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Selection of Officer Collar Badges including 3 x silvered and enamel Royal Sussex Reg ... 2 x silvered A & SH (brooched) ... KC blackened RACd ... KC silvered and gilt RAMC ... Pair KC Irish harp ... Pair silvered and gilt Kings ... Pair silvered and gilt Prince of Wales plumes (brooched) ... QC silvered and gilt Queens ... KC silvered and gilt Royal Corps of Signals. 20 items.

A late Georgian silk and woolwork needlework panel worked in colours with an elderly seated figure with a harp and a young girl looking on, 19ins x 24.5ins, in modern gilt frame and glazed

A 19TH CENTURY VICTORIAN KILLARNEY YEW WOOD AND MARQUETRY BOX, the hinged cover inlaid with scrolling shamrocks and a centre panel with an abbey ruin, the hinged cover opening to reveal a vacant interior, the underside inlaid with a harp issuing shamrock sprays, 8" (20cm) wide. (1)

A FINE 19TH CENTURY KILLARNEY YEW WOOD AND MARQUETRY BOOK STAND, the top inlaid with a harp and shamrock sprays, the folding ends each inlaid with an abbey ruin and further shamrock, 15.5" (39cm) wide. (1)

Continental School, an old man playing a harp to a girl, oil on metal, 28 x 22.5 cm

A 19th Century Flatback Spill Vase, titian-haired girl with harp, approx 33 cms

Antique Piano Harp/Zither Late 19th Century piano harp 'Edison No 5 Special' American model. Of wooden construct painted green with gilt decoration and American eagle decoration. In good overall condition.

7 x Sixpences comprising: 1697 third bust, second harp, rev. faint scratches near F of FRA o/wise AFine, 1757 good edge & surfaces AVF, 1787(x2) both with hearts, both with uneven toning AVF to VF, 1816 Fine/AVF & 2 x 1887JH(x2) both 'withdrawn' type AVF/VF, together with 8 x groats: 1836(x5) toned VF/GVF(x1) & GVF to AEF(x4), 1840 large low 4 in date AFine/Fine, 1848/6 obv contact marks Fine/VF & 1855 contact marks VG & threehalfpence: 1835/4 GFine or+

4 x Crowns comprising: 1695 OCTAVO first draped bust, contact marks/flecking & small, shallow, edge pinhole at 12 o'clock between D & E of DECVS o/wise GFine/Fine; 1696 OCTAVO first draped bust, contact marks, adjustment marks, shallow edge pinhole at 12 o'clock between N of TVTAMEN & A of ANNO VG; 1818 LVIII numerous contact marks, generally good edge VG & 1845 VIII cinquefoil stops, contact marks, small dig near Queen's chin, light golden toning AFine/GFine, together with 4 x halfcrowns comprising: 1689 PRIMO first busts, second shield, no frosting & no pearls, scratches on busts VG, 1696 OCTAVO first bust, large shields, early harp, contact marks & light scratches, rev. centre & lower half of shields worn Fair, 1745 D.NONO LIMA generally good surfaces, minor edge imperfections Fine to GFine & 1825 scratches across bust & in obv field o/wise GFine

Lancashire, Silver Shilling Token 1812 obv. THOS WILSON & CO above shield, oak sprigs & LIVERPOOL below shield, rev. LANCASHIRE ONE SHILLING TOKEN 1812 around Commerce seated on a cotton bale & holding scales & cornucopia Fine D&H2, together with 11 x 18th Century Halfpenny Tokens comprising: Inverness 1793 obv. rose & thistle, rev. CONCORDIA & cornucopia, edge: MACKINTOSH, INGLIS & WILSON'S, scarcer date D&H1; 2 x Perth 1797 D&H5-9; Leith 1796 D&H58-59; Ireland Dublin 1794 Camac Kyan & Camac, obv no legend, Hibernia seated with harp, date below, all within wreath, scratches both sides o/wise Fine D&H251-267; Dublin 1794 obv 'THE LAND WE LIVE IN' around Justice holding scales & sword, rev. cypher, surface marks/scratches Fine D&H338-345; Macclesfield 1791/1796 mule obv seated female holding cogwheel, 1791 below, rev. plough 1796 below, edge LONDON rest engrailed, D&H78a; South Shields 1794 D&H4; 2 x Birmingham 1794 Coining & Copper Co., different edges D&H72-75h & Norwich undated, obv. PROSPERITY TO OLD ENGLAND around standing figure of Hope, rev. dove & cornucopia, contact marks AFine D&H26; generally GFine to VF unless o/wise graded

