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A Lladro china figure modelled as a young woman in long dress playing a harp (harp detached).

An early 19th Century ormolu cased mantel clock by S. Marti & Cie, No. 1776 48, the 3ins diameter silvered dial with Roman numerals to the eight day two train movement with silk suspension striking on a bell, contained in ormolu case surmounted by a figure of a woman playing a harp, on rectangular base with bold leaf and C-scroll mounts and bold leaf scroll feet, 19.25ins high

5 cap badges: Queens with title and do. all brass, R Inniskilling flag left, WM R I Rifles, 2 part R.I. Fus harp on ball; a Dorsetshire officer’s bronze cap and pair collars; 5 infantry OR’s caps with lugs: Northumberland Fus, Suffolk, E Surrey, S Lancs and Essex 1st castle; 2 others. GC to VGC (15)

A good scarce post 1902 WM glengarry badge of the North Irish Horse, applied harp to centre. Near VGC Plate 1

Dated 1672 and 1694 AD. William and Mary, 1694. Obvs: jugate busts with GVLIELMVS ET MARIA DEI GRATIA legend. Revs: crowned harp with date at sides with MAG BR FR ET HIB REX ET REGINA legend. 17th century token, Dublin, Mic Wilson, 1672. Obv: Butcher's arms with MIC WILSON OF DVBLIN legend. Rev: St George and dragon with HIS HALFPENY legend and date. S. 6597/Williamson Ireland 416. 15.89 grams total. [3, No Reserve] Fair to fine.

10th-14th century AD. A mixed group comprising: a jaws harp; a lead anchor pendant; a silver bead with filigree; a bronze ram appliqué; a bronze strip with coiled end; a bronze chatelaine with cosmetic spoon and rumbler bell; a flat-section openwork disc brooch with two tongues; a zoomorphic rod finial. Property of a German collector; acquired in the 1990s. 74 grams total, 19-94mm (3/4 - 3 3/4"). [8, No Reserve] Fine condition.

A pair of Edwardian mahogany dining chairs, harp back, boxwood inlay

A harlequin set of eight Waterford crystal champagne flutes; a set of six Waterford hobnail cut rummers; a Waterford crystal paperweight an Irish Harp ; Waterford crystal jug; Webb Corbet bowl; other Waterford crystal; etc

IRISH COINS, Ireland, George III, proof halfpenny, 1805, in bronzed copper, laur. and dr. bust r., rev. HIBERNIA, crowned harp (S.6621), extremely fine, reverse better, possibly an impaired proof With old ticket.

IRISH COINS, Ireland, Philip and Mary, groat, 1558, mm. rose, busts face to face, date divided by crown above, rev. crowned harp divides crowned P and M (S.6501D), struck in good silver, surfaces a little pitted but with strong portraits, a little clipped but very fine or better for issue

SEVENTEENTH CENTURY TOKENS, London, Christ’s Hospital (2): John Bannister, halfpenny, At The Matrons Seller, cripple (W.632), pierced; Sibbil Theame, farthing, Sho Maker (W.634); Church Lane (4): James Hasler, halfpenny, 1669, At The, man on horseback blowing horn (W.635); W.M., farthing, At Ye General Mvnkes Head (W.636); Richard Smith, halfpenny, 1665 (W.638); John Stonyer, farthing, 1658, King David playing harp (W.639); Clare Market and Street (11): Richard Andrews, halfpenny, At The, fountain (W.642); G.I., farthing, ‘57, George Tavern (W.647); Tertullion Lewis, farthing, Salter, salt-box (W.648); Hum Muntt, halfpenny, 1666, Ironmonger, three candlesticks (W.649); Thomas Moger, farthing (W.650); Adam Pearson, halfpenny, In Beare Yard, hat and feather, At Ye Blew Cap (W.651); John Renob, penny, Coffee House (W.652); Georg Sampson, halfpenny, Samson in wig, ass’s jawbone in his hand/still (W.653); George Sampson, farthing, 1664, still (W.654); Ralph Sherwin, halfpenny, 1668, At Swan (W.655); John Walker, halfpenny, 1666, Fishmongers’ Arms (W.656), poor to good fine (17)

IRISH COINS, Ireland, George III, Bank of Ireland, proof six shillings, 1804, laur. bust r., rev. Hibernia std. l. with harp, date beneath (S.6615), in plastic holder, graded by PCGS as Proof 64

