We found 9712 price guide item(s) matching your search

A harp by Sebastian and Pierre Erard French, late 19th century maple and gilt-bronze, in Gothic revival style h.175cm.

A George III silver round mustard pot by John Emes, London 1805, with reeded borders, a harp handle, a ball finial to the domed cover, and engraved with a regimental badge, 8.5cm (3.25in) high, 141g (4.5 oz); and a George III oblong baluster mustard pot, maker’s mark “TD” (not traced), London 1812, with a gadrooned border, a harp handle, a ball finial to the domed cover and four ball feet, 8.5cm (3.25in) wide, 121g (3.75 oz). The first with the badge of the First Surrey Rifles (The 21st London Regiment) which existed 1859-1993.

A matched George III silver three piece tea service with a caddy, by Crispin Fuller and Duncan Urquhart & Napthali Hart, London 1806-1808, oblong and engraved with initials “CN” within ovals under a foliate and basketweave band, the double dome covers with differing finials, with harp handles, the tea pot 28cm (11in) long, 1477g (47.25 oz) gross

A George IIII silver oblong tea pot by Alice & George Burrows II, London 1808, with reeded bands, a composition harp handle, an ivory finial and on ball feet, and engraved with a monogram, 27cm (10.5in) long, 430g (13.75 oz) gross

A Victorian silver ovoid pedestal four piece tea and coffee service by Martin, Hall & Co, London 1869, engraved with flower roundels, scroll foliage and bands, with harp handles and engraved with a crest, the coffee pot 26cm (10.25in) high, 2122g (69.25 oz) gross

A pair of Victorian Irish silver plain tot cups by C. Harris, Dublin 1895, engraved with crests, 5cm (2in) high; and a 19th century Irish oval pin tray, crowned harp, Hibernia and maker’s mark “MW” only, with embossed decoration, engraved with a crest, 18.5cm (7.25in) long, 131g (4 oz) gross. The crests of RAWDON, Earls of Moira, co. Down. Earldom extinct 1868

A matched silver oblong baluster four piece tea service by F. C. Richards, Birmingham 1923-25, with gadrooned rims and harp handles, on ball feet, the tea pot 28cm (11in) long, 1803g (57.75 oz) gross

A silver oblong four piece tea service by C. S. Harris & Co., London 1932-33, with moulded angles, harp handles and on ball feet, 28.5cm (11.25in) long, 1999g (64.25 oz)

A SILESIAN WHEEL-LOCK BIRDING RIFLE (TSCHINKE), SIGNED WS, CIRCA 1640-50 with slender octagonal swamped sighted barrel rifled with eight narrow grooves, inlaid with a broad panel of engraved brass filled with ropework patterns and foliage at the muzzle, median and the breech, the latter stamped with the maker's mark (Neue Støckel 4809), lock of characteristic form applied with large brass plaques pierced and engraved with scrolling eagle heads, and designs of scrolling foliage, fitted with external mainspring and sliding pan-cover (pan-cover detached, button release and flash-guard missing), pierced dog applied with engraved brass plaques en suite including a pair of addorsed serpents on the bridle, fruitwood full stock profusely inlaid over its entire length with green-stained bone, mother-of-pearl and staghorn plaques enriched with engraved brass plaques including a dog playing a harp beneath the lock, a pair of addorsed scaly monsters opposite the lock and a strapwork cartouche on the cheek-piece, the butt enriched with brass pellets and fitted with sliding patchbox-cover decorated en suite (minor restorations and repairs), plain brass butt-plate and trigger-guard shaped for the fingers (repaired), three engraved brass ramrod-pipes, engraved brass fore-end cap, a steel sling swivel (one missing), and associated steel ramrod 103.8cm; 40 7/8in barrel A tschinke with the same maker's mark is preserved in the Waffensammlung, in the Kunsthistorisches Museum, Vienna.

