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AFTER DUGALD CAMERON, "Halifax BIII" colour print, signed in graphite by F/Lt Joe Hitchman, F/Lt A E Price and F/Lt William Tunstall, aircrew of the bomber `Friday The 13th`, 29 x 44cms; Together with Colour Prints, after Gordon Beecham, Timothy O`Brien, Stan Baldock and VR Williamson, all signed by the artist and unframed. (5)
The Dambusters - AFTER MAURICE GARDNER, "The Dambusters Take-Off" and "The Dambusters Return" colour prints, each signed in graphite by Douglas Webb, Gill Chalmers, Bill Townsend and the artist; AFTER M MURPHY, "Early Training Runs" black and white print, signed in graphite to the margin by Benny Goodman, Frank Appleby, A Johnstone and six others; AFTER JOHN LARDER, "Operation Chastise" colour print, signed by Douglas Webb, Ray Grayston, Dudley Heal, Les Munro and three others; AFTER PETE WEST, "Apres Moi Le Deluge" colour print, signed by the artist and Len Sumpter, Jim Clay and other previous names listed. All unframed.
Four Colour Prints Depicting Operation Chastise, including Pete West`s `Apres Moi Le Deluge` and John Larder`s "Operation Chastise", bearing thirty two signatures in graphite and ink by the two artists and Alex M Mckie, John Bell, M Colyer, Len Sumpter, Jim Clay, Chan Chandler, Larry Curtis etc. All unframed. (4)
Two Untitled Colour Prints, of Lancaster AJ-`P` dropping its bomb whilst evading flak, signed to the margins in graphite and ink by seventeen airmen including John Bell, MBE; Alex M Mckie, DFM; Terry Kearns DSO, DFC, DFM, Larry Curtis, Gill Chalmers, Chan Chandler etc. 39 x 61cms, unframed; AFTER JOHN LARDER, "Operation Chastise" colour print, of Lancaster AJ-`P` amidst flak, signed in graphite to the margin by the artist and Gill Chalmers of AJ-`O`, 33 x 49cms, unframed. (3)
AFTER JOHN LARDER, "50 Years Fly By" colour print, signed in graphite to the margin by the artist and Nicky Ross, DSO, DFC, AE., 33 x 49cms; AFTER BARRIE SLATTER, "Lancaster - Practice Flights Over Derwent Water Dam 1943" colour print, signed in ink by the artist, 40 x 60cms; and four other aviation prints, all unframed. (6)
AFTER JOHN LARDER, "Vulcan Thunder" colour print, of Vulcan XH558 passing over Finningley, signed in graphite to the margin by the artist, Sqdn Leader Ken Denman, Sqdn Leader Barry Masefield and eight others, unframed with certificate of authenticity; Together with Five Other Aviation Prints, all unframed. (6)
AFTER MAURICE GARDNER, "Dambusters Take-Off" and "Dambusters Return" colour prints, each signed by the artist and Bill Townsend, Douglas Webb and George Chalmers, surviving crew members of Lancaster AJ-O, unframed. Plate size 23 x 44cms, with certificates; An Untitled Colour Print, of a Lancaster dropping its bomb whilst evading flak, signed to the margin in graphite and ink by John Bell, M.B.E, DFC; Harry Johnson, DFM; and seven others. Plate size 39 x 61cms. Unframed. (3)
The Dambusters / 617 Squadron: One Hundred and Forty Nine Signatures in Graphite by Airmen Involved in Operation Chastise and the Dambuster Raids, including Bill Reid, VC, Bill Gordon, M.B.E, D.F.C; W H Kellaway, D.S.O and Bar; James Tait D.S.O, D.F.C, A.D.C; Johnnie Johnson D.F.C; on two colour prints after Dugald Cameron of a Lancaster BIII (Special), each in gilt titled mounts, framed and glazed, 28.5 x 43cms each, the prints are accompanied with a quantity of handwritten and typed letters from the signatories, some detailing their exploits during the war. *The now deceased private collector was well known to many of the airmen and some signatures were obtained in person, the remainder by having the prints posted around the country, the airmen returning the print with a personal letter.
Walery (Pseud. Of Count Stanislaw Julian Ostrorog 4 vol., a collection of 103 carbon prints mounted within printed borders, text leaves spotted, contemporary half morocco, 3 lacking spines, 1 with covers detached, worn and rubbed, folio, Swann Sonnenchein, 1888-[94], not subject to return, *** Including portraits of H.M.Stanley, Beerbohn Tree, The Shah of Persia, Dr. Pasteur..
