We found 9712 price guide item(s) matching your search

Rare Irish 20 Pence Trial Piece Irish Coin: A rare 1985 Twenty Pence Trial Piece Coin, the obverse with profile of a horse and '20p', the reverse with central harp and 'Eire' dated '1985' with riveted and smooth edge, some streaks, mellowed tone, good example. * These Coins were issued in advance of production to various companies and organisations to facilitate calibration of vending machines and other coin operated devices such as telephones, meters etc. According to sources in the Central Bank less than 50 pieces of the 500 or so issued were not returned. To date about ten examples in private hands have been recorded, making it one of the rarest Irish modern coins, even scarcer than the 1943 florin.  Note:  More information into text after '1985', approx. [1" (2.54cms) diameter and 0.30 ounces weight].

1908 Senior Hurling Championship, Wexford G.A.A.: Medal, 1908 (Co. Wexford) An Arts & Crafts style silver Medal, the obverse with relief shield and cross hurl, shamrock, maid of Eireann with harp and 'G.A. Loch Garman,' the reverse inscribed '1908, Senior Hurling Championsip,' hallmarked H. & H. (Hopkins & Hopkins). (1)

1921 Leinster Hurling Winners Medal G.A.A., Medal, Hurling 1921, a 9ct gold circular pierced decorated Medal, with central harp Celtic motifs, and inscribed 'Connradh Laighean G.A.A.,' the reverse inscribed 'Leinster Hurling C'ship 1921, won by Dublin,' hallmarked 'J.M. (John Miller).' (1) Note:  In front of 17,000, the defending champions Dublin withstood the Kilkenny challenge on a score line of 4.4 to 1.5. Interesting Michael Collins threw in the ball to start the game.

All Ireland Winners Medal, 1912, Louth G.A.A. Medals: [Co. Louth], 1912. A 9ct gold Celtic Cross All-Ireland Winners Medal, the obverse with central harp and 'Eire' and 'Cumann na gcleas - Luith Gaedhealach,' the reverse inscribed 'All Ireland F'ball C'ship 1912, won by Louth," hallmarked 'H. & H. (Hopkins & Hopkins); together with the associated Leinster Winners Medal, the 9ct gold Medal of circular and pierced design, the obverse with harp design and inscribed  'Connradh Laigheen G.A.A.' the reverse inscribed "Football, 1st Div. 1912," hallmarked; also a silver shield Medal with central harp overlay and shamrock, the reverse inscribed 'G. Fitzsimmons,' hallmarked 'J.McD.' Dublin, a rare collection. (3) Provenance:  G. ("Joe") Fitzsimmons, Dundalk, Co. Louth, gifted by descent. Note: In the 25th staging of the championship, Louth played Antrim in the All Ireland decider in front of 13,000 spectators at Jones Road. They won the match 1-7 to 1-2, to claim their 2nd All-Ireland. Interestingly, five of the Antrim players were natives of Louth.

