We found 9712 price guide item(s) matching your search
There are 9712 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
9712 item(s)/page
Asian Porcelain Assortment (8) items including (4) vases with Satsuma and Imari style, 3-footed censer having a bird motif, a sauce dish, a bowl having gilt decoration with a butterfly and botanical motif and a table lamp having applied floral decoration; (4) items having mark on underside Property from: a Chicago, Illinois (Streeterville) estate Height: 10 1/2 inches, Width: 7 inches, Depth: 6 inches (lamp height without harp and bulb) Condition: Very Good to Good, overall light wear consistent with age and normal use; small dish and bowl having areas of gilt loss, paint loss; censer having chip to vessel rim; lamp working when tested, having crazing Disclaimers: we cannot guarantee operation or longevity Category: Decorative Arts > Asian Estimated Sale Time: 11:58 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2
Mahogany Harp Table and Chairs Round table having a harp form base and claw feet; as well as four harp back upholstered chairs Height: 29 1/2 inches, Diameter: 40 inchesSize: table Condition: Good, overall light to moderate surface wear; some areas of heavy finish wear and chipping, most notable to the chairs; a harp back from a chair detached; light staining to the upholstery Category: Furniture > American Estimated Sale Time: 10:22 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Illinois (8%), Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3
Tiffany Studios Dore Bronze Lamp Base Embossed 'Favrile Louis C. Tiffany Furnaces, Inc 22' on underside, a desk lamp base having a center harp and green enamel decoration around base; together with a pink swirl and green slag glass shade Property from: a Chicago, Illinois (Lincoln Park) estate Height: 16 inches, Diameter: 5 inches Condition: Good, light wear, tarnish and light dirt accumulation; lamp shade having missing green glass and frame damage; working when tested Category: Crystal & Glass > L.C. Tiffany Estimated Sale Time: 10:38 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8Photograph #9Photograph #10Photograph #11Photograph #12Photograph #13Photograph #14Photograph #15
Sterling Silver Tea Service (3) items including a tea pot having a baluster shape, goose neck spout, pear wood handle featuring a plain scrolling thumb piece, marked 'Harp Mellen Reproduction' on underside, a footed sugar bowl and baluster creamer; all pieces having a harp hallmark and marked 'sterling' Property from: a Grayslake, Illinois estate Height: 7 1/4 inches, Width: 8 1/4 inches, Diameter: 3 1/8 inchesWeight: 28.49 ozt. (total weight) Condition: Very Good, light wear, tea pot handle showing slight wear; tarnish Category: Silver & Metalware > Sterling Silver Hollowware Estimated Sale Time: 6:11 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5
A SMALL QUANTITY OF ASSORTED SILVER CUTLERY Various dates and makers, mostly 20th Century, assorted marks, 'Sterling', '900' and '800' to the handles, the harp spoon with marks for Birmingham, 1894 Various souvenir and other spoons, including an American example featuring a Native American warrior in a field of corn, eastern examples including one with a banana tree handle, pickle forks etc (qty) Largest spoon measures 20cm Silver items weigh 204g Condition: Minor signs of wear commensurate with age and use
An Empire style gilt-metal mantel clock, late 19th/early 20th century, mounted with a classical figure with a lyre beside a square section case, the dial with black Roman numerals to chapter rim, surmounted by a flaming torch and flanked by a harp, on rectangular base applied with trophies and garlands, on raised feet, with key, 23.2 cm high
A Meissen monkey band figure of a harpist, circa 1766-74Modelled by J.J. Kaendler and P. Reinicke, seated on a wooden stool, wearing a white bonnet, a dress with green stripes alternating with purple foliate scrollwork and a white underskirt, the base moulded with gilt-edged scrollwork and applied with leaves, 12cm high, crossed swords mark and dot in underglaze-blue (harp damaged, one toe chipped)For further information on this lot please visit Bonhams.com
A late 19th/early 20th century Burmese black lacquered and gilt decorated saung (harp) of typical boat shaped form, length 23cm, within an Alex Duncan, Glasgow case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A GEORGIAN OFFICER~S SABRETACHE OF THE 8TH KING~S ROYAL IRISH HUSSARS red leather pocket and unusually small flap faced with scarlet cloth and edged with narrow silver |Shamrock| lace, the flap embroidered with the Guelphic crown above the Royal Crest mounted on a reversed GR cypher, the Maid of Erin harp between shamrock sprays and scrolls inscribed ~PENINSULA~ and ~WATERLOO~, complete with its slings, faced with narrow shamrock lace and ornate gilt lion~s head billet-buckles (lace dull, embroidery frayed and tarnished) Provenance The Hon David McAlpine
[AP] A 1796 PATTERN ROYAL IRISH DRAGOON GUARDS OFFICER~S DRESS SWORD, CIRCA 1820 of regulation type, with straight double-edge blade formed with a short fuller on each face, etched over the greater part of its surface with trophies-of-arms, the crowned Harp of Erin, regimental motto, ~4th Or~, ~RID~, an allegorical figure, ~Osborn and Gunby Warranted~ and scrolling foliage on one face, and trophies-of-music, allegorical figures, further trophies and the crowned Royal Arms on the other, gilt-brass hilt with boatshell-guard incorporating a heart-shaped aperture on one side, a pair of straight quillons, knuckle-guard and ovoid pommel, and the grip bound with sheet silver in imitation of silver wire (losses), in its iron scabbard with two rings for suspension, with red and silver bullion sword knot 84.0 cm; 33 in blade Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
