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Lot 254

Poetry: O'Donovan (Mrs.)nee Rossa. Irish Lyrical Poems, 8vo New York 1868. First Edn., 102pp. orig. gilt decor. green cloth, with harp & shamrock. (1)

Lot 985

All-Ireland & Croke Cup Hurling Champions, 1898 Medal: G.A.A. [Hurling 1898] A 9ct gold shamrock shaped Medal, the obverse decorated with harp, round tower, wolfhound inside a shamrock, the reverse inscribed "G.A.A. Hurling Championship & Croke Cup 1898" hallmarked. Scarce. (1) * Tipperary (represented by Tubberdora) went on to conquer all before them. In front of a crowd of 15,000 they beat Cork 1.13 to 1.2 in the Munster Final (Replay), Galway in the Semi-Final 3.4 to 1.3. They went on to claim their 5th title on a score line of 7.13 to 3.10.

Lot 995

1961, Leinster Senior Hurling Championship Medal: G.A.A. [Hurling 1961] A 9ct gold circular pierced and etched Medal, the obverse with central harp 'Craobh Iomana Laigheen,' the reverse inscribed 'Sinnseair 1961, Ath Cliath,' hallmarked, J.M. (John Miller, Dublin). (1) * The Dubs beat defending All-Ireland Champions Wexford in the Leinster Final (7.05 to 4.08) They reached the All-Ireland Final, however lost to Tipperary by just 1 point.

Lot 163

Binding: Hales (Rev. Wm.) Rector of Killesandra. A Synopsis of The Sign of the Times, Past, Present and Future, 8vo Dublin (G. Grierson) 1817. First Edn., 71pp., cont. mottled calf, decor. gilt borders, central tooled gilt lozenger with harp motif, gilt spine, mor. label. Emf. V. good. (1)

Lot 990

1928 Minor Leinster Title Medal: G.A.A. (Hurling 1928) A 9ct gold circular Medal, the obverse with pierced harp design and Celtic etching inscribed 'Connradh Laigheann', the reverse inscribed 'Minor Hurling 1928 - won by Dublin,' hallmarked John Miller. (1) * 1928 was the First staging of the Minor Championship. The Dubs had a walk-over in the Leinster Final against Kilkenny. An alternative Final was arranged, where they beat Offaly 6.6 to 3.2. They lost to Cork in the Final after a Replay.

Lot 988

1920 All-Ireland Cycling (G.A.A.) Medal: G.A.A. (Cycling 1920), A rare 9ct gold Celtic cross design Medal, the obverse with pierced design central harp and inscribed 'Eire' with 'Cumman Luith gCleas Gaedheal,' the reverse inscribed '8 Miles Cycling C'ship - Ireland, won by John Furling', hall marked 'John Miller' (Dublin). Rare. (1)

Lot 994

1956 Leinster Minor Football Championship Medal: G.A.A. [Football 1956] A 9ct gold circular pierced and etched Medal, the obverse with central harp, 'Craobh Peil Laighean,' the reverse inscribed 'Mionuir 1956, Ath Cliath,' hallmarked John Miler (Dublin). (1) * It was the 25th staging of the Minor Championship. The Dubs won their 5th title, along with the Leinster title.

Lot 939

Fine Binding: Bartlett (W.H.) The Scenery and Antiquities of Ireland, 2 vols. in one, 4to Lond. (James S. Virtue) n.d. Two engd. titles, engd. map, & 119 engd. plts., some spotting or browning a.e.g., in cont. full green mor. with gilt fillet, & shamrock borders, & with large shamrock covered harp on each cover, raised bands, tooled gilt panels, with centre shamrock, v. good. (1)

Lot 993

1955 All-Ireland Junior Football Final Medal:  G.A.A. (Football 1955) A silver Celtic cross design Medal, the obverse with central harp and inscribed 'Cunmann Luith Cleas Gaedheal' - 'Eire', the reverse inscribed 'Craobh Peil Soisear 1955 Neasoiri - Warwickshire,' hallmarked J.M. (John Miller). (1) * Warwickshire played Cork in the Final at Pairc na hEireann, Birmingham (2/10/1955) Cork beat them on a scoreline of 3.09 to1.05.

