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*Kunisada (Utagawa, 1786-1865). Winter, with Prince Genji and attendants in a snow-covered palace garden, circa 1849-50, oban tate-e colour woodblock triptych, from the set of prints depicting the seasons, published by Enshuya Hikobei, some minor marks and pale toning, trimmed to image, overall size 35 x 71 cm, 13.75 x 28 ins, framed and double glazed, together with two other colour woodblock prints by Kunisada depicting samurai, some marks and marginal discolouration, laid down on paper, and trimmed to image, 25 x 26.5 cm (9.75 x 14.25 ins) and similar, both framed and double glazed (3)
*Caricatures. A mixed collection of approximately seventy-five cartoons and caricatures, 19th century, engravings, etchings and prints, many with hand colouring, including examples by Cruikshank, Leech, Rowlandson, Bunbury, Woodward, Doyle, Hogarth and Punch, mostly small format, but various sizes and condition (approx.75)
*Ostade (Adriaen van, 1610-1685). The Quacksalver, 1648, etching on laid paper, a good impression of the fifth state of nine, trimmed just outside the margins to left, right and bottom edge, plate size 148 x 222 mm (5.8 x 4.8 ins), sheet size 152 x 124 mm (6 x 4.9 ins), hinge- mounted on old card, together with Flemish School. Landscape with village amongst trees, late 16th century, engraving on laid paper, possibly by the Master of the Small Landscapes, first issued in Antwerp by Hieronymus Cock in 1559, unwatermarked, trimmed to plate margins, plate size 137 x 199 mm (5.39 x 7.83 ins), mounted, plus Sadeler (Egidius II, 1570-1629). The Good Samaritan, copper engraving on laid paper, after Jan Breughel (1568/69-1625), published by Jan van Londerseel, plate size 137 x 199 mm (5.39 x 7.83 ins), and another similar by Sadeler after Breughel the Elder, showing a riverscape with the Good Samaritan by a tree, tending to the victim's wounds, published by Jan van Londerseel, plate size 216 x 270 mm (8.5 x 10.6 ins), sheet size 255 x 340 mm (10 x 13.4 ins) (the latter two prints both early copies in reverse, see Hollstein 212) (4)
*Gillray (James, 1757-1815). Progress of the Toilet. The Stays, The Wig [and] Dress Completed, [published H. Humphrey, 1810], the set of three etchings, all with contemporary hand colouring, trimmed to neat line with loss of publishing and date line, each approximately 270 x 215 mm A trio of prints satirising the fashions of the period which dictated how the shapes of women should be accentuated to imitate artistic depictions of femininity. A theme Gillray and his contemporaries returned to time and again. (3)
British Museum. Political and Personal Satires, Catalogue of Prints and Drawings in the British Museum, 11 volumes bound in 13, 1870-1954, occasional library inkstamps, original black cloth gilt, soiled and some volumes worn, 2 volumes with covers detached and backstrip deficient, large 8vo (13)
Bobbin (Tim, really John Collier). Human Passions Delineated in above 120 Figures, Drolls, Satyrical and Humourous, 2nd edition, published Robert Collier, 1809, portrait frontispiece, decorative title, forty-three uncoloured engravings (including the four dentistry prints), notice to subscribers and explanatory text bound at rear, some water staining largely confined to endpapers, publisher's blue printed limp wrappers, stained and frayed, lacking spine, folio, together with another copy, but the later John Heywood edition, circa 1858, text block near detached, library label to front pastedown and a library stamp to verso of portrait frontispiece, contemporary blue cloth gilt, title in white ink to spine, boards a little spotted and frayed, folio (2)
*Vliet (Jan, circa 1610-1637). Sail Mending, circa 1635, etching on laid paper, plate size 21.5 x 16.5 cm (8.5 x 6.5 ins), sheet size 23.5 x 18 cm (9.25 x 7.2 ins), mounted, together with other 17th and 18th century Old Master prints and engravings, including six plates from Jacques Callot's Grandes Miseres de la Guerre, circa 1633 (plates 4, 6, 7, 9, 11 & 12, including La Pendaison), Gerhard de Jode (1509-1591) after Maarten de Vos, The Sixth Vision of Esdras, Harmen Jansz Muller (circa 1540-1617), after Marten van Heemskerck, The Stoning of Saint Stephen (from the Eight Beatitudes), a river landscape by Anthonie Waterloo, an etching by Joshua Haynes after John Hamilton Mortimer, published January 25 1780, Jan Sadeler, Saint Theodorus (from the Lives of the Hermits) after Maarten de Vos, 3 engraved plates from the Cries of London, by Pierce Tempest, 3 engravings after George Smith of Chichester, published by Boydell in 1770, etc, all mounted (24)