Franz Seraph von Lenbach (German, 1836-1904)A Portrait of a lady, said to be Maria von Komma playing the harpsigned and dated 'f. Lenbach / 1898' (lower right)oil on canvas98 x 123cmProvenance:By descent from the sitter, great-great-grandmother of the present ownerFootnote: According to family tradition, the sitter in the present portrait, Maria von Komma (circa 1872-1935), was aged about 25 when she sat to Lenbach. She lived between Munich and Vienna, earning her living as a musician, playing the harp, and as an artist’s model. Her striking red hair made her a popular muse for Munich artists of the time, and it has been suggested that she was at some point romantically involved with Lenbach. Maria was a painter herself. She was mostly self-taught, but she is also said to have been trained by Franz von Stuck and Lenbach himself. She later married General Ludwing von Komma, with whom she had a daughter, Gabriella Steiner-Pichler (b. 1900). The only other known portrait of a lady with a harp was painted by Lenbach in 1896, of the famous singer Lillian Sanderson (1866-1947).Condition report: 143 x 166cm framedOil on canvas which has been lined. The canvas tension is good and the picture is in plane. The paint layers are in a good, stable condition overall. There is some wear and abrasion, notable in the paler areas of the flesh. Fine retouchings have been applied to the face and arm to cover abrasion and are well matched to the original. There are minor retouchings in the background. The varnish is glossy and even with a light layer of surface dust. The reverse of the canvas is very dusty.
Irish Statutes: The Statutes at Large, Passed in the Parliaments held in Ireland, Vols. 1 - Vol. XVIII. With 2 Index Vols. & lacking Vol. XV. Together 18 vols. folio Dublin (Boulter & Geo. Grierson) 1765-1798. Published by Authority - In Eighteen Volumes. In fine full cont. calf, with tooled gilt borders & corner harp decorations, spines etc., & Royal Coat of Arms on each cover, mor. labels. (18) * The Earl of Roden's Copy with his bookplates.
Concerning the Publication of His First Book MacSwiney (Terence) A long and interesting ALS to Fred Cronin, 27.5.[19]06, 12 pp (three folded sheets), with associated envelope, discussing his plans to publish his first collection of poetry, The Music of Freedom (1907), for which he had obtained costings from Guys (of Cork) and Gills. The estimate for 1,000 copies in cloth gilt came to £33, to be paid in advance, which he confesses 'has staggered me not a little', and Guy's representative also raised queries about the content. 'Moore asked me .. did it not advocate armed resistance? I said it depended on the moral he drew from it! He laughed. He then raised the question of trouble with - what do you think? - the Church! I said there would be no trouble with the Church, as long as I believed in the Church I would write nothing against it. He said of course .. But things are peculiar in Ireland, and there was - the Peasant! He actually brought up the suppression of the 'Peasant'! I told him some of those who disapproved most strongly of that suppression were priests, which seemed to surprise him ..' Also mentions other projects, the Craobh, the Celtic [Literary Society], etc. [Note: Cronin is addressed here as 'Conchubhar', the name he used when writing in Irish]. MacSwiney's collection, The Music Of Freedom, was published in 1907 under his own imprint, The Risen Gaedheal Press, printed by Guys of Cork, under the pen-name 'Cuireadir' ('Sower of seed'). He got his chosen Irish Vellum paper and cloth gilt binding, with the United Irish harp on front cover, but it is very unlikely that 1,000 copies were issued, as the book is rare; about 300 is more likely. A copy is included with this lot. 'For victory Is not in life alone, but in the strength That masters life to serve a noble purpose. And they have won their fight most gloriously, Who flung their lives with passionate resolve Against tyrannous empire; who in falling Did fire a million sleeping breasts to life ..' [p. 67] Provenance: Cronin Collection
J C SCHWIESO & CO seven pedal patent gilt wood harp, Grecian style in satinwood and rosewood, the reeded column with angelic cap and foot decoration, signed to the brass plate and marked '263 Regent Street, London', mid to late 19th Century, forty three strings (one or two lacking), 172cms H, 80cms W, 36cms D
Jones of Dublin, mid Victorian carved walnut Irish throne chair, carved arched back with a castle turret and stag over a harp, surrounded by oak leaves, flanked either side by a knights head. Original floral upholstered back over carved Deerhound arm rests, one standing the other laying raised on large out swept paw feet. Rear crest of chair marked Jones of Dublin and dated 1850, 145cm high, 76cm wide, 80cm deep. Note: This throne chair was probably part of a large suite of furniture made of Irish bog yew or oak, by Arthur J Jones and Son of Dublin for The Great Exhibition held in London, in 1851. The carved decoration of a harp, oak leaves, stag and Irish Wolfhounds was designed and decorated to illustrate the history, antiquities, animals and vegetation of Ireland.CONDITION REPORT:Irish Throne chair, bog oak/yew is in good all round condition. Upholstery - seat has been replaced, back damaged, incomplete, rear of chair torn and incomplete.There is a chip of wood missing from the turret. The carved Irish wolfhound sitting, there is a repair/split across one foot which would suggest this has been damaged and repaired. On the back of the carved hounds there is minor splits along the joins.The frieze of the chair has some minor splits and there is some chips to the carved oak leaves and a chip to the front right hand foot.
