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A BAG OF ASSORTED JEWELLERY, to include three white metal charm bracelets suspending charms, one fitted with a silver heart clasp hallmarked Birmingham, one fitted with a heart clasp stamped 'Silver', a white metal bangle designed with a row of nine flower shaped clusters set with circular cut emeralds and colourless topaz, stamped '925', a white metal damascene line bracelet fitted with an integrated box clasp with a rubbed stamp and an additional safety chain, a white metal charm bracelet suspending a single charm in the form of a harp, fitted with a heart clasp stamped 'Silver', together with a bag of loose white metal charms such as a dog, house, car, horseshoe etc
First book printed in Ge'ez.- Bible, Ethiopic.- Psalterium David et Cantica aliqua, edited by Johann Potken, collation: [1-128, 13-146], 108 ff., printed in red and black, Ethiopic and Roman type, first f. recto with a full-page woodcut in red showing a seated King David playing a harp within a decorative border signed 'S.C.', woodcut knotwork head-pieces, headings and initials in red, marginal repair to first and last ff., water-stained (mostly at start), some mostly light spotting and finger-marking, attractive contemporary ?French ornately blind-stamped calf over boards, sympathetically rebacked, remains of ties, corners little worn, rubbed, 4to (225 x 160mm.), [Rome], [Marcello Silber for Johannes Potken], 1513.⁂ Rare copy of the first edition of the first book printed in Ge'ez (or classical Ethiopic), and the first book of the Bible to be printed in an eastern language other than Hebrew. The editor was a German clergyman and papal protonotary, and he 'describes in his preface how he had heard Ethiopian strangers in Rome reciting sacred hymns, in which he recognized the names of the Blessed Virgin, the Apostles and certain Saints. Aroused by curiosity he determined to learn Ethiopic - which he calls lingua Chaldea - and eventually succeeded in mastering enough of the language to enable him to publish this edition in the native character.' (Darlow & Moule). Provenance: 'Questa Cantica è stata mandata da Genoua dal P. Gabriele di Casale Prouinciale de Capucini, anno 1606. mensis Nouemb' (ink inscription to front pastedown).Literature: Adams B1481: Darlow & Moule 3560; Fumagalli, Bibliografia Etiopica, p. 353; Smitskamp III, 233.
Ireland, George III,Thirty pence, 1808, laureate, draped and cuirassed bust, R.Hibernia seated left with harp, XXX PENCE IRISH below, top of harp points to O in TOKEN (S.6616A). A couple of light contact marks, otherwise good extremely fine, possibly better. (1)Footnotes:Ex Kunker 159 1835.For further information on this lot please visit Bonhams.com
39th Lancashire Rifle Volunteers The Liverpool Welsh Officers pouch belt plate 1860-1861.Very fine rare short-lived die-stamped silver plate Prince of Waless crest and motto above a large oval strap, LANCASHIRE RIFLE VOLUNTEERS, 39 to the tip. Centrally St. David with crozier holding a harp and a leek, in front of him a long-horned ram. Two screw posts, washers & hooped nuts VGCWith commissions dated 9 February 1860 the corps was under the command of Capt. William James Griffiths, their existence was short lived disappearing from the Army Lists by early 1862.
The Regulating Silver Coin, made practicable and easie, to the government and subject. Humbly submitted to the consideration of both Houses of Parliament. By a Lover of his Country. London, Printed for Henry Bonwick at the Red Lion in St. Paul's Church-Yard 1969 (lacks final page) along with The Harp of Parnassus, A New Selection of Classical English Poetry by J. F. Pennie. London 1822 (2)
A pair of early 19th century French procelain vasesprobably Paris, of urn form with twin scrolling handles, on circular socles and square plinth bases, each painted with a romanticised figure, the first depicting a Scotsman playing a harp, the other with his female companion, a faun on her lap, within gilded borders, 22.5cm high (2)For further information on this lot please visit Bonhams.com
Twelve Royal Doulton limited edition figures modelled by Peggy Davies - Harp HN2482, number 332, Dulcimer HN2798, number 685, Viola D'amore HN2797, number 589, Chitarrone HN2700, number 463, Hurdy-Gurdy HN2796, number 555, French Horn HN2795, number 741, Violin HN2432, number 695, Flute HN2483, number 626, Cymbals HN2699, number 397, Lute HN2431, number 679, Cello HN2331, number 692 and Virginals HN2427, number 232, all boxed with certificatesCondition report: All in very good condition apart from French Horn which is badly cracked
A late 19th century French bronze of the Muse of Music, in seated pose with harp behind her, brown patination, unsigned and lacking foundry mark, h.22.5cm, all raised on later marbled composition plinth,Condition report: No breaks or damage.Modest patina wear to extremities only.Plinth is later.
