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A Unique Single Owner Collection of Rare Irish Bog Oak Artefacts by Cornelius Goggin (1850-1914) & other Carvers Comprising: A large Jewellery Casket profusely carved with round tower, castle, abbeys, wolfhound, harps, oak leaves, ivy leaves, shamrock sprays and the front panel with round tower, wolfhound, Celtic cross in graveyard with old Abbey, 17cms x 30cms (6 ½” x 12”); A rare Victorian carved Irish bog oak sarcophagus shaped two division Tea Caddy, profusely carved with hinged top, a central harp with sprays of shamrocks, the front frieze with a recumbent wolfhound issuing sprays of shamrocks above a heart shaped lock plate, and a shield to the rear, etched all over with trailing shamrocks, 17cms h x 28cms w (7” x 11”); A very good Victorian Irish bog oak Book Slide, the sliding base with a double base of shamrock sprays and other foliage, the hinged sides, one carved as Ross Castle, Killarney, flanked by two trees and the other, a Round Tower flanked with two trees, 20cms h x 51cms w (8” x 21”) closed; A good Victorian carved Irish bog oak Book Slide, the sliding base centre carved with Abbey Ruin and Tress within a band of shamrock sprays, the hinged ends, one in the form of an Irish Wolfhound with gilt metal collar on a shamrock base, the other an Irish crowned Harp with shamrocks, and a rectangular leaf carved base below, 22cms h x 58cms w (8 ¾” x 23”); A pair of spiral reeded Irish bog oak Candlesticks, (one as is with losses), 17cms (7”), a pair of smaller matching ditto, 12.5cms (3”), a pair of shamrock and harp carved Candlesticks, 13cms (5”), a pair of lighthouse shaped bog oak Candlesticks, 16cms (6 ¼”), a Victorian carved bog oak Owl Form, a small Candlestick 14cms (5 ½”), a large Victorian Irish carved bog oak Candlestick with spiral reeded stem on circular shamrock carved base, 19cms (7 ¼”), and one other Irish bog oak Candlestick on shamrock shaped base, 13cms (5”); A Victorian carved Irish bog oak Model of an Irish Round Tower, on circular base, 22cms (8 ½”), a collection of Irish carved bog oak Harps, various shapes and sizes, all carved with shamrocks, 16cm (6 ½”), the largest and 8cms (3”) the smallest – 17 (a few with losses); An Irish carved bog oak Celtic Cross carved with harp, shamrock and Abbey ruins, 13cms (5 ¼”), a smaller similar ditto with harp and shamrock inscribed ERIN, 7.5cms (3”); A fine Victorian carved Irish bog oak Card Case, in the form of a small book, one side with a Celtic Cross inside ivy leaf sprays and Greek key border and Celtic spandrels, the other side with a harp inside shamrock, sprays and an interlaced border, 11cms (4 ½”); A fine large Victorian carved Irish bog oak Card Case, each side profusely carved with recumbent Irish Wolfhound, harp and shamrock sprays, inside an oak leaf border, 12cms (4 ¾”) (with losses) a smaller similar ditto with Abbey & Castle, 9cms (3 ½”) and two smaller harp and shamrock carved Vesta Cases; A good Irish carved bog oak Skillet with cover, carved with shamrocks on three legs, 10cms (4”), a carved bog oak parrot head Handstick Pommel with glass eyes, 8cms (3 ¼”), a miniature model carved bog oak Irish Stout Bottle, 13cms (5”), a circular bog oak Coaster with shamrocks on ball feet, 11cms (4 ½”), a small carved Group with round tower, harp and recumbent Irish Wolfhound and a small shamrock shaped Photograph Frame; A collection of 8 Irish carved Irish bog oak miniature Photograph Frames, all etched and carved with shamrocks, various shapes and sizes, one inscribed GALWAY; A collection of Irish carved bog oak Jewellery, comprising two stretch bangles carved with shamrocks, one with small gold mounts and harp centre, the other with shamrock centre, a gold mounted harp brooch, a circular gold mounted circular Brooch with various flower heads and shamrocks, a very fine circular gold mounted Brooch with central harp, the strings in gold crested with shamrock and flanked to either side with fern leaves another oval shamrock and harp Brooch and a cross pendant with harp and shamrocks and one other stretch Bangle; A collection of 11 Irish carved bog oak lidded Boxes, each of circular form, the majority carved with shamrock and harps, various sizes and shapes; A collection of 6 assorted carved Irish bog oak Match Holders, five with shield shaped striking panel and carved with