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Lot 1

Portfolio of assorted loose prints, etchings, and engravings, two acrylic on panel Dutch-style scenes; and five framed small prints of animals, etc. (quantity)

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An oil on board of a bridge and river, castle in distance, plus two hunting prints with gold slips, a modern blue toned oil on board of winter trees (4)

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After Laurence Stephen Lowry (1887-1976): On the beach at Deal, colour print Ltd. Ed. signed published Venture Prints 1973, 30cm x 53cm together with an original sketch Ltd. Ed. print signed (2)

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A Tyneside purple lustre jug, with three transfer prints of the Wear Bridge, SAILOR'S FAREWELL and verse A Llittle Health..., in painted red, yellow and green cartouches, 18cm h, c1850 (see illustration) ++ Very minor star crack in the base, minor descending hairline crack to the lip, no chips or restoration

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A Sunderland lustre bowl, Moore's Wear Pottery, with transfer prints of the Wear Bridge signed Moore & Co, verses including Success to the Fleece and Waverley designs, picked out in enamels, 26cm diam, impressed MOORE & CO, c1840 (see illustration) ++ In fine condition

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A Sunderland purple marbled lustre bowl, Dixon & Co's Garrison Pottery, with black transfer prints of the GARDENER'S ARMS, THE MARINER'S COMPASS and THE SAILORS' FAREWELL, 21.5cm diam, c1840 (see illustration) ++ A few minor glaze scratches particularly to the well, no damage or restoration

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Ackermann's Series of National Steeple-Chases THE DUBLIN 1856 a pair of sporting prints and another, THE TOLLERIDGE ELEVEN

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A group of 1930s vintage clothing nine pieces mainly floral prints lace and brocade including three evening jackets four assorted day dresses and a full length floral garden party gown various sizes (9)

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An Ossie Clark/Celia Birtwell printed chiffon blouse late 1960”s unlabelled with ties to plunging neckline the capelet shoulders and handkerchief peplum of four different Celia Birtwell prints bust 86cm 34in

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A MID 20TH CENTURY ADVERTISING BOARD FOR YARMOUTH OILSKINS together with a Davey & Co catalogue and four various prints of ships.

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A FRAMED PORTRAIT PHOTOGRAPH OF H.M.S. KING GEORGE V together with three nautical related prints (4).

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A SIGNED PHOTOGRAPH 'AQUA QUARUM' from the 1996/97 Vende Globe non stop race, together with a quantity of maritime related prints and engravings.

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AFTER THOMAS DAVIDSON AND R. WESTALL R.A. A set of six coloured prints after the famous oil paintings depicting scenes in the naval life of Horatio Nelson, various sizes, contained in one frame, 55cm x 81cm.

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AFTER MONTAGUE B. BLACK AND SAM BROWN "The White Star Liner R. M. S. Olympic" and a matched pair "The White Star Liner R. M. S. Homeric", black and white prints, 43cm x 71cm.

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A montage of Chinese watercolours on silk, late 19th Century, warrior figures, five framed as one, together with a pair of Japanese prints, signed, white herons amongst lillies.

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A pair of World War I prints on glass of the Mauritania and Lusitania, on green velvet mounts, 21.5 x 21.5cm.

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A. Lewis - 'Mute Swan at Dawn', oil on board, signed, together with eight decorative prints and pictures.

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A 19th Century coloured engraving, 'The Silver Stripe Butterfly', within a gilt frame, together with a collection of other prints, the majority of natural history interest.

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W.J. Dorrell - Eastern Scene with Figures on a Path outside a Village, oil on canvas, signed and dated 1922, within a gilt frame, together with a watercolour and two overpainted miniature prints.

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After Giovanni Marletti - 'Tiens, Bois' (Study of Lady Knelling wearing Empire Costume, feeding a Mastiff dog), early 19th Century French colour stipple engraving by Ruotti, together with a large collection of re-strike prints and an oil on canvas.

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After R. Cosway - 'Mrs Trickell', monochrome print, within a verre églomisé mount and gilt frame, together with six other prints.

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A set of three prints, Scenes from the Crimean War, framed.

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After H. Alken - Hunting Scenes, a set of four late 19th Century reproduction prints.

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After Sir Peter Paul Rubens - Head and Shoulders Portrait of the Artist's Son, 20th Century colour print, together with a collection of colour prints and 18th Century engravings.

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After Singleton - 'The Four Seasons', a set of four late 19th Century colour stipple prints, each within verre églomisé mounts and gilt frames.