Lot 25

5 Swarovski Silver Crystal boxed ornaments - piano, saxophone, cello, harp & mandolin

Lot 202

Copeland, late 19th Century single Medieval Musicians tile depicting a harp player, impressed marks to reverse. One chip to upper edge. Tile measures 15cm square.

Lot 219

An Irish silver and marcasite brooch in the form of a harp, an Art Deco marcasite brooch, a part dress clip and an Edwardian oval marcasite ring, size P (4)

Lot 275

Six Scottish hard stone and paste set brooches, the largest 6cms diameter; together with a silver harp brooch, with green stone inlaid shamrock decoration, marked 'Sterling Silver Great Britain' to reverse. (7)

Lot 18

Four Waterford crystal boxed cut glass paperweights and ornaments to include a sea horse ornament, harp, prism and paper weight. All in original boxes. Seahorse measures 17cm.

Lot 124

A collection of miniature silver instruments, including: harp, cello, flute, guitar, banjo, mandolin and French horn. Guitar 10.5 cm high.

Lot 584

A good small table lamp modelled as a bronze cherub playing a harp on a marble base.

Lot 1529

Good contemporary Teifi walnut harp, with maple sound board and bearing the Teifi Telynau Harps logo branded beneath the scroll, 52" high, soft case

Lot 1534

Interesting rare harp guitar by and stamped A. Monzino, Arlandini, Milano; also stamped Monzino Milano 18 behind the head, with maple back and sides, spruce table, mother of pearl dot markers to the fretboard and an open peg box

Lot 1538

Good antique harp lute in the manner of Edward Light, the seven sided segmented maple back banded with gilding, the spruce table within a wide ebonised band gilded with stylised foliage, birds and classical vases, the top with fluted pillar and gilded figural capital to one side and short fretboards to the other, united by a curved tapered peg box, 33" long overall

Lot 4041

Belleek model of a harp, 22cm high, together with a turret vase, moulded with shamrock leaves, a candle stick, four tea light burners in the form of cottages, a tea pot and cover, seven various vases and a bowl, all 20th Century (15)

Lot 58

Beautiful hand painted porcelain chest-shaped lidded box with pink and purple decorations. Harp shaped fastener and stamped to bottom, GL Limoges, France. Dimensions: 2.25"L x 2"W x 1.25"HCountry of Origin: Limoges, FranceCondition: Age related wear.

Lot 66

Lovely gold and white hand painted heart-shaped hinged box with Harp clasp. Decorative piece. Limoges, France marked on interior. Issued: 20th CenturyDimensions: 2.5"L x 0.5"W x 2.75"HCountry of Origin: FranceCondition: Age related wear.

Lot 181

AN 18CT GOLD CAMEO BRACELETthe nine oval cameo links depicting head and shoulders, and a dancing lady with harp, with push in clasp and safety bar fastener, each cameo and setting measuring approx. 20mm x 15mm, overall length approx. 20cm, stamped '750' on clasp (c.24g gross weight)

Lot 7070

Two Georgian silk works one depicting child walking along the coast holding her dog in the air (the silk has split/deteriorated), the other depicting a crowned King David playing the harp. 26cm x 21cm and 20.5cm x 16cm

Lot 655

A Philip & Mary (1554-1558) Ireland shilling, 1555, busts face-to-face crown over date, the reverse crowned harp between P-M, (S.6500).

Lot 163

Badge. London Irish Rifles Officer's caubeen badge circa 1937-52. Good scarce silver plated large crowned harp. Slider. Toned VGC PAYMENT BY BANK TRANSFER ONLY ON RECEIPT OF INVOICE

Lot 291

Badge. Irish. Royal Ulster Rifles WW2 plastic economy cap badge. Good scarce crowned Maid of Erin Harp resting on QUIS SEPARABIT scroll. Brass blades. VGC 1st Bn RUR in 1st Airlanding Brigade 1941-1943; 1943-1945 in 6th Airlanding Brigade under 6th Airborne Division and fought at Arnhem. PAYMENT BY BANK TRANSFER ONLY ON RECEIPT OF INVOICE

