Charles II (1660-85), silver Crown, 1679, third laureate and draped bust right, legend surrounding, CAROLVS. II. DEI. GRATIA, rev. crowned cruciform emblematic shields, interlinked Cs in angles, garter star at centre, date flanking top crown, seven strings to Irish harp, legend and toothed border surrounding, MAG. BR.FRA. ET.HIB. REX., edge inscription.+ DECVS. ET. TVTAMEN. ANNO... REGNI. TRICESIMO. PRIMO+., 29.76g (Bull 403; ESC 56; S.3358). Once cleaned now retoning a steel blue grey, some haymarking and contact marks, better detail in the portrait and a strong reverse. Near very fine.
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Charles II (1660-85), silver Crown, 1671, third laureate and draped bust right, legend surrounding, CAROLVS. II. DEI. GRATIA, rev. crowned cruciform emblematic shields, interlinked Cs in angles, garter star at centre, date either side of top crown, eight strings to Irish harp, legend and toothed border surrounding, MAG. BR.FRA. ET.HIB. REX., edge inscription .+ DECVS. ET. TVTAMEN. ANNO... REGNI. VICESIMO. TERTIO+., 28.70g (Bull 382; ESC 42; S.3358). Toned, some obvious surface porosity explained by a shipwreck provenance. Good fine. Complete with signed Certificate of Origin and box – from the English Flagship association sunk October 1707. [see Isles of Scilly Navel disaster].
William III (1694-1702), silver Crown, 1695, first laureate and draped bust right with curved breastplate, legend and toothed border surrounding, GVLIELMVS. III. DEI. GRA., rev. crowned cruciform shields, Lion of Nassau at centre in cartouche with nine lozenges, early harp with seven strings, date either side of top crown, .MAG. BR.FRA. ET.HIB. REX., edge inscription with cinquefoil stops, +..+.DECVS. ET. TVTAMEN. .ANNO. REGNI. SEPTIMO.,(Bull 990; ESC 86; S.3470). Old cabinet tone, some flecking both sides, slight wear on the high points, fields noticeably free from any contact marks. A well-balanced example, graded by NGC as AU58.NGC Certification: 6601419-002
William III (1694-1702), silver Halfcrown, 1698, edge UNDECIMO, first laureate and draped bust right, legend surrounding, GVLIELMVS. III. DEI. GRA., toothed border around rim both sides, rev. modified crowned cruciform shields, later Irish harp with six strings, plain angles, Lion of Nassau at centre, date surrounding, .MAG BR. FRA ET. HIB REX. edge inscribed in raised letters and dated, .+.+.DECVS. ET. TVTAMEN. ANNO. REGNI. UNDECIMO.+ 15.11g (Bull 1036; R5 ESC 555; S.3494). Some flecking and mottled surfaces in line with this coin having a shipwreck provenance. Some original mint bloom in the periphery, bold fine or better, reverse very fine. Excessively rare and recorded as R5. Complete with signed Certificate of Origin and box – from the English Flagship association sunk October 1707. [see Isles of Scilly Navel disaster].
Ireland, Republic, Silver Halfcrown, 1943, Irish Harp, ÉIRE 1943 around, rev. Horse, value in exergue (S.6633). With pleasing champagne tone. Graded by NGC as MS62+.NGC Certification 6945296-002The only example awarded Mint State 62+ by NGC. We note that only 6 examples are graded higher. A very rare piece, seldom seen for sale. Mintage of just 1000, with 500 believed to have been melted. The coins of Éire were expensive to make. The three highest denominations – the halfcrown, florin and shilling were all minted in 0.750 silver alloyed with 0.250 copper with the intention of the coins discolouring less with wear in comparison to the UK mainland coinage which was struck in 0.500 silver-copper. By 1943, the price of silver was rising and it became uneconomic to mint the coins in 0.75 silver and so no shillings were issued and very few halfcrowns and florins made it out of the mint. Production of the larger denominations was paused until 1950 when the Coinage Act specified that the coins would now be issued in a cupro-nickel alloy.
