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A double-manual harpsichord by Shudi & Broadwood, London, 1790 The mahogany cross-banded and line inlaid case and with three gilded metal S-hooks. Raised on a trestle stand with four square tapered legs. Fully adjustable music desk. The satinwood keywell cross-banded with mahogany and line inlaid. The cross-banded name batten with two line inlaid panels flanking a central boxwood plaque inscribed: Burkat Shudi et Johannes Broadwood Patent No 1137, Londini Fecerunt 1790 Great Pulteney Street Golden Square. The five octave keyboards FF-f3 with ivory naturals and ebony accidentals with moulded boxwood fronts. Registration: 3 x 8ft, 1 x 4ft, lute and harp. Two pedals operate the machine and the venetian swell. One brass-knobbed hand stop on the left of the keyboard, and a further five through the nameboard, labelled: Lute >; 4' >; Buff Pull; 8' >; 8' Serial number 1137 Length 247cm, width 97cm, case height including lid 37cm. Literature: The Colt Clavier Collection Golden Jubilee 1944-1981, p. 7, (8) H110SB. C. F. Colt with Anthony Miall, The Early Piano, p. 44. D. Boalch, Makers of the Harpsichord and Clavichord 1440 -1840, 3rd ed., p. 625. Provenance: Ex Broadwood collection. Recorded on Decca.

Harp A double-action pedal harp inscribed 'J C Schwieso & Cos., patent, 19 Gt. Marlborough St., London, No. 808', circa 1850. Eight pedals. Height 173cm.

An anonymous Clavecin Royal, Germany, circa 1785 The oak case raised on four square tapered legs. The later oak cross-banded lid with an inner painting depicting Glenarm Castle. The plain oak nameboard bearing a later paper label inscribed: Johann Gottlob, Wagner. In Dresden. The five octave keyboard FF-f3 with ebony naturals with arcaded fronts and ivory capped accidentals. Stossmechanik action with under-dampers. At the bass end of the keywell a curved brass lever controlling the dampers and a stop-knob, once probably operating a missing harp-stop. Single ebonised bridge. Two ' Kirckman' style roses surface mounted on the soundboard. Width 174cm, depth 56cm, case height including lid 26cm. Literature: The Colt Clavier Collection Golden Jubilee 1944-1981, p. 27, (81) S360WG.

A 'lying harp' piano possibly by Johann Matthäus Schmahl, circa 1780 The cherry panelled case raised on a later trestle stand with four square tapered legs. The cross-banded nameboard panelled in a chevron pattern. The four and a half octave keyboard C-f3 with stained naturals and bone capped accidentals. Stossmechanik action with no check. Single strung. One hand-stop to the right of the keyboard, one knee lever, a hand-stop in the nameboard operating a moderator and a second, now void hand-stop aperture in the nameboard. Width 129cm, depth 49.5cm, case height including lid 17.5cm. Literature: The Colt Clavier Collection Golden Jubilee 1944-1981, p. 31, (117) GM512G, ill. p. 23. The Colt Clavier Collection Silver Jubilee 1944-1969, p. 26 GM512G. Clinkscale, Makers of the Piano 1700-1820, p. 271, no. 5.

AN IVORY HANDLED WALKING CANE late 19th century, the shaped grip on a black naturalistic shaped tapering shaft, with a plain silver collar, 90cm long; together with a horn handled hand carved Irish walking cane, the tapering shaft decorated with a harp and entwined snake, with a silver collar inscribed 'J.C. Allen, Warden House, Bincleves Road, Weymouth', 90cm long, (2).

Alfred Goulding of Beverley Zither Harp with Travel Case

An Irish ebonised hawthorn, silver and agate cane, the tapered shaft carved with harp and shamrock, on a naturalistic base, with silver collar and agate sphere 83 cm long

Oil on canvas, fisherfolk mending nets, signed Jourdain, together with an oil on canvas, figure playing a harp

AN ENGLISH SILVER TEA SET,THOMAS WILLMORE, BIRMINGHAM, 1910 comprising: a teapot, a milk jug and a two handled sugar basin, each part-lobed oval gadrooned body applied with a turned wooden harp-shaped handle, the hinged cover with an oval gadrooned finial, all initialled “H” the teapot 15cm high (3)

A framed & glazed signed limited edition print from the original drawing of 'Harp seals' by Gary Hodges

Signed Doulton and Co "Harp" porcelain figurine, copyright 1972. HN 2482, Limited edition 554/750. Modeled by Peggy Davies. Dimensions are: 8 3/4" tall. All measurements are approximate. Condition: No noted damage. Excellent.