* Old Master prints. A collection of approx. eighty various 17th & 18th century engravings and etchings, mostly by or after Old Masters, including Callot, Grimaldi, Dujardin, Claude, Galestruzzi, Waterloo, J. B. Huet, Giovanni Batista Lenardi, J. van Vliet, P. J. de Loutherbourg, Nicolo van Aelst, S. Bourdon, Cochin, Gobbe, Pillement, A. Schiavone, Giovanni Crespi, Guido Reni, Weirotter, Pietro Testa, A. Benoist, C. Bega, A. Ostade, etc., many mounted on paper, some 19th century topographical and other engravings, etc., various sizes (approx. 80)
* Hughes (Patrick, 1939-). Print of Prints, colour screenprint, signed, dated ‘82, titled and numbered 116/150, sheet size 76.5 x 108cm (30 x 42.5ins), together with Colour Process, colour screenprint, signed, dated ‘84, titled and numbered 17/250, sheet size 76 x 55cm (30 x 21.75ins), plus Sweet heart, colour screenprint, signed, dated ‘84, titled and numbered 8/150, sheet size 76.5 x 56cm (30 x 22ins), some minor surface marks and light soiling to margins (3)
* Pasmore (Victor, 1908-1998). Untitled (Mark Rothko Memorial Portfolio), 1972, etching, signed with initials, dated, and numbered 15/75, sheet size 63.5 x 51cm (25 x 20ins), framed and glazed. From a set of prints by Patrick Caulfield, Adrian Heath, Patrick Heron, John Hoyland, Allen Jones, Henry Moore, Bridget Riley, William Scott, and others, published by the Mark Rothko Memorial Trust in 1973. (1)
* Hoff (Robert van ‘t, 1887-1979). A small archive of family photo albums, art books and ephemera, including seven photo albums, five of the albums containing a total of approx. four hundred mounted small gelatin silver prints (largest approx. 7.5 x 5 cm but the majority approx. 3.5 x 3.5 cm), each album with a brief manuscript note of locus and chronology in van ‘t Hoff’s holograph, the albums covering the period 1922-24, from the birth of their daughter Megan (and two years later the birth of their son Walter), the first album beginning with two images of van ‘t Hoff’s house in Laren, Netherlands, the majority of other images being of Megan plus some of family and friends and latterly Walter also, whilst living in Torquay, Barnet and Rushington, Sussex, the fifth album including two images with Robert identifiable by context, together with two further albums, one containing ninety-six window-mounted views of Europe, c. 1920s, including Belgium, Holland and northern France, the other containing ninety-three window-mounted small format photos of van ‘t Hoff’s family, also containing two photos of Robert (here with moustache and goatee), many of the small studies of the two babies taken in an artistic manner with careful use of light and shade, occ. ink annotations but mostly identifying the specific age of the child concerned, contemp. cloth, large 8vo/oblong 8vo, together with eight orig. issues of De Stijl, nos. 1.5, 2.1, 2.3, 2.4, 2.5, 2.7, 2.10 and 5.12 (wrappers det.), all complete with b& w plates as issued, plus orig. cloth-bound books for Years 1 and 2, both complete with 17 and 23 plates and with pencilled initials R.H. [Robert van t` Hoff] to titles, plus Wilhelm Theodore Reuter`s copy of a monograph ‘Frank Lloyd Wright’, pub. 1911, ownership bookplate to half-title verso and pencil note in van ‘t Hoff’s hand ‘received from his daughter, Summer 1965’, modern cloth, sl. rubbed and soiled, small folio, plus a woodcut of a lighthouse, signed W[alter] van ‘t Hoff in the image, an orig. poster design in pencil [by Megan?] for a dance given by the Women’s Land Army, 56 x 38 cm, plus a large sheet of sketches of buildings, bridges, figures and abstract designs by Megan, a pencil sketch of a car accident [by Megan?], a folder of approx. 70 leaflets, letters, snapshots and news cuttings, c. 1941-45, relating to Megan’s time with the Women’s Land Army, plus two autograph letters in Dutch initialled ‘RH’ by Robert van ‘t Hoff, one a rough draft, and one a fair copy of the same letter, both dated 11 February 1974, addressed to Dr Asselbergs explaining that he has nothing left of interest for the archive and that his photographs are merely family photos, also noting that he kept in contact with Mondrian, each 2 pp., 4to. Robert van ‘t Hoff (1887-1979), Dutch architect and furniture designer, who from 1917 became an influential member of De Stijl movement. Family wealth allowed him to subsidise the publication of De Stijl journal, but for political reasons he split with the founder Theo van Doesburg in 1922, withdrawing from artistic activity and declaring himself an ‘ex architect’. He spent much of the rest of his life in England promoting his anarchist ideas, settling permanently in Hampshire from 1937. This intriguing personal archive of photographs demonstrates an artist with a designer’s eye for line and form, light and shade, and also contains previously unknown photographs of van ‘t Hoff himself. (-)
* Noble (Edwin, 1876-1961). Four albums of drawings and prints, together four albums, comprising one entitled ‘Zoo Studies’, approx. 100pp., containing pencil drawings and sketches of reindeer, giraffes, bears, cheetahs, horses, tigers, camels, etc., some signed, sheet size 26 x 35cm (10.25 x 13.75ins), two albums entitled ‘Birds’, each approx. 30pp., containing pencil drawings and studies of penguins, herons, ducks, chickens and cockerels, pheasants, peacocks, seagulls, doves, etc., some signed, sheet size 30 x 24cm (12 x 9.5ins), artist’s ms. ownership name and address on front pastedown of first vol., and one album of approx. 40pp., containing various printed b & w and col. illusts. by Edwin Noble (with his ms. ownership name and address on upper cover), sheet size 36 x 26cm (14 x 10.25ins), all orig. boards/cloth, some wear (4)

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255201 item(s)/page