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Click here to subscribeAfter Richard Caton Woodville II 1856-1927- 'All That Was Left of Them'; chromolithograph printed in colours, signed within the plate, 51x71cm: Manner of Thomas Shotter Boys 1802-1874- 'Hyde Park Corner'; reproduction print, together with a further ten reproduction prints of similar subjects. (12)
After William Banks (Scottish) 19th century- 'Views of the English Lakes'; Publ: by J Garnet, Windermere, line engravings, set of 30 in a bound volume, 15x22cm: Anthony Waterloo c.1610-1690- Pan and Syrinx; etching, initialed within the plate, 29x24cm: together with nine further 18/19th century prints, scrapbooks and books to include 'The English Struwwelpeter', and 'Kate Greenaway', (11) (part unframed)
Flemish School late 17th century- 'Eerepoort Opde Markt Arc de Triomphe sur le Marche; engraving, 1691, 33x44cm: William Simpson- 'Balaklava, Looking Towards the Sea', publ by Paul & Dominic Colnaghi & Co Jan 15th 1855; hand-coloured lithograph, 29x36cm: together with seven other various decorative 19th century prints, (9)
Thomas Rowlandson 1756-1827- Title page of 'The Caricature Magazine or Mirror of Mirth being a Collection of Humorous & Satirical Caricatures', publ by Thomas Tegg, No 111 Cheapside; hand-coloured etching, 35x24cm: together with a small quantity of hand-coloured aquatints by Rowlandson, publ by Ackermann's, including nine prints from Dr. Synatax publ May 1 1812 and three others, (a lot)
Tom Whitehead 1886-1959- 'Three Nuns'; hand-coloured etching, signed in pen, 17.5x25cm: Robert Wallace Hester b.1866- Two puppies and a basket, after E Cladwell, publ May 2nd 1891 by J P Mendoza King St St James'; etching, signed by both print maker and artist in pencil, 22x27cm: After Sir William Orpen 1878-1931- 'The Breeze' and 'The Draughtsman and his Mode'; reproduction prints, printed signature on each, (4)
*Prints. Bellange (Joseph Louis-Hippolyte). 'Demander plutot a la Galerie?' together with 'Crois ans de menage', c.1830s, two hand coloured engravings, each image approx. 150 x 190 mm, and Satcharelt (R.W.), Billiards, c.1830s, uncoloured engraving, approx. 100 x 145 mm, and a billiards silk picture, approx. 195 x 355 mm, all framed and glazed (4)
*Cambridge University - King's College Boat Club. A photo album, c. late 1880s, a total of eighteen mounted (mostly back to back) albumen prints, including fifteen group portraits, showing sportsmen including rowers, cricketers, and tennis players, plus some of masters, two of officers, one (damaged) showing the 1889 King's Clinker Fours, and one with ink caption beneath 'The Masters at Haileybury', two showing boats sculling on the water and one showing a large crowd of boats and spectators at a Regatta on the River Cam, many of the photos with blindstamp of the Cambridge photographers' Messrs Stearn, approx. 21.5 x 28 cm and sl. smaller, a few leaves det., mounts brittled and partly broken, contemp. morocco with gilt monogram JWN to upper cover, broken and worn, oblong folio (1)
RICHARD IZACKE: REMARKABLE ANTIQUITIES OF THE CITY OF EXETER ---, ed Samuel Izacke, L 1724, lacks map and plts, modern marbled bds + PERCY RUSSELL: A HISTORY OF TORQUAY, 1960, 1st edn, orig cl + J V SOMERS COCKS: DEVON TOPOGRAPHICAL PRINTS 1660-1870 A CATALOGUE AND GUIDE, Exeter 1977, 1st edn, orig cl d/w, (3)
*Simpson (Edwin, 20th century). The Potting Shed, oil on canvas, signed, approx. 240 x 350 mm, together with Mould (C.J.), Study of a young woman in a feathered hat, pencil, signed and dated 1913, approx. 385 x 255 mm, a sepia etching after Gainsborough, a marine watercolour and other drawings and prints including a Victorian group portrait of the Stafford family, mostly framed and glazed (11)