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After Gainsborough - Portrait of a Lady wearing a Feathered Hat, colour print, within an oval verre églomisé mount and gilt composition frame with beaded border, together with a collection of decorative prints and pictures.

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After Charles Furse - 'Diana of the Uplands', early 20th Century colour lithograph, within a gilt composition frame, together with a collection of prints.

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After H. Alken - 'Going to Cover', 'Full Cry', 'The Leap' and 'The Death', four 19th Century coloured prints, together with a small collection of other prints.

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A set of British dry trout flies and wet trout flies, framed and glazed, together with a set of four limited edition fly prints and 'An Album of the Chalk Streams' by E A Barton, 1st Edition 1946

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After George Leonnec, A pair of erotic panels 1917, colour prints, 38 x 117.5cm.

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A. J., Early 20th Century school, Head and shoulders of a black and white cat, oil on canvas, unframed, 33 x 26cm and two prints (3).

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After Bartolozzi, Portrait studies, a pair of prints, 20 x 28.5cm; and two unframed prints, Punt Fishing and Three Day's after marriage (4).

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A quantity of prints of birds and 'Old Masters' in antiqued frames (7).

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After R. Ray-Jones, Portrait of a gentleman in a hat, signed to the margin, engraving; after W. Richardson, S. E. View of York Cathedral, hand coloured print; a 19th Century French print 'Les Modes Parisiennes'; two hand coloured French prints 'La Mode Illustree'; a modern landscape oil painting and another print (7).

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A pair of modern prints of highland cattle, 80 x 59cm.

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Samantha Barnes, 'The Opera Lovers', 'A Passionate Note', a pair of colour prints, signed, inscribed and numbered in pencil, each 38 x 26cm (2).

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A group of eighteen reproduction racing prints after antiquarian publications by G. H. Laporte including a pair by E. A. S. Douglas 'The Favourite Before/After The Race' and another titled 'Too Fast', two racehorse portraits by Harington Bird and a set of four by James Pollard.

Lot 1

Late 20th Century school; 'In Counterpoint' and study of a flowerhead, two prints, artists proof, 31 x 24cm and 34 x 40cm and also including 'Pouring Tea', ltd edition print, 95/100, 42.5 x 32cm (3).

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After Horto van Houtteano, A set of fourteen botanical prints, framed and glazed, 21.5cm x 14.5cm.

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A pair of lithographic prints of 18th Century ladies, in decorative frames.

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Dale Nichols (American 1904-1995) Alaska Gouache Signed titled and dated (19)38 19cm x 26.5cm; Together with an earthenware circular wall plate painted with three figures in a boat fishing incised MEXICO and painted Dale Nichols 1945 40.5cm diameter; four black and white prints of a foundryman violinist (2) and shepherd signed in pencil Dale Nichols and limited edition nos. (unframed); twenty issues of Phoenix Flame magazine (1930s issues) and two books illustrated by Nichols: Arnold Elliott. Blood Brother. New York 1950 Nichols Dale. The Philosophy of Esthetics. Chicago 1938 Provenance: The estate of Elmer Jacobs and by direct descent to the present vendor

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[Illustrated books advertising and graphic design] with much American 20th century including: Kent Norman (editor). The Book of Edward A. Wilson: A Survey of his work: 1916-1948. New York 1948; Milton John. Paradise Lost. New York 1940. Color prints after William Blake; Zola Emile. Nana. New York 1948. Illustrated after Bernard Lamotte; Simon Howard. 500 Years of Art & Illustration. Cleveland & New York 1942; Gay John. The Beggars Opera. Paris: Limited Editions Club 1937. Preface by A.P. Herbert. Illustrated with lithographs by Mariette Lydis. Artist signed limited edition no.231 (of 1500) Provenance: The estate of Elmer Jacobs and by direct descent to the present vendor

Lot 1

Wolfgang Tillmans b. 1968 (i) LIKE PRAYING I (ii) LIKE PRAYING II both signed titled dated ph 10 94 pr.WT 12 94 and numbered 1/10+1 on the reverse two c-prints each image: 23.5 by 35.8cm.; 9.25 by 14.125in. each sheet: 30 by 41cm.; 11.75 by 16.125in. (2) Executed in October 1994 and printed in December 1994 these works are number 1 from an edition of 10 plus 1 artist's proof. Provenance Maureen Paley/Interim Art London Literature Burkhard Riemschneider (ed.) Wolfgang Tillmans Cologne 2002 unpaged illustration of other examples of both works in colour Jan Verwoert Peter Halley & Midori Matsui Wolfgang Tillmans London & New York 2002 p. 107 illustration of other examples of both works in colour Exhibition Catalogue London Tate Britain Wolfgang Tillmans: If one thing matters everything matters 2003 p. 87 illustration of other examples of both works in colour