A Donegal by Belleek porcelain model of a harp, boxed

A 19th century Victorian beech and elm wood harpists - musicians chair being raised on turned legs united by stretchers with high panel seat and gilded brass lyre - harp back rest to centre. Measures 97cms tall

Bag of assorted silver and other items to include: two silver open faced pocket watches; silver horse shoe, harp and clover brooch; silver bangle; 1889 silver crown; fobs etc.(B.P. 24% incl. VAT)

Small Welsh harp of laminated wooden construction, 85cm high approx. (B.P. 24% incl. VAT)

Bespoke oak hall chair with crown and harp motif

An early 20th century ebonised harp stool, with tapestry upholstered seat, raised on sabre legs

An Eastern harp.

A REGENCY SATINWOOD AND ROSEWOOD CROSS-BANDED MAHOGANY IRISH FOLD OVER CARD TABLE with hinged top revealing a baize interior above a geometric inlaid frieze with inlaid harp to the centre and clover flowers to the corners; standing on a ring turned stem with four reeded splayed legs with brass leaf cast casters 91cm wide 45cm deep 73cm high.ConditionIn good condition having original colour and polish.

A VERY RARE EARLY 19th CENTURY PROTOTYPE FRENCH SKELETON MYSTERY CLOCK with skeletonised porcelain Roman dial with gilt hands and centre seconds fronting a mystery movement with verge escapement and silk suspension having a spring driven movement concealed in the onyx base which drives a large wheel with cups on its rim to carry the bone balls, another wheel around the escape wheel drives the Archimedes endless screw lifting the balls up to the top prior to being fed onto the wheel, the white onyx base with ormolu mount depicting a classical Greek lady with harp, the clock stands on an ebonised wooden base under glass dome. Clock measures 42cm high 

Saint Ursula and her Virgins: An Early 18th Century Fan, with pierced ivory sticks, the guards intricately carved in the Chinese export style, the gorge carved and pierced in a more regular fashion. The velum leaf, mounted à l'anglaise, depicts a laden rowing boat taking to the sea, overflowing with ladies, one with a harp, others appearing to read music, one seated on an elaborately draped throne, cherubs carrying flower garlands flying above, to the right a man swimming towards the boat. To the left a helmeted horseman hurrying to the shore, the top of the leaf further painted with red drapes. This is possibly a depiction of (Saint) Ursula a princess from south-west Britain, daughter of King Dionotus of Dumnonia, heading to sea to join her future husband, the pagan governor Conan Meriadoc of Armorica, along with eleven thousand virginal handmaidens. The verso, painted a deep brown/black, is covered with vibrant painted flowers, to include roses, parrot tulips and convolvulus. Guard length 26.5cmGood colours but rubbed. Some repairs to the leaf folds and one more to do.

An electroplated WMF dish of heart shape, cast with a maiden in diaphanous dress leaning on a harp, 23cm high x 21.5cm wide

A 1989 Welsh gold medallion, harp to one side, dragon to the other, 1/4oz, in original case

J F Brown & Co from Erard's, 12 Berners Street, Oxford of London, a Grecian harp with gilded and fluted column with classical capitol of caryatids spruce soundboard, blue painted body, 44 string action, 170cm high

A twelve stringed Celtic harp in carry bag

Dated 1672 AD. Third bust. Obv: profile bust with CAROLVS II DEI GRATIA legend. Rev: cruciform arms with harp with seven strings and CC monograms in angles with MAG BR FRA ET HIB REX legend with no stop after HIB and date. Edge: with raised DECVS ET TVTAMEN ANNO REGNI VICESIMO QVARTO inscription. S. 3358; ESC 6th 388. 29.86 grams. Good very fine; rich dark tone.

1634 AD. Type 1. Obv: crown over crossed sceptres with CAROLVS D G MAG BRIT legend and 'rose' mintmark. Rev: crowned harp with FRAN ET HIB REX legend. S. 3197; N. 2280; Everson 127. 0.46 grams. [No Reserve] Very fine.