Assortment of gilt metal and enamel advertising pin badges comprising of H. W. Miller Fremlins' Ale gilt metal elephant lapel badge with red cloth on its back with blue enamel banner, 20mm wide; Fattorini Bryant & May Mr. Patron's Day Security Blackpool 1st June 1923, with black enamel banner within white enamel background; 28mm diameter; Marples & Co Cornona Family Drinks gilt metal and blue enamel crown shaped badge, 28mm wide; an unmarked gilt brass Westinghouse Robot badge, with black lettering; 25mm long; unnamed Angelo XL Chewing Gum figural badge, gilt metal with wine coloured enamel, 30mm long; Daily Herald National League of Hikers pin badge, with white signpost decoration, 25mm long; a Fattorini Marconi Communications Company lapel badge, with blue M and central globe on white enamel background within gilt rim, 21mm diameter; J.R. Gaunt PYE Radio circular sky blue enamel lapel badge with white lettering,18mm diameter; W. O. Lewis Rudge Whitworth Coventry lapel badge, with red masonic hand within white background and blue enamel banner, 15mm diameter; unnamed 1937 Hoover badge with red and white racing helmet, with riding crop and horseshoe and blue enamel banner, 15mm wide; J.R. Gaunt Sandeman enamel and gilt brass pin badge, with black enamel figure within green background, 35mm long; J. R. Gaunt Trumans gilt metal and enamel badge, black eagle within orange background standing on a rock, 25mm diameter; H.W. Miller Chivers enamel pin badge, gentleman with green jacket and white trousers and black banner, 35mm long; H.W. Miller Harp Lager figural pin badge, lady wearing pink dress with enamel text banner, 32mm long; unnamed chrome plated 1885 Turkey Point Company badge with green enamel banner surrounding a turkey, 28mm diameter; W. Reeves & Co chrome plated and blue enamel fish shaped Boston Speedway badge, 45mm long; unmarked Chivers Jams advertising pin badge, with Noddy wearing a red jacket, 34mm long; H.W. Miller Scott's Jams gilt metal badge, female wearing red dress with yellow jar, 31mm long; Guinness chrome plated penguin with blue plaque, 25mm long; unmarked 20 years Singer Sewing Machine lapel badge, with white and red enamel, 18mm diameter; a gilt metal and blue enamel Smith's Twister and Smith's Double Twister pin badge, 15mm long; Birmingham Medal Company 'Fat William' mascot lapel badge, wearing a brown jacket and orange jacket, 30mm long; two J.R. Gaunt John Jameson & Son Irish Whiskey gilt metal and orange enamel badges with black enamel lettering, 25mm long; Grundlast Carlsberg white metal and green elephant shaped badge and oval shaped plaque, 20mm wide; unnamed Private Stock paper and aluminum badge, with central bottle motif, 43mm diameter; H. W. Miller G. R. Cooper multi coloured enamel and gilt metal crescent shaped badge, with white enamel banner, 28mm wide

Rare Irish Hibernia Farthing token, un-dated obv Liberty next to Harp, rev Dove carrying olive branch in wreath. High Grade

BRONZE GIRL & HARP - 16.5 CMS (H) APPROX

A late 19th/early 20th century Irish bog oak truncheon, carved with a harp and clovers, 37cm in length. Condition - good

SIX ROYAL WORCESTER PETER HOLLAND 'CELTIC' FIGURINES, limited edition for Compton & Woodhouse, comprising 'The Daughter of Erin' 392/7500, 'The Princess of Tara' 392/7500, 'The Maiden of Dana' 392/7500 (harp has become unglued), 'Golden Girl of The May' 392/7500, 'The Fair Maiden of Astolat' 392/7500 (mirror has become unglued) and 'The Chalice of Love' 392/7500 (6 +harp and mirror) (Condition Report: most obvious damage is mentioned in description, glue residue to two figures holding harp and mirror)

Stunning faceted crystal figure of a harp. Swarovski mark. Item number 7477NR000003. Part of the Crystal Melodies collection. This item has its original box: 6.25"H x 3.25"dia. Certificate of Authenticity included. Issued: 1992-1998Dimensions: 2"L x 1.25"W x 4"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

19th Century J Reed of Brampton longcase clock having a hand painted classical scene depicting a harp player with a painted round face with roman numeral dial, broken swan neck pediment, oak case with domed top door.

A William III 1696 crown, third bust, straight breast plate, first harp, octavo

19th century Continental mahogany and oak box, carved in high relief with classical figures, harp, musical trophies, anthemion and foliate motifs, H22.5cm L48cm D38.5cm

B & M Miranda Table Harp, 59cm long; Autoharp Table Harp, 46.5cm long and Phather Table Harp, 51.5cm long. (3)

A Victorian copper and brass harp lamp having a Messenger's patnet burner, 64 cm

George Callaghan (b. 1941) "The Revellers", cast bronze, signed and numbered lower left 'GC 315', 17 x 12 x 20 cm[ Callaghan was born in Belfast and has lived and exhibited internationally. Callaghan's deft touch brings to life scenes of the hardworking and prosaic, elevating them to gallery standard. His impressive career in advertising coupled with creative dexterity (the artist is a reputable harp maker and player) imbues the artist's paintings and sculpture with a 'sophisticated naive' style. ]