Lot 1

Patrick Caulfield 1936-2005 ROSe BOTTLE colour silkscreen 76.6 by 102cm.; 30.125by 40.125in. Executed in 1975. Literature Mel Gooding Patrick Caulfield: The Complete Prints 1964-1999 London 1998-99 p. 88 no. 43 illustration of another example in colour

Lot 1

Patrick Caulfield 1936-2005 LOUDSPEAKER signed dated 68 and numbered 25/75 colour silkscreen 70.4 by 92.6cm.; 27.625by 36.5in. Provenance The Waddington Galleries Ltd. London Literature Mel Gooding Patrick Caulfield: The Complete Prints 1964-1999 London 1998-99 p. 82 no. 11 illustration of another example in colour

Lot 1

Andy Goldsworthy b. 1956 BALANCED SNOW GRISE FIORD ELLESMERE ISLAND two cibachrome prints mounted together on card 48.5 by 170cm.; 19.125 by 66.875in. Executed on 24th and 25th March 1989. Provenance Acquired directly from the artist by the present owner. Literature Exhibition Catalogue London Fabian Carlsson Gallery Touching North. Andy Goldsworthy 1989 illustration of another example in colour unpaged This work is accompanied by two photo-certificates of authenticity signed titled and dated by the artist and framed together.

Lot 1

Hamish Fulton b. 1946 SMALL BIRDS: A TEN DAY CIRCULAR WALK FROM FURKAPASS SWITZERLAND SUMMER 1986 gelatin silver prints laid onto card overall: 60 by 104cm.; 23.625 by 41in. Executed in 1986 as part of the series A ten day circular walk from Furkapass Switzerland Summer 1986 Provenance S65 Gallery Aalst

Lot 1

Thomas Struth b. 1954 (i) DUSSELDORF - ALDSTADT (ii) DuSSELDORF - KoNIGSALLEE (iii) DuSSELDORF - ELLER each signed titled dated 2004 and numbered 14/50 + 10 AP on the reverse three cibachrome prints (i) 23.5 by 31.3cm.; 9.25 by 12 3/8in. (ii) 23.5 by 30.5cm.; 9.25 by 12in. (iii) 23.5 by 31cm.; 9.25 by 12.25in. (15) Executed as part of the project The Homeless Taking Photographs of Passers By in an edition of 50 plus 10 artist's proofs. The Struth photographs are accompanied by 12 additional photographs executed by homeless people under the guidance of the artist and a CD-ROM.

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An early 20th Century hand coloured Hereford Hunt inscription dated 1918, together with four John Peel hunting prints, all framed (5).

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A Third Reich propaganda folio of coloured and monochrome prints by various artists to include Max Mahlmann, Wilhelm Busch etc.

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A modern square topped coffee table with printed top plus three modern folding black tables with bird prints to top and three black lacquer oriental trays (seven)

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Eight modern bird prints, plus quantity of other bird prints and two prints on fabric of tropical birds plus four hand coloured botanical illustrations, three colour printed botanical prints and watercolour of flowers by Winifred Walker

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Two hand coloured hunting prints plus a modern coloured linited edition print of a racehorse (three)

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Set 5 motoring prints: Highway Code - Chas Crombie £150

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Pr Rosewood framed 19th c prints: Fighting dogs £40

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WILLIAM MONK, RE. A Coastal Landscape with fishing village. etching,Pl. 7 1/4 x 10 1/4 in; and a small group of unframed prints and drawings, principally landscapes (qty)

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AFTER M. FORESTIER.Still Lifes of mixed Flowers in a Vase, colour prints, 17 1/2 x 13 in; a pair (2)

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A ROOTH: Houses of Parliament, signed, watercolour, 9 x 13in, ;and a quantity of unframed watercolours, prints and photographs

Lot 1

Sidney Nolan (Australian, 1917-1992) A set of four prints for "Samson and Delilah" at the Royal Opera House, Covent Garden All signed, inscribed and numbered in pencil All unframed (Roll)

Lot 1

Surimono, Prints by Elbow, by Edith Polster, gold silk overboards, limited edition of 1050, printed by the Lovejoy Press, 1980 Washington DC

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