SEVENTEENTH CENTURY TOKENS, London, Half Moon Court (2): W.B., farthing, 1648, At The Halfe Moon In The Corte (W.588); S.M., farthing, 1658, At The Halfe Moon In The Corte (W.589); Hammon’s Key, John Sell, halfpenny-size, 1659, At The Hen And Chickins (MD.1311A); Harp Alley, Henry Browne, halfpennies (2 - same dies) (W.1312); Harp Lane, Richard Lomax, farthing, At The Stare, star (W.1313); Hartshorn Lane (3): Richard Maybank, halfpenny, 1667, At The, antlers (MD.1315A); Henry Morrell, halfpenny, 1667, At Ye Lime Wharf (W.1316); I.T., farthing, The Anchor (W.1317); Hatton Garden, Street and Wall (5): Rebecka Negus, farthing, 1657, cock (W.1324); Edward Nutby, farthing, leather cutter (W.1326); Henry Panton, halfpenny, fountain (W.1327 var. [different obverse device]); Richard Shipton, halfpenny, At The Still (W.1330); Matthias Spence, farthing, wall (MD.1331A), poor to nearly very fine (14)

IRISH COINS, Ireland, George III, proof penny, 1805, engrailed edge, laur. and dr. bust r., rev. HIBERNIA, crowned harp, date below (S.6620), in plastic holder, graded by NGC as Proof 63 Brown, rare

SEVENTEENTH CENTURY TOKENS, London, Great Eastcheap (3): I.B., farthing, The Bores Head Taverne (W.1256); Will Curtis, halfpenny, At The, ship (W.1257); John Sapcott, penny, At Ye Boreshed Taverne (W.1259); Great Garden (2): John Wedell, farthings (2), At The, malt shovel (W.1263); Great Queen Street (2): Thomas Greene, halfpenny, At Ye, bust of a queen (W.1264); Thomas Hill, halfpenny, At The, harp (W.1265), pierced; Green Yard (5): Humphrey Eedes, halfpenny, At The, nag’s head (W.1270); Nathaniell Higgins, halfpenny, Butchers’ Arms (W.1271); Francis Leonard, farthing, double-headed eagle (W.1273); Richard Nettelton, halfpenny, bust of Charles II l. (W.1274); Will Payne, halfpenny, At The Black, bull (W.1275), fair to good fine or better (12)

SEVENTEENTH CENTURY TOKENS, London, Long Acre (17): Robert Abbits, farthing, 1659, stocking (W.1775); John Askugh, farthing, 1659, man dipping candles (W.1776); James Aylard, halfpenny, At Ye Globe Tavern (W.1778); James Aylord, farthing, At The, globe (W.1779); James Barbey, farthing, At The, seven stars (W.1780); Martha Churcher, halfpenny, 1667 (W.1783); Martha Churcher, farthing, 1663 (W.1784); Gabriell Crannidge, halfpenny, 1666, man dipping candles (W.1785); Will Edmonds, halfpenny, ‘67, At Ye Globe Tavern (W.1787); Ralph Elrington, farthing, 1657, still (W.1788); Hugh Jackson, halfpenny, At The Golden Lyon (W.1792); Will Jones, halfpenny, 1664, At The Govlden Cock (W.1793); William Naler, farthing, 1654, At The Virginy (W.1796); Will Ralphe, farthing, 1656, Grocer, sugar loaf (W.1800); Richard Redhill, farthing, man dipping candles (W.1801); John Sares, halfpenny, 1664, harrow and harp (W.1802); John Watson, halfpenny, 1669 (W.1805), fair to very fine (17)

A Victorian zither harp

A Holland Alwinckle & Slater silver five piece tea-set comprising of kettle and burner, coffee and tea pots, sugar bowl and cram jug in the art nouveau style with harp shaped ivory handles, acanthus scrolled finials and lion head crests dated London 1903 weighing approx 154.5 troy oz Cream jug has three dents hallmarks slightly rubbed, sugar has four dents, scratching to interior and hallmarks slightly rubbed, teapot five small dents hallmarks slightly rubbed, coffee pot good, kettle fifteen small dents stand possible repair to underside where supports meets the foot all in good condition.

A SHELL CAMEO BROOCH, of two Roman figures in profile, with harp in the foreground with cloud surround

A PAIR OF GODWIN STYLE PAINTED BIBLICAL SAINTS ?, on gilt panels, winged trumpet and harp player with halos, set in gilt gothic domed frames, labels verso CL Romoli 103 dei Sevagli Florence and E. Bindley, Liverpool, each approximately 41cm x 15cm

Large Royal Dux Centrepiece with shell bowl decorated with Sea Nymphs, applied Pink Lozenge stamped 2236, height 47cm Condition – Break to leg and harp, some wear to paint.

