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Tower (under King), mm: Star -1640/41. Sixth, ‘Briot’ crowned and draped large bust left, with double arched crown, stellate lace collar, large XII behind, inner circle, rev. Square topped arms on cross moline, harp with six strings, inner circle, 6.08gm. (Brooker 549; N. 2231; S. 2799). Very Fine with good cabinet toning.
Laureate and draped bust right, K below, toothed border destroyed from 2 o’clock to 7 o’clock . Rev, crowned harp, date below, toothed border destroyed from 1 o’clock to 5 o’clock (S. 6621). In NGC holder graded MS 64 RB (6769621-007), an interesting mint error, highly lustrous, joint finest known example on NGC census.
Third bust right, toothed border both sides, legend surrounding, CAROLVS II DEI GRATIA. Rev, crowned cruciform shields, interlinked pairs of Cs in angles, garter star at centre, date either side of top crown, eight strings to Irish harp, reads MAG BR FRA ET HIB REX, edge inscribed in raised letters, DECVS ET TVTAMEN ANNO REGNI VICESIMO SEXTO, 29.74gm (S. 3358; Bull 394 [R6]; ESC 49). Nearly As Struck but removed from ring mount with corresponding edge damage, subtle turquoise/pink tone to obv. legend and rev. Of the highest rarity, Bull estimates only two or three known examples and it is believed that none have appeared on the open market in the last 20 years.
Tower (under King), mm: Triangle -1639/40. Sixth, ‘Briot’ crowned and draped large bust left, with double arched crown, stellate lace collar, large XII behind, inner circle, rev. Square topped arms on cross moline, harp with five strings, inner circle, 5.93gm. Another but mm. Triangle in Cross – 1641/43, (Brooker 549; N. 2231; S. 2799). [2] First About Very Fine, second only Fine.
Second draped bust left, toothed border surrounding both sides, legend reads ANNA DEI GRATIA. Rev, crowned cruciform shields, plain angles, nine strings to Irish harp, garter star at centre with sunburst, date flanking top crown, legend surrounding MAG BRI FR ET HIB REG (S. 3601; Bull 1344; ESC 104). Beautiful turquoise/sea green tone around legend.
Tower (under King), mm: Crown -1635/36. Fourth crowned and armoured bust left, with two plain arches, falling lace collar, large XII behind, no inner circle, rev. Oval-garnished arms, larger harp with six strings, no inner circle, 5.97gm. Another the same, 5.79gm. (Brooker 499; N 2225; S 2791) [2]. Approaching very Fine, second Fine and short of flan.
Tower (under King), mm: Crown -1635/36. Fourth crowned and armoured bust left, with two plain arches, falling lace collar, large XII behind, no inner circle, rev. Oval-garnished arms, larger harp with six strings, no inner circle, 5.78gm. (Brooker 499; N 2225; S 2791). Approaching Very Fine, good cabinet toning.
William III (1694?1702), Crown, 1700, edge DVODECIMO, third laureate and draped bust variety right, long thin tie ends, toothed border surrounding both sides. Rev, crowned cruciform shields, angles plain, Lion of Nassau struck at centre, eight strings to Irish third harp, date flanking top crown, (S.3474; ESC. 97; Bull 1010). A choice and well struck example with much underlying brilliance. Almost uncirculated, with a very minor nick on the king’s portrait.
Tower (under King), mm: Triangle-in-circle – 1639/40. Fourth Equestrian Portrait of King (foreshortened horse) left, brandishing upright sword, sash ends flying behind, no base line, no caparison., rev. Oval garnished arms, plain harp, 15.41gm. (Brooker 374; N 2214; S 2779). Very Fine, full flan, toned.
Mintmark harp (1632-33) both sides. The King on horseback left, shouldering sword, plume to head, CAROLVS . DG : MAG : BRIT : FRA : ET . HIB : REX. Rev, oval garnished Royal Arms, C R above, CHRISTO AVSPICE REGNO, "I reign under the auspice of Christ", 29.61gm (S. 2755; N. 2192). About Very Fine, well struck on a good round flan, largely free from the usual metal stress marks in the fields.
Laureate and draped bust right, toothed borders surrounding, reads GEORGIVS DG M BR FR ET HIB REX FD. Rev, crowned cruciform shields, eleven strings to Irish harp, garter star, roses and plumes in angles, date flanking top crown, reads BRVN ET L DVX S.R.I.A:TH ET. EL (S. 3639; Bull 1540; ESC 110). Very Fine, toned.
Tower mint, mm: Thistle. First crowned and armoured bust right with square cut beard, VI behind, rev. Square-topped shield, plain harp, 2.79gm. Another the same, 2.61gm. (N 2074; S 2647). Another similar but dated 1607 and Fourth bust, mm: escallop, 2.61gm. (N 2103; S 2658). [3] All generally Fine.
Charles I (1625-49), Crown, Tower mint, group II, type 2a, mm. harp (1632-1633), crowned figure of king on horseback l., shouldering sword, rev. oval, garnished shield of arms over long cross fourchée, CR above, wt. 30.17g. (S.2755; N.2193). Bold very fine, some parts better. Light even tone. Very minor flan crack at 6 o’clock and a couple of small scratches in the reverse field.
Tower (under King), mm: Anchor -1638/39. Fifth crowned and draped ‘Aberystwyth’ type bust left, with double arched crown, falling lace collar, large XII behind, inner circle, rev. Square topped arms on cross moline, harp with five strings, inner circle, 2.84gm. (Brooker 629; N 2244; S 2814). Almost Very Fine with good portrait.