A BAVARIAN FLINTLOCK SPORTING GUN BY ANDREAS GANS IN AUGSBURG, CIRCA 1740 with blued two-stage sighted barrel, stamped with a series of decorative marks and the brass-lined barrelsmiths marks over the breech (including Neue Stockel 422), signed bevelled lock finely engraved with trophies-of-arms and a cherub playing a harp beneath the pan, the cock engraved with strapwork and chiselled with a serpent head beneath the jaws, figured walnut full stock carved in relief with rococo flowers and foliage behind the barrel tang, raised cheek-piece carved en suite, brass mounts of shaped outline, including two-piece side-plate and butt-plate, wooden trigger-guard reinforced with brass, and three brass ramrod-pipes, horn fore-end cap, and horn-tipped wooden ramrod 87.7cm; 34 1/2in barrel The second mark on the breech, that of the maker's name rendered in the Spanish style, is not recorded in Støckel. Two pairs of guns by this maker are preserved in the Bayerisches Nationalmuseum, inv. nrs. 13/781,783,785 and 791. See E.Schalkhauser 1988, pp.122-123.

A group of Staffordshire flatback figures, including; 'Tom King', 'Dick Turpin' 'Rivals' and a two figure group of highland figures with a harp and concertina.

A Carlton Ware four piece tea set specially produced for James Blackmore Ltd, each black glazed piece printed in gilt with a harp above a 'Guinness' inscription, comprising a teapot and cover, a sugar bowl, milk jug and mug, together with a Mintons Guinness advertising ashtray (faults).

A second period Belleek harp, decorated with shamrock, black mark, height 15cm

A Victorian Killarney marquetry pedestal work table, circa 1870, the rectangular top inlaid with a central view of Muckross Abbey flanked by chequer and oak leaf borders, the interior of the lid inlaid with central harp and trailing shamrocks flanked by leaf border, the interior compartments with central writing area opening to reveal inlaid fern leaves, the frieze with trailing acorns and leaves upon a further inlaid octagonal faceted baluster pedestal and concave platform base with ebonised paw supports, 75x64cm.

A set of six silver plated napkin rings, cased and numbered, having naturalistic engraving, an Irish silver teaspoon with harp and Britannia stamps and a pair of Georgian style teaspoons stamped NS

AN IRISH SILVER PAPER KNIFE with a curved dagger blade, the shaped handle mounted with an Irish harp to the finial and embossed with a Celtic plait, Dublin 1953, 23cms long

A REGENCY "KILLARNEY" YEW WOOD AND MARQUETRY WRITING SLOPE, the fall decorated with an Irish harp within a border of intertwining clover leaves, the interior with fitted compartments, 141/4" wide.

1821 Coronation: a rare earthenware jug moulded with named portraits of George IV and on the reverse Caroline flanked by flowers of the Union and centred by a crowned harp, painted in brightly coloured enamels, 125mm high, rim chips

A Royal Dux figural posy bowl, modelled as a maiden playing a harp and sat upon a conche shell, raised over a centre pedestal, applied triangle 122.

An Art Nouveau silver topped cut glass ring box, chased with the image of a young maiden playing a harp 3.5’.

A large collection of Belleek china, including centrepiece harp, vases and tea wares 37 pieces.

Nine carat gold charm bracelet, set with numerous charms, including a half sovereign, heart locket and a harp

A Mahogany Dressing Mirror, a harp zither, and a small hanging wall cabinet, 45 cm (3)

A quantity of mostly costume jewellery, including a graduated cultured pearl necklace, a gold pendant designed as a maple leaf fitted to a swivel, a marcasite brooch designed as a harp and shamrocks, a fob watch and four ladies' bracelet watches.

An W.M.F. Art Nouveau card waiter with embossed and relief moulded detail of a standing maiden with flowing hair next to her harp, length 25cm (widest point).

Adriano Cristofali Dissegno 18th Century- 'Arena Di Verona'; plan of the arena in Verona; engraving, 77x53cm: Isaac Taylor c.1740-1818- 'A Flemish Collection'; published by J Boydell, engraver in Cheapside, London, November 2nd 1765; engraving, after Van Harp 18th Century: together with three other 18/19th century engravings after various hands, (5), (unframed)

A 19th century gilt and patinated bronze ground, of a lady playing a harp whilst sitting on a column with a young boy at the base, 15in (38cm) h.