* Van Leyden (Lucas, 1494-1533). David Playing the Harp before Saul, circa 1508, engraving on laid paper, with posthorn watermark, trimmed to plate mark, some restoration and archivally relined, trimmed to or just inside the plate mark (with small loss to upper and lower edges of the image), sheet size 238 x 183mm, plate size 254 x 184 mm (10 x 7 1/4 ins), window-mountedQTY: (1)NOTE:Bartsch 27: New Holstein 27; Volbehr 26. Probably the 3rd state (of 3).

A large Venetian carved giltwood and polychromed torchere standard lamp, 19th century, decorated with acanthus leaves, dragooning and cherubs' heads, on a triform base adorned with shields and raised on lion paw feet157 x 46cm to top of candleProvenance:Sale; Cheffins, Brent Eleigh House Sale, 12 April, 2014, lot 5In overall good conditionSome losses to the carving around the central collar (shown in additional photographs)Rubbing to the paintwork and gilding consistent with ageCracks to the triform base (shown), but the lamp is stableParchment shade sits with american harp style fittingplease see further images

A late 19th / early 20th diamond harp brooch, the scrolled decorative mount inset with mixed old-cut diamonds, within shaped settings, largest diamond measuring approximately 0.20 carats set in white gold (unmarked), 4.5 cm high, 13.5 grams. Provenance: Estate of the late William Lloyd George, 3rd Viscount Tenby (1927-2023), he was the son of Gwilym Lloyd George, 1st Viscount Tenby (1894-1967) and the grandson of David Lloyd George, 1st Earl of Dwyfor (1863-1945) the British Prime Minister from 1916 to 1922 during WWI.

Dorothy Ashby LP, The Fantastic Jazz Harp of Dorothy Ashby LP - Original UK Stereo Release 1966 on Atlantic (SAL 5047) - Laminated Flipback Sleeve - Blue / Silver Grooved Labels - Sleeve VG+, Vinyl EX+

Beer Commercials / 35mm Films, twelve Beer 35mm Film short Commercials b/w & colour negative separate optical soundtrack including Guinness, Ansells, Double Diamond, Tetley, Heineken, Whitbread and Harp - mainly very good visual condition - all Catalogued by the 'Film is Fabulous!' team at De Montfort University

Dusty Strings Ravenna FH 26 String Harp - Hand crafted in the USA. 'Full levers, solid ash neck and pillar, laminated European birch soundboard and stave-back soundbox'. In excellent condition. Buyer to collect or to arrange their own transportation.

BUTTONS. A set of silver plated, cast metal, early 20th century buttons, St. Cecilia & her harp, with a small cupid looking on. Three with hand engraved Reg. No. 352928 & three stamped with same number. (The V & A suggests that these buttons were made by William Comyns). Condition Report: Good, undamaged condition.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

A La Marguerite auto harp, together with three wooden trinket boxes.

An Art Nouveau Brass Pin Dish in the Form of A Maiden Playing Harp, 12cm Wide

A Gothic Revival maple and giltwood pedal harp by Sebastian & Pierre Erard, Paris19th Century, gilt wood, patent no. 5131, decorated with panels of Saints, 175.5cm high Provenance: Dunkirk Manor Sebastian Erard designed the double action system for the harp which is now found with minor variations in all modern harps. Establishing a factory in Paris, Erard manufactured pianofortes for Marie-Antoinette and the Duchesse de Villeroi. Erard fled at the onset of the French Revolution, setting up a workshop in Great Marlborough Street, London and attaining similar popularity in the years he resided there. Leaving his London workshop in the capable hands of his nephew, Pierre, Sébastien eventually returned to Paris where he continued to reimagine and improve his instruments. The current harp is a comparatively late production, circa 1850, designed by his nephew Pierre. In 1839, England’s Queen Victoria appointed Pierre Erard “Pianoforte Maker to Her Majesty.” Prince Albert, Queen Victoria’s beloved husband, also favoured Erard pianos and commissioned a horizontal grand piano in the Renaissance style. The pedals are connected to the disks - additional images

Mazilier a Metz: a 19th Century ormolu mantel clock, white enamel Roman dial, the case with recumbent lady next to a harp, two train movement with countwheel, raised on two-tier base with scrolled and foliate decoration, 35 x 14 x 47cms high.