James I, 2 x Shillings: (1) fourth bust MM escallop, full, round flan, parts of bust weak, good shield detail; bust VG o/wise Fine or+ & (2) Ireland second coinage MM rose, rev. HENRICVS ROSAS REGNA IACOBVS around crowned harp; dark tone, good detail in crown, hair & drapery but facial features flat o/wise Fine to GFine

8 x Miscellaneous English Silver, Copper & Bronze Coins comprising: florin 1907 light contact marks AVF/VF; 3 x sixpences: 1696 first bust, large crowns, early harp, scratches on bust & in field VG, 1888 minor contact marks o/wise AVF & 1905 minor contact marks Fine; penny 1797 virtually flawless edge & surfaces, attractive dark tone VF+; penny 1863 good edge & surfaces, good lustre AEF & 2 x hammered silver coins: Elizabeth I sixpence 1585 sixth issue MM escallop, scratches on busty, shield worn & minor flat spots in legends, bust & shield Fair, legends better & Edward III halfgroat, London Mint, obv. bust & most of legends worn, rev. 50% of outer legend worn, Fair to VG

William III Sixpence 1697, third draped bust, later harp, large crowns, GVLIEIMVS instead of GVLIELMVS, faint adjustment marks on rev o/wise lustrous AEF

William & Mary Halfcrown 1689 PRIMO first busts, second shield, crown with caul only frosted with pearls, minor contact marks & light hairlines VG to AFine, together with William III 2 x shillings: 1696 first bust, light flecking, sometime cleaned, numerous hairlines o/wise AVF & 1697 first bust, obv. scratches, sometime cleaned AFine/Fine & sixpence 1697 first bust, small crowns, later harp; generally good edge & surfaces, toned, blue/gold lustre in legends GFine or+

James I, 2 x Shillings: (1) second coinage, third bust, MM rose; facial features weaker than rest of portrait, faint hairline scratches on bust, toned AVF (2) second coinage, fourth bust, MM rose; flat spots in legends & third quarter of shield worn, some portrait detail, Fine & Ireland sixpence, second coinage (1604-07) first bust, MM rose; obv. IACOBVS D G MAG BRIT etc around bust, rev. TVEATVR VNITA DEVS around harp; obv flat spots in legend at 10 & 5 o'clock & correspondingly on rev; bust AFine o/wise AVF

Tray of assorted alcoholic miniatures various, to include Wade Bells scotch whiskey, Harvey's Bristol cream, apricot liquors, Harp larger etc.(B.P. 24% incl. VAT)

A small ivory toothpick case with gold pique decoration, (a/f), an Irish bog oak harp, a small box in the form of a book and other items.

After Oliver Sheppard"The Fallen Cu Chulainn," a bronze Replica of the famous statue in the G.P.O., on Connemara marble plinth, approx. 23cms (9") high; together with an inlaid miniature Harp, approx. 26cms (10") high. (2)

each oval gadrooned base, lyre harp-shaped column, urn-shaped sconce, detachable oval nozzle

Royal Piano Harp

WW1 Ottoman Turkish Harp Madalyasi Iron Cresent. So called "Gallipoli Star". German made example maker marked "BB& Co".

A camera flash gun and Jews harp etc

A Sebastian Erard harp, patent No. 3120 (requires overall restoration) H.170cm

A Scorpion brooch set with moonstones, silver framed agate brooches (3) an Irish agate brooch and a silver and agate harp, an Adams Jasperware brooch, a vintage scarab beetle brooch, a Cairngorm set in yellow metal butterfly wing pendant and chain and a silver cat mask, etc (q)

Dipano Auto harp and brass cornet by Butler, London in carrying box. Condition report: see terms and conditions.

