Charles Frederick Tunnicliffe OBE RA (1901-1979) Hebridean Landscape, 1935, signed in pencil bottom right, numbered 14/50, aquatint, measurements 19.1 x 35.5 cm (PL), frame 42 x 56 cmIllustrated in Meyrick R. & Heuser, H. 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, p.134-135Provenance: consigned from a significant private collection of wildlife artCondition report: This item is a work on paper, framed under glazing- not examined external to the frame. The print has full margins and defined platemark, the sheet appears in good condition with no obvious visible evidence for any rips, creasing or folds. The surface appears well preserved with no obvious evidence for deterioration or losses. The frame is in good condition with solid joints
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Charles Frederick Tunnicliffe OBE RA (1901-1979) Oxeye in the Rosebush, 1937, signed in pencil bottom right, wood engraving for Kenneth Williamson's The Sky's Their Highway, measurements 15.2 x 10.3 cm (PL), frame 45 x 34 cmIllustrated in Meyrick R. & Heuser, H. 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, p. 313Provenance: consigned from a significant private collection of wildlife artCondition report: This item is a work on paper, framed under museum quality glazing- not examined external to the frame. The print has full margins and is signed in pencil bottom right. The sheet appears in good condition, some minor yellowing of the paper due to ageing, there are no visible signs of rips, creasing or folds and there does not appear to be evidence for deterioration. The colours are well preserved and the surface appears stable. The frame is in good condition with solid joints.
C.F. Tunnicliffe RA OBE The Memorial Collection, published by Larkhall Fine Art Ltd and H&G Gerrish, July 2007, Part One full set of seven prints, numbered E, blind stamped and numbered E in pencil 2007 bottom left corner, Part Two full set of nine plates with blindstamps and letters E-J, housed within the memorial collection boxes (2)Notes: These memorial collection edition were limited to 112 published sets with letters A-L not for public sale.Provenance: consigned from a significant private collection of wildlife art, purchased from a member of the Tunnicliffe familyCondition report: The Memorial Collection Parts 1 and 2 - all prints are present and housed within their paper wallets. The sheets are all in good condition without evidence for any rips, folds or creases and no obvious signs of any deterioration. All prints are blindstamped bottom left with pencil letters. The prints are clear with good impressions. Please see additional photographs uploaded to the catalogue. The covers are in good condition with very minor wear and tear, there are no visible surface losses or evidence for damage.
Charles Frederick Tunnicliffe OBE RA (1901-1979) The White Horse, 1927, signed in pencil bottom right, numbered 59/75, etching, measurements 20.4 x 24 cm (PL), frame 44 x 46 cmIllustrated in Meyrick R. & Heuser, H. 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, p.77Provenance: consigned from a significant private collection of wildlife artCondition report: The etching is a work on paper, framed under glazing- not examined external to the frame. The sheet appears in good condition without any obvious signs for rips, creasing or folds. The etching has full margins and a clearly defined platemark, the ink appears clear. There are some very faint, minor, sparsly distributed spots of discolouration in the margin. The frame is in good condition with solid joints.
Charles Frederick Tunnicliffe OBE RA (1901-1979) Christmas Chickens, 1927, signed in pencil bottom right, numbered 73/75, etching, measurements 23.9 x 20 cm (PL), frame 48 x 42.5 cmNotes: Illustrated in Meyrick R. & Heuser, H. 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, p. 72Provenance: consigned from a significant private collection of wildlife artCondition report: Lot 4 is an etching on paper, framed under glazing- not examined external to the frame. The etching has full margins and a clearly defined platemark. The sheet appears in good condition without any signs of tears, creasing or folds and the surface appears stable. There does not appear to be evidence for deterioration. The frame is in good condition with solid joints.
Charles Frederick Tunnicliffe OBE RA (1901-1979) Old Bones, 1928, signed in pencil bottom right, etching, measurements 22.6 x 17.7 cm (PL), frame 47 x 41 cmIllustrated in Meyrick R. & Heuser, H. 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, p.80Provenance: consigned from a significant private collection of wildlife artCondition report: This item is an etching on paper, framed under glazing- not examined external to the frame. The sheet appears in good condition without any obvious signs for any tears, folds or creases, there is some cockling within the plate. There are a couple of sparsly distributed faint spots of foxing to the upper background within the platemark and one visible in the bottom margin. The print has full margins and clearly defined platemark. The frame is in good condition with solid joints.
Charles Frederick Tunnicliffe OBE RA (1901-1979) The Bull, 1926, signed in pencil bottom right, numbered 66/75, measurements 22.5 x 27.6 cm (PL), frame 48 x 51.5 cmIllustrated in Meyrick R. & Heuser, H. 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, p.64-65Provenance: consigned from a significant private collection of wildlife art
Charles Frederick Tunnicliffe OBE RA (1901-1979) The New Rick, 1927, Signed in pencil bottom right, numbered 73/75, etching, measurements 20.6 x 26.7 cm (PL), frame 44 x 54 cmIllustrated in Meyrick R. & Heuser, H. 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, p. 75Provenance: consigned from a significant private collection of wildlife artCondition report: The etching is a work on paper, framed under glazing- not examined external to the frame. It has full margins and a clearly defined platemark. The sheet appears in good condition, no signs of any rips, creasing or folds. There are a few faint and sparsly distributed spots of foxing in the margins which do not appear to have extended into the plate. The surface appears stable. The frame is in good condition with solid joints.
Charles Frederick Tunnicliffe OBE RA (1901-1979) The Stallion, 1928, etching, bears a pencil signature after Tunnicliffe bottom right, measurements 17.2 x 22.9 cm (PL), frame 38.5 x 43 cmIllustrated on page 94 of Meyrick R. & Heuser, H., 2017, Charles Tunniclifffe. Prints: A Catalogue Raisonne, Royal Academy of Arts, LondonProvenance: consigned from a signficant private collection of wildlife artCondition report: The etching is a work on paper, framed under glazing, not examined external to the frame. It has full margins and clearly defined platemark. The sheet appears in good stable condition without signs of rips, creasing or folds and the ink is clear. There is some minor cockling to the plate but the surface appears stable. The frame is in good condition with solid joints
Charles Frederick Tunnicliffe OBE RA (1901-1979) The Pig Dealer, 1925, signed in pencil bottom right, numbered 75/75, etching, measurements 21 x 27.7 cm (PL), frame 46 x 51 cmIllustrated in Meyrick R. & Heuser, H. 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, p.56Provenance: consigned from a significant private collection of wildlife artCondition report: The etching is a work on paper, framed under glazing- not examined external to the frame. THe sheet appears in good condition without any obvious evidence for rips, cfreasing or folds. It has full margins and a clearly defined platemark. There are some minor faint spots of discolouration to the lower margin which do not appear to extend into the plate. The surface appears stable. Frame is in good condition with solid joints.
Victorian Pair of 1840's Coloured Prints of Royal Artillery interest. .The first print is titled Royal Horse Artillery 1843 published by J. Grant of Woolwich, it depicts a field gun firing, with a second been loaded and further guns limbered in the background. The second example Rocket Practice in the March again published by J. Grant shows Rockets being fired to the delight of onlookers. Each print is mounted into a contemporary polished oak and glazed frame Overall size 22 x 16 inches. GC . . . .
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