Wheeler Wilcox, Ella & Tennant, Dudley (illus.). Circa 1907 Poems of Passion and Pleasure. Published Gay & Hancock. Publisher's original full decorative cloth binding, gilt decorated borders and front board depicting a harp and illuminated letter P; spine a touch discoloured, odd light scuff to boards, just the odd spot internally. Beautifully illustrated with tipped in Golden Age plates. 4to.

Breweriana - A mixed selection of 20th century and later point of sale advertising pub / bar ashtrays. Glass, ceramic and plastic examples with advertisements from Regal King Size, Higsons, Ushers Best Bitter, John Courage, McEwan's Lager, Banks's Mild Ale, Harvest Bitter, Double Diamond, Harp, Mackeson, Barleycorn, Pepsi-Cola and more. Largest measures approx. 24cm diameter.    

Slavery.- Brown (William Wells, American abolitionist, novelist, playwright, and historian, c. 1814-84) Fling Out the Anti-Slavery Flag, autograph manuscript poem signed, 1p., four numbered verses of eight lines each, removed (loosely inserted) from a commonplace album, 4to (282 x 213mm.), Bridgewater [Bridgwater, Somerset], 16th May 1851. *** Fling Out The Anti-Slavery Flag was first published in 1848 in a collection of poems edited by Brown entitled The Anti-Slavery Harp; A Collection of Songs for Anti-Slavery Meetings, one year after Brown published his autobiographical slave narrative. The poem (written to be sung to the air of Auld Lang Syne), was written on the occasion of Brown's visit to Bridgwater with another fugitive slave, William Craft. Both spoke of their personal experiences and against the Fugitive Slave Act of 1850 at the Public Rooms on the 12th and 13th May.Brown was born into slavery in Lexington, Kentucky in 1814, eventually escaping from a steamboat in Cincinnati in 1834, when he adopted the name of a Quaker friend of his in order to obtain his freedom. An eloquent speaker he subsequently began lecturing for the abolition movement in New York and was soon hired by the American Anti-Slavery Society. He travelled across Europe to lecture and in May 1851 he went to Bridgwater, which had been the first British borough to petition for the abolition of slavery in 1785.

Five various Staffordshire figures. Including a pair of spaniels, height 15cm, a swan spill vase group, a sleeping Scotsman group and a harp player. (5)

A collection of silver items to include; a cased matched Victorian and later sewing / embroiderers set consisting of scissors, bodkin, threader and thimble, all of elaborate design, various dates and makers, in original heart shaped case; a miniature Chester silver fronted prayer book with Reynolds Angel design; an Edwardian oblong card case, having profusely chased leaf design and central moss agate harp like shaped design, hallmarked by Joseph Cook & Sons, Birmingham, 1907; a George V silver vesta case of cushioned shape with engraved design, hallmarked by Thomas & Marshall, Birmingham, 1913; a Victorian oval shaped vesta case, engraved design and initialled cartouche, hallmarked by Joseph Gloster, Birmingham, 1899; three silver thimbles and one white metal version, along with a circular silver probably sovereign holder (unable to open, broken top / mechanism), a part Victorian silver rattle of ball shape (broken), a scent bottle cover (only cover and broken hinge), and a silver plated stand. (1 bag) Weighable silver: approx. 85.1 grams (2.7ozt) Further details: some pieces broken as above, dents, wear and scratching to others, holes and wear to couple of thimbles, tarnishing and wear commensurate to age.

The hinged lid carved with a lady playing the harp in a walled garden, the opposing side with a profile figure among horns, 7.5cm diameter.