Lot 188

Badge. West Indies. Montserrat Defence Force post 1945 cap badge. Good scarce British made die-stamped issue. Central figure embracing the Cross whilst holding a harp. Loops. VGC PAYMENT BY BANK TRANSFER ONLY ON RECEIPT OF INVOICE

Lot 56

Badge. Royal Irish Rifles Victorian Officer's helmet plate circa 1881-90. Fine die-stamped silvered white metal crown on QUIS SEPARABIT over Maid of Erin Harp, Sphinx, title scroll and strung bugle all resting in attendant shamrock sprays bearing battle honours. Three loops. VGC PAYMENT BY BANK TRANSFER ONLY ON RECEIPT OF INVOICE

Lot 292

Badge. North Irish Horse brass cap badge circa 1908-52. Good scarce die-stamped brass crowned Maid of Erin Harp, with non voided strings, on title scroll. Turn back slider. VGC PAYMENT BY BANK TRANSFER ONLY ON RECEIPT OF INVOICE

Lot 120

Badge. Canadian 208th (Irish) Bn. CEF WW1 cap badge. Good scarce die-stamped bronze Maple leaf issue bearing crowned harp etc. Brooch pin. VGC 1916 Toronto raised Battalion which sailed for Europe on 3rd May 1917 under the command of Lt.Col. T.H. Lennox (27 officers; 686 other ranks) PAYMENT BY BANK TRANSFER ONLY ON RECEIPT OF INVOICE

Lot 121

Badge. Canadian 218th (Edmonton Irish) Bn. CEF WW1 cap badge. Good scarce die-stamped bronze issue of circular design bearing harp etc.. Jackson Bros Loops. Laquered VGC PAYMENT BY BANK TRANSFER ONLY ON RECEIPT OF INVOICE

Lot 18

Badge. Royal Irish Regiment Victorian Officer's helmet plate circa 1881-1901. Fine gilt crowned star mounted with Garter and laurel sprays bearing silver scroll THE ROYAL IRISH. Crimson velvet centre with silver crowned harp in shamrock sprays. Three loops. Velvet worn otherwise VGC PAYMENT BY BANK TRANSFER ONLY ON RECEIPT OF INVOICE

Lot 293

Badge. Royal Irish Reserve Regiment Boer War cap badge circa 1900-01. Goods scarce die-stamped brass Imperial crowned Harp. Loops. VGC HQ Athlone. Co. Meath. Formed February 1900; disbanded 14th May 1901. PAYMENT BY BANK TRANSFER ONLY ON RECEIPT OF INVOICE

Lot 166

A silver charm bracelet with nineteen silver charms including 'good luck' horseshoe, cherub, church, harp, driving license, etc, 71g

Lot 2312

Charles I hammered shilling 1625-49 harp mintmark tower mint, larger bust with rounded shoulder, reverse with quartered shield of arms 'CR' either side

Lot 234

A 9ct gold brooch set with a garnet and seed pearls (2.1g), 9ct gold brooch set with a cameo depicting a lady with a harp (3 x 3.7g) and a pair of 9ct gold knot earrings (1g)

Lot 264

AN AUSTRIAN SILVER-GILT MODEL OF A HARP Vienna, c.1890, with applied and engraved scroll decoration, set with pearls and red cabochon stones. 15cm highNo losses. In generally very good condition commensurate with age.

Lot 1063

Hallmarked silver Irish harp brooch and a travelling jewellery box. P&P Group 1 (£16+VAT for the first lot and £2+VAT for subsequent lots)

Lot 174

UNITED KINGDOM. ALDERNEY. Elizabeth II, 1952-2022. Gold half-sovereign, 2020. The Commonwealth Mint. Proof. Much like its 2019 Una and the Lion counterpart, the Three Graces design is based off the original design created by William Wyon early in his career at The Royal Mint.Crowned portrait of Queen Elizabeth II facing right; ELIZABETH II HALF SOVEREIGN ALDERNEY C.I. 2020. / Three female figures in classical attire stand embracing each other, with a harp, a St. George Cross shield, and a thistle near each of their feet, signifying that the women personify Ireland, England, and Scotland; FOEDUS INVIOABILE. Original design by William Wyon. Edge milled.In secure plastic holder, graded PCGS PR70 DCAM, certification number 41510212. PCGS population in this grade: 133, equal-finest graded.Mintage: 500.Diameter: 19.3 mm.Weight: 4 g. (AGW=0.1179 oz.)Composition: 916.7/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Lot 226