Ireland, Republic, Mule Halfcrown, 1961, with the obverse of 1961 and the reverse of 1928-37, Irish Harp, ÉIRE 1961 around, rev. Horse, value in exergue (S.6638A); with Halfcrown, 1943, Irish Harp, ÉIRE 1943 around, rev. Horse, value in exergue (S.6633). Both graded by NGC, the first as AU53, the second as AU Details, Cleaned. (2)NGC Certifications 6945643-025 & 6945296-004
George III (1760-1820), silver Proof or Pattern Sixpence by Lewis Pingo, 1787, variety with semée of hearts, laureate and cuirassed bust right, legend surrounding GEORGIVS. III . DEI. GRATIA., rev. struck en medaille, cruciform shields, with semée of hearts in Hanoverian arms, six strings to Irish harp, crowns in angles, garter star at centre, date at bottom with stops either side, legend surrounding commences lower left, M.B.F. ET. H. REX. F.D. B.ET. L. D. S. R. I. A. T ET. E. (Bull 2212; ESC 1640; S.3749). Iridescent tone with mirrored fields, some contact marks otherwise practically as struck. Good extremely fine, rare. Graded by NGC as PF63 in old style holder.NGC Certification 2752079-004Mintage 168 struckThe Latin legends translate to on obverse "George III by the Grace of God" continuing on the reverse in abbreviated Latin which if in shown in full reads "Magnae Britanniae Franciae Et Hiberniae Rex Fidei Defensor Brun Et Lunebergen-sis Dux, Sacri Romani Imperii Archi-Thesaurius Et Elector" and translates as "King of Great Britain, France and Ireland, Defender of the Faith, Duke of Brunswick and Luneberg, High Treasurer and Elector of the Holy Roman Empire."Ex Lake Country collection : Heritage Auction 3073, 25.4.19, lot 33005
Ireland, Republic, proof Cupro-nickel Sixpence, 1942, Irish Harp, ÉIRE 1942 around, rev. Wolfhound (S.6641). With pleasing mirrored fields. Graded by NGC as PF64.NGC Certification 6945643-003One of only two examples awarded this grade by NGC. We note that only one example is awarded a higher grade.
George II (1727-60), Half-Guinea, 1760, final year of reign, old laureate head left, legend surrounding with pellet stops, GEORGIVS.II. DEI.GRATIA., toothed outer border both sides, rev. crowned quartered shield of arms, seven strings to Irish harp, date either flanking crown, abbreviated Latin legend, M.B.F. ET. H. REX. F.D. B.ET. L. D. S. R. I. A. T ET. E. (Schneider -; Bull EGC 662 – type G/6; MCE 366; S.3685). Bright lustrous surfaces, some obverse die breaks and flaws, fewer contact marks in comparison. Portrait bold, graded by NGC as UNC Details, Cleaned.NGC certification 6330833-006The Latin legends translate to on obverse "George II by the Grace of God" continuing on the reverse in abbreviated Latin which if in shown in full reads "Magnae Britanniae Franciae et Hiberniae Rex Fidei Defensor Brun et Lunebergen-sis Dux, Sacri Romani Imperii Archi-Thesaurius et Elector" and translates as "King of Great Britain, France and Ireland, Defender of the Faith, Duke of Brunswick and Luneberg, High Treasurer and Elector of the Holy Roman Empire."Ex Sir Rodney Sweetnam KCVO CBE FRCS FRCP (1927-2013) collection – Spink Auction 21004, 17.1.21, lot 56
Ireland, Republic, Mule Halfcrown, 1961, with the obverse of 1961 and the reverse of 1928-37, Irish Harp, ÉIRE 1961 around, rev. Horse, value in exergue (S.6638A); with Halfcrown, 1943, Irish Harp, ÉIRE 1943 around, rev. Horse, value in exergue (S.6633). Both graded by NGC, the first as AU53, the second as XF Details, Cleaned. (2)NGC Certifications 6945643-024 & 6945296-003
William and Mary (1688-94), silver Halfcrown, 1689, first conjoined busts right, legend surrounding, GVLIELMVS. ET. MARIA. DEI. GRATIA, rev. second crowned quartered shield of arms with an escutcheon of the Lion of Nassau, caul and interior frosted with pearls on crown band, six strings to harp, date either side of crown, .MAG. BR. FR. ET. HIB. REX. ET. REGINA. edge inscribed .+. DECVS. ET. TVTAMEN. ANNO. REGNI. PRIMO, 14.84g (Bull 837; ESC 508; S.3434). Toned, once wiped, some flecking. Bold fine.The Latin legends translate as on the obverse "William and Mary by the Grace of God," and abbreviated on the reverse as "King and Queen of Great Britain, France and Ireland." and additionally on the edge "An ornament and a safeguard, in the first year of the reign."