A Scottish penwork snuff box, the lid with a panel of The Statue of William Of Orange, Formerly Outside Trinity College, Dublin, within a garland of flowers issuing from a harp and crown and inscribed ñThe Glorious And Immortal Memoryî within broad berried leaves, the side and base with conforming decoration, foil interior very worn, 8.2cm

Two cut out and engraved mother of pearl pincushions comprising one in the form of a harp, 5cm high, the other as a set of bellows, latter with one small chip to handle and one at the very edge of one board, 7.5cm (2)

Nine charms and novelties all with Stanhopes comprising an agate book, (six view _ Memory of Southport), 1.7cm, a bog oak harp (six view _ Souvenir of Antrim _ distorted), 2.5cm, a similar pig (six view _ Glasgow International Exhibition), 2cm, a similar hoof (six view - A Memory of Blackpool), 3cm, a set of bone binoculars (six views _ Winchester?) 2cm, a gilt metal armoured first, (HRH The Prince Conset-Rep Dragon and C+B Paris) 1.5cm, a white metal cathedral (The Lords Prayer), 2.2cm, a bone figure of a boy (A Memory of Tintagel), 3cm, and a damaged pendant (six views _ A Memory of Sandgate _ McKee, Dublin), 2.5cm (9)

A new 8 piece harp inch drive deep socket set with ratchet handle

An Arts & Crafts period copper and wrought spirit kettle burner and stand, the scrollwork top with cockerel finial suspending a circular copper kettle with riveted detail above a small burner, detachable copper tray with English rose embossed centre and stylised harp embossed motifs to the edge and having a wrought iron stand of triangular section and circular top by WMF & Goberg, 55 ins tall overall

Decorative gilt harp shaped mantel clock, together with a bedside Mother-of-Pearl clock

Sixpence 1697, late harp, large crowns, S.3538, slabbed NGC MS 62

Sixpence 1696 First Bust, Early Harp, Large Crowns, ESC 1533 EF or better and nicely toned, slabbed and graded LCGS 65

A George III Irish Silver Coffee Pot, mark of Carden Terry, Cork, overstriking another, circa 1775, of baluster form on pedestal foot, the domed cover with spirally fluted knop finial, carved wood handle with shell terminals, the body chased with rocaille decoration featuring a dolphin, birds, fruiting vines, shell-work and C scrolls, a vacant cartouche to either side, marked to base with maker's mark overstriking another twice, STER and LING, marked to right of handle with maker's mark overstriking another, Hibernia and crowned harp; marked to cover with indistinct maker's mark, Hibernia and crowned harp, 31cm high, 30oz 2dwt See illustration

A letter from Van Diemen's Land dated 1856, detailing the voyage of a gentleman in steerage on the ship Mermaid from Liverpool, to Trinidad, en route to Melbourne , Australia, and his intended onward journey on the Harp to Wellington, New Zealand, the privations of the travelling conditions, weather, food and other travellers on board the ship, and the intention, were he to travel again, to go as a saloon passenger; together with an earlier letter from Charles Jones to his sweetheart 'Watty', from Wixford Lodge, West Bridgford. 

A 19th Century harp I & I Erat manufacturers, 23 Berners St, London, numbered 2071, 171cm high

A 19th century cased harp/lute

A table harp.

Four George II Irish silver pistol-handled knives and two more knives en suite with very slightly larger handles, Dublin, circa 1740, struck with crowned harp and Hibernia only, each engraved with crest of an armoured arm embowed, holding aloft a dagger, all fitted with new steel blades, 22.6 cm. long and 23 cm. long respectively. (6).Marks are fairly clear, of the first four two have small amounts of solder by the ferrules, one not too bad but one where the solder extends over and obliterates the crowned harp; of the latter two there are tiny blobs of solder on the ferrules but marks are unaffected and this is very minor.

A George I Irish silver rat-tail table spoon by John Hamilton, Dublin, 1715, 19.8 cm. long, wt. 67 gm.Crowned harp, date letter and maker's mark, a good solid spoon with decent marks, no crest or initials, very slight and minor wear to one side of bowl but this is truly very minor indeed.

A George I Irish silver rat-tail table spoon by John Hamilton, Dublin, 1715, 19.8 cm. long, wt. 62 gm.Crowned harp, date letter and maker's mark, a good solid spoon with decent marks, no crest or initials.