A HOHNER, BIG RIVER HARP, HARMONICA IN A BOX - AS NEW

A lead crystal instrument figures comprising of a harp and saxophone with stand. Both were part of the Crystal Melodies and are made from clear crystal. Swarovski etched backstamp. Harp measures: 2"L x 1.25"W x 4"H. Saxophone measures: 1.75"L x 1.25"W x 4.25"H. Artist: Martin ZendronIssued: 1992-2003Manufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

An 18/19th century Wedgwood powder blue Jasper ware plaque of robed female playing the harp on column, height 9cm

Rare Georgian Irish Militia Officers Shoulder Belt Plate of the Dunfanaghy Cavalry, the silver (not hallmarked) oval officers shoulder belt plate with engraved crowned winged harp to the centre, top with scroll ‘DUNFANAGHY’ and bottom ‘CAVALRY’. The reverse of the plate with two hooks and two stud fittings. Dunfanaghy Militia Cavalry raised by Robert Stewart (1st Marquis of Londonderry).

Irish Coatee Buttons (1820-1855), rare and fine examples to the 88th Connaught Rangers, Longford Militia, 100th (The Prince Regent’s County of Dublin) Regiment 1804-1816, Armagh Regiment (L.I.) pewter, 98th Foot, Londonderry Militia, Irish Volunteers (Harp and Maid, c.1802-1840), 87th South Cork Militia pewter coatee, and a silver plated Fermanagh Light Infantry Tunic button. Formerly from the collection of the late Araminta, Lady Aldington of Kent. (9 items)

BOXED VINTAGE LAP HARP

Ca. 664 BC - 332 A bright green faience figure depicting an ithyphallic dwarf sitting on two cushions playing the harp and facing forward. Amulets of this type were used to promote fertility. Very well-preserved and rare in this size example. Size: 80mm x 80mm; Weight: 92g Provenance: From the collection of a London gentleman; formerly acquired in the early 2000s; previously in 1970s UK collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Glossy figure of a young lady angel in a white dress with blue accents playing a harp. Lladro backstamp. This item has its original box: 12.5"L x 7.5"W x 6"H. Artist: Francisco CatalaIssued: 1991Dimensions: 5"L x 4.25"W x 8"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.

A female angel with white gown and blue trim plays a purple harp. Glossy finish. Lladro backstamp. This item has its original box which measures 6"L x 7.5"W x 12.75"H. Artist: Francisco CatalaIssued: 1991Dimensions: 4"L x 4.75"W x 7.75"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.

A Good Quality Vintage Sterling Silver Curb Bracelet, Loaded with 11 Silver Charms. All Marked for Sterling Silver. Comprises Accordion, Harp, Tankard, Teapot, Ballet Shoes, Old Boot, Large Bell, Champagne Bottle In Bucket, One Pound Note. Weight 66.7 grams.

George Tinworth / Doulton Lambeth mouse musician spill vase, larger mouse playing the harp. Height 13.5cm

William and Mary (1688-1694), Shilling, 1692, at over ti in gratia, stop after gratia, no stop after br, harp with 7 strings (ESC 866; S 3437). Good fine, rare £300-£400

Charles II (1660-1685), Shilling, 1671, second bust, plume below, no stop before dei or after hib, harp with 5 strings (ESC 520; S 3376). Toned, fine and very rare £600-£800

William III (1694-1702), Shilling, 1696b, first bust, small x in rex, harp with 5 strings (ESC 1159; S 3498). Small mark by King’s eye, fine, reverse better, scarce £70-£90

William and Mary (1688-1694), Shilling, 1692, at over ti in gratia, stop after gratia, no stop after br, harp with 7 strings (ESC 866; S 3437). Nearly very fine, rare £300-£400

George II (1727-1760), Shilling, 1741/39, roses, large gs on obv., harp with 7 strings (ESC 1719; S 3701). Good fine or a little better £80-£100 --- Bull questions the existence of this overdate. On this specimen, the 4 seems to show the upper right corner of a 3 underneath.