UNITED KINGDOM. Elizabeth II, 1952-2022. Silver 5 pounds, 2020. Royal Mint. Proof. The second issue from the Great Engravers series, following the popular 2019 release of William Wyon's Una and the Lion.Fifth portrait of Queen Elizabeth II facing right; ELIZABETH II · D · G REG · F · D · 5 POUNDS · 2020 · . Design by Jody Clark. / Three standing female figures in classical dress, representing Ireland, England, and Scotland. A harp, a Union Flag shield, and a thistle lie at the feet of the respective personification. Artist signature to the left and quiver and palm frond in exergue; FOEDUS INVIOLABILE. Original design by William Wyon. Edge Milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6029564-001. NGC Census in this grade: 983, equal-finest graded.Total NGC Census: 1160Mintage: 3,510.Diameter: 40 mm.Weight: 62.42 g. (ASW=2 oz.)Composition: 999.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.

Lot 230

UNITED KINGDOM. Elizabeth II, 1952-2022. Silver 5 pounds, 2020. Royal Mint. Proof. The second issue from the Great Engravers series, following the popular 2019 release of William Wyon's Una and the Lion.Fifth portrait of Queen Elizabeth II facing right; ELIZABETH II · D · G REG · F · D · 5 POUNDS · 2020 · . Design by Jody Clark. / Three standing female figures in classical dress, representing Ireland, England, and Scotland. A harp, a Union Flag shield, and a thistle lie at the feet of the respective personification. Artist signature to the left and quiver and palm frond in exergue; FOEDUS INVIOLABILE. Original design by William Wyon. Edge Milled.In secure plastic holder, graded NGC PF 69 ULTRA CAMEO, certification number 5878265-007. NGC Census in this grade: 170.NGC Census in higher grade: 983Total NGC Census: 1160Mintage: 3,510.Diameter: 40 mm.Weight: 62.42 g. (ASW=2 oz.)Composition: 999.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.

Lot 176

UNITED KINGDOM. ALDERNEY. Elizabeth II, 1952-2022. Gold 1/4 sovereign, 2020. The Commonwealth Mint. Proof. Much like its 2019 Una and the Lion counterpart, the Three Graces design is based off the original design created by William Wyon early in his career at The Royal Mint.Crowned portrait of Queen Elizabeth II facing right; ELIZABETH II QUARTER SOVEREIGN ALDERNEY C.I. 2020. / Three female figures in classical attire stand embracing each other, with a harp, a St. George Cross shield, and a thistle near each of their feet, signifying that the women personify Ireland, England, and Scotland; FOEDUS INVIOABILE. Original design by William Wyon. Edge milled.In secure plastic holder, graded PCGS PR70 DCAM, certification number 41510232. PCGS population in this grade: 122, equal-finest graded.Mintage: 500.Diameter: 13.5 mm.Weight: 2 g. (AGW=0.0590 oz.)Composition: 916.7/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Lot 227

UNITED KINGDOM. ALDERNEY. Elizabeth II, 1952-2022. Silver 5 pounds, 2020. The Commonwealth Mint. Proof Three Graces. Much like its 2019 Una & the Lion counterpart, the Three Graces design is based off the original design created by William Wyon early in his career at The Royal Mint.Crowned portrait of Queen Elizabeth II facing right; ELIZABETH II FIVE POUNDS ALDERNEY C.I. 2020. / Three female figures in classical attire stand embracing each other, with a harp, a St. George Cross shield, and a thistle near each of their feet, signifying that the women personify Ireland, England, and Scotland; FOEDUS INVIOABILE. Original design by William Wyon. Edge milled.In secure plastic holder, graded PCGS PR70 DCAM, certification number 41455802. PCGS population in this grade: 1000, equal-finest graded.Mintage: 1,000.Diameter: 50 mm.Weight: 62.2 g. (ASW=2 oz.)Composition: 999.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.