A good 18th century French harp by Walster, ParisThe carved scroll top on a foliate carved moulded column support and base housing seven pedals, the soundboard decorated with delicate flower sprays, internally signed Francois Folck(?). 63" (160cm) highCondition report: Visible repair to the sound box especially at the top where there are some small losses. Some shrinkage to the joints of the panels on the sound box. Visible repair to the shoulder joint. Some minor wear to the sound board with some fading and flaking to the painted decorations. Some shrinkage to the head joints. Repair to the column near the base with some rubbing to the guilt on the column and elsewhere. Evidence of worm in places but not excessive and apparently dormant. Pedals show some minor surface rust. Walster mark to one side appears to be over-stamped 'Saunter A Paris'. Please refer to images.
A SELECTION OF SILVER AND WHITE METAL JEWELLERY, to include a silver hinged bangle with a decorative foliate design, fitted with an integrated box clasp with an additional safety chain, hallmarked Birmingham, a silver wave bangle, hallmarked Sheffield, a white metal sweetheart brooch of a harp and foliate design, stamped 'Sterling silver', a white metal adjustable bangle suspending the Angel of the North charm, a pair of white metal fan drop earrings with decorative blue and green enamel panels, fishhook fittings, a white metal and abalone shell bird brooch, a white metal St.Christopher pendant, a white meal and amber cabochon brooch, etc
Rubaiyat of Omar Khayyam. The First and Fourth Renderings in English Verse by Edward Fitzgerald with Illustrations by Willy Pogany, with dustjacket; The Wild Harp. A Selection from Irish Poetry by Katharine Tynan with Decorations by C.M. Watts. 1908. Arts & Crafts Celtic style binding, title page anClick here to view further images, condition reports, sale times & delivery costs for this lot.
A 41-string pedal harp, by Pilgrim Harps, height 5'Good overall condition with no splits to the sound board or body. The brass mounts are all complete with just some light surface scratches. All pedals are in working order just worn through use. The neck/harmonic curve is straight and not warped. There are 4 small screws running up the inside of the pillar. It comes complete with bag. Serial number to the base DA.318.S.AW.
Sunsparkle on Porthminster mixed media on canvas 80 x 100cm Footnote: Before studying art at Homerton College with Kay Melzi (a pupil of Michael Rothenstein) Elaine studied the harp with David Watkins at the Royal Opera House, and in Paris with Solange Renié-Siguret before receiving a scholarship to go to the Royal Academy of Music. Elaine and her partner Christopher Marvell share their time between their house and studio in St Ives in Cornwall and Cambridge. "To make a painting look simple and spontaneous is difficult. The more I paint the less I need on the canvas. Colours excite me and inspiration comes from the things I love - every objects, souvenirs from travels, patterns, and walking the romantic, wild countryside around our home".
‘LADY PLAYING THE SAUNG’ BY U LUN GYWE (BORN 1930)Oil on canvas. An early work by perhaps the greatest living Burmese painter. Finely painted with a young lady richly adorned in beaded jewelry and wearing fine colorful garments, kneeling on the ground, and playing the saung (Burmese harp) with a cheerful yet focused expression. Framed.Provenance: Collection of LudvÃk Doležal, acquired in Burma during his stay there as an attache between 1970 and 1973, and thence by descent in the same family.Condition: Excellent condition with minor wear.Dimensions: Size incl. frame ca. 62 x 53 cm, Image size 46.5 x 38.5 cmLun Gywe (born 1930) is a Burmese painter who works in oil and watercolor. Outside of Myanmar his work has been exhibited, often in solo shows, in Japan, Korea, China, Australia, the USA and Singapore. He studied under Thet Win and graduated from the Art Institute of Teacher's Training in 1954. He was an instructor at the School of Fine Arts, Yangon, between 1958 and 1979, and principal of the same school from 1977 to 1979. He began painting in a realistic vein, influenced by the major painters of the Rangoon School, Ba Nyan and Thein Han, who was his painting master. Over time, his work became more expressive and today some of it might even be seen as expressionist.Auction result comparison: Compare with a later work by the same artist, depicting a dancing lady, dated 1999, at Sotheby’s Hong Kong in Modern and Contemporary Southeast Asian Art on 6 October 2019, lot 316, sold for HKD 85,000."A noted collector of the work of U LUN GYWE has advised us that the present painting could also be from the hand of U CHIT SWE, who is about 10 years younger than U LUN GYWE. It is therefore sold as the work of either one of these two artists."