An Irish carved bog oak walking cane, decorated with shamrock, a harp and serpent, 89cm

Germany. Weimar. Quartet of Commemorative 3 Reichsmark: Weimar Constitution 10th Anniversary, 1929 A. Head l., rev. Hand with two fingers raised; Graf Zeppelin Flight, 1930 A. Zeppelin across globe; 700th Anniversary of the Death of von der Vogelweide, 1930 A. Figure seated with scroll, harp, sword and shield; Centenary of the Death of Goethe, 1932 A. His portrait l. KM 63, 67, 69, 76. Extremely Fine, the Zeppelin toned About Uncirculated-Uncirculated. (4)

Great Britain. William III (1694-1702). Sixpence, 1697. Third draped bust right, rev. Cruciform Arms, later harp, large crowns. S.3538, KM 496.1. PCGS MS 63.

(x) Great BritainQueen Elizabeth II Issues1972 Christmas7½p. Angel playing Harp, variety ochre omitted, unmounted mint, fine. S.G. 915a, £300 Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

chord harp

Charles I, Halfcrown York Mint, mm, Lion, Gp 2, Type 2G, wt 14.6gm. Reverse :- Plain crown, garniture frosted with punch, harp has 6 strings, see BNJ54, 1984 P225 & Pl 4 for coin from these dies.Flange slightly cup shaped, obverse very slightly off-centre. GVF Ex Coins Galore 2010

A dealers lot to include a Rob Roy Harp Harmonica by Hohner, lucite cigarette case, Acme Boy Scouts Whisyle, binoculars, silk gloves in case, vintage cameras, lighter, wooden box etc

A Sterling silver Irish brooch in the form of a lyre - harp. Together with costume jewellery brooches to include a Sphinx brooch etc and A Disney Watch

A pair of cased pair of Royal Worcester fine bone china. 1960s. Irish Coffee Cups and saucers. Decorated with a Celtic harp in gilt with gilt trim. All presented in the original presentation box and all appearing to be unused.

THREE ALBUMS OF BRITISH COINS, crowns, half crowns, pennies, farthings to include William Third 1st Bust, 1st Harp crown 1695 Bank of England, 1804 Dollar, farthings from 1672 etc

A SMALL BOX OF WORLD COINS, to include a James 1st hammered silver coin, with images OBV-REV counter stamp of Irish Harp etc

A 19th Century maple and gilt Harp inscribed Sebastian and Pierre Eraro's Patent, No 5131, 18 Great Marlborough Street, London, having gilt column with hexagonal capital with figures in niches, 5ft 9in, in need of restringing

Ernest Ibbetson - 'The Regimental Band', the red tunic bearing a Welsh or Irish regimental harp, ranks of foot soldiers in the background, watercolour, possibly produced for the Regimental History and Traditions Series, signed, 22 x 34.5cm approx.

A 19th century carved Cameo brooch, depicting cherub playing a harp, unmarked engraved scrolled gold frame, height 65mm.

A George III silver oval baluster mustard pot by Alexander Field, London 1804, with a ball finial to the domed cover, a moulded harp handle, a rounded thumb piece, the pot with a raised foliate meander band, with a clear glass liner, 9cm (3 1/2in) high, 120g (3.85 oz)

A late Victorian silver oblong baluster twin handled sugar basin, maker's mark worn, Chester 1896, with harp handles, a gadrooned rim, half lobed, engraved with a crest, 15.3cm (6in) long; and a vase shape pepper caster, maker's mark worn, Birmingham 1924, 11cm (4 1/4in) high, 203g (6.5 oz) gross (2)

A Meissen figure of a musician and one similar: the first in the form of a youth pipe player from the set of the 'Revelers' after Kaendler, wearing a blue jacket and striped puce breeches, a dog at his feet, crossed swords mark and incised 2722, 15.5 cm [minor damage]; the other of a young woman playing a harp, on gilt rocaille mound base, crossed swords mark, incised numerals 76, 13.5 cm [2].

A LARGE TWO-HANDLED CUP with a circular bowl, applied moulded girdle & harp-shaped handles, engraved on one side with a coat of arms, resting on an earlier ebonised, turned wooden plinth with applied, inscribed plaques; the cup by William Hutton & Sons, London 1914; 17.5" (44.5 cms) wide overall; 94 oz

A William IV silver snuff box, by Thomas Shaw, Birmingham 1833, rectangular form, engine-turned decoration, foliate borders, inscribed, plus an Irish silver baby's rattle and whistle, marked with a harp and maker's mark possibly JB, with a coral teether and three bells, approx. weight 4oz. (2)

A cased ''Hohner'' Blues Harp'' D

An Irish turned wood needle case, probably bog oak, carved with shamrocks and a harp, 10cm high, and a Mauchline ware needle case, 17cm long

A George V silver lady's card and writing case (marks worn), a George V silver photograph frame (for photos 3cm x 5cm) and a white metal menu holder with swan harp shape

Dresden porcelain figure of a monkey in period dress playing the harp, together with continental porcelain figure group of a cherub feeding a squirrel grapes on oval base. (2)

Early Victorian silhouette, full length portrait of a gentleman holding a top hat, highlighted in gilt, body colour background, 24cm x 14.5cm, maple frame, labelled verso, cut with scissors by W Seville, Ballymena, July 1840, another Victorian silhouette, lady and gentleman, 21cm x 18cm, maple frame, inscribed verso, Joshua and Mary Scholefield uly 1835, another Victorian silhouette, lady with a harp, 27cm x 21.5cm, ebonised reeded frame and another Victorian silhouette, gentleman with an umbrella 27.5cm x 21cm, stained wood frame, (4).

