in colour on Papeterie F Barjon Moirans Isère wove papersheet 55 x 44.5cm (5) Condition ReportFramed: 70 x 59cmThe prints have been float mounted and appear to be stuck down around the edges. Cockling to the paper with light spot and speckles of surface dust and dirt. Unexamined out of glazed frames. 'Femme et Oiseau IX/X' has text printed to the reverse which is visible through the sheet and appears to read: '22.FEMME ET OISEAU IX/X/30 mai 1960 41 x 33.5cm'.
Lot 137
â–´ Mackenzie Thorpe (b.1956)'Love, Life, Death & Hope'a set of four giclée prints in colour, each signed in pencil l.r., and numbered '115/395', complete with original portfolioimage 57.5 x 57.5cm (4)Condition ReportFramed: 84 x 83cmLight cockling. There is a small crease to the centre of the left margin of the print that has the moon in the upper left corner, but this does not affect overall enjoyment of the work. The glazing of one of the prints is cracked in both lower corners, please see condition images. Not viewed out of glazed frames.The portfolio is scuffed and faded at the edges.
Lot 90
After David Shepherd (1931-2017, British), coloured prints, 'Jaguars - A cool and shady pool in the South American rainforests', limited edition 1385/1500, framed, mounted, and under glass, 38cm x 56cm, & 64cm x 84cm overall, together with two more prints, after the same artist, entitled 'Teenage Tiger' & 'Winter Foxes'
Lot 89A
After John S. Gibb (b.1939, British), print, Two locomotive prints of pencil sketches entitled 'Grange-over-Sands - Arrival' & 'Grange-over-Sands - Departure', limited editions 146/850, framed, mounted, and under glass, 30cm x 40cm, & 44cm x 54cm overall, together with two other prints of locomotives on card, depicting the Royal Scot & Oxenholme Station Looking North, and a Roy Cross print of a sailing boat
Lot 81
Artist Unknown (20th Century), watercolour, Woodcock in flight, signed M.A to the lower right, framed, mounted, and under glass, 10cm x 17cm, & 27cm x 35cm overall, another watercolour of a fishing scene, three prints of equestrian subject matter, including 'Elis', after Abraham Cooper RA (1787-1868, British), and a print of a falcon (6)Condition report - The woodcock painting is foxed throughout, but with no other significant or notable issues. It sits securely within its frame and under glass.
Lot 105
*Local Interest - J.Eller (20th Century), coloured print, Ashton Memorial, Lancaster, signed to the lower right, framed, measuring 48cm x 58cm, & 59cm x 69cm overall, two prints after sketches of John o' Gaunt's Gateway and Covell Cross, plus two further illustrations of Lancaster, including a plan of the town from 1778 (5)
Lot 8060
Beckmann, Max -- Der Ausrufer (Selbstbildnis)Kaltnadel auf Japanbütten. 1921.33,8 x 25,6 cm (54,4 x 38,5 cm).Signiert "Beckmann". Auflage 75 Ex.Hofmaier 191 II B a (von D).Beckmann selbst ist hier der Ausrufer des "Circus Beck(mann)", der mit der Glocke in der Hand am Eingang die Aufmerksamkeit der Besucher erweckt, sie herbeilockt und empfängt zum Rundgang über den Jahrmarkt. Mit der expressiven, kantigen Linienführung ist "Der Ausrufer" ein charakteristisches Beispiel für Beckmanns reifen Schaffensstil. Am 1. Juni 1921 schreibt der Künstler seinem Verleger Reinhard Piper: "Heute sind die Kupferplatten gekommen. Ich freue mich nun darauf von einer Kupferplatte zur anderen zu reisen. Teilweise werde ich sie in Österreich fertig machen wo ich den Prater mir auch ansehen will bei Wien." (zit. nach James Hofmaier, Max Beckmann, Catalogue raisonné of his prints, Bd. II, Bern 1990, S. 497). "Der Ausrufer" gehört zu den bekanntesten graphischen Selbstbildnissen Beckmanns. Unten rechts mit dem Trockenstempel der Marées-Gesellschaft. Aus einer Auflage von 75 Exemplaren auf Japan, neben 125 Abzügen auf Velin. Erschienen als Blatt 1 der Folge "Der Jahrmarkt", Verlag der Marées-Gesellschaft, R. Piper & Co., München 1922, gedruckt bei Franz Hanfstaengl, München, als eine der bedeutendsten druckgraphischen Folgen des Expressionismus. Ausgezeichneter, im kräftigen Grat samtig schwarzer Druck mit leicht zeichnender Plattenkante. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 8193
Stella, Frank -- Marriage of Reason & SqualorFarblithographie auf festem genarbten Barcham Green-Velin. 1968.25,5 x 38 cm (38,2 x 55,8 cm).Signiert "F. Stella" und datiert. Auflage 100 num. Ex.Axsom 7, Gemini 51.Druck in Metallic-Schwarzgrau auf cremefarbenem Grund. Aus der Folge Black Series I, mit der Stella seine Black Paintings, entstanden 1958-60, festhielt. "Stella was actually a quintessential validating representative of what was, in fact, just one aspect of Gemini's production, since it was ideally suited to the strengths of his early geometric style." (Richard H. Axsom, The prints of Frank Stella, New York 1983, S. 15). Herausgegeben von Gemini G.E.L., Los Angeles, mit deren Blindstempel unten rechts und dem Stempel verso. Druck Kenneth Tyler. Prachtvoller Druck mit dem vollen Rand. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 54