Medal: G.A.A., Co. Cork (1947) A silver shield shaped Medal, with pierced centre and rose gold harp central relief surround with Celtic design, the reverse inscribed "Kelleher Shield - 1947 - won by St. Nicholas," hallmarked; together with a cased Church & General National League - Strait Chomortas Naisiunta, gilt metal Medal; also a small bronze Commemorative "G.A.A. Centenary 1884 - 1984" Medal; and a pair of A.I.B. Club Championship Cufflink's, as a lot. (5)
Harbison (Peter) Ireland's Treasures, 5000 Years of Artistic Expression, folio Hong Kong 2004, illus., cloth & d.j.; Harris (Nathaniel) Heritage of Ireland A History of Ireland & Its People, 4to, L. 2006, illus., cloth & d.j.; Heaney (Marie) The Names Upon the Harp, L. (Faber & Faber) 2000, illustrated cloth & d.j.; Morrison (J.) The Irish Civil War, folio L. 1981, illus., cloth & d.j.; Delamer (I.) & O'Brien (C.) 500 Years of Irish Silver, folio, Wicklow 2005, illus., ptd. boards; Ruckenstein (L.) Everything Irish, lg. 8vo, Cork 2004, cloth & d.j.; Aldous (R.) Great Irish Speeches, lg. 8vo, cloth & d.j.; Lysaght (C.) Great Irish Lives, 8vo L. 2008, cloth & d.j., as a lot, wa.f. (8)
Post 1902 Royal Irish Regiment Officers Home Service Helmet Plate, gilt crowned star with laurel wreath and garter. To the centre of the plate is a red felt backing and silvered crowned harp on shamrock wreath. Lower section of the plate has silvered three part scroll with regimental details. Small solder repair to the scroll. Reverse of the plate is fitted with three lug fittings. Some wear to the gilt finish of the plate.
An early 20th Century rosewood cased upright piano, the iron frame over strung movement by C Bechstein 150 cm wide x 59 cm deep x 123 cm high CONDITION REPORTS One key is not working and sveral others are not quite right. As a whole case is a bit rough, there are several pieces of veneer and moulding missing, as well as knocks and bumps through out, scratches and damage to the varnished surface as well as wnat looks to be areas of paint rubbing on it and wear and tear condusive with age and use. See images for more details. In answer to the question "Is the harp iron?" as per the original catalogue description - yes it is indeed iron hence the iron framed overstrung movement.
AN IRISH 'CELTIC REVIVAL' FOUR PIECE SILVER TEA SERVICE, Dublin c.1978, mark of George Bellew & Sons Ltd, comprising: teapot, hot water pot, cream jug and sugar bowl, each decorated in the Celtic Revival pattern and raised on spreading circular foot, the pots with harp finials, (c.47 troy ozs). Teapot 22cm wide over handle and spout
Frederick Rowland Emett (British, 1906-1990): A 1-inch scale model of Emett's masterpiece automaton 'A Quiet Afternoon in the Cloud Cuckoo Valley',English, early 1980's,constructed using paper, card, wire, glue, recycled pencils, plastic beads, cotton wool, wood, and fabric flowers affixed to a shaped wooden base, the model depicting elements from Emett's automaton 'A Quiet Afternoon in the Cloud Cuckoo Valley' which was completed in 1984, the base titled and inscribed in Emett's hand Sketch model. Scale about 1' to 1'. The model depicts the tale of a pleasure trip on the 'Far Tottering and Oyster Creek Railway'; the centre of the creation featuring a train called 'Wild Goose', driven by an ingenious driver who toasts tea-cakes on the fire-box as the train trundles along a raised railway line. At 'Cowparsley Meadow' a farmer plays his harp soothingly to his herd of cows, who nod their heads in appreciation. There is a large water wheel that turns timelessly at 'Far Tottering', its brass cups beaten and misshapen from years of use. In a secluded dell at 'Wisteria Halt', there is a beautiful flowering tree on top of which sits a clock – originally intended as the focal point of the whole piece. At 'Shrimphaven Sands', a fisherman can be seen out at sea, hauling in a net in which, rather surprisingly, he appears to have caught a mermaid. As 'Wild Goose' continues its journey past 'Twittering Woods, an ornithologist is seen cycling along with his camera – he is disguised as a tree. On the beach at 'Oyster Creek', a bathing hut is occupied by an elderly gentleman dressed in full length Victorian swimwear, who dives dramatically into the water from time to time. The model is housed in a Perspex case;overall 29.5in long x 15in wide x 20in high (75cm x 38cm x 51cm); model 24in x 11in (61cm x 28cm)Footnotes:Frederick Rowland Emett OBE (British, B.1906 – D.1990) was a celebrated cartoonist, inventor, designer, engineer and constructor of whimsical kinetic sculpture (automata). Born in London, son of a businessman and amateur inventor, and the grandson of Queen Victoria's engraver, Emett studied art and quickly became one of the most popular cartoonists at Punch Magazine, eventually becoming Cartoon Editor.Many of Emett's cartoons featured outlandish