A 19th century Irish carved yew box, decorated a crowned harp, foliage and heart motifs, 2.25in (5.8cm) l. Minor losses.

An antique style bronzed figure of a classical woman holding a harp.

A Hohner Echo-Luxe harmonica, boxed, an Empress Harp harmonica, boxed, a Swan fountain pen, another pen and other collectors' items.

A rose diamond set and white enamelled slide, designed as the initial 'E', a rose diamond stick pin, an iron pyrites brooch, designed as a harp, a colourless paste cockerel motif, and a pale blue paste set gilt metal oval pendant.

An English porcelain Moore Bros style timepiece garniture, late 19th/early 20th Century, modelled as a pair of cherubs holding a harp or a tambourine flanking a circular clock case encrusted with cactus flowers raised on a shaped gilt edged base, flanked by a pair of twin branch matching candelabra, unmarked, height of candelabra approx 20.5cm (minor faults).

Sullivan; "New Ireland" 1877, 2 volumes, gilt and black decorations on green cloth to front covers and spine, author and title in gilt to spines, Haverty; "The History of Ireland" 1872, gilt Irish harp to front cover, blind decorations to covers and spine, gilt author and titles to spine. (3).

Boulger; "The Battle of the Boyne" 1911, illustrated, gilt Irish harp design to front cover and spine, gilt title to front cover and spine, t.e.g. (1).

Maxwell; "History of the Irish Rebellion in 1798" 1866, illustrated by George Cruickshank, 7th edition, title and author etc. in gilt to spine, gilt Irish harp to same, w.a.f., Curtis; "A History of Medieval Ireland" 1938, Blundell; "Cavalier" 1933. (3).

Prendergast; "The Cromwellian Settlement of Ireland" 1865, gilt title, author and Irish harp to spine, gilt arms of the commonwealth to front cover. (1).

Mathew; "Ireland" 1905, gilt title and author to front cover and spine, green clover leaves to same, gilt Irish harp to front cover. (t.e.g.) (1)

British Coins, England, Charles I (1625-1649), Richmond untrimmed square of a single Farthing, undated, type 1g, die 6, mintmark rose, crown surmounted by crossed sceptres, caro.d:g:mag:bri, beaded border both sides, rev struck en medaille, crowned scroll fronted harp, fra:et hib:rex, seven jewels on circlet of crown both sides (Peck 225; S 3187A). Nearly extremely fine and rare.

British Coins, England, Charles II (1660-1685), Pattern Farthing, 1662, struck in copper, 6.51g, crowned cruciform rose, thistle, lis and harp, lion at end of legend, toothed border both sides, carolvs.a.carolo., rev inverted die axis, ship in full sail left, qvatvor.maria.vindico., edge straight grained but not all the way across (Peck 400). Toned, extremely fine and rare. ex Dr E C Carter collection, purchased by A H Baldwin & Sons Ltd in 1950

British Coins, England, Charles II, Pattern Farthing, undated, c.1677, struck in lead, crowned garter motto encircling Irish harp, per mare et terras, rev inverted die axis, crowned garter motto encircling rose, per mare et terras, edge plain (Peck 453, this coin). Lightly corroded, good very fine and of the highest rarity. ex H A Parsons, 14 May 1954, lot 647

British Coins, Ireland, George III, Farthing, 1806, small laureate and draped bust right, georgius iii .d:g. rex., toothed border both sides, rev inverted die axis, crowned harp, date below, hibernia. (S 6622). Uneven tone with a hint of lustre in legends, good extremely fine.

BRITISH COMMEMORATIVE MEDALS, Great Britain, George III, Union of Ireland and Great Britain, Copper Medal, 1801, by P Kempson and S Kindon, Roman style bust of George III right, rev Britannia seated on rock, at her feet a cherub holding an open book showing Irish harp, 48mm (BHM 527). Extremely fine.