Set of eleven American silver cast spoons, depicting figures on a column, engraved initials to the back, marker's marks for Gorham, a set of ten similar dessert spoons depicting a putto playing a harp, maker's marks for Gorham, twelve cake forks similar, anchor mark (possibly Gorham), and a cake slice, total weight 28 oz
William III, 2 x Sixpences comprising: 1697 third draped bust, later harp, large crowns; very minor flecking, granulated surfaces on lower part of bust & below bust o/wise good edge & surfaces, very light golden tone in legends, lustrous EF & 1697C (Chester Mint), first draped bust, small crowns; faint scratches on rev. o/wise good edge & surfaces, toned in legends, Fine
Charles I, Tower mint, Sixpences (2), both Gp D, type 3, mm. harp, 2.76g/7h, type 3a, mm. tun, 2.81g/11h (N 2240-1; S 2811, 2813); Charles II, Shilling 1663, first bust, Fourpence, 1682/2, Threepence, 1683 (S 3371, 3384, 3386); William III, Crown, 1696 octavo, first bust (S 3470); George I, Shilling, 1720 (S 3646); George III, Crown 1819, lix, Sixpences (2), 1816, struck approximately 10% off-centre, 1817, an obv. brockage (S 3787, 3791); William IV, Shilling, 1836 (S 3835) [11]. Varied state, brockage pierced at 12 o’clock £80-£100 --- Provenance: D.L.F. Sealy Collection
Charles II, Fourpence, 1679 (S 3384); William III, Sixpences (2), 1696c, early harp, large crowns, 1696, late harp, large crowns (S 3522, 3527); George III, Sixpence, 1820 (S 3791); William IV, Shilling, 1835 (S 3835); Victoria, Shilling, 1842 (S 3904); together with miscellaneous silver coins (13) 19]. Fair to fine, two pierced £60-£80 --- Provenance: From the collection of a Hampshire detectorist
H SABATINI (20th century Continental); oil on canvas, head and shoulders portrait of a woman playing a harp, signed, 66 x 52cm, framed. CONDITION REPORT There are some white marks to the canvas, one on her thumb, one central top with a slight indentation to the canvas on each mark, a scratch middle of the painting with white mark, another above her lip, a scratch across her necklace.
A watch key in the form of a harp,with a shield shaped, foil backed, flat cut garnet set to the base and suspended on a gold split ring, c.1830, with chased decoration. Tested as approximately 9ct gold. 41mm long, 3.62g,together with a gold hunting horn fob, with a cornelian tablet to the end. Marked 9ct, 3.61g,a gilt metal cornelian dog seal, 1.95g, and a gold rowing boat charm,tested as approximately 9ct gold, 1.58g (4)Provenance: The Peter and Pat Crofts CollectionCondition report: A split to the framework of the harp on both sides - slightly dented.The split ring is still fairly crisp.No obvious faults to the hunting horn.Surface marks to the rowing boat, no jump ring. Loss of surfacing gilding to the dog seal.
SILVER CHARM JEWELLERY - to include a 72cms L 800 stamped necklace holding 25 charms including Norwegian silver enamel, sterling, stone and other compositions, 18cms silver bracelet with padlock clasp holding 13 charms in silver and glass mounted white metal along with a stone set single charm in the form of a harp stamped '925'

-
9712 item(s)/page