Resin figureen of young woman playing a harp. Condition report: see terms and conditions

OLYMPIA EBONISED NINE BAR AUTO HARP/ZITHER

A COLLECTION OF CLAY PIPES, to include Pollocks, Manchester, Rochester, etc, of various figural, claw, hand and harp decoration (18)

A QUANTITY OF CLAY PIPES, BOWLS, etc, to include figural, harp, foot kicking ball, claw designs, etc (mostly a/f)

A Vic officer’s black PL undress sabretache of The 5th (Royal Irish) Lancers, gilt washed flap badge with crowned harp in motto strap with title scroll and “5” below, on crowned crossed lances, maker’s paper tag of W.S. Carver inside, 11½” x 10” (max), 3 brass suspension dees. Basically GC (PC heavily bubbled).

An Irish turned wood needle case, probably bog oak, carved with shamrocks and a harp, 10cm high, and a Mauchline ware needle case, 17cm long

SILVER DOUBLE ROPE TWIST CHAIN,RIDING CROP DOUBLE HORSESHOE BROOCH,PR OF BAUBLE EARRINGS,FISH BONE PENDANT,IRISH HARP AND HARD STONE SET BROOCH,ETC

Murdoch Mackenzie Chart of East Ireland and the Irish Sea This is the 6th chart in Vol. II of A Maritime Survey of Ireland, published in London in 1776. It is printed on five sheets joined together and has Chart VI in the top right corner.It shows the east coast of Ireland from Greenore, county Wexford, to Coleraine, county Londonderry, and the west coast of Great Britain from mid-Wales to the Mull of Kintyre. The title is in a rococo frame in the left centre, with ships at the quayside, a globe and books, and the symbols of England, Scotland, Ireland and the Isle of Man (rose, thistle, harp and three legs). It reads A General Chart of the Irish Channel by M. Mackenzie senr.. Below the title cartouche is (unframed) A Scale of 10 Leagues, 20 to a Degree of the Meridian 10 [= 161 mm.]. Between the two is Engrav'd by G Terry, 62, Paternoster Row. and below the chart frame is Published as the Act directs Novr. 26th 1775. There are three compass roses showing north to the top, with magnetic variation dated 1760, and scales of latitude on each side. 955 x 1,165 mm.

A George III, circa 1790, Irish sterling silver candle snuffer, with bright-cut bands and pierced motifs, standing on three waisted supports, scissor action, hallmarks struck to the interior of the central section, harp crowned and sponsor's mark, which is partially obscured but possibly for John Stoyte (I.S) see Jackson's page 641, length 18 cm, gross weight 104.1 g / 3.33 ozt approx

JOYCE, JAMES.Ulysses, Shakespeare and Company Paris 1928, bound by Kenny’s in full dark green calf with gilt lettering and harp emblem (spine and front) and date 1928. Inserted in this copy are a photo portrait of James Joyce by Manray (p/c), a mint Irish £10 note with a portrait of James Joyce and a sheet of stamps commemorating Ulysses with a portrait of Joyce (12 stamps).

Cased Millers Auto Harp Erato complete with tuning key

A PAIR OF FAUX TORTOISESHELL SILVER PLATE MOUNTED COASTERS with an inset plaque Harp. 4.5ins diameter.

Square piano by Longman and Broderip, London, circa 1790, the case of mahogany with stained boxwood and holly stringing, the fascia board and cheeks of elm inlaid with floral swags, stained fruitwood and holly stringing with kingwood crossbanding, the five octave keyboard with ivory naturals and ebony accidentals, three brass knob hand stops controlling the damper lift above and below c1 and a harp stop, single action with over-dampers, on framed stand with square-tapered legs, the shelf stretcher absent, inscribed on a rectangular boxwood plaque Longman and Broderip Musical Instrument Makers No.26 Cheapside and No. 13 Haymarket London, Length 155.7cm, width 55.7cm

An early 20th century cameo carved conch shell converted to a table lamp - light raised on wooden plinth. The cameo carved with a maiden playing harp

A contemporary decorative large wooden model of a parrot and a model of a harp (2). CONDITION REPORT: Parrot: height 150cm. Harp: height 103cm, width approx 58cm.