shamrocks, various shapes and sizes, 6.5cms (2 ½”) largest; Two similar carved Irish bog oak harp and shamrock Paper Knives or Page Turners, an Irish bog oak Pipe, three various book form Vesta Cases, one carved with round tower, harp, shamrock and wolfhound, the other with harp and shamrocks, one other with painted armorial and carved with shamrocks, a small carved Model of an Irish thatched Cottage, 10cms (3”), a carved bog oak shamrock form Pen & Ink Stand, three similar bog oak Killarney Jaunting Cars, three with ponies and two with drivers,(some with losses), three bog oak gypsy Tripods with hanging cauldrons and bog oak shamrock shaped calendar stand with ivorine month, day and date marks, a Vintage bog oak Table Clock, in the shape of a shamrock and chased with shamrock sprays, two small bog oak Coasters, one inscribed CORK, each with shamrock sprays and one with harp; a Swagger Stick; A collection of miscellaneous bog oak Miniature Items, comprising cauldrons, skillets, single handled pots, pin cushions etc., and a small quantity of miscellaneous bog oak parts. Approx. 108 pieces. (108)
□ A GROUP OF BUTTONS AND BUCKLES, 19TH / 20TH CENTURY comprising: a set of six Japanese cloisonné enamel and brass buttons, circa 1900, chrysanthemum decorated, in the original retailer's case of James Unitt Parkes; a set of eight French enamel and gilt-brass buttons, each with a floral panel and raised scrolls, stamped 'P&C / PARIS'; an enamel and gilt-brass buckle, with purple guilloché enamel interrupted by floral panels; an openwork silver Irish theme buckle, Able & Charnell, Birmingham, 1907, in two parts forming an oval, pierced and engraved with harps and shamrocks; together with a gold mounted Irish bog oak brooch, late 19th century, oval, carved with shamrock tendrils with gold leaves surrounding a gold oval engraved with the patriotic legend 'ERIN GO BRAGH' below a harp and crown; together with a Victorian Vauxhall glass brooch, star shaped (qty)TO BE SOLD WITHOUT RESERVE
Y A GEORGE III SILVER HALF LOBED OBLONG BALUSTER THREE PIECE TEA SET SOLOMON HOUGHMAM, LONDON 1811 The tea pot with a lobed oblong finial, a shell capped harp handle with ivory warming bands, a lobed border with shells and foliate swags to the corners and on four ball feet 31.5cm (12 1/2in) long 1366g (43.9 oz) gross Please note Dreweatts have applied for a de minimis exemption licence for the ivory in this lot Ref: 7WEXM6HK Y Indicates that this lot may be subject to CITES regulations when exported. The import of lots that are subject to CITES regulations are banned in certain countries. Please check your country's import regulations before bidding. Condition Report: Tea pot - Maker's mark partially obscured, the rest clear, slight play to the hinge, cover sits well, excessive play to the handle, splits to the ivory bands, stands well, dent to the body, no engraving Sugar bowl - Maker's mark obscured, rest clear, one foot has been re-soldered on, wobbles, no engraving Sugar bowl - Marks are partially obscured, two dents to the lobed decoration, two feet with solder beneath, no engraving, there is a rattling sound All with light scratches and wear commensurate with age and use Condition Report Disclaimer
A GEORGE III SILVER OBLONG BALUSTER TEA POT THOMAS WALLIS II, LONDON 1808 With a foliate chased oval finial and a wooden harp handle, a gadrooned border, a girdle, engraved CB to the body and HB beneath, and on four ball feet 29cm (11 1/2in) long 563g (18.1 oz) gross Condition Report: Marks are clear Wobbles Engraving crisp Hinge good Cover sits well Slight play to the handle Heavy dent to the body at one corner Light scratches and wear commensurate with age and use Condition Report Disclaimer
AN EDWARDIAN SILVER OBLONG BALUSTER TEA POT AND SUGAR BOWL BOARDMAN, GLOSSOP & CO. LTD., BIRMINGHAM 1904 The teapot with a half lobed body, wooden finial and harp handle 23.5cm (9 1/4in) long 523g (16.8 oz) gross Condition Report: Tea pot - Marks are partially obscured, wobbles, no engraving, play to the hinge and handle, cover sits well Sugar bowl - marks are rubbed, slightly wobbles, no engraving Light scratches and wear commensurate with age and use Condition Report Disclaimer
A SILVER SHAPED OBLONG TEA POT S. BLANCKENSEE & SON LTD., BIRMINGHAM 1940 With a composition oblong finial and harp handle 27.5cm (10 3/4in) long 700g (22.5 oz) gross Condition Report: Marks are clear Handle tight Hinge good Cover sits well No engraving Light scratches and wear commensurate with age and use Condition Report Disclaimer