Lot 172

UNITED KINGDOM. ALDERNEY. Elizabeth II, 1952-2022. Gold 5 pounds, 2020. The Commonwealth Mint. Proof. Much like its 2019 Una and the Lion counterpart, the Three Graces design is based off the original design created by William Wyon early in his career at The Royal Mint.Crowned portrait of Queen Elizabeth II facing right; ELIZABETH II FIVE POUNDS ALDERNEY C.I. 2020. / Three female figures in classical attire stand embracing each other, with a harp, a St. George Cross shield, and a thistle near each of their feet, signifying that the women personify Ireland, England, and Scotland; FOEDUS INVIOABILE. Original design by William Wyon. Edge milled.In secure plastic holder, graded PCGS PR70 DCAM, certification number 40612593. PCGS population in this grade: 399, equal-finest graded.Mintage: 400.Diameter: 38.6 mm.Weight: 40 g. (AGW=1.2849 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Lot 173

UNITED KINGDOM. ALDERNEY. Elizabeth II, 1952-2022. Gold sovereign, 2020. The Commonwealth Mint. Proof. Much like its 2019 Una and the Lion counterpart, the Three Graces design is based off the original design created by William Wyon early in his career at The Royal Mint.Crowned portrait of Queen Elizabeth II facing right; ELIZABETH II SOVEREIGN ALDERNEY C.I. 2020. / Three female figures in classical attire stand embracing each other, with a harp, a St. George Cross shield, and a thistle near each of their feet, signifying that the women personify Ireland, England, and Scotland; FOEDUS INVIOABILE. Original design by William Wyon. Edge milled.In secure plastic holder, graded PCGS PR70 DCAM, certification number 41510295. PCGS population in this grade: 147, equal-finest graded.Mintage: 500.Diameter: 22 mm.Weight: 7.99 g. (AGW=0.2355 oz.)Composition: 916.7/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Lot 542

AN EARLY 20TH CENTURY AUTO HARP AND A BOX OF MUSICAL INSTRUMENTS, including a boxed Hero chromatic harmonica, a cased Victory harmonica, three others, a boxed Feadog D Irish whistle, a recorder, a rhythm clapper, etc (1 box and loose)

Lot 052

Swarovski Crystal Glass, three musical instruments, 'Piano', 'Harp' and 'Flute', boxed,

Lot 391

A 9ct yellow gold and opal Bar Brooch, of scrolling foliate form set with two oval opals, metal pin, 3.6cm long, total weight 2g, together with a mid-20thC Swedish silver pendant, by Gustav Dahlgren & Co., of pierced form with a female figure among flowers, an enamelled gilt metal butterfly brooch by C.C. Sporrong & Co., a silver harp pendant with green stone shamrock centre, a modern amber pendant, black facetted glass bead necklace etc., (a lot)