*Kunisada (Utagawa, 1786-1864). Two woodblock prints on crepe paper, c.1900, colour woodblock prints, each approx. 200 x 150mm, framed & glazed, together with four mounted woodblock prints by Hiroshige, Kunigoshi, Kunisada & Toshikata, two approx. 330 x 220mm & other two approx. 360 x 240mm, each mounted (6)
*Old Master drawings. An important album of Old Master drawings and prints, principally of the Italian & Dutch Schools, including works by or after Castiglione, N. Bair, Van Stralen, Donato Creti, School of Caracci, Bartolomeo Breenburg, Sir James Thornhill, Thomas Worlidge, Gravelot, Durer, Della Bella, Julio Romano (with ownership stamp of Sir Joshua Reynolds), Bloemart, Falconet, Gerard Lairesse, Everdingen, Theodor van Kessel, Silvestre and others, 16th-19th centuries, containing seventy-five original drawings in pen & ink, wash, red chalk, five early 19th c. English watercolours and drawings (including Thomas Churchyard), 225 prints and engravings, mostly 17th-19th centuries (including John Martin, Paul Sandby, Silvestre, Mariette, Klein, Wenceslaus Hollar etc.) album leaves measuring approx 360 x 240mm, a.e.g., early 19th c. straight-grained full maroon morocco, decorated in blind and gilt, rubbed and scuffed to edges, with chased brass clasp and key, in working order, large folio Provenance: William Quilter, with his early 19th c. bookplate to front pastedown and initials to hand drawn title page dated 1831. Also with ownership signature of Sir William Cuthbert Quilter to front pastedown. Quilter, William (1808-1888), accountant & art collecter, was born on 7 August 1808, the youngest of four sons of Samuel Sacker Quilter, a farmer, and his wife, Sarah May Chapman. William married Elizabeth Harriot, née Cuthbert (d. 1874), in 1834 and they had three sons, including the art collector and politician Sir William Cuthbert Quilter and the art critic Harry Quilter, and two daughters. His notable collection of watercolours fetched £58,000 at Christies in 1875; and the value of the remaining pictures at the time of his death was £31,486. Quilter died on 12 November 1888 at his home, 28 Norfolk Street, Park Lane, London, leaving well over half a million pounds, one of the largest known estates of any Victorian accountant. Sir William Cuthbert, first baronet (1841-1911), art collector and politician. In 1883 Quilter purchased the Bawdsey estate near Felixstowe in Suffolk. He spent vast sums of money on the estate, which totalled 9000 acres, in the form of sea defences, a manor house, and an alpine garden. Quilter shared his father's interest in art collecting, although he cultivated his own unique, albeit catholic, taste. His collection included works by modern English artists, such as the Pre-Raphaelite painters D. G. Rossetti, Millais, and Holman Hunt; Royal Academicians including Sir Frederic Leighton, Sir Edwin Landseer, and Sir Hubert von Herkomer; nineteenth-century French masters, for example Corot, Daubigny, and Millet; and old masters such as Frans Hals and Velázquez. His collection was well respected. The art critic F. G. Stephens praised Quilter's collection in a series of articles written for Cassell's Magazine of Art in 1896-7. Quilter's assemblage of paintings at his London house, 28 South Street, Park Lane, was sold at Christies on 9 July 1909, realizing £87,780. (1)
*Kunichika (Toyohara (1835-1900)). Portrait of actor & actress in blue kimonos, c.1860-65, japanese colour woodblock print, approx. 340 x 220mm, mounted, together with Kunisada (Utagawa, 1786-1865), Two portraits of an actor dancing, c.1845-50, Japanese colour woodblock prints, both approx. 350 x 250mm, mounted, plus other various Japanese woodblock prints (a portfolio)