A group of antique and later jewellery, including: a 19th century Brazilian snake link chain, length 40.5cm; a Georgian paste set brooch in the form of a harp, mounted in silver and gold, with later brooch fittings, length 3.6cm; a ruby and enamel bow component with brooch fitting; a turquoise, rose cut diamond and paste set bird component (some turquoise lacking); a 19th century diamond set fitting; a pair of half pearl and emerald set earrings (one requires repair); an opal cluster ring, stamped 18k; an agate pendant; etc. (a lot) (VAT charged on hammer price)
Victorian and Edwardian silver coins, Gothic florin, crowned young head left, rev. four crowned shields in cruciform with floral emblems, three lions, single lion, thistle and harp, dated 1878, good fine maybe better, Edward VII 1908 florin, bare head facing right, rev. Britannia standing, date below, good fine, date clear, Edward VII 1906 shilling, bare head facing right, rev. lion standing above crown, good fine.
UNITED KINGDOM. Elizabeth II, 1952-2022. Silver 5 Pounds, 2020. Royal Mint. Proof. The second issue from the Great Engravers series, following the popular 2019 release of William Wyon's Una and the Lion.Fifth portrait of Queen Elizabeth II facing right; ELIZABETH II · D · G REG · F · D · 5 POUNDS · 2020 · . Design by Jody Clark. / Three standing female figures in classical dress, representing Ireland, England, and Scotland. A harp, a Union Flag shield, and a thistle lie at the feet of the respective personification. Artist signature to the left and quiver and palm frond in exergue; FOEDUS INVIOLABILE. Original design by William Wyon. Edge Milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6029838-005.NGC Census in this grade: 984, equal-finest graded.Total NGC Census: 1161Mintage: 3,510.Diameter: 40 mm.Weight: 62.42 g. (ASW=2 oz.)Composition: 999/1000 Silver.PLEASE NOTE: A 20.00% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
VINTAGE IRISH CLARSACH OR CELTIC FOLK HARP of traditional triangular form, painted with flowers and foliage, carved details, 110cms high, with harp key, spare strings, manual, and music etc.Provenance: private collection SurreyComments: light wear and scuffs overall, some string missing, tuning key, spare strings, manuals etc inc., viewing recommended
Periodicals to include: The Phoenix and Harp, 1811, folio, part calf and marbled boards, with another volume of The Harp; The Independent Whig, 1813, folio, part calf and marbled boards; The National Police Gazette, New York, various issues bound together, 1893, folio (4)Ombersley Court, WorcestershireNot collated. Damaged to guttering on Police Gazette, but contents in fairly bright condition, rubbing, bumping and soiling to the other volumes, with cockling and foxing to contents.
ROCK/ PSYCH - 7" COLLECTION (OVERSEAS PRESSINGS). A smashing collection of around 20 7" singles, mostly overseas pressings. Artists/ titles include Johnny Thunder - I'm Alive (C-161), Dee Dee Sharp - WHat Kind Of Lady (KB 219), Love - My Little Red Book (VRN 34074), Gruppo Sei Genova - Avventizio 03537 (GIRI 45), Dave Davies - Death Of A Clown (45NP 5131), The Taste - Born On The Wrong Side Of Time (NH 59298). Jethro Tull - Sweet Dream, World Of Oz - Willow's Harp, In Estate - In The Summertime, The Jimi Hendrix Experience - Voodoo Chile, The Underground Set - Arcipelago, Flora - Fauna Cemento, Van Der Graaf Generator, Def Leppard, Black Sabbath, The Good Rats. Condition is generally VG+ to Ex+, odd record may display some shadowing.
An American auto harp bearing a label for Goose Acres Music Centre, Cleveland, Ohio, No. A4A61399 having 16 bars with three lock bars (high C string missing) in hard carry case, purchased from the estate of The Late Elaione Harman of Ohio.No cracks to the wood.Light scratches and signs of wear visible.