Circa 1633 AD. Type 6, obverse 2/reverse 2. Obv: crown over crossed sceptres with CARO D G MAG BRI legend and 'double rose' mintmark. Rev: crown with seven jewels over scroll-fronted, six-stringed harp with FRA ET HIB REX legend. S. 3187; Everson 111g. 0.57 grams. Extremely fine.

Undated (1682 AD"). Charles II, St Patrick's coinage. Obv: crown over St David playing harp with FLOREAT REX legend; brass spot at top. Rev: St Patrick holding cross and crozier preaching to multitude with arms right and ECCE GREX legend. KM# 2; S. 6567-6568. 9.59 grams. [No Reserve] Fair. Scarce.

Dated 1552 AD. Obv: profile bust with EDWARD VI D G AGL FRAN Z HIB REX legend and 'harp' mintmark. Rev: arms with E - R at sides and TIMOR DOMINE M D LII legend. S. 6494A; D&F -. 8.30 grams. [No Reserve] Very fine for issue; small piercing and some surface pitting. Rare.

David N Robinson collection - 'Salem's Harp being Hyms & Poems on miscellaneous subjects' by Parkinson Milson of Epworth in Lincolnshire published by R Davies, Leeds 1863

Antique and later lace - including wide length of needle lace in heavy ecru cotton, 3.5 metres approximately, flounce of ecru bobbin lace in baroque design, 2.5 metres approximately, length of filet and bobbin lace in silk thread with Medieval figures, 1 metre approximately, narrow length of silk thread filet and mixed lace with Pan and dancing girl repeating pattern, 4 metres approximately, bobbin lace and velvet half-sleeves needlerun handkerchief, Irish lace with harp handkerchief, three little girl's dress cotton and lace, ladies' Edwardian white cotton dress with lace inserts, pintuck waist, embroidery and cut-out work (qty)

Early 20th century carved Irish black hardwood walking stick with carved shamrock, harp and tower decoration and silver top (marks rubbed), together with another with silver top (Birmingham 1917) (2)

Selection of eleven Swarovski crystal models - Harp, Saxophone, Cello, Rhino, Three Mice, Squirrel, Ant-Eater, Snail on leaf, Butterfly on leaf, Cockerel and Oyster with pearl, all boxed

A Quality 14ct Gold Watch with an open face the reverse with an oval enamel inset plaque depicting a young girl playing a harp. Working order.

FAIENCE MODEL OF A HARP, decorated in colours, 28cm H.

Lady Leaning out of Her Balcony in a Castle, watercolour signed and dated 1865 by W. J Bottomley signed with initials20.5cm x 14cm and Boy Playing Lyre Harp amongst Birds and Deer, 20th century watercolour signed by M. C. Hunt 29cm x 19cm (2) Condition Report Click here for further images, condition, auction times & delivery costs

19THC HARP - ERAT & SONS a 19thc Harp by Erat & Sons, 23 Berniers St, London, 1502. The carved giltwood and brass mounted Harp with a fluted column with classical figures. The base with levers and claw feet. Some damages and restoration required. 170cms high

19THC HARP - J A STUMPFF part of a 19thc Harp, the carved giltwood and brass mounted Harp missing it's base section. The brass engraved, Patent Harp Invented by J A Stumpff, London, No 44 Great Portland St, Portland Place. 170cms high

WORN SILVER COINAGE Including a William 111 Sixpence of 1696?, early Harp type. Queen Anne Sixpence dated 1711, George 11 1758, etc (10)

A boxed M Hohner '62 Chromonica', a further smaller example and a 'Blues Harp', and two further mouth organs, also a Paquet metronome and a Swiss Thorens 'Kaiser Walzer' music box (7).

A Minton Guinness advertising ashtray together with two Carlton Ware Toucan pots and covers:, also a harp and barley decorated pot and cover, a toucan decorated lamp and two Wade Guinness seal dishes (7)

A Russian butterscotch amber brooch, with four amber beads, two butterscotch, two lighter orange in colour, on white metal back, marked P followed by a star with harp in 875, backwards R, K 4?, 5.5cm wide.