An Irish engraved half-size decanter Waterloo Co., Cork, circa 1800 the club form engraved with the Irish harp below a crown and within two leafy fronds, below two angular neck rings and everted lip, above a band of moulded flutes to the lower section the base moulded WATERLOO Co. CORK 19cm., 7.5in. stopper lacking

A PAIR OF SILVER CANDLESTICKS with harp columns, London 1900, 8" high (see illustration)

A George III silver oblong baluster cream jug, London marks rubbed, with a ribbed girdle, harp handle and on ball feet; and a silver lidded cut glass cylindrical dressing case jar, London 1897

A silver oval half reeded three piece tea service by James Dixon & Son, Sheffield 1908-09, the tea pot with a composition harp handle and an oval finial

A Jews harp, 18th century. With scrolling iron frame and double tongues of steel. 6.8cm long.

Bedtime Chorus Figures Comprising Boy with Guitar, Harp, With Songbook (Damaged Book) and With Glasses (4)

A Belleek Co Fermanagh Composite Part Grass Pattern Teaset, early 20th century, comprising six teacups and saucers, uncovered two-handled sugar basin, and milk jug, the moulded grass decoration picked out in light iridescent colours, gilded rims, various black printed wolfhound, tower and harp marks Teawares of this type are illustrated in Langham (Marion) Belleek Irish Porcelain, pg.175-Belleek Pottery Catalogue 1904.

A 19th Century Staffordshire Figure in form of a Scots lady holding a harp, upon pedestal with dog (a/f), 27cm high

A BEECHWOOD NURSING CHAIR with harp shaped back

a late George III period oval needlework embroidered in coloured silks and wools, with raised work, depicting a lady playing a harp beneath a tree, the sky painted in gouache, within a pearl applied border, verre eglomise slip and giltwood frame 26cm x 39cm overall (needlework 18cm x 24cm)

A late 19th century heavy silver three piece tea set, with half gadrooned body, fitted with harp handles and ebony fittings, London 1889, bearing a West of Dublin retail mark, 40 troy oz. collective weight

A pair of late 19th century Royal Worcester blush ivory bodied classical porcelain ewers, with harp handles, painted with summer blooms, Rd. No. 189328, 23 cm (9 01-Feb in) high

Hubert M. Brookes, an Art Deco silver canted-rectangular three piece tea service, makers' mark BS (presumably for Birmingham School of Art), Birmingham 1930, straight-tapered and each with ivory stylised harp handles, the tea pot 24.5cm (9.5in) long, 1092g (35 oz) gross. Each piece with hand-written labels under 'Designed and Executed... #Exhibited by Hubert M. Brookes.. '. Sold with a diploma with attached photograph from the Royal Birmingham Society of Artists Arts and Crafts Exhibition 1936, 'Lucas Awards First Prize', no. 193. See Jones, Kenneth Crisp. 'The Silversmiths of Birmingham and their Marks 1750-1980' London 1981, p.309 for a short biography of Brookes and Dreweatt Neate, Bristol Collectors' sale 28th November 2006, lot 635 for a hand-built model of a fire engine by Brookes

An Art Deco silver circular three piece tea service by Mappin & Webb, Birmingham 1934, each with a stepped neck and foot-rim and with stylised harp handles, the teapot 25cm (9.75in) long, 835g (26.75 oz) gross

FITZADAM (ISMAEL) "The Harp of the Desert, containing the Battle of Algiers ..." 1st edn, orig bds, uncut, 12mo Whitmore & Fenn 1818.

Two 18th century marrow scoops, one Irish struck with Hibernia and the crowned harp marks only and engraved with a crest, the other with compressed marks

A Victorian silver mounted glass claret jug by W. & G. Sissons, Sheffield 1868, the ball and shaft body etched with leafage, the band engraved collar with pierced shoulders, a leaf-capped harp handle and a domed cover with a cone finial, 27.5cm (11in) high

A Royal Dux Figure of Seated Crowned Maiden with Small Harp, No 255. Naturalistic Rock Base.