Friedensreich Hundertwasser (1928 Wien - 2000 Brisbane) (F)'Look at it on a rainy day', 10-tlg., Regentag-Mappe, in Original-Holzkassette mit farbigem Deckelprägedruck, 10 Farbsiebdrucke mit Metallprägungen auf unterschiedlichen Papieren, 1971/1972, 49 cm x 66,5 cm Blattmaß, je im Druck mit Prägesignaturen, 02789/3000 nummeriert, zum Teil mit Prägestempeln, Kassette handsigniert, 2789 nummeriert, Blatt 9 handsigniert, 279/300 nummeriert, Blätter vereinzelt fleckig, stockfleckig, partiell leicht gewellt, vereinzelt leicht ausgeblichen, Blattränder partiell minimal eingerissen, Holzkassette partiell bestoßen, mit kleinen Farb- und Holzabplatzern, Literatur: Wvz. Koschatzky/Kertész 44-53, Fürst HWG 44-53Friedensreich Hundertwasser hat sich als Maler, Bildhauer, Architekt und Visionär des 20. Jahrhunderts weltweit einen Namen gemacht. Sein Schaffen umfasst begrünte und bepflanzte Bauwerke sowie eine naturnahe Architektur. Ebenso prägend sind seine Malerei mit organischen Formen und die detailliert ausgearbeiteten Grafiken. Immer wieder trat er als "Gegner der geraden Linie" hervor und wurde für sein Engagement für die Umwelt und seine Heimatstadt Wien gewürdigt. Hundertwasser lehnte alles Konservative ab, das seiner Meinung nach Krieg symbolisierte. Er strebte danach, durch die Lebendigkeit seiner Kunst die Schwere zu überwinden. Seine Werke waren geprägt von utopischen Vorstellungen, in denen Fantasie, Form und Farbe eine Symbiose aus Energie und Kreativität schufen. Besonders die Donau, die als lebendiger Ort und Naturraum durch Wien fließt, übte eine besondere Anziehung auf ihn aus. In seinen Werken verwendet Hundertwasser fließende Formen wie Spiralen und symbolträchtige Kreisläufe des Lebens. Seine gestalterische Kraft sollte den Bedürfnissen des Menschen gerecht werden und gleichzeitig die Architektur der Nachkriegszeit und das Leid der Kriegsjahre überwinden. Er provozierte mit Fragen wie "Warum nicht Bäume aus dem Fenster wachsen lassen?" und setzte sich mit künstlerischen Plakaten für den ökologischen Protest ein. Hundertwassers Ziel war es, Mensch und Natur zu vereinen. Er strebte eine Zukunft an, in der die Natur mit den Elementen Feuer, Wasser, Erde und Luft im Einklang steht. Für ihn war der Regen genauso wichtig, und er beschrieb jeden Regentropfen als einen Kuss, bei dem der Himmel die Erde berührt.Friedensreich Hundertwasser (1928 Vienna - 2000 Brisbane) (F)'Look at it on a rainy day', 10-pcs, Rainy day folder, in original wooden case with color cover embossing, 10 color silkscreen prints with metal embossing on different papers, 1971/1972, 49 cm x 66,5 cm sheet dimensions, each in print with embossing signatures, 02789/3000 numbered, some with embossing stamps, case handsigned, 2789 numbered, sheet 9 signed by hand, 279/300 numbered, sheets sporadically spotted, foxed, partially slightly wavy, sporadically slightly faded, sheet margins partially minimally torn, wooden case partially bumped, with small paint and wood chips, literature: Cat. rais. Koschatzky/Kertész 44-53. Fürst HWG 44-53Friedensreich Hundertwasser has made a name for himself worldwide as a painter, sculptor, architect and visionary of the 20th century. His work includes greened and planted buildings as well as architecture that is close to nature. Equally influential are his paintings with organic forms and his detailed graphics. Time and again he emerged as an ''opponent of the straight line'' and was honoured for his commitment to the environment and his home city of Vienna. Hundertwasser rejected everything conservative, which in his opinion symbolised war. He strove to overcome heaviness through the liveliness of his art. His works were characterised by utopian ideas in which fantasy, form and colour created a symbiosis of energy and creativity. The Danube in particular, which flows through Vienna as a living place and natural space, exerted a special attraction on him. n his works, Hundertwasser uses flowing forms such as spirals and symbolic cycles of life. His creative power was intended to meet human needs and at the same time overcome the architecture of the post-war period and the suffering of the war years. He provoked with questions such as ''Why not let trees grow out of the window?'' and championed ecological protest with artistic posters. Hundertwasser's goal was to unite man and nature. He strived for a future in which nature is in harmony with the elements of fire, water, earth and air. For him, rain was just as important, and he described each raindrop as a kiss where heaven touches earth.
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