We found 9712 price guide item(s) matching your search

A thirty-two string auto-harp, original box.

Portugal, Military Order of the Tower and Sword, a fine quality Collar Chain by A.J. Strachan, London, and attractive Badge; Collar, silver-gilt (Hallmarks for London 1833), of 18 alternate towers and wreath with sword links, one link fully hallmarked, all the others also hallmarked except one which is a replacement, joined by 8 harp-shaped links, these unmarked; Badge, 89mm. x 72mm., silver-gilt, gold and enamel, with attractive iridescent centre, attached to Collar by means of a K.C.B. style suspension ring, in addition a gold pin fitting on the reverse, minor green enamel damage to centre, otherwise good very fine, rare

AN OAK LONGCASE CLOCK the eight day movement striking the hours on a bell, the 12 inch painted arched dial having painted riverscape decoration to the four corners and with a scene of a harp playing woman next to a lake within the arch, with a subsidiary seconds dial below XII o'clock, black Roman hour numerals and decorative blued steel hands, indistinctly signed with the maker's name 'Rickett', the falseplate stamped with the dialmaker's name 'Finnemore & Son, Birmingham', the oak case having mahogany crossbanding to the door and base, tapered pillars to the hood and a crested moulding and three brass finials to the top, height 221cm

William III, a silver Crown, 1696, first bust, reverse with first harp, edge reads OCTAVO (S. 3470). A sea-salvage coin, stained but good, fine; and a small late Roman bronze coin. (2) The First ex. HMS Association, Sotheby 28 january, 1970 (lot 79)

The Great Seal of England of Elizabeth I, designed by Nicholas Hilliard, a wax impression c. 1586-1603, the Queen enthroned holding the Sceptre and Orb, crowned shields to either side, rev. On the reverse side, Elizabeth is shown on horseback riding left, across a field of flowering plants, beside her the Tudor Rose, Fleur-de-Lis and Irish Harp, 150mm. A piece broken at the top (where originally attached to a document).

A gilt metal and glass epergne, French late 19th century, modelled as a harp with snake and lion head finial's, supporting eight glass flower flutes (Two missing and two AF), set on a domed circular glass base. Height 44cm.

Charms, various: Nelson's column, P.O. tower, Coronation coach, Celtic harp, globe on stand, Prince of Wales feathers, telephone box, Ferris wheel, stamped 14ct, Tower bridge & Dutch clog, tests 14ct, 9ct h/m, unless stated (gross 25.0g) (10)

A 19th century Killarney arbitus wood marquetry inlaid workbox, of sarcophagus form, the hinged cover inlaid with a harp, scrolling leaves, shamrock, thistles and dog roses, enclosing an interior with fitted tray, above conforming side panels, on bun feet, 36cm wide

Heaney (Marie). The Names Upon the Harp, Irish Myth and Legend, illust. P.J. Lynch, pub. Faber, 2000, col. illusts. throughout, orig. parchment backed boards, in orig. slipcase, 4to Limited edition 92/100 specially bound copies, signed by the author and illustrator. Includes "Summer", translated from the Irish by Seamus Heaney, (1)

A decorative Wedgwood Cylinder Vase, moulded pate sur pate with a black Jasper pattern of mythological figure with harp etc on a yellow ground (possibly restored rim) circa 1930, 5.5" high

Belleek: a cream jug with harp modelled handle, fan ground with hand painted shamrocks, 8cm.

A BELLEEK WHITE GROUND JUG, with wavy rim, harp handle, fluted body and interlaced clover base, 8" high, blue mark to the base

A 19th century woolwork depicting a man playing a harp with a girl at his knees, and a landscape beyond, 76 cms x 63 cms.

A James Shaw Moore Brothers type figural centrepiece, the shaped bowl encrusted with roses and foliage on a cornucopia supported on the shoulder of a scantily clad cherub, gilt scroll base, 28cm high; a similar sweetmeat bowl, moulded with a cherub playing a harp standing beside an oversize bowl, 18cm high; etc (3)

Henry Hunt: a rare pearlware jug lined in pink lustre, the neck banded in copper lustre, printed in iron red with an oval cartouche inscribed 'May the bud of Britains never Blow, the Scotland Thistle never Grow, the Harp of Ireland never play, Until the Reformers gain the Day', centred by the painted inscription 'Hunt for Ever' in puce, circa 1820, 114 mm high, restored chips, star crack to base

Arnaldo Tamburini, Italian b. 1843, gilding the harp, signed and dated 1880, oil on canvas, 35x25cm.; 13.75x10in.

Adrien Henri Tanoux. French, 1865-1923, the harp player, signed and dated 1913, oil on canvas, 74x44cm.; 29x17.25in.