A SILVER OCTAGONAL HOT WATER POT WALKER & HALL, SHEFFIELD 1939 With a wooden octagonal finial and harp handle, on four stepped pad feet 19cm (7 1/2in) high 675g (21.7 oz) gross Condition Report: Maker's mark partially rubbed Slight play to the hinge and handle Cover sits well Stands well No engraving Minor dent to the rim Light scratches and wear commensurate with age and use Condition Report Disclaimer
The Berkeley Music ManuscriptsA country house music collection of particularly large extent, Victorian and earlier, comprising both printed and manuscript music for piano, harp, flute, violin and other instruments as well as for voice, most bound (4to, several bindings decayed but the contents in good clean condition), 48 volumes with a few loose leaf printed and manuscripts scores, One volume [first half 19th century] containing Hindustani scores with scales and annotations of names: Naturel Malabar Gammott, Malavagunla (the natural key), Goula, Bouvely, Salaganata, Malaheary, Combacambody, etc. with Names and Scales [sic] for every tone and a neat copperplate descriptionTwo Manuscript Opera Scores of particular interest are the full scores of operas each on paper watermarked GR above a crowned fleur de lis (circa 1770-1800):Domenicao Cimarosa (1749-1801) Il Matrimonio Segreto, 1792, first performed in England in 1794, full score in manuscript of Acts 1 and 2 (two volumes complete)Giovanni Paisiello (1740-1816) Elfrida 1792, full score, 2 Acts (two volumes complete) dated in ink Napoli, S. Paolo 1792Additional images downloadable here Spetchley Park, Worcestershire An extensive collection displaying the musical abilities of several members of the Berkeley family, mostly women, and the Berkeley’s relations, including Miss McDonald of Valley, Mrs Bagot and Mrs O’Reilly (three volumes of largely Scottish music), Henrietta Benfield (17 volumes). Much of the manuscript music, some of it quite extensive, is presumably in the hands of the various performers but the two opera scores in particular are in a more professional and practised hand, perhaps continental.It is difficult to date much of the music as the printed material is generally not dated, although the publishers and their addresses are always prominently advertised, e.g. Goulding, Phipps & D’Almaine of 76 St James’s Street, publishers to the Prince & Princess of Wales (before 1820).Similar scores can be found in the Bodleian Library among the Tenbury manuscripts.Other (printed) dramatic music includes The Haunted Tower, by Stephen Storace; The Duenna by Thomas Linley and Rosina, by William Shield (1771/2, first performed 1782), pub. by J. Dale
A diamond and enamel harp fob seal, the harp with a silver body accented with graduating rose cut diamonds and yellow gold strings, to an oval aquamarine intaglio, bezel set in yellow gold and featuring a crest with a demigryph holding a saltire between the paws, and inscribed 'Copia sine penuria', to a line of rose cut diamonds with an opaque white and translucent green champlevé enamel scalloped gallery wire, 20mm x 26mm, suspended by a gold split ring, 8.28gCondition ReportA few losses to enamel, only visible under 10x magnification.Wear to the edges of the seal matrix.Small diamonds all present.Some tarnish to silver sections.
Late 19th/early 20th century inlaid rosewood writing desk, the hinged top revealing a rising fitted interior with tooled leather writing slope, letter racks, pen rest, inset with a brass plaque named for Drew & Sons, 156 & 157 Leadenhall St, EC, the top and sides inlaid with scrolling ribband husks, acanthus and harp-shaped ornament, on tapering square-section legs and spade feet, 80cm high x 60cm wide x 61cm deep
IRELAND. Philip & Mary, 1554-58. Silver groat, 1555. London Mint. Facing, bareheaded busts of Philip and Mary, a crown above them divides date, all within beaded inner circle; PHILIP · Z · MARIA · D · G · REX · ET · REGINA · ANG 1557. / Crowned harp flanked by crowned P and M, within beaded inner circle. Mintmark at top; POSVIMVS · DEVM · ADIVTOREM · NOSTRVM: .About fine. Reference: S.6501D; SCBI 22; SCBC 6501Rarity: Rare.Diameter: 27 mm.Weight: 3.2 g.Composition: Silver.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.