*Kunisada I - Toyokuni III (1786-1864). Japanese colour woodblock print of a group of people watching fireworks, mid 19th c., approx. 350 x 250mm, together with Portrait of the oiran Oshu of the Tamaya Tea House, mid 19th c.; The actors Nakamura Daikichi (in a female role) and Onoe Baiko in an unidentified Kabuki play, mid 19th c.; Kabuki Actor Iwai Kumesaburo as Hisamatsu, mid 19th c., orig. Japanese colour woodblock prints, each approx. 370 x 250mm, plus two others similar (one framed & glazed) (6)
*Kuniyoshi (Utagawa, 1797-1861). Portrait of woman in blue costume, c.1830s, Japanese colour woodblock prints, some spotting, approx. 360 x 240mm, framed & glazed, together with Kunisada & Hiroshige II, 'Woman & servant', c.1860, Japanese colour woodblock print, close-trimmed to image, approx. 330 x 210mm, framed & glazed, plus four others similar (6)
*Banks (Harry, 1869-1947). A group of eleven various etchings, mostly landscapes, eleven various etchings, eached signed in pencil, sheet size approx. 315 x 385 mm (12.5 x 15 ins), and similar Harry Banks was born in London, and educated at Goldsmith's College. In 1902 he moved to Dorset. He also spent part of his time living in Bristol, while his daughter attended school there. Examples of his prints of Bristol are held at the City Museum and Art Gallery. He exhibited widely, at the Royal Academy, Royal West of England Academy, the Paris Salon and elsewhere. Further biographical details available on request. (11)
*Guinness Prints. A series of six colour lithographs by Rosamund Steed, David Gentleman, Carel Weight, Alistair Grant, Leonard Rosoman, & Richard Guyatt, c. 1950s, together six colour lithographs (Sailing at Cork by Rosamund Steed, Doggett's Coat & Badge by David Gentleman, Cup Tie by Carel Weight, Pigeon Racing by Alistair Grant, Royal Albert Dock, London by Leonard Rosoman & Radcliffe Camera by Richard Guyatt), one or two minor marks to margins, generally in good condition (Carel Weight print with some marginal foxing), sheet size approx. 505 x 630 mm (19.75 x 24.75 ins) (6)
*Scrap albums. A group of scrap albums and guides, etc, mostly 19th c, incl. to commonplace books with drawings, prints and photos, etc, compiled by Harriet Walker (1837) and Amy Tritton (1862), plus a rough exercise book with sketch diagrams and calculations relating to sailing ships compiled by John Petrie (1858), various bindings, 4to/8vo (10)
Waterhouse (Ellis). The Dictionary of 16th & 17th Century British Painters, & The Dictionary of British 18th Century Painters in Oils and Crayons, both pub. Antique Collectors' Club, 1988. & 1981 respect, numerous b&w and some col. illusts. to each, both orig. cloth in d.j.s, 4to, plus Mayor (A. Hyatt), Prints & People, A Social History of Printed Pictures, pub. Metropolitan Museum of Art, 1971, numerous b&w illusts, orig. cloth in d.j, large 8vo, plus Lerner (Loren R, and Williamson, Mary F.), Art and Architecture in Canada, A Bibliography and Guide to the Literature, 2 vols, University of Toronto Press, 1991, orig. cloth, 4to, and other general art history and reference, including 7 vols. Oxford History of English Art series, etc. (approx. 40)
Dan Dare, Pilot of the Future. Deluxe Collector Editions, vols. 1-12, ed. Mike Higgs, Hawk Books, 1987-1995, col. illusts. throughout, orig. pict. laminated boards, a few vols. with very minor wear at head of spines, folio, together with a small qty. of other Dan Dare-related material, incl. a copy of the '10th Anniversary Imprint of the 1st Deluxe Collector's Edition' from the same publisher, four framed and glazed prints, a souvenir album of printed postcards, first day covers, promotional leaflets, comic books and other related ephemera etc. (a carton)
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