Three various 20thc Belleek items, comprising a vase decorated with flowers, 10cm high and two jugs, various green dog and harp marks beneath (3)

A pre 1922 Irish green Ensign flagWith gold winged Hibernia harp and Union Jack, height approx 92cm, length approx 179cm (af)

A 19TH CENTURY SEED PEARL AND DIAMOND PIN, modelled as harp set throughout with graduating seed pearl highlights, the centre set with old cut diamond set initials JC, to the top of an articulated horseshoe set with two seed pearl end terminals. Length 4.5cm. Weight 3.7 grams.

3 HARP LARGER & CARONI NAVY RUM PUB TRAYS, INVINCIBLE DARTS, HORN & CIGAR BOXES

A Castle Hedingham green glazed pottery three handled cup, inscribed Robart Shaw 1692, 12cm high, together with a Castle Hedingham green glazed three handed cup, decorated with a coronet, a harp and a shamrock, inscribed 'Cead Mile Failte' (2)

A Late Regency mahogany, tulipwood crossbanded and outlined wheel barometer By William Horrod, LondonThe swan neck pediment above a thermometer scale and small convex mirror in ebony slip, the silvered 12 in. dial, with turned brass bezel, engraved to the centre with foliate scrolls, a harp and other musical emblems, above a waisted terminal centred with the signed hydrometer scale114 cm. high. Illustrated

Early 20th CenturyEdwardian lady with harpOil on boardUnsigned45cm x 35cmFramed CONDITION REPORT: Needs a clean as came from a deceased estate where the owner was a smoker. Oil paint on harp and other dark areas shrunk/cracked. Part of a circle mark to dress (possibly rim of a cup?)

Silver Charm Bracelet Loaded With 17 Charms To Include Carriage Clock, Stone Set Tea Pot, Hinged Church, Spinning I Love You, Harp, Bear, Fish, Hinged Bible, Chim Monkey Street Organ Etc. Weight Approx 50g

A sterling silver harp form bookmark - 9cm

A bronze cherub with harp - 14cm

A VICTORIAN MECHANICAL EASTER CARD with embossed children, lilies of the valley and gilt harp, a German mechanical letter card, opening to reveal a newly hatched chicken and three other early 20th c postcard format Easter cards, largest 17cm h (5)

An early 20th century Regency revival Georgian style walnut coffee table raised on hairy paw feet with brass castors. Lyre / harp legs united by stretcher with pie crust scalloped table top.

A collection of vintage 20th century advertising point of sale pub bar ashtrays to include Harp Lager , Carlsberg , Martell , Hine , Taunton , John Smith , Guiness , Couarge , Guinness , Courage , Babycham , Goldwell Snowball , Tuborg , Gold Label , Air Canada , Lowenbrau etc. Please see images.

4 x Crowns comprising: 1695 SEPTIMO first draped bust, first harp, contact marks & flecking & edge beading worn VG, 1819 LX, obv. & rev contact marks o/wise AFine, 1822 SECUNDO contact marks, minor obv edge bruise at 9 o'clock AFine & 1844 VIII star stops, contact marks, obv edge imperfections AFine/Fine, together with 2 x shillings: 1723 SSC, large N in BRVN, obv. contact marks & faint scratches on bust; bust VG o/wise Fine & 1893 minor contact marks Fine to GFine

James I Shilling, second coinage, third bust, MM lis; obv a couple of light scratches in field below XII & rev. part of third quarter of shield (Irish harp) weakly struck (very good detail in rest of shield) o/wise good edge & surfaces; full flan & full, clear legends VF to GVF

William III Crown 1696 OCTAVO first bust, first harp, light contact marks & generally good edge AFine/VG, together with Victoria crown 1896 LX, contact marks, good edge, GFine to AVF

William & Mary Halfcrown 1689 PRIMO, first busts, first rev, crown with pearls & with caul & interior frosted, second L over M in GVLIELMVS; rev small metal flaw below G of MAG o/wise minor contact marks & hairlines, good edge; busts AFine o/wise Fine, together with William III shilling 1701 fifth draped bust, large lions; contact marks & light scratches AFine/Fine & sixpence 1696 first bust, large crowns, early harp; pitted surfaces o/wise Fine