A collection of 56 items of Goss and other crested china, to include various small vases, warming pan and a harp, various crests

Hogg (W), The Book of Old Sundials & Their Mottoes, 1917 Reprint, in dustwrapper. Covers designed by Jessie M King. Illustrations including tipped-in colour plates. With: Grahame's The Golden Age (1900, illus by Maxfield Parrish); Dobson's Proverbs in Porcelain (1893, 25 illus by Partridge); Laurence Housman's Moonshine & Clover (1922); & The Wild Harp a Selection from Irish Poetry by Katharine Tynan (1913, decorations by CM Watts) (5)

Three Pendelfin rabbits to include: Megan the harp, Squeezy and Gussie, (tiny glaze chips, no labels to bases) (3)

A ROYAL CROWN DERBY VASE of urn form with flared rim, harp loop handles and square pedestal base, painted with Imari style floral panels, 3 3/4" high, and a similar vase (2)

Modern harp by Philip Lawrie, Clwyd, 118cm high

A silver mug, Probably Walter Brind, London 1788, of baluster shape with a scrolled handle and later decoration, the scrolled cartouche engraved 'Erin Go Bragh' over a harp and shamrock

Crested china: two pieces of Willow Art, Lytham St Anne's harp, city of Cardiff fish, and quantity of unmarked including Cardiff flat iron, two butter dishes, Bognor drum and Oxford clog (twenty pieces)

A 19TH CENTURY STAFFORDSHIRE FLAT BACKED FIGURE OF A BARD WITH A HARP, with two spaniels and a bag at his feet. 14'' High.

A modern shoulder belt plate, with a border of shamrock, centred by a harp motif below the Royal Crown, by Fattorini & Sons, Birmingham 1927 3.5in (9cm) high, 2oz.

Hammered Silver Coins, (3), Elizabeth I (1558-1603), Sixpence, 1590,Fifth issue, mint mark hand (S.2578A); James I (1603-1625), Shilling, First Coinage, mintmark thistle (1603-4), value behind head (S.2646);Charles I (1625-1649), Halfcrown, Tower Mint, type 2c. mintmark harp, 1632-33 (S.2769). All fine. (3)

A Turkish 1915 War Medal (Harp Madalyasi or Gallipoli Star), the five point red enamel star with vertical pin brooch attachment stamped 935

A German silver coloured metal three-piece tea service, of oval pedestal form with half-reeding, the teapot with composition harp handle and finial to the hinged cover, 800 standard by Meli & Toledo, the teapot 22cm long, 860g all in. Presentation inscription relating to H Stevens, Gunner, HMS Hibernia, May 1899.

A SMALL HARP the green painted body enriched with delicate gilt scrolls of shamrock, gilt label for J Geo. Morley, from Erard's, 6 Sussex Place.. London, 34in. (86cm.) high

A GEORGE V TROPHY CUP the urn-shaped body with harp-shaped handles, the domed cover with nut finial, engraved "Calcutta Races 1918-1919 The MacPherson Cup", by Sebastian Harry Garrard, 1913, 42cm. high plus wooden socle; 172 oz

A late Victorian turned brass music stand, the rest modelled as a harp on an adjustable stem to scroll supports, 16.5in (42cm) w.

A pair of 18th Century Irish sugar nippers, engraved and with shell bowls, crowned harp and Hibernia marks only

A GOOD 19TH CENTURY MEISSEN GROUP OF FIVE CHILDREN playing the lute, piccolo and harp, and one conducting. Set on a naturalistic base with gilt decoration. Cross swords mark in blue. Incised B24. 6.75ins high.

An Edwardian mahogany occasional chair ornately decorated with stringing, scrolls and foliate motifs, the padded seat covered in floral tapestry, raised on slender inlaid cabriole legs; together with one other chair with harp-shaped back and inlaid solid panel splat, the seat and legs matching the companion chair. (2)

A 19th Century Continental ebony and brass bound decanter box the sunken brass handles with harp motif escutcheons containing six decanters with faceted decoration (4 A/F), 12 1/4 x 8 1/2 inches

A girl playing the harp with wheat sheaves by her shoulder and a pair of figures of musicians she playing the tambourine he the triangle, both 6 3/4 inches

Circle of Guido Cagnacci (Sant Arcangelo di Romagna 1601-1663 Vienna) An angel playing the harp oil on canvas 42? x 32? in. (108 x 83.2 cm.)

An Irish Killarneywork Yew Box, with shamrock and harp inlay decoration, (gutted) 34 cm

A Small Mahogany Harp, 101 cm

A rectangular silver sugar basin, the ogee body with a pierced fret border and gadroon shell foliage corners, leaf chased capped harp handles, the moulded corners on scroll legs with hoof feet. Maker James and William Deakin, Sheffield 1912. 14oz.

An Edwardian painted satinwood two-seater settee, decorated in the style of Angelica Kauffmann, with central oval cartouche of putto playing harp flanked by woven cane panels over festoon pierced and painted frieze flanked by downswept arms with baluster terminals, over conforming seat and on square section tapered front supports with spade feet, 86cm high, 115cm wide.