trains and railway scenes of strange bumbling trains with excessively tall chimneys and silly names. These did not go unnoticed and in 1950 the organisers of the 1951 'Festival of Britain' approached him to create a real-life version of his cartoon 'Far Twittering and Oyster Perch Railway' (later renamed 'The Far Tottering and Oyster Creek Railway'). It soon became one of the main attractions at the Festival, carrying over 2 million people around the Festival park and made his reputation as a maker of mechanical 'Things'. This led to numerous commissions by commercial organisations and local authorities, and the ensuing years saw Emett creating many other machines and artworks that have continued to fascinate onlookers for decades. His larger works, such as Emettland, went on extended tours, ending up in prestigious venues such as the Smithsonian Institution. However, his most recognisable pieces (in many people's eyes) are the crazy inventions or 'thingamabobs' of 'Caractacus Potts' (played by Dick Van Dyke) in the 1968 all-time classic movie 'Chitty Chitty Bang Bang'. Originally commissioned as a landmark clock, 'A Quiet Afternoon in the Cloud Cuckoo Valley' was destined to adorn a new shopping area in Basildon, England. But by the time the artwork was completed in 1984, those plans had changed. Instead, it was exhibited at several sites in the UK, before being stolen and then later saved from a scrapyard and returned to its original owner. Bonhams subsequently sold 'A Quiet Afternoon in the Cloud Cuckoo Valley' for a six-figure sum to the National Railway Museum in 2019, for more information see: www.bonhams.com/auctions/25705/lot/1'A Quiet Afternoon in the Cloud Cuckoo Valley' is a perfect example of Emett's whimsical imagination, and is in his own words 'the best and biggest of all his mechanical things'.Provenance:Gifted to the vendor's father who worked with Emett.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A SILVER CIGARETTE CASE, TWO BROOCHES AND TWO POCKET WATCHES, the cigarette case of an engine turn design, opens to reveal a blue elasticated holder, engraved G.N.G initials, hallmarked Birmingham 1925 'S Blanckensee & Son Ltd', approximate dimensions 82.1mm x 68.4mm x 9.2mm, an arts and crafts blue and green enamel brooch hallmarked Chester, rubbed date letter 'Charles Horner', a silver and green stone set harp brooch, hallmarked Birmingham 1906 'William Henry Johnson', approximate gross weight 101.5 grams, together with two ladies open faced pocket watches with each stamped 0.935 Swiss silver marks
After Eileen Gray 'Siren' desk lamp, circular shade with white plastic globe, oval section ribbed column supporting mermaid and harp panel, base with white bakelite on/off switch.height 48cm (19"), diameter 38cm (15")Condition report: Slight dents to shade, gilt metal fittings showing signs of corrosion.
NO RESERVE Ellmann (Richard) James Joyce, 1959 § Ó hEithir (Breandán) Lead Us Into Temptation, signed by the author to front free endpaper, § (Sean) I Remember! I Remember!, 1959 § Tynan (Katharine) The Wild Harp: A Selection from Irish Lyrical Poetry, 1913, first editions, original cloth, last pictorial, a little rubbed, first three with dust-jackets, very lightly bumped to extremities, else clean and crisp; and 16 others, Irish literature, v.s. (20)
Concert Programmes / Tickets, approximately forty concert programmes mainly from the 1980s onwards - several with tickets and mainly in Excellent condition including Queen 'A Kind of Magic' (with Harp Lager insert - with backstage pass and reserve seat stickers on cover - both appear removable with care), Wham - The Big Tour, U2 - Joshua Tree (with envelope and ticket), George Michael - Faith Tour with Ticket, Tina Turner - World Tour 87 with ticket, Kylie Minogue - Enjoy Yourself Tour with ticket, Simple Minds - Real Live Tour with ticket, Dire Straits, Whitney Houston, Spandau Ballet, Diana Ross, Barbara Dickson (some with signatures), Bee Gees and more - mainly very good condition
Various jewellery cufflinks and tokens, to include a Toro harp brooch, a Gillex silver plated pocket watch, various cufflinks, Swimming Association badges, and medallions, a Royal Army ordnance corps Swimming Championship badge, marathon medallion, a Oscar D Parr Reuta empty perfume bottle, various loose chains, etc. (1 tray)
A late 19thC French clock garniture, with mantel clock, on a red marble base with a gilt spleter figure of a maiden with a harp to top titled Harmonie, with a cream coloured floral dial, 8cm wide, eight day chiming movement, on rococo style feet, with two associated candle stand urns, each with four candle points on a Greek style urn with rams heads, on a red marble base with rococo feet, the clock 66cm high, the garnitures 73cm high, with key and pendulum.

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9712 item(s)/page