A hallmarked 9ct gold charm bracelet with heart padlock clasp. The hallmarked 9ct gold double strand curb link bracelet strung with 22 charms to a heart padlock clasp with safety chain. The charms to include a pair of hallmarked 9ct gold binoculars, gold whistle, elephant marked 9ct, hallmarked 9ct gold elf sat on a toadstool, horseshoe marked 9ct, hallmarked 9ct gold Maltese cross, hallmarked 9ct gold handbag, hallmarked 9ct gold pierced 13 charm, handbag marked 9ct, gold forget me not heart, hallmarked 9ct gold harp, hallmarked 9ct gold barrel, baby marked 9ct, hallmarked 9ct gold and seed pearl set locket, 9ct gold and enamel playing card, binoculars marked 9ct, hallmarked 9ct gold gypsy wagon AF, 15ct wreath and clasping hand, gold cameo, hallmarked 9ct gold jug, gold tassel and a 9ct gold teapot. All unmarked charms surface tests indicate gold. Curb link chain bracelet hallmarked 9ct to each link. Heart padlock clasp marked 9ct to verso. Measures 18cm. Weighs 75.0g. All weights, measurements and sizes are approximate.

Douglas Swainson (20th century)Lady in a pink dress playing the harp, signed and dated 1962, oil on canvas Not lined. Some brown varnish(?) marks to the upper area, surface dirt, minor cracking and discolouration to the varnish. Small flake of paint loss to the upper left edge. Dimensions with frame - 52cm x 62.5cm

A 19th century burr wood veneered and gilt gesso harp, signed J A Stumpff, Portland St, Portland Place, London, decorated with gilt transfers of classical musicians, and having foliate, ram's mask and swag column, 177cm high

A Hohner Echo Harp harmonica, and a Hohner Songbird, boxed, and a box.

Various Guinness promotional miniature bottles, to include Guinness and Harp Lager, all in original packaging for 36 bottles, incomplete. 

Part of the Crystal Melodies collection figure is made of clear crystal with raised cut harp strings for a realistic look. Swarovski backstamp. 7477 000 003. Artist: Martin ZendronIssued: 1992 - 1998Dimensions: 2"L x 1.5"W x 4"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

Herzogin Sophie (1847 - 1897), Braut König Ludwigs II. - zwei Stühle aus der Residenz München, um 1867 Holz, vergoldet, gepolsterte rote Seide. Im klassizistischen Stil gestaltete zierliche Stühle mit kannelierten Beinen sowie Harfenmotiv, Perlstab und Rosetten an der Lehne, an der Zarge eines Stuhls innen das alte Papieretikett "Königl: Resid: München Appart: VI. Zimmer No. 5. Inventar No. 85". Die Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen teilt dazu mit, dass es sich "um das Inventaretikett der Residenz München handelt, das 1874 für die Inventarisierung verwendet wurde. Das Appartement VI bezeichnet zu dieser Zeit die Hofgartenzimmer im zum Hofgarten orientierten Festsaalbau der Residenz, die nach Kriegszerstörung 1944 nicht wieder aufgebaut wurden. Diese Zimmer wurden 1867 für Herzogin Sophie, die Braut König Ludwigs II., neu eingerichtet" (Ausdruck liegt bei). Bezüge stellenweise berieben, vereinzelt Risse und Abrieb am Holz, Gebrauchs- und Altersspuren. Maße jeweils ca. 40 x 40 x 86 cm. Elegant und schön erhalten. Duchess Sophie (1847 - 1897), bride of Ludwig II – two chairs from the Munich Residence, circa 1867 Duchess Sophie (1847 - 1897), bride of Ludwig II – two chairs from the Munich Residence, circa 1867Gilt wood, upholstered in red silk. The delicate chairs designed in classicist style with fluted legs and a harp motif, bead and reel ornaments and rosettes on the back, an old paper label on the inside frame of one chair reads "Königl: Resid: München Appart: VI. Zimmer No. 5. Inventar No. 85". The Bavarian Department of State-owned Palaces, Gardens and Lakes confirms that it is indeed (tr.) "the inventory label of the Munich Residence that used for the inventory in 1874. At that time, Apartment VI referred to the Hofgartenzimmer in the Festsaalbau of the Residence, which faced the Hofgarten and was not rebuilt after it was destroyed in the war in 1944. These rooms were refurnished in 1867 for Duchess Sophie, the bride of Ludwig II" (this confirmation is included). The chair covers scuffed in places, the wood cracked and worn here and there, signs of age and use. Each measuring approx. 40 x 40 x 86 cm. Elegant and in beautiful condition.Condition: II