*Carington Bowles (publisher). Out of Place, Hors D'emploi In Place, En Emploi, circa 1785, pair of mezzotint drolls with early hand colouring, vertical margins strengthened on verso, each approximately 360 x 250 mm, mounted Pair of satirical prints. The first two politicians out of office, shivering in a squalid room, one writing a paper entitled 'Abusing Administration', with other similar papers scattered at their feet, while their landlady presents a unpaid bill for their lodging; a tattered print pinned to the wall behind, depicting an anchor inscribed 'Hope'. The second - a satire on corruption - shows the interior of a fine room in which two men are seated at a table, one a cleric, the other a politician. They are sharing a drink with the Devil, who stands behind them. A picture on the wall shows the loaves and fishes. Bags of gold lie on the floor suitably labelled to show that they were generated by bribes and the sale of titles and votes. (2)
*Tregear (Gabriel Shear publisher). Fly away pretty Moth, True generosity..., (2 copies), The most Important Question of the day. Have you _ ?, Pure Loyalty. Here's a health to the King God Bless him, Come old fellow don't be stingy _ give us a light?, A Fine growing Shower, circa 1840, together seven lithographs with contemporary hand colouring, some dust soiling and occasional marginal closed tears, each approximately 310 x 240 mm, together with Dean & Co., (publishers), Gentle rustic one smile will enchant me! circa 1840, lithograph with contemporary hand colouring, an animated caricature where the girls bonnet lifts up to reveal the face of a pipe smoking old crone, 220 x 200 mm Gabriel Shear Tregear (1802 - 21 February 1841), also known as Gabriel Shire Tregear, was an English publisher of caricatures and prints. Active from the late 1820s until his death, he operated his "Humorous and Sporting Print Shop" from quarters near today's 123 Cheapside, London. Artists and caricaturists published by Tregear included Isaac Robert Cruikshank. (8)
*Rossigliani (Giuseppe Nicola, circa 1510-). The Adoration of the Shepherds, after Parmigianino, 1605, chiaroscuro woodcut on laid paper, printed in pale red, with monogram and date of the publisher Andrea Andreani, plate size 175 x 257 mm (6.9 x 10.1 ins), sheet size 202 x 285 mm (8 x 11.25 ins), mounted on 19th century backing paper, with detailed handwritten inscription in ink in French, referring to Bartsch XII p.12 and Oberhuber 98-99, stating that this item was in the collection of Gustave Lebel (small collector's mark to verso of the print), together with other various Old Master prints, including Jean Valdor the elder (circa 1580-1632), Portrait of Archbishop Ferdinand, Elector of Cologne, 1619, Giovanni Battista Galestruzzi, 1615/18-circa 1669, engraved title page to Trofei di Polidoro, Rome, 1658, Jan van Troyen, Saint Margaret, after Raphael, Jan de Bisschop, Saint Gerome, after Zuccaro, etc., various later portraits and 18th century French book illustrations, all loose, various sizes (approx. 150)
Cigarette Cards: An album of assorted vintage cigarette cards, all complete sets. From a large private collection, including cigarette, cigar and tea cards. This album featuring all John Player & Son cards. Including; Nature Series, Old Hunting Prints, Old Naval Prints, Past & Present, Natural History, Polar Exploration, Poultry, Products Of The World, Racing Caricatures, Racing Yachts, RAF Badges, Riders Of The World, and Regimental Uniforms.
Four A4 prints by Guinevere Saunders - Fairy Tales/Snow Tiger/Touch of Pink/Futility - Guinevere is an artist and photographer currently residing in Liverpool. Her art consists of messy, loose qualities, composed of multiple mediums. Her favourite mediums are watercolour, ink, charcoal and other water-soluble media. http://guinsaunders.wixsite.com/artist
Collection of Matchbox Superfast Models, 5b Seafire boat, red deck, white hull and white man, 7c VW Golf, nmetallic green with surfboards, 9c Ford Escort ~RS2000, white, Shell, ford and Dunlop decals, 16c Pontiac Firebird, metallic light brown, 2x 17c London Bus, Laker Skytrain ads, 23b Atlas truck, metallic blue body orange tipper, 24c Diesle Shunter, metallic green, 27b Lamborghini Countach, orange with Streaker prints and 8 to bonnet, 28c Lincoln Continental, red, white roof, 29c Tractor Shovel, red body, black shovel, 36d refuse truck, metallic red cab yellow container, 42d 57 Thunderbird, red, white interior, 45b BMW 3.0 CSL, orange, 47c Pannier locomotive, GWR green, 62d Chevrolet Corvette, metallic ruby, white bonnet prints, 67b ford Capri Hot-Rocker, metallic green, 67c Datsun 260Z, metallic crimson and silver, all mint in excellent to good boxes (18 items).
Collection of Matchbox Superfast Models, 3c Porsche Turbo, silver body, 4d 57 Chevy, red boby, 8d Rover 3500, metallic bronze, 14b Mini Ha-Ha, red, 2x 17b London Bus, Laker Skytrain ads, 23b Atlas truck, metallic blue and orange tipper, 27b Lamborghini Countach, orange with Streaker prints and 8 to bonnet, 28c Lincoln Continental, red, white roof, 34c Chevy Pro Stocker white, blue prints RN34, 36d refuse truck, blue cab orange container, 39c Rolls Royce, silver, 45b BMW 3.0 CSL, orange, 51c Combine Harvester, red, 60c Holden Pick-up, red Chevron bonnet label, 64d Caterpillar Bulldozer, yellow, brown roof, 65b Airport Coach Alitalia, 2x 67c Datsun 260Z, metallic crimson and silver, all mint in excellent to good boxes (19 items).

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255201 item(s)/page