Rare Irish Nationalist Army Rakenny Yeomanry Shoulder Belt Plate Circa 1780-83, brass oval belt plate with crowned winged harp to the centre, scroll above with RAKENNY and lower scroll with YEOMANRY. Reverse of the plate has two bolt fittings and one of two spike fittings. Semi excavated example. Units of the Irish Nationalist Army 1780-1783 are as follows, Rakenny Independents, Rakenny True Blues, Rakenny, Rakenny True Blue Independent Vols, Rakenny Independent Volunteers. NO MENTION of a yeomanry unit, BUT as many of the Irish Yeomanry were in fact DISMOUNTED, it is quite probable that the plate refers to one of these early units. Rakenny is in Co. Cavan, the only raising for Rakenny in 1803 is a small Infantry unit, 1 Company, still going in 1825. (Information supplied by K D Pickup)

Scarce Great War Kitchener’s Army Service Battalions Northumberland Fusiliers Tyneside Irish Shoulder Title, brass crowned harp with scroll below having “TYNESIDE IRISH” within. Two lug fittings to the reverse.

North of Ireland Imperial Yeomanry Headdress Badge, fine example, Kings crown above circlet with shamrocks to the lower part and regimental details around. To the centre of the badge is a separate piece winged harp figure. Reverse of the badge with two lug fittings. Very good condition example.

A RARE GEORGE III IRSH STOCK OR CRAVATTE BUCKLE with a plain wire border, maker's mark "DP" (script), struck three times, crowned harp & Hibernia, Dublin c.1770; 2" (5 cms) long; 0.5 oz

A SMALL TROPHY CUP with harp-shaped handles inscribed "Northern Laying Test 1934-35 for five birds laying largest number of eggs during first sixteen weeks" and another very similar cup, similarly inscribed (for 1935-36), by Elkington & Co., Birmingham 1935 and 1936; 6.75" (17.2 cm) high; 18.3 oz (2)

A TROPHY CUP with harp-shaped handles, inscribed "National Laying Test 1928-29....Breeders cup...4 Black Leghorns 874 eggs", by Elkington & Co., Birmingham 1928 (wooden plinth); 7.75" (19.8 cms) high; 13.65 oz

[Brontë (Charlotte, Emily & Anne)], "Currer, Ellis & Acton Bell". Poems, first edition, first issue, lacking errata slip, Westleys & Co. binders label to rear pastedown, light abrasion mark to upper hinge, original green ribbed cloth with harp design covers, spine lettered in gilt, spine slightly faded, minor bumping to spine ends and corners, some light marking to covers but an excellent example overall, preserved in custom morocco-backed drop-back box (spine a little faded), 8vo, [Smith 1 pp.5-6 & 12], [John Hasler, for] Aylott and Jones, 1846. ⁂ An excellent example of the scarce first issue of the Brontë poems in the rare intermediate state, Smith mentions only 7 copies with the Aylott and Jones imprint and the harp binding. Following the successes of the Brontë sisters in their publications of 1847 and 1848, Aylott and Jones wrote to Charlotte Brontë to ask her how they should proceed with regards to the unsold copies of Poems still in their possession. Charlotte in turn wrote to her current publishers, Smith and Elder, ostensibly to ask for their advice, but hinting that they might succeed in the sale of the volumes where Aylott and Jones had not. Smith and Elder decided to reissue the work under their own name and purchased the remaining 961 copies to be reoffered with a new title page and rebound in the green harp binding. Copies such as this one in the 1848 binding but with the Aylott and Jones title page likely exist because the binder either neglected or ran out of the new Smith and Elder title page. Provenance: H.Bradley Martin (auction ticket loosely inserted; sold his sale, lot 2658, Sotheby's New York, 30th April, 1990).

[Brontë (Charlotte, Emily & Anne)], "Currer, Ellis & Acton Bell". Poems, first edition, second issue, errata slip, advertisement f., Westleys & Co. binders label to rear pastedown, original ribbed green cloth with harp design to covers, light fading to spine and margins of covers, but an excellent, sharp example overall, preserved in custom slip-case, [Smith 1 pp.6-14], 8vo, Smith, Elder and Co., 1846 [but 1848]. ⁂ A superb example of the second issue, scarce in such immaculate condition.