Tower (under King), mm: Triangle – 1641/43. Sixth, crowned and draped large ‘Briot’ bust left, with double arched crown, stellate lace collar, large VI behind, inner circle, rev. Square topped arms on cross moline, harp with five strings, inner circle, 2.92gm. (Brooker 646; N 2246; S 2817). Very Fine, toned.
Tower (under King), mm: indeterminate. Sixth, ‘Briot’ crowned and draped large bust left, with double arched crown, stellate lace collar, large XII behind, inner circle, rev. Square topped arms on cross moline, harp with five strings, inner circle, 5.70gm; 6.01gm; 5.77gm. (Brooker 549; N. 2231; S. 2799). [3] Generally Fine, one a little better.
The Swarovski 1998 Angel is the third in a limited edition series from the Christmas Memories range. This exquisite ornament features a faceted crystal body with gold-plated head, wings, arms, and harp. A green ribbon is attached to the back, allowing it to be displayed as a hanging ornament. The piece bears the Swarovski marking, ensuring authenticity and craftsmanship. This item has its original box.Artist: Adi StokerDimensions: 2.5"HCountry of Origin: AustriaCondition: Age related wear.
A stunning set of three Swarovski crystal musical instrument figurines, featuring a grand piano, a violin with a bow, and a harp. Each piece is intricately crafted with fine detailing and rests on a round mirrored base. The largest figurine measures 4"H, while the largest base is 4" in diameter. The set comes with its original Swarovski Silver Crystal box, measuring 4.5"H. Each piece bears the Swarovski backstamp, ensuring authenticity. A remarkable addition to any Swarovski collection.Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.
A late 19th century Thüringen six piece anthropomorphic animals military band nodders, composition, probably French or German uniforms in blue jackets, red trousers and green caps with harp insignia, comprising a monkey playing a trombone, a blue playing a trumpet, a ram playing a clarinet, a camel playing cymbals, a donkey playing a flute and a boar playing a parade xylophone, all with metal instruments and painted circular wooden bases —7 ¾in. (20cm.) high (the last two with replacement modern instruments)— see Early Toys 2, Leipold/Bickert/Kreher, 2024 - page 171, figs 7 and 8 for these actual models
PSYCH / PROG - LP COLLECTABLES. A collection of 15 x LPs. Artists/ Titles include The Idle Race - The Birthday Party (LBL 83132, VG/VG), Glass Harp - It Makes Me Glad (MUPS 470), Faust - Faust IV (V2004), The Faust Tapes (VC501), Spirit - The Family That Plays Together (CBS63523), Camel - I Can See Your House From Here, Robert Fripp, The Rubber Band, King Crimson - In The Court Of The Crimson King (RE) and King Crimson - Red. The condition is generally VG+ to Ex+ with some dropping slightly below.
**1836 William IV British Silver Halfcrown** A British silver coin, the 1836 William IV Halfcrown, featuring the right-facing bust of King William IV on the obverse, with the inscription "GULIELMUS IIII D:G: BRITANNIAR: REX F:D:". The reverse displays a crowned, quartered royal shield, incorporating the symbols of England (three lions), Scotland (lion rampant), and Ireland (harp), surrounded by decorative elements and mantling. The coin measures approximately 32mm in diameter, with notable beading along the edge. This denomination, worth two shillings and sixpence, was struck in 0.925 silver during a short minting period, making it a collectable piece of 19th-century British numismatics.
Delpech, Jean-Marie (French, 1866-1929); b. Banios, and Arthus-Bertrand (Paris, 1803-present) FRANCE, Musique, c. 1900, a plated bronze award plaque by J.-M. Delpech for Arthus-Bertrand, semi-naked winged female seated right, playing a harp, rev. rose-bush, tablet at right, un-named, edge impressed bronze and two sets of foundry marks, one that of Arthus-Bertrand, 60 x 41mm, 65.22g (PBE 354; BDM I, 552). About very fine £30-£40
Spicer-Simson, Theodore (French, 1871-1959); b. Le Havre, moved to the U.S.A. 1896, then between France, England and the U.S.A. FRANCE, Ange à la Harpe [Angel with Harp], 1935, a uniface Art Déco bronze plaque by T. Spicer-Simson, angel kneeling left, playing a violin, edge impressed bronze and cornucopia, 52 x 48mm, 83.95g (CGMP p.367; cf. DNW M8, 2305-6). Extremely fine, dark patina, rare £90-£120 --- Provenance: Bt Münz Zentrum Rheinland January 2003
Karp, Natan (Israeli, 1934-2008); b. not known, and Chagall, Marc (Russian, 1887-1985); b. Liozna, moved to France 1910, returned to Russia 1914, then France 1923, U.S.A. 1941 and France 1948 ISRAEL, King David, 5751 [1991], a bronze medal with coloured lithograph insert by N. Karp after M. Chagall [Israel State Mint], David dancing and playing his harp in centre, other figures around, rev. menorah, edge impressed bronze state of israel 1344, 70mm, 143.31g (cf. Goldberg 135, 2346). Extremely fine £30-£40 --- Edition of 3,000. Chagall portrayed David and the dancing procession of Chassidim and pioneers in the Land of Israel in his work The Entry into Jerusalem, which was created for a mural tapestry in the Knesset, installed in June 1969

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9712 item(s)/page