A George II Irish Silver Sugar-Bowl, by Andrew Goodwin, Dublin, Circa 1740 shaped circular and on three lion-mask capped paw feet, the lobed sides chased with foliage and flowers, later engraved with the crests of Cunliffe and Lister14.5cm diameter, 8oz 13dwt, 270grThe later crests are probably those of Samuel Cunliffe-Lister, before he was elevated to the peerage in 1891 as 1st Baron Masham (1815-1906).Marked underneath with makers mark, Hibernia and harp marks. There is some wear to the marks but each is in general clear. There is some overall surface scratching and wear, consistent with age and use. There are repairs where the bottom of the foot attaches to the body.
A George II Irish Silver Sugar-Bowl, Maker’s Mark Lacking, Dublin, Circa 1750 shaped circular and on three lion-mask capped paw feet, the sides chased with foliage and rocaille, engraved on one side with the crests of Cunliffe and Lister13cm diameter, 6oz 2dwt, 199grThe later crests are probably those of Samuel Cunliffe-Lister, before he was elevated to the peerage in 1891 as 1st Baron Masham (1815-1906).Marked under rim with crowned harp and Hibernia. There is some wear to the marks but in general they are legible. There is some overall surface scratching and wear, consistent with age and use. There are some splits and repairs to the rim. Two of the feet are pushed into the body, one particularly badly. There are some bruises otherwise, especially to the rim.
Millico (Giusippe). A Second Sett of Six Songs with an Accompanyment for the Great or Small Harp, Forte Piano or Harpsicord, composed and humbly dedicated to the Baroness de Frise, London: Printed by Welcker in Gerrard Street, St. Ann’s, Soho [1774], engraved title (with autograph by Caroline Marlborough), engraved dated dedication leaf, sixteen pages of engraved music, numbered 2-17, ink manuscript inscription inside front cover (and later ink manuscript inscription dated 1941), contemporary gilt-decorated mottled full-calf, with gilt red morocco label to upper cover 'Millicos: 2nd Songs', rubbed and scuffed to edges, upper cover detached, outer corners showing, slim oblong 8vo, together with The Musical Miscellany; being a collection of choice songs, set to the violin and flute, by the most eminent masters, two volumes in one, London: John Watts, at the printing-office in … Fields 1729, each volume with engraved frontispiece, and with title printed in red & black, printed music and woodcut and head- and tail-pieces throughout, spotting to edges and first & last few leaves, first frontspiece blank reverse with late 18th century ink manuscript annotation, front pastedown with pictorial bookplate of William C. Smith and on facing page a related ink manuscript inscription, modern quarter morocco gilt, two corner tips showing, 8vo, plus Gay (John), The Beggar’s Opera, written by Mr Gay, with the Overture in score, the Songs, and the Basses engraved on copper plates, (the Overture and Basses composed by Dr. Pepusch), London: W. Strahan, T. Lowndes [et al], 1777, title with engraved printer's device (slightly creased and rubbed), first 3 leaves stained and with repairs to gutter, intermittent staining and toning, 46 numbered pages of engraved music at rear (some light toning), endpapers renewed, original boards, cloth reback, recent label to front cover, wear to edges, 4toQTY: (3)NOTE:First item: the ink manuscript inscription inside the front cover reads: Purchased August 21st 1903 by Lilian Aylice [?] Jones from Mrs Bowen, landlady of the Star Hotel, Woodstock. It was given by the then Duke of Marlborough to Mrs Bowen's father (or grandfather) who was engineer at Blenheim Palace.
W & W HARP MANUFACTURING COMPANY CHICAGO 'VENUS' MODEL 75 FULL ORCHESTRA HARP, 46 string with extended sound board, Patent No 244104, Model No 1473, maple with floral gilding to the sound board, 183cms (h), with trolley, stool and case of spare stringsAuctioneer's Note: the Venus 75 is a high-end professional harp known for producing a warm rich and resonant tone, well-balanced with a particularly strong and clear bass. W & W was founded by Wendell W and William E Carlson in 1966. Their goal was to produce high quality, handcrafted harps that would be both beautiful and durable which was achieved through their deep connection to the craft of harp making.Provenance: private collection Ynys Mon
A 15th Century style Venetian glass goblet by Pauly & C. Murano, the deep blue ground enamelled by Antonio Cecchelin with medieval figures in a garden setting, depicted playing chess and dancing to a harp, highlighted with gilding, together with a certificate of authenticity, dated 1992, 25cms.

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