An antique musical automaton in the form of a seated monkey harp player, being a variation on number 17 in the Rouillet et Decamps catalogue. The head moves from side to side and up and down, while the eyes and lips also move. 50cm high, 42cm wide, 23 cm deep. Condition Report: Overall good condition, in working order. Mild to moderate wear to the harp, minor tears to the outfit cloth and chair all consistent with age.
Elizabeth I Great Seal - A brown wax tablet produced from the mould of the seal of Elizabeth I. Featuring Elizabeth I holding the orb and sceptre seated upon throne, to the verso the monarch is mounted riding a horse, with inlaid fleur de lis, Tudor rose and harp decoration. Thread remnants to the top and bottom from where the seal was attached to a document / indenture. Designed by miniature artist Nicholas Hilliard in 1586 to replace the first seal, this second seal was in use until the queen's death in 1603. Diameter approx. 15cm. Presented in a wooden frame with blue baize mount interior. Measures approx. 27.5cm x 27.5cm.
cassa a forma di arpa in argento decorata con smalti policromi e smalti champlevé, poggiante su zampe leonine, nella base si cela il meccanismo con scappamento a verga, firmato Alier & Berquer a Gevene, quadrante in smalto bianco con numeri romani, lancette Breguet. Alt. 20 cm, larg. 8,5 cm, prof. 5 cm.A VIENNESE SILVER AND ENAMEL HARP-FORM CLOCK MARK OF ALIER & BERQUER, VIENNA 1890 CAPer similari si veda:Christie's asta 2250 lotto n. 111Bonhams asta 26 October 2015 lotto n. 1140Bonhams asta 19 luglio 2019, lotto n. Si veda il volume Watch & clocks in the Sir David Salomon CollectionGeorge Daniels & Ohannes Maekarian a pag 284 figura n. 170
Assorted Crested china ware to include: City of London model of a Tank Reg No: 65858?; Ventnor large cup and saucer; Paddington cheese cover; Weston super Mare caster; Wakefield tig; City of London harp; Hull pug dog by Willow Art China; Llandringdod Wells sailing boat and various small souvenir pieces (1 box)
Charles I (1625-1649), Third coinage, Falconer’s Second issue, Twelve Shillings, mm. leaved thistle, colon stops on obv., reads magn britan fran et hib, f and pellet above crown, large harp, 5.95g/6h (Murray 5; cf. SCBI 35, 1509-11; cf. B 43, fig. 1020; S 5562). Good very fine or better with an excellent portrait £300-£400 --- Provenance: Bt Spink February 1982 Most of the legend lettering on this variety is large.
Henry VIII (1509-1547), First Harp issue (1534-40), Groat, mm. crown, h i (Jane Seymour), 2.67g/5h (S 6473; DF 202). Slightly small of flan (but full weight), nearly very fine £150-£200 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
Henry VIII (1509-1547), Sixth Harp issue (1546-7), Sixpenny Groat, mm. lis, hr by harp, countermarked with quatrefoil, 2.11g/10h (S 6484B); together with an Edward IV anonymous ‘Crown’ coinage Groat, Dublin (S 6272) [2]. First fair, countermark very fine, very rare; secondnd fine but a fragment. £150-£200
Henry VIII (1509-1547), First Harp issue (1534-40), Groat, mm. crown, hk (Katherine Howard), double saltire stops, 2.21g/6; Sixth Harp issue, Sixpenny Groat, mm. WS monogram on rev. only, Bristol lettering, trefoil stops, 1.93g/5h (S 6474, 6484; DF 203, 212) [2]. First nearly very fine but pierced, second fair to fine £100-£150 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
Henry VIII (1509-1547), First Harp issue (1534-40), Groat, mm. crown, hk (Katherine Howard), double saltire stops, 3h (S 6474; DF 203). Very fine or better, toned [slabbed NGC XF 40] £240-£300 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
George III (1760-1820), Bank of Ireland coinage, Token Thirty Pence, 1808 (6, one with harp to o of token, one contemporary base metal forgery), 10 Pence (4), 1805 (3), 1813, Five Pence, 1805 (S 6616, 6616A, 6617-9) [11]. Varied state £120-£150 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---

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9712 item(s)/page