A 19th century Desvres model of a harp, painted with flowers, 11.25in.

A Belleek model of a harp, decorated with shamrock, brown printed mark, 21.5cm.

'Guinness' a polished steel advertising plaque and a large collection of Guinness & Harp advertising ware including: a Phiz tray, a tin, walking penguins, tea towels, bags goblets and tankards.

'Rupert' (Hon. Rupert Guinness) a Spy Vanity Fair print, by Vincent Brooks, Day & Son Ltd, a bottle of Chairman's Birthday Stout, Lord Iveagh 1954 and a collection of Guinness and Harp commemorative and miniature bottles, tankards including Waterford Crystal and ashtrays.

A Guinness advertising charm bracelet, a set of Guinness advertising buttons in original box, and a collection of badges, cuff links and related items including Harp Lager.

A silver four piece tea and coffee set, Boodle & Dunthorne, London 1939 plain circular with reeded supports, composition harp-shaped handles comprising: coffee pot, tea pot, milk jug and sugar basin; an ivory handled silver plated tray, circa 1930 shaped octagon 13.5cm.; 5.375in. height of pot (5)

William Powell Frith R.A. (1819-1909) A Young Lady Seated on a Rocky Headland, a Green Harp by her Side, a Coastline Beyond, possibly the Artist's Interpretation of "Hibernia" of Ireland, the Patron Saint of the Country] Signed under the frame, also inscribed with the artist's name and his dates on a plaque attached to the frame together with extensive inscriptions on a later label verso, oil on panel, painted oval, 30.5cm by 25.5cm (12in by 10 1/4in)

A Royal Dux (Bohemia) Figure of a Classical Female Harp Player, circa 1910], standing in robes and wearing a headdress, plucking the strings of her instrument, on an anthemion decorated circular plinth, decorated in subdued olive/grey colours throughout and burnished in gilt, impressed and applied pink triangle pad mark, No. 628, 30.5cm high

4 Irish cap badges R I Rifles, 2 part R I Fus harp on ball, Leinster (lugs missing), and R Dublin Fus (lugs missing); 22 collar badges, including 6th D, 11th H, 12th L, Kings Roman title, KOYLI, remainder mostly corps; 4 shoulder titles; all mounted on small wooden shields. Average GC (few fastenings AF). (30)

7 Irish infantry cap badges: R Inniskilling Fus flag right, R I Rifles WM, 2 part R I Fus harp on ball, Connaught (lugs resoldered), Leinster square scrolls (slide replaced) R Munster Fus, R Dublin Fus (slide replaced). Average GC

A hallmarked silver salt modelled as a seashell raised on leaf moulded base, the edge of the shell mounted with a winged cherub playing a harp. (1.75in).

An early 19th century Scottish horn snuff mull, the leaf scroll embossed silver hinged cover set with a foiled facetted stone, engraved with a harp, and inscribed 'To James Mitchell from W A', the horn applied with a silver thistle engraved with the date 1825, 3 1/4" high (8.2cm)

* Badges and buttons. A miscellaneous collection of Royal Air Force Officer's tunic buttons, pilots wings for evening dress and No. 1 uniform, Flight Lieutenants shoulder epaulets for evening dress, bandsmans Harp badges, 28 and 202 Squadron cloth badges, three gliding club scarves and other items, plus two laminated mahogany propeller blade tips converted for use as picture frames, each carved with R.A.F. pilots wings, with strut supports 12.5 in (32 cm) high; and a collection of miscellaneous pottery and glass of aviation interest (a lot)

A group of small silver, comprising; a mounted and facetted ruby glass scent bottle, 4.5cm (1.75in), a round engine turned pill box, marks indistinct, 4.5cm diameter (1.75in), a George IV rectangular caddy spoon with a pricked foliate bowl, Birmingham 1829 by Unite & Hilliard, another caddy spoon with an embossed figure of a seated child playing the harp and the handle formed as a boy playing the violin, marks indistinct, and a small desk seal with a Celtic entwined loop handle and centurian-mask citrine intaglio, Birmingham 1926.

An Edwardian silver three-piece tea service, of oval half-reeded form, the teapot with composition harp handle and urn finial to the hinged cover, London 1908 and Sheffield 1908 all by William Hutton & Sons, the teapot 28cm long, 31oz all in.

A late Victorian silver teapot, oblong baluster with half floral gadrooning, composition harp handle and lobed finial to the domed cover, Chester 1897 by Nathan & Hayes, 24cm long, 11.5oz.

An early Victorian silver drum mustard, with scroll pierced sides, the flat cover engraved a vacant cartouche, shell thumbpiece and harp handle, London 1839 8cm high, 4oz; with blue glass liner.

A George III silver oval cream jug, later chased with C-scrolls, rocaille work and flowers, shaped reeded rim and harp handle, London 1804 11.5cm high, 3.75oz.