[Brontë (Charlotte, Emily & Anne)], "Currer, Ellis & Acton Bell". Poems, first edition, second issue, Ellen Nussey's copy with her ink ownership inscription to front free endpaper, errata slip, advertisement f., 16pp. publisher's catalogue dated November 1849, some light marginal marking or surface soiling, light ink staining to extreme foot of later pp., Westleys & Co. binders label to rear pastedown, book seller's blindstamp to front free endpaper, bookplate to pastedown, original ribbed green cloth with harp design to covers, spine browned, spine ends strengthened and repaired, corners bumped, covers with light browning to margins, some small ink marks and light surface soiling, [Smith 1 pp.6-14], 8vo, Smith, Elder and Co., 1846 [but 1848]. ⁂ An excellent association copy of the second issue. Ellen Nussey (1817-97), lifelong friend and correspondent of Charlotte Brontë. Until around 1850 the Brontë sisters kept the true identities of Currer, Ellis and Acton Bell as close a secret as they could manage. Juliet Barker surmises however that Nussey likely became aware of their true identities during a short holiday with Charlotte in September 1848 (Juliet Barker, The Brontës, pp.528-9). This would likely explain then why Ellen Nussey was not one of the two purchasers of the 1846 Aylott and Jones edition but made sure to acquire the Smith, Elder and Co. reissue when it appeared in November 1848. Provenance: Ellen Nussey (ink ownership inscription); Butler Wood (bookplate).

Antique Piano Harp/Zither Late 19th Century piano harp 'Edison No 5 Special' American model. Of wooden construct painted green with gilt decoration and American eagle decoration. In good overall condition.

Postcards, Art Nouveau Glamour cards illustrated by Patella, possibly a set of 6, each showing 2 pretty girls, either reading, arranging hair, playing the harp etc (one card p.u, o/w gd)

POP MUSIC, Pink Floyd, selection, inc. Roger Waters, What God Wants, LE CD with picture cards (658139 9, UK), 7" single (658139 0, USA) and sheet music booklet for The Pros And Cons Of Hitch Hiking, with images and lyrics, Canadian issue; David Gilmour, picture disc single, In The Air (Harp 5229B, UK), in the shape of an old radio; double CD, A Great Day, BZBX 017/18, Italy, with booklet and timing sheet; auction catalogue for Christie's sale of animation art from The Wall, 21st Sept 1990 in the UK etc., G to VG, 6

A SWISS 12 AIR MUSICAL BOX WITH 23.5CM PIN CYLINDER AND ONE PIECE COMB WITH ZITHER ATTACHMENT, HARP TUNE SELECTOR NUMBERED 1-12, BRASS WINDING CRANK, IN ROSEWOOD VENEERED BOX WITH ORIGINAL CHROMOLITHOGRAPHED TUNE SHEET TO THE UNDERSIDE OF THE LID, 48CM W, LATE 19TH CENTURY

Three miniature bottles of Guiness, Harp lager, etc.

Teapots - a Belleek teapot hand painted with shamrocks with handle and finial modelled as a harp; a Spode Fleur de Lys pattern teapot; others, Kaiser Ming, Coalport, etc Condition Report: All heavily used resulting in loss to paint and surface scratches throughout, paint and surface scratches throughout, a number with poor restoration, Old Country Roses lacking finial, Kaiser Ming missing lid, see image

A Swarovski crystal grand piano brooch, boxed, another, harp (2)

Liverpool Irish Rifle Volunteers. Officer's Birmingham 1860 hallmarked silver pouch belt plate. A fine and rare die-stamped example by WD (William Dowler) Crowned ornate shamrock sprays, below the crown a disc with monogram "IRV", below the disc the Harp. A scroll at the base, "Erin Go Bragh". Three screw posts to reverse. VGC Initially the 64th (Liverpool Irish) Rifle Volunteers based at 9 Everton Crescent, Liverpool. redesignated 18th (Liverpool Irish) Rifle Volunteer Corps in 1880, and the 5th (Irish) Volunteer Battalion, The King's (Liverpool Regiment) in 1888.

Irish. North of Ireland Imperial Yeomanry Edwardian pre 1908 head-dress badge. A fine scarce die-stamped silvered example. Crowned circlet "North of Ireland Imperial Yeomanry" and ornamented with shamrocks. Mounted to the domed centre, a Maid of Erin Harp. Two loops to reverse. VGC (KK 1393)

Leicestershire Regiment Victorian Officer's forage cap badge. A fine die-cast gilt star mounted with silver "Hindoostan" scroll, Royal Tiger, Harp and "Leicestershire Regiment" scroll. Loops replaced with stout pin, hook AF otherwise VGC.