Lot 49

Two Workmates and a display harp

Lot 399

LISZT FRANZ: (1811-1886) Hungarian composer, pianist and conductor of the Romantic period. A good Autograph musical manuscript, unsigned, four pages (manuscript paper), slim oblong folio (approx. 13 x 7.5”, cut from larger sheets), n.p., n.d. (c.1858-59). The manuscript is a partial draft of Liszt’s song Ich mochte hingehn (LW N31, S296), the pages ruled with twelve staves per page, scored for voice and piano, four systems of three staves per page, with the exception of the final page, some 104 bars (nine of which are cancelled) and the first two pages paginated ‘3’ and ‘4’. The manuscript includes the text, in German, taken from Georg Herwegh’s poem Strophen aus der Fremde (stanzas four to six from the total of seven). Some light age wear and a few neat splits to the edges of the central vertical folds, only very slightly affecting the music and text, and with a few small tears to the upper edge of the second leaf, otherwise about VGThe present manuscript dates from around 1858-59 when Liszt was revising a number of his earlier songs for Gesammelte Lieder and another incomplete draft for Ich mochte hingehn from the same period is held within the Frederick R. Koch collection at Yale’s Beinecke Library. The fact that multiple compositional drafts of the song exist demonstrates the manner in which Liszt worked on his songs, continually revising them over the years until they essentially became new works, sometimes unrecognisable from the original versions. After entering into an agreement with Schlesinger to prepare a collected edition of his songs, published as Gesammelte Lieder between 1855-59, Liszt revised earlier songs such as Ich mochte hingehn, many of which originated in the 1840s, and what began as fair copies soon developed into compositional drafts as he started to revise them as he progressed. During this process Liszt used manuscript paper originally intended for orchestral music, cut down or torn from larger sheets, as is the case with the present manuscript. The musicologist Susan Youens, one of the world’s foremost authorities on German lieder previously wrote ‘The poet of Ich möchte hingehn, Georg Herwegh, was also known for his revolutionary political poems (he had to flee to Switzerland twice) and his translations of Lamartine and Shakespeare; he was the first recipient of Marie d’Agoult’s ‘Liszt novel’ Nélida. But the text of this song, among Liszt’s longer lieder, starts as a multipartite vision of the ‘good death’, analogous to the last gleam of sunset dying in the womb of the eternal, like the star in fullest glory sinking quietly into the blue depths, like a flower’s fragrance dispelled in air, like the dying tone of a harp, etc. But poem and song culminate in the denial that any such death awaits humanity’s broken heart. The first two episodes of this masterpiece (one of Liszt’s best songs) each begin with the same rising chromatic sequence, fraught with yearning, and end with an un-final harmony and a fermata, before the meditation on death resumes, wending its way to the singer’s final shriek and the fading of the piano’s last minor chord. Liszt first created this song, which anticipates Wagner’s use of the half-diminished ‘Tristan’ chord by ten years, as a final farewell to Caroline de Saint-Cricq, his first love from when both were teenagers in Paris’.

Lot 164

An Ottoman / Imperial German Harp Madalyasi or Gallipoi Star, being a German made example stamped BB&Co

Lot 106

An Ottoman / Imperial German Harp Madalyasi or Gallipoi Star, being a German made example stamped BB&Co

Lot 224

Limited edition in matte finish modeled as a lady musician in purple and green dress playing harp. Lady Musicians series. Royal Doulton backstamp. Includes base. Base measures: 7.5"L x 7.5"W x 2"H. Artist: Peggy DaviesIssued: 1973Dimensions: 8.75"HEdition Number: 179 Edition Size: 750Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Lot 439

In silver and wood, violin, harp and Spanish guitar. 19th to 20th centuries. 13 x 9 x 5, 11 x 5 x 2 and 9 x 3 x 2 cm, respectively.

Lot 594

A Martin Brothers stoneware Imp Musician by Robert Wallace Martin, modelled seated, playing the harp, glazed white, with wire strings, on ebonised wood base, incised Martin Bros, professional restoration, 13.5cm. high ProvenanceThe George Twyman Collection of Martin Ware.British Art Pottery, Woolley and Wallis, 27th November 2019, lot 49. LiteratureMalcolm Haslam The Martin Brothers Potters, Richard Dennis, page 134 for an example of this Imp illustrated.

Lot 562

A Martin Brothers stoneware Imp Musician by Robert Wallace Martin, modelled seated playing the harp, glazed white, with ebonised wood base, incised Martin Bros London, harp repaired, 10.5cm. highProvenanceCollection of Peter Rose & Albert GallichanAn Aesthetic Odyssey, The Peter Rose and Albert Gallichan Collection, Christies, 30th September 2021, lot 49Private collection. LiteratureBrian Coleman The Best of British Arts and Crafts, Schiffer, page 27 this Imp Musician illustrated.

Lot 659

Postcards, Silks, 2 regimental embroidered silks for the Tank Corps showing WW1 tank between text and crown above; and The King's Royal Irish Hussars with Irish harp to centre of wreath, crown and lion above (mainly gd)

Lot 332

A silver wine label for 'Brandy' in the shape of a harp. Approx. 9 grams. Est. £20 - £30.

Lot 113

A COMMEMORATIVE FIRING GLASS, mid 18th century, the round funnel bowl engraved "The Glorious Memory" around a bust portrait of King William, opposite a crowned harp flanked by fruiting vines, on a plain cylindrical stem and foot, 4 1/2" high (Est. plus 24% premium inc. VAT)Condition Report: good, no damage

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