A GROUP OF CERAMICS AND SUNDRY ITEMS, to include a Royal Worcester 'child that is born on the Sabbath day' figure, a Beatrix Potter Royal Albert Hunca Munca figure, a Nao Truly in Love figurine no 1450, a Nao shepherd boy table lamp (missing flute, untested), a WR Dresden figure of a seated woman playing a harp with lace skirt (some losses), Poole Pottery bisque busts of the then Prince Charles and Princess Diana, a plastic shop display stand for jewellery, etc (21) (Condition Report: most pieces appear in good condition, sd and as stated)

Original vintage music poster advertising an Alan Stivell (b.1944) concert that took place from January 16 to 26 Palais Des Sports in the Porte de Versailles presented by Alice Productions and Télérama with Europe1 - Art Noveau style illustration of Alan Stivell and his supporting band surrounded by ornate patterns. Alan Stivell is a Breton and Celtic musician and master of the Celtic harp. Fair condition, staining, creasing, fold, tears, pinholes, small paper losses. Country of issue: France, designer: Unknown, size (cm): 72x28, year of printing: 1970s.

A pair of patinated bronze figures. Both filled, modelled as Roman deities, one holding a harp, the other wearing a suit of armour and holding a telescope, on tripod bases, unsigned. Max. H16cm

Henry Bone R.A. (1755-1834)Saint Cecilia, Patron Saint of Musicians, wearing a coronet of red and white roses in front of her halo, standing before Classical columns and arches, holding a palm – the symbol of her martyrdom – in one hand and a sheet of music in the other; to the left, a portable organ; to the right an angel leans on a harp. Enamel on copper, inscribed, signed and dated on the counter-enamel, London/ April 1811/ Painted by Henry Bone RA Enamel/ painter in Ordinary to His Majesty/ and Enamel painter to His RH the/ Prince Regent after the Original/ by Dominichino in the possession/ of William Wells Esq/ Original 3feet, 7in/ 4 - 9, gilded composition frame. Rectangular, 214mm (8 7/16in) highFootnotes:Provenance: Twinight CollectionHenry Bone's drawing for the present lot, inscribed St Cecelia after Dominichino June 1811 For Thos. Hope Esq.-/size of Picture H 3-7 1/2 by 4-8in is in the collection of the National Portrait Gallery (NPG D17419).The present lot was commissioned by Thomas Hope (1769-1831), an interior and Regency designer, traveler, author, philosopher, art collector, and partner in the banking firm Hope & Co. He is best known as an early promoter of Greek Revival architecture, opening his house as a museum and his novel Anastasius, a work which many experts considered a rival to the writings of Lord Byron.The original painting was previously thought to be by Domenichino (as borne out by the inscription on Henry Bone's drawing). This attribution goes back as far as the eighteenth century, when it was in the collection of a Scottish nobleman, Sir Robert Udny. The painting, now in the collection of the National Gallery, London (NG5284) was later considered to be by an unknown Roman painter, but is now correctly attributed to Pietro da Cortona. Pietro da Cortona was one of the most influential and prolific figures of the Roman Baroque who decorated many of Rome's churches and palaces. The painting is one of a small number of works stylistically linked with his frescoes in the Palazzo Mattei in Rome, datable to shortly before 1624–5. Cortona's early works include a profusion of classical architecture and other references, such as the temple seen in the background here.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com