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A Tyneside purple lustre jug, with three transfer prints of the Wear Bridge, SAILOR'S FAREWELL and verse A Llittle Health..., in painted red, yellow and green cartouches, 18cm h, c1850 (see illustration) ++ Very minor star crack in the base, minor descending hairline crack to the lip, no chips or restoration
After R. Ray-Jones, Portrait of a gentleman in a hat, signed to the margin, engraving; after W. Richardson, S. E. View of York Cathedral, hand coloured print; a 19th Century French print 'Les Modes Parisiennes'; two hand coloured French prints 'La Mode Illustree'; a modern landscape oil painting and another print (7).
Dale Nichols (American 1904-1995) Alaska Gouache Signed titled and dated (19)38 19cm x 26.5cm; Together with an earthenware circular wall plate painted with three figures in a boat fishing incised MEXICO and painted Dale Nichols 1945 40.5cm diameter; four black and white prints of a foundryman violinist (2) and shepherd signed in pencil Dale Nichols and limited edition nos. (unframed); twenty issues of Phoenix Flame magazine (1930s issues) and two books illustrated by Nichols: Arnold Elliott. Blood Brother. New York 1950 Nichols Dale. The Philosophy of Esthetics. Chicago 1938 Provenance: The estate of Elmer Jacobs and by direct descent to the present vendor
[Illustrated books advertising and graphic design] with much American 20th century including: Kent Norman (editor). The Book of Edward A. Wilson: A Survey of his work: 1916-1948. New York 1948; Milton John. Paradise Lost. New York 1940. Color prints after William Blake; Zola Emile. Nana. New York 1948. Illustrated after Bernard Lamotte; Simon Howard. 500 Years of Art & Illustration. Cleveland & New York 1942; Gay John. The Beggars Opera. Paris: Limited Editions Club 1937. Preface by A.P. Herbert. Illustrated with lithographs by Mariette Lydis. Artist signed limited edition no.231 (of 1500) Provenance: The estate of Elmer Jacobs and by direct descent to the present vendor
Wolfgang Tillmans b. 1968 (i) LIKE PRAYING I (ii) LIKE PRAYING II both signed titled dated ph 10 94 pr.WT 12 94 and numbered 1/10+1 on the reverse two c-prints each image: 23.5 by 35.8cm.; 9.25 by 14.125in. each sheet: 30 by 41cm.; 11.75 by 16.125in. (2) Executed in October 1994 and printed in December 1994 these works are number 1 from an edition of 10 plus 1 artist's proof. Provenance Maureen Paley/Interim Art London Literature Burkhard Riemschneider (ed.) Wolfgang Tillmans Cologne 2002 unpaged illustration of other examples of both works in colour Jan Verwoert Peter Halley & Midori Matsui Wolfgang Tillmans London & New York 2002 p. 107 illustration of other examples of both works in colour Exhibition Catalogue London Tate Britain Wolfgang Tillmans: If one thing matters everything matters 2003 p. 87 illustration of other examples of both works in colour
Patrick Caulfield 1936-2005 LOUDSPEAKER signed dated 68 and numbered 25/75 colour silkscreen 70.4 by 92.6cm.; 27.625by 36.5in. Provenance The Waddington Galleries Ltd. London Literature Mel Gooding Patrick Caulfield: The Complete Prints 1964-1999 London 1998-99 p. 82 no. 11 illustration of another example in colour
Andy Goldsworthy b. 1956 BALANCED SNOW GRISE FIORD ELLESMERE ISLAND two cibachrome prints mounted together on card 48.5 by 170cm.; 19.125 by 66.875in. Executed on 24th and 25th March 1989. Provenance Acquired directly from the artist by the present owner. Literature Exhibition Catalogue London Fabian Carlsson Gallery Touching North. Andy Goldsworthy 1989 illustration of another example in colour unpaged This work is accompanied by two photo-certificates of authenticity signed titled and dated by the artist and framed together.
Hamish Fulton b. 1946 SMALL BIRDS: A TEN DAY CIRCULAR WALK FROM FURKAPASS SWITZERLAND SUMMER 1986 gelatin silver prints laid onto card overall: 60 by 104cm.; 23.625 by 41in. Executed in 1986 as part of the series A ten day circular walk from Furkapass Switzerland Summer 1986 Provenance S65 Gallery Aalst
Thomas Struth b. 1954 (i) DUSSELDORF - ALDSTADT (ii) DuSSELDORF - KoNIGSALLEE (iii) DuSSELDORF - ELLER each signed titled dated 2004 and numbered 14/50 + 10 AP on the reverse three cibachrome prints (i) 23.5 by 31.3cm.; 9.25 by 12 3/8in. (ii) 23.5 by 30.5cm.; 9.25 by 12in. (iii) 23.5 by 31cm.; 9.25 by 12.25in. (15) Executed as part of the project The Homeless Taking Photographs of Passers By in an edition of 50 plus 10 artist's proofs. The Struth photographs are accompanied by 12 additional photographs executed by homeless people under the guidance of the artist and a CD-ROM.

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255176 item(s)/page